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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #797715 it is the complementary color #8688EA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #797715. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #797715 shade: #7E7710, #8F8923, #A09B36, #B1AD49 and #C2BF5C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #797715. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #797715 shade: #797715, #686502, #575300, #464100 and #352F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #797715 shade: #797715, #795C15, #794115, #792615 and #791515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #797715 shade: #797715, #607915, #457915, #2A7915 and #15791B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #797715 shade matches the following richer shades: #797715 and #848209

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #797715 shade: #797715, #6D6C20, #62612C, #565638 and #4B4B43

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #797715 shade: #794015, #795B15, #797615, #627915 and #477915

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #797715 shade: #333209, #56540F, #797715, #9C991B and #BFBC21

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #797715 shade: #797715, #157926 and #4E1579

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #797715 shade: #797715, #157976 and #761579

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #797715 shade: #797715, #157926, #151879 and #791568

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #797715 shade: #797715, #157944, #151879 and #79154A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 83 / 53

HEX #797715

RGB 121 119 21

HSL 58.8, 0.7%, 0.28%

LAB 48.65, -10.79, 49.23

 

Complementary color

CMYK 43 / 42 / 0 / 8

HEX #8688EA

RGB 134 136 234

HSL 238.8, 0.7%, 0.72%

LAB 60.44, 23.65, -49.87

 

CMYK 0 / 6 / 87 / 51

HEX #7E7710

RGB 126 119 16

HSL 56.18, 0.77%, 0.28%

LAB 49.09, -8.6, 51.19

 

CMYK 0 / 4 / 76 / 44

HEX #8F8923

RGB 143 137 35

HSL 56.67, 0.61%, 0.35%

LAB 55.94, -9.86, 51.89

 

CMYK 0 / 3 / 66 / 37

HEX #A09B36

RGB 160 155 54

HSL 57.17, 0.5%, 0.42%

LAB 62.66, -10.84, 51.54

 

CMYK 0 / 2 / 59 / 31

HEX #B1AD49

RGB 177 173 73

HSL 57.69, 0.42%, 0.49%

LAB 69.27, -11.63, 50.69

 

CMYK 0 / 2 / 53 / 24

HEX #C2BF5C

RGB 194 191 92

HSL 58.24, 0.46%, 0.56%

LAB 75.76, -12.26, 49.63

 

CMYK 0 / 2 / 83 / 53

HEX #797715

RGB 121 119 21

HSL 58.8, 0.7%, 0.28%

LAB 48.65, -10.79, 49.23

 

CMYK 0 / 3 / 98 / 59

HEX #686502

RGB 104 101 2

HSL 58.24, 0.96%, 0.21%

LAB 41.62, -9.41, 47.68

 

CMYK 0 / 5 / 100 / 66

HEX #575300

RGB 87 83 0

HSL 57.24, 1%, 0.17%

LAB 34.42, -7.52, 42.24

 

CMYK 0 / 7 / 100 / 73

HEX #464100

RGB 70 65 0

HSL 55.71, 1%, 0.14%

LAB 26.97, -5.46, 35.8

 

CMYK 0 / 11 / 100 / 79

HEX #352F00

RGB 53 47 0

HSL 53.21, 1%, 0.1%

LAB 19.18, -3.25, 27.24

 

CMYK 0 / 2 / 83 / 53

HEX #797715

RGB 121 119 21

HSL 58.8, 0.7%, 0.28%

LAB 48.65, -10.79, 49.23

 

CMYK 0 / 24 / 83 / 53

HEX #795C15

RGB 121 92 21

HSL 42.6, 0.7%, 0.28%

LAB 40.85, 4.71, 42.28

 

CMYK 0 / 46 / 83 / 53

HEX #794115

RGB 121 65 21

HSL 26.4, 0.7%, 0.28%

LAB 33.77, 20.8, 35.71

 

CMYK 0 / 69 / 83 / 53

HEX #792615

RGB 121 38 21

HSL 10.2, 0.7%, 0.28%

LAB 28.13, 35.24, 30.22

 

CMYK 0 / 83 / 83 / 53

HEX #791515

RGB 121 21 21

HSL 0, 0.7%, 0.28%

LAB 25.73, 41.86, 27.8

 

CMYK 0 / 2 / 83 / 53

HEX #797715

RGB 121 119 21

HSL 58.8, 0.7%, 0.28%

LAB 48.65, -10.79, 49.23

 

CMYK 21 / 0 / 83 / 53

HEX #607915

RGB 96 121 21

HSL 75, 0.7%, 0.28%

LAB 47.26, -23.25, 47.23

 

CMYK 43 / 0 / 83 / 53

HEX #457915

RGB 69 121 21

HSL 91.2, 0.7%, 0.28%

LAB 45.63, -34.18, 45.14

 

CMYK 65 / 0 / 83 / 53

HEX #2A7915

RGB 42 121 21

HSL 107.4, 0.7%, 0.28%

LAB 44.55, -42.53, 43.74

 

CMYK 83 / 0 / 78 / 53

HEX #15791B

RGB 21 121 27

HSL 123.6, 0.7%, 0.28%

LAB 44.11, -46.12, 41.06

 

CMYK 0 / 2 / 83 / 53

HEX #797715

RGB 121 119 21

HSL 58.8, 0.7%, 0.28%

LAB 48.65, -10.79, 49.23

 

CMYK 0 / 2 / 93 / 48

HEX #848209

RGB 132 130 9

HSL 59.02, 0.87%, 0.28%

LAB 52.83, -11.97, 55.9

 

CMYK 0 / 2 / 83 / 53

HEX #797715

RGB 121 119 21

HSL 58.8, 0.7%, 0.28%

LAB 48.65, -10.79, 49.23

 

CMYK 0 / 1 / 71 / 57

HEX #6D6C20

RGB 109 108 32

HSL 59.22, 0.55%, 0.28%

LAB 44.35, -9.78, 40.73

 

CMYK 0 / 1 / 55 / 62

HEX #62612C

RGB 98 97 44

HSL 58.89, 0.38%, 0.28%

LAB 40.13, -7.74, 29.98

 

CMYK 0 / 0 / 35 / 66

HEX #565638

RGB 86 86 56

HSL 60, 0.21%, 0.28%

LAB 35.83, -5.38, 17.51

 

CMYK 0 / 0 / 11 / 71

HEX #4B4B43

RGB 75 75 67

HSL 60, 0.06%, 0.28%

LAB 31.65, -1.67, 4.77

 

CMYK 0 / 47 / 83 / 53

HEX #794015

RGB 121 64 21

HSL 25.8, 0.7%, 0.28%

LAB 33.53, 21.38, 35.48

 

CMYK 0 / 25 / 83 / 53

HEX #795B15

RGB 121 91 21

HSL 42, 0.7%, 0.28%

LAB 40.58, 5.3, 42.03

 

CMYK 0 / 2 / 83 / 53

HEX #797615

RGB 121 118 21

HSL 58.2, 0.7%, 0.28%

LAB 48.36, -10.24, 48.97

 

CMYK 19 / 0 / 83 / 53

HEX #627915

RGB 98 121 21

HSL 73.8, 0.7%, 0.28%

LAB 47.4, -22.37, 47.41

 

CMYK 41 / 0 / 83 / 53

HEX #477915

RGB 71 121 21

HSL 90, 0.7%, 0.28%

LAB 45.73, -33.45, 45.27

 

CMYK 0 / 2 / 82 / 80

HEX #333209

RGB 51 50 9

HSL 58.57, 0.7%, 0.12%

LAB 20.06, -5.66, 24.53

 

CMYK 0 / 2 / 83 / 66

HEX #56540F

RGB 86 84 15

HSL 58.31, 0.7%, 0.2%

LAB 34.71, -8.05, 37.54

 

CMYK 0 / 2 / 83 / 53

HEX #797715

RGB 121 119 21

HSL 58.8, 0.7%, 0.28%

LAB 48.65, -10.79, 49.23

 

CMYK 0 / 2 / 83 / 39

HEX #9C991B

RGB 156 153 27

HSL 58.6, 0.7%, 0.36%

LAB 61.59, -12.82, 59.94

 

CMYK 0 / 2 / 83 / 25

HEX #BFBC21

RGB 191 188 33

HSL 58.86, 0.71%, 0.44%

LAB 74.29, -15.28, 70.37

 

CMYK 0 / 2 / 83 / 53

HEX #797715

RGB 121 119 21

HSL 58.8, 0.7%, 0.28%

LAB 48.65, -10.79, 49.23

 

CMYK 83 / 0 / 69 / 53

HEX #157926

RGB 21 121 38

HSL 130.2, 0.7%, 0.28%

LAB 44.2, -45.04, 36.56

 

CMYK 36 / 83 / 0 / 53

HEX #4E1579

RGB 78 21 121

HSL 274.2, 0.7%, 0.28%

LAB 22.08, 44.07, -44.95

 

CMYK 0 / 2 / 83 / 53

HEX #797715

RGB 121 119 21

HSL 58.8, 0.7%, 0.28%

LAB 48.65, -10.79, 49.23

 

CMYK 83 / 0 / 2 / 53

HEX #157976

RGB 21 121 118

HSL 178.2, 0.7%, 0.28%

LAB 45.83, -27.22, -6.16

 

CMYK 2 / 83 / 0 / 53

HEX #761579

RGB 118 21 121

HSL 298.2, 0.7%, 0.28%

LAB 28.82, 51.87, -33.72

 

CMYK 0 / 2 / 83 / 53

HEX #797715

RGB 121 119 21

HSL 58.8, 0.7%, 0.28%

LAB 48.65, -10.79, 49.23

 

CMYK 83 / 0 / 69 / 53

HEX #157926

RGB 21 121 38

HSL 130.2, 0.7%, 0.28%

LAB 44.2, -45.04, 36.56

 

CMYK 83 / 80 / 0 / 53

HEX #151879

RGB 21 24 121

HSL 238.2, 0.7%, 0.28%

LAB 16.47, 35.21, -54.38

 

CMYK 0 / 83 / 14 / 53

HEX #791568

RGB 121 21 104

HSL 310.2, 0.7%, 0.28%

LAB 28.38, 49.76, -23.49

 

CMYK 0 / 2 / 83 / 53

HEX #797715

RGB 121 119 21

HSL 58.8, 0.7%, 0.28%

LAB 48.65, -10.79, 49.23

 

CMYK 83 / 0 / 44 / 53

HEX #157944

RGB 21 121 68

HSL 148.2, 0.7%, 0.28%

LAB 44.59, -40.33, 21.45

 

CMYK 83 / 80 / 0 / 53

HEX #151879

RGB 21 24 121

HSL 238.2, 0.7%, 0.28%

LAB 16.47, 35.21, -54.38

 

CMYK 0 / 83 / 39 / 53

HEX #79154A

RGB 121 21 74

HSL 328.2, 0.7%, 0.28%

LAB 27.01, 45.77, -5.85

 

Description

Color code: HEX #797715 | qconv.com Color code: HEX #797715 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 119 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 119 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 83 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 83% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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