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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #796298 it is the complementary color #869D67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #796298. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #796298 shade: #7E6293, #8F74A6, #A086B9, #B198CC and #C2AADF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #796298. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #796298 shade: #796298, #685085, #573E72, #462C5F and #351A4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #796298 shade: #786198, #876198, #966198, #98618B and #98617C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #796298 shade: #786198, #6A6198 and #616198

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #796298 shade matches the following richer shades: #786198, #754DAC, #7239C0, #6F24D5 and #6C10E9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #796298 shade: #786198, #7B7584, #7E8970, #819E5B and #84B247

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #796298 shade: #616798, #696198, #786198, #876198 and #956198

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #796298 shade: #504166, #64517F, #786198, #8E79A9 and #A392B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #796298 shade: #796298, #986176 and #619862

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #796298 shade: #796298, #987861 and #619878

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #796298 shade: #796298, #986176, #819861 and #619883

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #796298 shade: #796298, #986166, #819861 and #619893

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 36 / 0 / 40

HEX #796298

RGB 121 98 152

HSL 265.56, 0.22%, 0.49%

LAB 45.73, 20.65, -26.09

 

Complementary color

CMYK 15 / 0 / 34 / 38

HEX #869D67

RGB 134 157 103

HSL 85.56, 0.22%, 0.51%

LAB 61.79, -17.82, 25.65

 

CMYK 14 / 33 / 0 / 42

HEX #7E6293

RGB 126 98 147

HSL 274.29, 0.2%, 0.48%

LAB 46.01, 21.1, -22.63

 

CMYK 14 / 30 / 0 / 35

HEX #8F74A6

RGB 143 116 166

HSL 272.4, 0.22%, 0.55%

LAB 53.04, 20.43, -22.83

 

CMYK 14 / 28 / 0 / 27

HEX #A086B9

RGB 160 134 185

HSL 270.59, 0.27%, 0.63%

LAB 59.91, 19.82, -23.04

 

CMYK 13 / 25 / 0 / 20

HEX #B198CC

RGB 177 152 204

HSL 268.85, 0.34%, 0.7%

LAB 66.64, 19.27, -23.27

 

CMYK 13 / 24 / 0 / 13

HEX #C2AADF

RGB 194 170 223

HSL 267.17, 0.45%, 0.77%

LAB 73.25, 18.77, -23.51

 

CMYK 20 / 36 / 0 / 40

HEX #796298

RGB 121 98 152

HSL 265.56, 0.22%, 0.49%

LAB 45.73, 20.65, -26.09

 

CMYK 22 / 40 / 0 / 48

HEX #685085

RGB 104 80 133

HSL 267.17, 0.25%, 0.42%

LAB 38.51, 21.43, -26.02

 

CMYK 24 / 46 / 0 / 55

HEX #573E72

RGB 87 62 114

HSL 268.85, 0.3%, 0.35%

LAB 31.08, 22.31, -25.99

 

CMYK 26 / 54 / 0 / 63

HEX #462C5F

RGB 70 44 95

HSL 270.59, 0.37%, 0.27%

LAB 23.44, 23.31, -25.98

 

CMYK 30 / 66 / 0 / 70

HEX #351A4C

RGB 53 26 76

HSL 272.4, 0.49%, 0.2%

LAB 15.58, 24.36, -25.91

 

CMYK 21 / 36 / 0 / 40

HEX #786198

RGB 120 97 152

HSL 265.09, 0.22%, 0.49%

LAB 45.37, 20.93, -26.65

 

CMYK 11 / 36 / 0 / 40

HEX #876198

RGB 135 97 152

HSL 281.45, 0.22%, 0.49%

LAB 46.93, 25.81, -24.1

 

CMYK 1 / 36 / 0 / 40

HEX #966198

RGB 150 97 152

HSL 297.82, 0.22%, 0.49%

LAB 48.64, 30.79, -21.33

 

CMYK 0 / 36 / 9 / 40

HEX #98618B

RGB 152 97 139

HSL 314.18, 0.22%, 0.49%

LAB 48.37, 28.99, -14

 

CMYK 0 / 36 / 18 / 40

HEX #98617C

RGB 152 97 124

HSL 330.55, 0.22%, 0.49%

LAB 47.85, 26.37, -5.81

 

CMYK 21 / 36 / 0 / 40

HEX #786198

RGB 120 97 152

HSL 265.09, 0.22%, 0.49%

LAB 45.37, 20.93, -26.65

 

CMYK 30 / 36 / 0 / 40

HEX #6A6198

RGB 106 97 152

HSL 249.82, 0.22%, 0.49%

LAB 44.06, 16.54, -28.79

 

CMYK 36 / 36 / 0 / 40

HEX #616198

RGB 97 97 152

HSL 240, 0.22%, 0.49%

LAB 43.3, 13.84, -30.04

 

CMYK 21 / 36 / 0 / 40

HEX #786198

RGB 120 97 152

HSL 265.09, 0.22%, 0.49%

LAB 45.37, 20.93, -26.65

 

CMYK 32 / 55 / 0 / 33

HEX #754DAC

RGB 117 77 172

HSL 265.26, 0.38%, 0.49%

LAB 41.32, 37.02, -44.93

 

CMYK 41 / 70 / 0 / 25

HEX #7239C0

RGB 114 57 192

HSL 265.33, 0.54%, 0.49%

LAB 38.39, 52.24, -61.46

 

CMYK 48 / 83 / 0 / 16

HEX #6F24D5

RGB 111 36 213

HSL 265.42, 0.71%, 0.49%

LAB 36.83, 65.65, -76.24

 

CMYK 54 / 93 / 0 / 9

HEX #6C10E9

RGB 108 16 233

HSL 265.44, 0.87%, 0.49%

LAB 36.82, 74.96, -87.73

 

CMYK 21 / 36 / 0 / 40

HEX #786198

RGB 120 97 152

HSL 265.09, 0.22%, 0.49%

LAB 45.37, 20.93, -26.65

 

CMYK 7 / 11 / 0 / 48

HEX #7B7584

RGB 123 117 132

HSL 264, 0.06%, 0.49%

LAB 50.22, 5.37, -7.37

 

CMYK 8 / 0 / 18 / 46

HEX #7E8970

RGB 126 137 112

HSL 86.4, 0.1%, 0.49%

LAB 55.58, -8.81, 12.07

 

CMYK 18 / 0 / 42 / 38

HEX #819E5B

RGB 129 158 91

HSL 85.97, 0.27%, 0.49%

LAB 61.55, -21.92, 31.7

 

CMYK 26 / 0 / 60 / 30

HEX #84B247

RGB 132 178 71

HSL 85.79, 0.43%, 0.49%

LAB 67.43, -32.66, 48.65

 

CMYK 36 / 32 / 0 / 40

HEX #616798

RGB 97 103 152

HSL 233.45, 0.22%, 0.49%

LAB 44.95, 10.13, -27.45

 

CMYK 31 / 36 / 0 / 40

HEX #696198

RGB 105 97 152

HSL 248.73, 0.22%, 0.49%

LAB 43.97, 16.23, -28.93

 

CMYK 21 / 36 / 0 / 40

HEX #786198

RGB 120 97 152

HSL 265.09, 0.22%, 0.49%

LAB 45.37, 20.93, -26.65

 

CMYK 11 / 36 / 0 / 40

HEX #876198

RGB 135 97 152

HSL 281.45, 0.22%, 0.49%

LAB 46.93, 25.81, -24.1

 

CMYK 2 / 36 / 0 / 40

HEX #956198

RGB 149 97 152

HSL 296.73, 0.22%, 0.49%

LAB 48.52, 30.46, -21.52

 

CMYK 22 / 36 / 0 / 60

HEX #504166

RGB 80 65 102

HSL 264.32, 0.22%, 0.33%

LAB 30.51, 14.91, -19.33

 

CMYK 21 / 36 / 0 / 50

HEX #64517F

RGB 100 81 127

HSL 264.78, 0.22%, 0.41%

LAB 38.07, 17.98, -23.06

 

CMYK 21 / 36 / 0 / 40

HEX #786198

RGB 120 97 152

HSL 265.09, 0.22%, 0.49%

LAB 45.37, 20.93, -26.65

 

CMYK 16 / 28 / 0 / 34

HEX #8E79A9

RGB 142 121 169

HSL 266.25, 0.22%, 0.57%

LAB 54.33, 17.85, -22.58

 

CMYK 12 / 21 / 0 / 27

HEX #A392B9

RGB 163 146 185

HSL 266.15, 0.22%, 0.65%

LAB 63.22, 13.97, -17.97

 

CMYK 20 / 36 / 0 / 40

HEX #796298

RGB 121 98 152

HSL 265.56, 0.22%, 0.49%

LAB 45.73, 20.65, -26.09

 

CMYK 0 / 36 / 22 / 40

HEX #986176

RGB 152 97 118

HSL 337.09, 0.22%, 0.49%

LAB 47.67, 25.4, -2.48

 

CMYK 36 / 0 / 36 / 40

HEX #619862

RGB 97 152 98

HSL 121.09, 0.22%, 0.49%

LAB 57.92, -29.59, 22.84

 

CMYK 20 / 36 / 0 / 40

HEX #796298

RGB 121 98 152

HSL 265.56, 0.22%, 0.49%

LAB 45.73, 20.65, -26.09

 

CMYK 0 / 21 / 36 / 40

HEX #987861

RGB 152 120 97

HSL 25.09, 0.22%, 0.49%

LAB 52.92, 9.11, 17.38

 

CMYK 36 / 0 / 21 / 40

HEX #619878

RGB 97 152 120

HSL 145.09, 0.22%, 0.49%

LAB 58.37, -25.43, 11.18

 

CMYK 20 / 36 / 0 / 40

HEX #796298

RGB 121 98 152

HSL 265.56, 0.22%, 0.49%

LAB 45.73, 20.65, -26.09

 

CMYK 0 / 36 / 22 / 40

HEX #986176

RGB 152 97 118

HSL 337.09, 0.22%, 0.49%

LAB 47.67, 25.4, -2.48

 

CMYK 15 / 0 / 36 / 40

HEX #819861

RGB 129 152 97

HSL 85.09, 0.22%, 0.49%

LAB 59.88, -18.03, 26.33

 

CMYK 36 / 0 / 14 / 40

HEX #619883

RGB 97 152 131

HSL 157.09, 0.22%, 0.49%

LAB 58.64, -23.06, 5.33

 

CMYK 20 / 36 / 0 / 40

HEX #796298

RGB 121 98 152

HSL 265.56, 0.22%, 0.49%

LAB 45.73, 20.65, -26.09

 

CMYK 0 / 36 / 33 / 40

HEX #986166

RGB 152 97 102

HSL 354.55, 0.22%, 0.49%

LAB 47.22, 23.03, 6.48

 

CMYK 15 / 0 / 36 / 40

HEX #819861

RGB 129 152 97

HSL 85.09, 0.22%, 0.49%

LAB 59.88, -18.03, 26.33

 

CMYK 36 / 0 / 3 / 40

HEX #619893

RGB 97 152 147

HSL 174.55, 0.22%, 0.49%

LAB 59.07, -19.29, -3.13

 

Description

Color code: HEX #796298 | qconv.com Color code: HEX #796298 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 98 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 98 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 36 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 36% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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