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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #79671E it is the complementary color #8698E1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #79671E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #79671E shade: #7E6719, #8F792C, #A08B3F, #B19D52 and #C2AF65

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #79671E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #79671E shade: #79671E, #68550B, #574300, #463100 and #351F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #79671E shade: #7A681E, #7A4F1E, #7A361E and #7A1E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #79671E shade: #7A681E, #737A1E, #5B7A1E, #427A1E and #297A1E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #79671E shade matches the following richer shades: #7A681E, #866F12 and #937705

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #79671E shade: #7A681E, #6E602A, #615937, #555143 and #484A50

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #79671E shade: #7A371E, #7A4F1E, #7A681E, #747A1E and #5B7A1E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #79671E shade: #38300E, #594C16, #7A681E, #9B8426 and #BCA02F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #79671E shade: #79671E, #1E7A1E and #431E7A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #79671E shade: #79671E, #1E7A68 and #681E7A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #79671E shade: #79671E, #1E7A1E, #1E307A and #7A1E7A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #79671E shade: #79671E, #1E7A3A, #1E307A and #7A1E5E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 75 / 53

HEX #79671E

RGB 121 103 30

HSL 48.13, 0.6%, 0.3%

LAB 44.03, -1.34, 41.65

 

Complementary color

CMYK 40 / 32 / 0 / 12

HEX #8698E1

RGB 134 152 225

HSL 228.13, 0.6%, 0.7%

LAB 64.13, 11.8, -39.08

 

CMYK 0 / 18 / 80 / 51

HEX #7E6719

RGB 126 103 25

HSL 46.34, 0.67%, 0.3%

LAB 44.53, 0.82, 44.33

 

CMYK 0 / 15 / 69 / 44

HEX #8F792C

RGB 143 121 44

HSL 46.67, 0.53%, 0.37%

LAB 51.49, -0.52, 43.79

 

CMYK 0 / 13 / 61 / 37

HEX #A08B3F

RGB 160 139 63

HSL 47.01, 0.43%, 0.44%

LAB 58.32, -1.58, 42.72

 

CMYK 0 / 11 / 54 / 31

HEX #B19D52

RGB 177 157 82

HSL 47.37, 0.38%, 0.51%

LAB 65.02, -2.43, 41.49

 

CMYK 0 / 10 / 48 / 24

HEX #C2AF65

RGB 194 175 101

HSL 47.74, 0.43%, 0.58%

LAB 71.6, -3.13, 40.22

 

CMYK 0 / 15 / 75 / 53

HEX #79671E

RGB 121 103 30

HSL 48.13, 0.6%, 0.3%

LAB 44.03, -1.34, 41.65

 

CMYK 0 / 18 / 89 / 59

HEX #68550B

RGB 104 85 11

HSL 47.74, 0.81%, 0.23%

LAB 36.86, 0.19, 41.47

 

CMYK 0 / 23 / 100 / 66

HEX #574300

RGB 87 67 0

HSL 46.21, 1%, 0.17%

LAB 29.51, 2.21, 38.69

 

CMYK 0 / 30 / 100 / 73

HEX #463100

RGB 70 49 0

HSL 42, 1%, 0.14%

LAB 21.94, 4.76, 30.9

 

CMYK 0 / 42 / 100 / 79

HEX #351F00

RGB 53 31 0

HSL 35.09, 1%, 0.1%

LAB 14.04, 7.58, 20.89

 

CMYK 0 / 15 / 75 / 52

HEX #7A681E

RGB 122 104 30

HSL 48.26, 0.61%, 0.3%

LAB 44.42, -1.44, 42.07

 

CMYK 0 / 35 / 75 / 52

HEX #7A4F1E

RGB 122 79 30

HSL 31.96, 0.61%, 0.3%

LAB 37.52, 13.37, 35.12

 

CMYK 0 / 56 / 75 / 52

HEX #7A361E

RGB 122 54 30

HSL 15.65, 0.61%, 0.3%

LAB 31.51, 27.91, 28.71

 

CMYK 0 / 75 / 75 / 52

HEX #7A1E1E

RGB 122 30 30

HSL 0, 0.61%, 0.3%

LAB 27.19, 39.4, 23.85

 

CMYK 0 / 15 / 75 / 52

HEX #7A681E

RGB 122 104 30

HSL 48.26, 0.61%, 0.3%

LAB 44.42, -1.44, 42.07

 

CMYK 6 / 0 / 75 / 52

HEX #737A1E

RGB 115 122 30

HSL 64.57, 0.61%, 0.3%

LAB 49.08, -14.8, 46.36

 

CMYK 25 / 0 / 75 / 52

HEX #5B7A1E

RGB 91 122 30

HSL 80.22, 0.61%, 0.3%

LAB 47.28, -25.42, 44.01

 

CMYK 46 / 0 / 75 / 52

HEX #427A1E

RGB 66 122 30

HSL 96.52, 0.61%, 0.3%

LAB 45.87, -35.11, 42.13

 

CMYK 66 / 0 / 75 / 52

HEX #297A1E

RGB 41 122 30

HSL 112.83, 0.61%, 0.3%

LAB 44.92, -42.48, 40.86

 

CMYK 0 / 15 / 75 / 52

HEX #7A681E

RGB 122 104 30

HSL 48.26, 0.61%, 0.3%

LAB 44.42, -1.44, 42.07

 

CMYK 0 / 17 / 87 / 47

HEX #866F12

RGB 134 111 18

HSL 48.1, 0.76%, 0.3%

LAB 47.6, -0.23, 49.72

 

CMYK 0 / 19 / 97 / 42

HEX #937705

RGB 147 119 5

HSL 48.17, 0.93%, 0.3%

LAB 51.16, 1.1, 56.02

 

CMYK 0 / 15 / 75 / 52

HEX #7A681E

RGB 122 104 30

HSL 48.26, 0.61%, 0.3%

LAB 44.42, -1.44, 42.07

 

CMYK 0 / 13 / 62 / 57

HEX #6E602A

RGB 110 96 42

HSL 47.65, 0.45%, 0.3%

LAB 40.97, -1.68, 32.33

 

CMYK 0 / 8 / 43 / 62

HEX #615937

RGB 97 89 55

HSL 48.57, 0.28%, 0.3%

LAB 37.77, -2.28, 20.84

 

CMYK 0 / 5 / 21 / 67

HEX #555143

RGB 85 81 67

HSL 46.67, 0.12%, 0.3%

LAB 34.44, -1.05, 8.84

 

CMYK 10 / 7 / 0 / 69

HEX #484A50

RGB 72 74 80

HSL 225, 0.05%, 0.3%

LAB 31.47, 0.57, -3.85

 

CMYK 0 / 55 / 75 / 52

HEX #7A371E

RGB 122 55 30

HSL 16.3, 0.61%, 0.3%

LAB 31.72, 27.36, 28.95

 

CMYK 0 / 35 / 75 / 52

HEX #7A4F1E

RGB 122 79 30

HSL 31.96, 0.61%, 0.3%

LAB 37.52, 13.37, 35.12

 

CMYK 0 / 15 / 75 / 52

HEX #7A681E

RGB 122 104 30

HSL 48.26, 0.61%, 0.3%

LAB 44.42, -1.44, 42.07

 

CMYK 5 / 0 / 75 / 52

HEX #747A1E

RGB 116 122 30

HSL 63.91, 0.61%, 0.3%

LAB 49.16, -14.34, 46.47

 

CMYK 25 / 0 / 75 / 52

HEX #5B7A1E

RGB 91 122 30

HSL 80.22, 0.61%, 0.3%

LAB 47.28, -25.42, 44.01

 

CMYK 0 / 14 / 75 / 78

HEX #38300E

RGB 56 48 14

HSL 48.57, 0.6%, 0.14%

LAB 19.99, -1.31, 22.36

 

CMYK 0 / 15 / 75 / 65

HEX #594C16

RGB 89 76 22

HSL 48.36, 0.6%, 0.22%

LAB 32.59, -1.38, 32.67

 

CMYK 0 / 15 / 75 / 52

HEX #7A681E

RGB 122 104 30

HSL 48.26, 0.61%, 0.3%

LAB 44.42, -1.44, 42.07

 

CMYK 0 / 15 / 75 / 39

HEX #9B8426

RGB 155 132 38

HSL 48.21, 0.61%, 0.38%

LAB 55.7, -1.49, 50.93

 

CMYK 0 / 15 / 75 / 26

HEX #BCA02F

RGB 188 160 47

HSL 48.09, 0.6%, 0.46%

LAB 66.55, -1.5, 59.04

 

CMYK 0 / 15 / 75 / 53

HEX #79671E

RGB 121 103 30

HSL 48.13, 0.6%, 0.3%

LAB 44.03, -1.34, 41.65

 

CMYK 75 / 0 / 75 / 52

HEX #1E7A1E

RGB 30 122 30

HSL 120, 0.61%, 0.3%

LAB 44.64, -44.78, 40.49

 

CMYK 45 / 75 / 0 / 52

HEX #431E7A

RGB 67 30 122

HSL 264.13, 0.61%, 0.3%

LAB 22.04, 38.29, -45.7

 

CMYK 0 / 15 / 75 / 53

HEX #79671E

RGB 121 103 30

HSL 48.13, 0.6%, 0.3%

LAB 44.03, -1.34, 41.65

 

CMYK 75 / 0 / 15 / 52

HEX #1E7A68

RGB 30 122 104

HSL 168.26, 0.61%, 0.3%

LAB 45.9, -30.82, 2.29

 

CMYK 15 / 75 / 0 / 52

HEX #681E7A

RGB 104 30 122

HSL 288.26, 0.61%, 0.3%

LAB 27.51, 46.01, -36.59

 

CMYK 0 / 15 / 75 / 53

HEX #79671E

RGB 121 103 30

HSL 48.13, 0.6%, 0.3%

LAB 44.03, -1.34, 41.65

 

CMYK 75 / 0 / 75 / 52

HEX #1E7A1E

RGB 30 122 30

HSL 120, 0.61%, 0.3%

LAB 44.64, -44.78, 40.49

 

CMYK 75 / 61 / 0 / 52

HEX #1E307A

RGB 30 48 122

HSL 228.26, 0.61%, 0.3%

LAB 22.98, 20.63, -44.31

 

CMYK 0 / 75 / 0 / 52

HEX #7A1E7A

RGB 122 30 122

HSL 300, 0.61%, 0.3%

LAB 30.57, 50.12, -31.52

 

CMYK 0 / 15 / 75 / 53

HEX #79671E

RGB 121 103 30

HSL 48.13, 0.6%, 0.3%

LAB 44.03, -1.34, 41.65

 

CMYK 75 / 0 / 52 / 52

HEX #1E7A3A

RGB 30 122 58

HSL 138.26, 0.61%, 0.3%

LAB 44.94, -41.22, 27.45

 

CMYK 75 / 61 / 0 / 52

HEX #1E307A

RGB 30 48 122

HSL 228.26, 0.61%, 0.3%

LAB 22.98, 20.63, -44.31

 

CMYK 0 / 75 / 23 / 52

HEX #7A1E5E

RGB 122 30 94

HSL 318.26, 0.61%, 0.3%

LAB 29.09, 45.63, -15.88

 

Description

Color code: HEX #79671E | qconv.com Color code: HEX #79671E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 103 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 103 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 75 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 75% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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