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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7952CF it is the complementary color #86AD30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7952CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7952CF shade: #7E52CA, #8F64DD, #A076F0, #B188FF and #C29AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7952CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7952CF shade: #7952CF, #6840BC, #572EA9, #461C96 and #350A83

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7952CF shade: #7952CF, #9B52CF, #BD52CF, #CF52C0 and #CF529F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7952CF shade: #7952CF, #5852CF and #5252CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7952CF shade matches the following richer shades: #7952CF, #7341E1 and #6C2FF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7952CF shade: #7952CF, #8064BE, #8776AC, #8D889A and #949988

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7952CF shade: #5270CF, #5752CF, #7852CF, #9952CF and #BB52CF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7952CF shade: #512CA3, #6135C3, #7952CF, #9273D8 and #AB93E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7952CF shade: #7952CF, #CF5291 and #5FCF52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7952CF shade: #7952CF, #CF7852 and #52CF78

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7952CF shade: #7952CF, #CF5291, #AACF52 and #52CF91

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7952CF shade: #7952CF, #CF526B, #AACF52 and #52CFB6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 60 / 0 / 19

HEX #7952CF

RGB 121 82 207

HSL 258.72, 0.57%, 0.57%

LAB 45.09, 44.45, -59.26

 

Complementary color

CMYK 23 / 0 / 72 / 32

HEX #86AD30

RGB 134 173 48

HSL 78.72, 0.57%, 0.43%

LAB 65.88, -31.26, 56.54

 

CMYK 38 / 59 / 0 / 21

HEX #7E52CA

RGB 126 82 202

HSL 262, 0.53%, 0.56%

LAB 45.27, 44.21, -56.07

 

CMYK 35 / 55 / 0 / 13

HEX #8F64DD

RGB 143 100 221

HSL 261.32, 0.64%, 0.63%

LAB 52.03, 43.11, -55.95

 

CMYK 33 / 51 / 0 / 6

HEX #A076F0

RGB 160 118 240

HSL 260.66, 0.8%, 0.7%

LAB 58.72, 42.05, -55.81

 

CMYK 31 / 47 / 0 / 0

HEX #B188FF

RGB 177 136 255

HSL 260.67, 1%, 0.77%

LAB 65.1, 40.08, -53.82

 

CMYK 24 / 40 / 0 / 0

HEX #C29AFF

RGB 194 154 255

HSL 263.76, 1%, 0.8%

LAB 70.73, 34.71, -44.83

 

CMYK 42 / 60 / 0 / 19

HEX #7952CF

RGB 121 82 207

HSL 258.72, 0.57%, 0.57%

LAB 45.09, 44.45, -59.26

 

CMYK 45 / 66 / 0 / 26

HEX #6840BC

RGB 104 64 188

HSL 259.35, 0.49%, 0.49%

LAB 38.27, 45.67, -59.36

 

CMYK 49 / 73 / 0 / 34

HEX #572EA9

RGB 87 46 169

HSL 260, 0.57%, 0.42%

LAB 31.45, 46.78, -59.27

 

CMYK 53 / 81 / 0 / 41

HEX #461C96

RGB 70 28 150

HSL 260.66, 0.69%, 0.35%

LAB 24.75, 47.48, -58.79

 

CMYK 60 / 92 / 0 / 49

HEX #350A83

RGB 53 10 131

HSL 261.32, 0.86%, 0.28%

LAB 18.42, 47.04, -57.44

 

CMYK 42 / 60 / 0 / 19

HEX #7952CF

RGB 121 82 207

HSL 258.72, 0.57%, 0.57%

LAB 45.09, 44.45, -59.26

 

CMYK 25 / 60 / 0 / 19

HEX #9B52CF

RGB 155 82 207

HSL 275.04, 0.57%, 0.57%

LAB 48.89, 52.17, -52.94

 

CMYK 9 / 60 / 0 / 19

HEX #BD52CF

RGB 189 82 207

HSL 291.36, 0.57%, 0.57%

LAB 53.34, 60.41, -45.59

 

CMYK 0 / 60 / 7 / 19

HEX #CF52C0

RGB 207 82 192

HSL 307.2, 0.57%, 0.57%

LAB 55.18, 62.38, -33.92

 

CMYK 0 / 60 / 23 / 19

HEX #CF529F

RGB 207 82 159

HSL 323.04, 0.57%, 0.57%

LAB 53.82, 57.47, -16.84

 

CMYK 42 / 60 / 0 / 19

HEX #7952CF

RGB 121 82 207

HSL 258.72, 0.57%, 0.57%

LAB 45.09, 44.45, -59.26

 

CMYK 57 / 60 / 0 / 19

HEX #5852CF

RGB 88 82 207

HSL 242.88, 0.57%, 0.57%

LAB 42.18, 37.98, -64.12

 

CMYK 60 / 60 / 0 / 19

HEX #5252CF

RGB 82 82 207

HSL 240, 0.57%, 0.57%

LAB 41.74, 36.96, -64.85

 

CMYK 42 / 60 / 0 / 19

HEX #7952CF

RGB 121 82 207

HSL 258.72, 0.57%, 0.57%

LAB 45.09, 44.45, -59.26

 

CMYK 49 / 71 / 0 / 12

HEX #7341E1

RGB 115 65 225

HSL 258.75, 0.73%, 0.57%

LAB 42.55, 57.15, -73.71

 

CMYK 56 / 81 / 0 / 5

HEX #6C2FF3

RGB 108 47 243

HSL 258.67, 0.89%, 0.57%

LAB 40.72, 68.78, -86.95

 

CMYK 42 / 60 / 0 / 19

HEX #7952CF

RGB 121 82 207

HSL 258.72, 0.57%, 0.57%

LAB 45.09, 44.45, -59.26

 

CMYK 33 / 47 / 0 / 25

HEX #8064BE

RGB 128 100 190

HSL 258.67, 0.41%, 0.57%

LAB 48.79, 31.21, -43.5

 

CMYK 22 / 31 / 0 / 33

HEX #8776AC

RGB 135 118 172

HSL 258.89, 0.25%, 0.57%

LAB 53.04, 18.06, -26.36

 

CMYK 8 / 12 / 0 / 40

HEX #8D889A

RGB 141 136 154

HSL 256.67, 0.08%, 0.57%

LAB 57.66, 5.49, -8.9

 

CMYK 3 / 0 / 11 / 40

HEX #949988

RGB 148 153 136

HSL 77.65, 0.08%, 0.57%

LAB 62.39, -4.99, 8.31

 

CMYK 60 / 46 / 0 / 19

HEX #5270CF

RGB 82 112 207

HSL 225.6, 0.57%, 0.57%

LAB 49.36, 18.31, -52.55

 

CMYK 58 / 60 / 0 / 19

HEX #5752CF

RGB 87 82 207

HSL 242.4, 0.57%, 0.57%

LAB 42.1, 37.81, -64.24

 

CMYK 42 / 60 / 0 / 19

HEX #7852CF

RGB 120 82 207

HSL 258.24, 0.57%, 0.57%

LAB 44.99, 44.24, -59.43

 

CMYK 26 / 60 / 0 / 19

HEX #9952CF

RGB 153 82 207

HSL 274.08, 0.57%, 0.57%

LAB 48.65, 51.7, -53.34

 

CMYK 10 / 60 / 0 / 19

HEX #BB52CF

RGB 187 82 207

HSL 290.4, 0.57%, 0.57%

LAB 53.06, 59.92, -46.04

 

CMYK 50 / 73 / 0 / 36

HEX #512CA3

RGB 81 44 163

HSL 258.66, 0.57%, 0.41%

LAB 29.9, 45.12, -58.22

 

CMYK 50 / 73 / 0 / 24

HEX #6135C3

RGB 97 53 195

HSL 258.59, 0.57%, 0.49%

LAB 36.04, 52.08, -67.14

 

CMYK 42 / 60 / 0 / 19

HEX #7952CF

RGB 121 82 207

HSL 258.72, 0.57%, 0.57%

LAB 45.09, 44.45, -59.26

 

CMYK 32 / 47 / 0 / 15

HEX #9273D8

RGB 146 115 216

HSL 258.42, 0.56%, 0.65%

LAB 55.41, 34.06, -47.72

 

CMYK 24 / 35 / 0 / 12

HEX #AB93E1

RGB 171 147 225

HSL 258.46, 0.57%, 0.73%

LAB 65.72, 25, -36.39

 

CMYK 42 / 60 / 0 / 19

HEX #7952CF

RGB 121 82 207

HSL 258.72, 0.57%, 0.57%

LAB 45.09, 44.45, -59.26

 

CMYK 0 / 60 / 30 / 19

HEX #CF5291

RGB 207 82 145

HSL 329.76, 0.57%, 0.57%

LAB 53.32, 55.64, -9.34

 

CMYK 54 / 0 / 60 / 19

HEX #5FCF52

RGB 95 207 82

HSL 113.76, 0.57%, 0.57%

LAB 74.61, -55.7, 51.4

 

CMYK 42 / 60 / 0 / 19

HEX #7952CF

RGB 121 82 207

HSL 258.72, 0.57%, 0.57%

LAB 45.09, 44.45, -59.26

 

CMYK 0 / 42 / 60 / 19

HEX #CF7852

RGB 207 120 82

HSL 18.24, 0.57%, 0.57%

LAB 59.26, 30.45, 35.32

 

CMYK 60 / 0 / 42 / 19

HEX #52CF78

RGB 82 207 120

HSL 138.24, 0.57%, 0.57%

LAB 74.68, -53.56, 33.15

 

CMYK 42 / 60 / 0 / 19

HEX #7952CF

RGB 121 82 207

HSL 258.72, 0.57%, 0.57%

LAB 45.09, 44.45, -59.26

 

CMYK 0 / 60 / 30 / 19

HEX #CF5291

RGB 207 82 145

HSL 329.76, 0.57%, 0.57%

LAB 53.32, 55.64, -9.34

 

CMYK 18 / 0 / 60 / 19

HEX #AACF52

RGB 170 207 82

HSL 77.76, 0.57%, 0.57%

LAB 78.33, -30.63, 56.59

 

CMYK 60 / 0 / 30 / 19

HEX #52CF91

RGB 82 207 145

HSL 150.24, 0.57%, 0.57%

LAB 75.12, -48.93, 20.73

 

CMYK 42 / 60 / 0 / 19

HEX #7952CF

RGB 121 82 207

HSL 258.72, 0.57%, 0.57%

LAB 45.09, 44.45, -59.26

 

CMYK 0 / 60 / 48 / 19

HEX #CF526B

RGB 207 82 107

HSL 348, 0.57%, 0.57%

LAB 52.24, 51.51, 11.72

 

CMYK 18 / 0 / 60 / 19

HEX #AACF52

RGB 170 207 82

HSL 77.76, 0.57%, 0.57%

LAB 78.33, -30.63, 56.59

 

CMYK 60 / 0 / 12 / 19

HEX #52CFB6

RGB 82 207 182

HSL 168, 0.57%, 0.57%

LAB 75.94, -40.56, 2.13

 

Description

Color code: HEX #7952CF | qconv.com Color code: HEX #7952CF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 82 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 82 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 60 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 60% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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