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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7958C0 it is the complementary color #86A73F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7958C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7958C0 shade: #7E58BB, #8F6ACE, #A07CE1, #B18EF4 and #C2A0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7958C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7958C0 shade: #7958C0, #6846AD, #57349A, #462287 and #351074

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7958C0 shade: #7958BF, #9558BF, #B158BF, #BF58B2 and #BF5896

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7958C0 shade: #7958BF, #5D58BF and #5858BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7958C0 shade matches the following richer shades: #7958BF, #7246D2, #6B33E5 and #6520F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7958C0 shade: #7958BF, #806BAD, #867D9A, #8D9088 and #94A275

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7958C0 shade: #586EBF, #5D58BF, #7958BF, #9458BF and #B058BF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7958C0 shade: #52368F, #6341AD, #7958BF, #9176CB and #A994D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7958C0 shade: #7958C0, #BF588A and #61BF58

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7958C0 shade: #7958C0, #BF7958 and #58BF79

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7958C0 shade: #7958C0, #BF588A, #9FBF58 and #58BF8D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7958C0 shade: #7958C0, #BF586B, #9FBF58 and #58BFAC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 54 / 0 / 25

HEX #7958C0

RGB 121 88 192

HSL 259.04, 0.45%, 0.55%

LAB 45.43, 36.96, -50.05

 

Complementary color

CMYK 20 / 0 / 62 / 35

HEX #86A73F

RGB 134 167 63

HSL 79.04, 0.45%, 0.45%

LAB 64.21, -27.33, 48.7

 

CMYK 33 / 53 / 0 / 27

HEX #7E58BB

RGB 126 88 187

HSL 263.03, 0.42%, 0.54%

LAB 45.64, 36.89, -46.78

 

CMYK 31 / 49 / 0 / 19

HEX #8F6ACE

RGB 143 106 206

HSL 262.2, 0.51%, 0.61%

LAB 52.51, 35.87, -46.67

 

CMYK 29 / 45 / 0 / 12

HEX #A07CE1

RGB 160 124 225

HSL 261.39, 0.63%, 0.68%

LAB 59.27, 34.93, -46.57

 

CMYK 27 / 42 / 0 / 4

HEX #B18EF4

RGB 177 142 244

HSL 260.59, 0.82%, 0.76%

LAB 65.92, 34.06, -46.49

 

CMYK 24 / 37 / 0 / 0

HEX #C2A0FF

RGB 194 160 255

HSL 261.47, 1%, 0.81%

LAB 72.12, 31.4, -42.67

 

CMYK 37 / 54 / 0 / 25

HEX #7958C0

RGB 121 88 192

HSL 259.04, 0.45%, 0.55%

LAB 45.43, 36.96, -50.05

 

CMYK 40 / 60 / 0 / 32

HEX #6846AD

RGB 104 70 173

HSL 259.81, 0.42%, 0.48%

LAB 38.45, 38.14, -50.22

 

CMYK 44 / 66 / 0 / 40

HEX #57349A

RGB 87 52 154

HSL 260.59, 0.5%, 0.4%

LAB 31.38, 39.36, -50.31

 

CMYK 48 / 75 / 0 / 47

HEX #462287

RGB 70 34 135

HSL 261.39, 0.6%, 0.33%

LAB 24.31, 40.44, -50.2

 

CMYK 54 / 86 / 0 / 55

HEX #351074

RGB 53 16 116

HSL 262.2, 0.76%, 0.26%

LAB 17.41, 40.9, -49.53

 

CMYK 37 / 54 / 0 / 25

HEX #7958BF

RGB 121 88 191

HSL 259.22, 0.45%, 0.55%

LAB 45.37, 36.69, -49.57

 

CMYK 22 / 54 / 0 / 25

HEX #9558BF

RGB 149 88 191

HSL 275.53, 0.45%, 0.55%

LAB 48.42, 43.89, -44.51

 

CMYK 7 / 54 / 0 / 25

HEX #B158BF

RGB 177 88 191

HSL 291.84, 0.45%, 0.55%

LAB 51.94, 51.44, -38.73

 

CMYK 0 / 54 / 7 / 25

HEX #BF58B2

RGB 191 88 178

HSL 307.57, 0.45%, 0.55%

LAB 53.24, 53, -29.02

 

CMYK 0 / 54 / 21 / 25

HEX #BF5896

RGB 191 88 150

HSL 323.88, 0.45%, 0.55%

LAB 52.13, 48.59, -14.33

 

CMYK 37 / 54 / 0 / 25

HEX #7958BF

RGB 121 88 191

HSL 259.22, 0.45%, 0.55%

LAB 45.37, 36.69, -49.57

 

CMYK 51 / 54 / 0 / 25

HEX #5D58BF

RGB 93 88 191

HSL 242.91, 0.45%, 0.55%

LAB 42.87, 30.22, -53.72

 

CMYK 54 / 54 / 0 / 25

HEX #5858BF

RGB 88 88 191

HSL 240, 0.45%, 0.55%

LAB 42.48, 29.17, -54.36

 

CMYK 37 / 54 / 0 / 25

HEX #7958BF

RGB 121 88 191

HSL 259.22, 0.45%, 0.55%

LAB 45.37, 36.69, -49.57

 

CMYK 46 / 67 / 0 / 18

HEX #7246D2

RGB 114 70 210

HSL 258.86, 0.61%, 0.55%

LAB 42.17, 50.39, -65.75

 

CMYK 53 / 78 / 0 / 10

HEX #6B33E5

RGB 107 51 229

HSL 258.88, 0.77%, 0.55%

LAB 39.83, 63.47, -80.49

 

CMYK 59 / 87 / 0 / 3

HEX #6520F7

RGB 101 32 247

HSL 259.26, 0.93%, 0.55%

LAB 38.75, 74.09, -92.48

 

CMYK 37 / 54 / 0 / 25

HEX #7958BF

RGB 121 88 191

HSL 259.22, 0.45%, 0.55%

LAB 45.37, 36.69, -49.57

 

CMYK 26 / 38 / 0 / 32

HEX #806BAD

RGB 128 107 173

HSL 259.09, 0.29%, 0.55%

LAB 49.64, 22.66, -32.28

 

CMYK 13 / 19 / 0 / 40

HEX #867D9A

RGB 134 125 154

HSL 258.62, 0.13%, 0.55%

LAB 54.1, 9.41, -14.32

 

CMYK 2 / 0 / 6 / 44

HEX #8D9088

RGB 141 144 136

HSL 82.5, 0.03%, 0.55%

LAB 59.33, -2.64, 3.86

 

CMYK 9 / 0 / 28 / 36

HEX #94A275

RGB 148 162 117

HSL 78.67, 0.19%, 0.55%

LAB 64.5, -12.93, 21.81

 

CMYK 54 / 42 / 0 / 25

HEX #586EBF

RGB 88 110 191

HSL 227.18, 0.45%, 0.55%

LAB 48.25, 15.46, -45.13

 

CMYK 51 / 54 / 0 / 25

HEX #5D58BF

RGB 93 88 191

HSL 242.91, 0.45%, 0.55%

LAB 42.87, 30.22, -53.72

 

CMYK 37 / 54 / 0 / 25

HEX #7958BF

RGB 121 88 191

HSL 259.22, 0.45%, 0.55%

LAB 45.37, 36.69, -49.57

 

CMYK 23 / 54 / 0 / 25

HEX #9458BF

RGB 148 88 191

HSL 274.95, 0.45%, 0.55%

LAB 48.31, 43.63, -44.71

 

CMYK 8 / 54 / 0 / 25

HEX #B058BF

RGB 176 88 191

HSL 291.26, 0.45%, 0.55%

LAB 51.8, 51.16, -38.95

 

CMYK 43 / 62 / 0 / 44

HEX #52368F

RGB 82 54 143

HSL 258.88, 0.45%, 0.39%

LAB 30.44, 33.95, -45.14

 

CMYK 43 / 62 / 0 / 32

HEX #6341AD

RGB 99 65 173

HSL 258.89, 0.45%, 0.47%

LAB 36.84, 39.9, -52.84

 

CMYK 37 / 54 / 0 / 25

HEX #7958BF

RGB 121 88 191

HSL 259.22, 0.45%, 0.55%

LAB 45.37, 36.69, -49.57

 

CMYK 29 / 42 / 0 / 20

HEX #9176CB

RGB 145 118 203

HSL 259.06, 0.45%, 0.63%

LAB 55.37, 28.73, -40.44

 

CMYK 21 / 31 / 0 / 16

HEX #A994D6

RGB 169 148 214

HSL 259.09, 0.45%, 0.71%

LAB 65.33, 21.25, -30.9

 

CMYK 37 / 54 / 0 / 25

HEX #7958C0

RGB 121 88 192

HSL 259.04, 0.45%, 0.55%

LAB 45.43, 36.96, -50.05

 

CMYK 0 / 54 / 28 / 25

HEX #BF588A

RGB 191 88 138

HSL 330.87, 0.45%, 0.55%

LAB 51.71, 46.9, -7.85

 

CMYK 49 / 0 / 54 / 25

HEX #61BF58

RGB 97 191 88

HSL 114.76, 0.45%, 0.55%

LAB 69.83, -48.23, 43.07

 

CMYK 37 / 54 / 0 / 25

HEX #7958C0

RGB 121 88 192

HSL 259.04, 0.45%, 0.55%

LAB 45.43, 36.96, -50.05

 

CMYK 0 / 37 / 54 / 25

HEX #BF7958

RGB 191 121 88

HSL 19.22, 0.45%, 0.55%

LAB 57.52, 23.87, 29.39

 

CMYK 54 / 0 / 37 / 25

HEX #58BF79

RGB 88 191 121

HSL 139.22, 0.45%, 0.55%

LAB 69.98, -45.57, 26.47

 

CMYK 37 / 54 / 0 / 25

HEX #7958C0

RGB 121 88 192

HSL 259.04, 0.45%, 0.55%

LAB 45.43, 36.96, -50.05

 

CMYK 0 / 54 / 28 / 25

HEX #BF588A

RGB 191 88 138

HSL 330.87, 0.45%, 0.55%

LAB 51.71, 46.9, -7.85

 

CMYK 17 / 0 / 54 / 25

HEX #9FBF58

RGB 159 191 88

HSL 78.64, 0.45%, 0.55%

LAB 73.11, -26.79, 47.76

 

CMYK 54 / 0 / 26 / 25

HEX #58BF8D

RGB 88 191 141

HSL 150.87, 0.45%, 0.55%

LAB 70.36, -41.68, 16.31

 

CMYK 37 / 54 / 0 / 25

HEX #7958C0

RGB 121 88 192

HSL 259.04, 0.45%, 0.55%

LAB 45.43, 36.96, -50.05

 

CMYK 0 / 54 / 44 / 25

HEX #BF586B

RGB 191 88 107

HSL 348.93, 0.45%, 0.55%

LAB 50.82, 43.18, 9.36

 

CMYK 17 / 0 / 54 / 25

HEX #9FBF58

RGB 159 191 88

HSL 78.64, 0.45%, 0.55%

LAB 73.11, -26.79, 47.76

 

CMYK 54 / 0 / 10 / 25

HEX #58BFAC

RGB 88 191 172

HSL 168.93, 0.45%, 0.55%

LAB 71.09, -34.56, 0.5

 

Description

Color code: HEX #7958C0 | qconv.com Color code: HEX #7958C0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 88 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 88 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 54 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 54% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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