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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #794914 it is the complementary color #86B6EB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #794914. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #794914 shade: #7E490F, #8F5B22, #A06D35, #B17F48 and #C2915B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #794914. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #794914 shade: #794914, #683701, #572500, #461300 and #350100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #794914 shade: #7A4913, #7A2E13 and #7A1313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #794914 shade: #7A4913, #7A6513, #747A13, #587A13 and #3C7A13

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #794914 shade matches the following richer shades: #7A4913 and #864A08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #794914 shade: #7A4913, #6F491F, #63482B, #584836 and #4C4742

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #794914 shade: #7A1315, #7A2D13, #7A4913, #7A6413 and #757A13

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #794914 shade: #331F08, #57340E, #7A4913, #9E5F19 and #C1741F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #794914 shade: #794914, #317A13 and #1F137A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #794914 shade: #794914, #137A49 and #49137A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #794914 shade: #794914, #317A13, #13457A and #5D137A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #794914 shade: #794914, #137A15, #13457A and #7A1379

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 83 / 53

HEX #794914

RGB 121 73 20

HSL 31.49, 0.72%, 0.28%

LAB 35.75, 16.03, 38.02

 

Complementary color

CMYK 43 / 23 / 0 / 8

HEX #86B6EB

RGB 134 182 235

HSL 211.49, 0.72%, 0.72%

LAB 72.58, -2.31, -31.44

 

CMYK 0 / 42 / 88 / 51

HEX #7E490F

RGB 126 73 15

HSL 31.35, 0.79%, 0.28%

LAB 36.43, 18.19, 40.9

 

CMYK 0 / 36 / 76 / 44

HEX #8F5B22

RGB 143 91 34

HSL 31.38, 0.62%, 0.35%

LAB 43.41, 16.23, 40.1

 

CMYK 0 / 32 / 67 / 37

HEX #A06D35

RGB 160 109 53

HSL 31.4, 0.5%, 0.42%

LAB 50.3, 14.62, 38.69

 

CMYK 0 / 28 / 59 / 31

HEX #B17F48

RGB 177 127 72

HSL 31.43, 0.42%, 0.49%

LAB 57.07, 13.29, 37.16

 

CMYK 0 / 25 / 53 / 24

HEX #C2915B

RGB 194 145 91

HSL 31.46, 0.46%, 0.56%

LAB 63.73, 12.16, 35.67

 

CMYK 0 / 40 / 83 / 53

HEX #794914

RGB 121 73 20

HSL 31.49, 0.72%, 0.28%

LAB 35.75, 16.03, 38.02

 

CMYK 0 / 47 / 99 / 59

HEX #683701

RGB 104 55 1

HSL 31.46, 0.98%, 0.21%

LAB 28.58, 18.21, 38.54

 

CMYK 0 / 57 / 100 / 66

HEX #572500

RGB 87 37 0

HSL 25.52, 1%, 0.17%

LAB 21.39, 20.93, 31.1

 

CMYK 0 / 73 / 100 / 73

HEX #461300

RGB 70 19 0

HSL 16.29, 1%, 0.14%

LAB 14.22, 23.41, 21.71

 

CMYK 0 / 98 / 100 / 79

HEX #350100

RGB 53 1 0

HSL 1.13, 1%, 0.1%

LAB 7.03, 25.55, 11.09

 

CMYK 0 / 40 / 84 / 52

HEX #7A4913

RGB 122 73 19

HSL 31.46, 0.73%, 0.28%

LAB 35.89, 16.46, 38.62

 

CMYK 0 / 62 / 84 / 52

HEX #7A2E13

RGB 122 46 19

HSL 15.73, 0.73%, 0.28%

LAB 29.76, 31.67, 32.95

 

CMYK 0 / 84 / 84 / 52

HEX #7A1313

RGB 122 19 19

HSL 0, 0.73%, 0.28%

LAB 25.71, 42.7, 29.05

 

CMYK 0 / 40 / 84 / 52

HEX #7A4913

RGB 122 73 19

HSL 31.46, 0.73%, 0.28%

LAB 35.89, 16.46, 38.62

 

CMYK 0 / 17 / 84 / 52

HEX #7A6513

RGB 122 101 19

HSL 47.77, 0.73%, 0.28%

LAB 43.5, -0.18, 45.39

 

CMYK 5 / 0 / 84 / 52

HEX #747A13

RGB 116 122 19

HSL 63.5, 0.73%, 0.28%

LAB 49.1, -14.82, 50.05

 

CMYK 28 / 0 / 84 / 52

HEX #587A13

RGB 88 122 19

HSL 79.81, 0.73%, 0.28%

LAB 47.03, -27.26, 47.42

 

CMYK 51 / 0 / 84 / 52

HEX #3C7A13

RGB 60 122 19

HSL 96.12, 0.73%, 0.28%

LAB 45.53, -37.84, 45.51

 

CMYK 0 / 40 / 84 / 52

HEX #7A4913

RGB 122 73 19

HSL 31.46, 0.73%, 0.28%

LAB 35.89, 16.46, 38.62

 

CMYK 0 / 45 / 94 / 47

HEX #864A08

RGB 134 74 8

HSL 31.43, 0.89%, 0.28%

LAB 37.81, 21.12, 44.76

 

CMYK 0 / 40 / 84 / 52

HEX #7A4913

RGB 122 73 19

HSL 31.46, 0.73%, 0.28%

LAB 35.89, 16.46, 38.62

 

CMYK 0 / 34 / 72 / 56

HEX #6F491F

RGB 111 73 31

HSL 31.5, 0.56%, 0.28%

LAB 34.48, 11.84, 30.94

 

CMYK 0 / 27 / 57 / 61

HEX #63482B

RGB 99 72 43

HSL 31.07, 0.39%, 0.28%

LAB 32.84, 7.7, 21.78

 

CMYK 0 / 18 / 39 / 65

HEX #584836

RGB 88 72 54

HSL 31.76, 0.24%, 0.28%

LAB 31.75, 3.83, 13.35

 

CMYK 0 / 7 / 13 / 70

HEX #4C4742

RGB 76 71 66

HSL 30, 0.07%, 0.28%

LAB 30.49, 1.08, 3.75

 

CMYK 0 / 84 / 83 / 52

HEX #7A1315

RGB 122 19 21

HSL 358.83, 0.73%, 0.28%

LAB 25.74, 42.77, 27.87

 

CMYK 0 / 63 / 84 / 52

HEX #7A2D13

RGB 122 45 19

HSL 15.15, 0.73%, 0.28%

LAB 29.57, 32.18, 32.77

 

CMYK 0 / 40 / 84 / 52

HEX #7A4913

RGB 122 73 19

HSL 31.46, 0.73%, 0.28%

LAB 35.89, 16.46, 38.62

 

CMYK 0 / 18 / 84 / 52

HEX #7A6413

RGB 122 100 19

HSL 47.18, 0.73%, 0.28%

LAB 43.21, 0.41, 45.14

 

CMYK 4 / 0 / 84 / 52

HEX #757A13

RGB 117 122 19

HSL 62.91, 0.73%, 0.28%

LAB 49.19, -14.36, 50.15

 

CMYK 0 / 39 / 84 / 80

HEX #331F08

RGB 51 31 8

HSL 32.09, 0.73%, 0.12%

LAB 13.83, 7.08, 17.3

 

CMYK 0 / 40 / 84 / 66

HEX #57340E

RGB 87 52 14

HSL 31.23, 0.72%, 0.2%

LAB 25.3, 12.24, 29.18

 

CMYK 0 / 40 / 84 / 52

HEX #7A4913

RGB 122 73 19

HSL 31.46, 0.73%, 0.28%

LAB 35.89, 16.46, 38.62

 

CMYK 0 / 40 / 84 / 38

HEX #9E5F19

RGB 158 95 25

HSL 31.58, 0.73%, 0.36%

LAB 46.34, 20.36, 47.43

 

CMYK 0 / 40 / 84 / 24

HEX #C1741F

RGB 193 116 31

HSL 31.48, 0.72%, 0.44%

LAB 56.01, 24.19, 55.46

 

CMYK 0 / 40 / 83 / 53

HEX #794914

RGB 121 73 20

HSL 31.49, 0.72%, 0.28%

LAB 35.75, 16.03, 38.02

 

CMYK 60 / 0 / 84 / 52

HEX #317A13

RGB 49 122 19

HSL 102.52, 0.73%, 0.28%

LAB 45.11, -41.18, 44.96

 

CMYK 75 / 84 / 0 / 52

HEX #1F137A

RGB 31 19 122

HSL 246.99, 0.73%, 0.28%

LAB 16.32, 39.02, -55.26

 

CMYK 0 / 40 / 83 / 53

HEX #794914

RGB 121 73 20

HSL 31.49, 0.72%, 0.28%

LAB 35.75, 16.03, 38.02

 

CMYK 84 / 0 / 40 / 52

HEX #137A49

RGB 19 122 73

HSL 151.46, 0.73%, 0.28%

LAB 45, -39.93, 19.14

 

CMYK 40 / 84 / 0 / 52

HEX #49137A

RGB 73 19 122

HSL 271.46, 0.73%, 0.28%

LAB 21.16, 44.23, -47.11

 

CMYK 0 / 40 / 83 / 53

HEX #794914

RGB 121 73 20

HSL 31.49, 0.72%, 0.28%

LAB 35.75, 16.03, 38.02

 

CMYK 60 / 0 / 84 / 52

HEX #317A13

RGB 49 122 19

HSL 102.52, 0.73%, 0.28%

LAB 45.11, -41.18, 44.96

 

CMYK 84 / 43 / 0 / 52

HEX #13457A

RGB 19 69 122

HSL 210.87, 0.73%, 0.28%

LAB 28.9, 4.54, -34.78

 

CMYK 24 / 84 / 0 / 52

HEX #5D137A

RGB 93 19 122

HSL 283.11, 0.73%, 0.28%

LAB 24.32, 47.7, -41.83

 

CMYK 0 / 40 / 83 / 53

HEX #794914

RGB 121 73 20

HSL 31.49, 0.72%, 0.28%

LAB 35.75, 16.03, 38.02

 

CMYK 84 / 0 / 83 / 52

HEX #137A15

RGB 19 122 21

HSL 121.17, 0.73%, 0.28%

LAB 44.39, -47.16, 43.42

 

CMYK 84 / 43 / 0 / 52

HEX #13457A

RGB 19 69 122

HSL 210.87, 0.73%, 0.28%

LAB 28.9, 4.54, -34.78

 

CMYK 0 / 84 / 1 / 52

HEX #7A1379

RGB 122 19 121

HSL 300.58, 0.73%, 0.28%

LAB 29.37, 53.23, -32.8

 

Description

Color code: HEX #794914 | qconv.com Color code: HEX #794914 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 73 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 73 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 83 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 83% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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