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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7930E8 it is the complementary color #86CF17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7930E8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7930E8 shade: #7E30E3, #8F42F6, #A054FF, #B166FF and #C278FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7930E8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7930E8 shade: #7930E8, #681ED5, #570CC2, #4600AF and #35009C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7930E8 shade: #7930E8, #AA30E8, #DC30E8, #E830C2 and #E83090

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7930E8 shade: #7930E8, #4730E8 and #3030E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7930E8 shade matches the following richer shades: #7930E8 and #751DFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7930E8 shade: #7930E8, #7D43D5, #8055C2, #8468B0 and #887A9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7930E8 shade: #304BE8, #4530E8, #7630E8, #A730E8 and #D830E8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7930E8 shade: #5213B2, #6317D7, #7930E8, #9155EC and #A97AF0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7930E8 shade: #7930E8, #E8307C and #33E830

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7930E8 shade: #7930E8, #E87630 and #30E876

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7930E8 shade: #7930E8, #E8307C, #A1E830 and #30E89B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7930E8 shade: #7930E8, #E83045, #A1E830 and #30E8D2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 79 / 0 / 9

HEX #7930E8

RGB 121 48 232

HSL 263.8, 0.8%, 0.55%

LAB 41.22, 67.2, -79.85

 

Complementary color

CMYK 35 / 0 / 89 / 19

HEX #86CF17

RGB 134 207 23

HSL 83.8, 0.8%, 0.45%

LAB 75.92, -47.29, 72.3

 

CMYK 44 / 79 / 0 / 11

HEX #7E30E3

RGB 126 48 227

HSL 266.15, 0.76%, 0.54%

LAB 41.37, 66.66, -76.75

 

CMYK 42 / 73 / 0 / 4

HEX #8F42F6

RGB 143 66 246

HSL 265.67, 0.91%, 0.61%

LAB 47.48, 66.46, -77.39

 

CMYK 37 / 67 / 0 / 0

HEX #A054FF

RGB 160 84 255

HSL 266.67, 1%, 0.66%

LAB 52.99, 63.46, -73.36

 

CMYK 31 / 60 / 0 / 0

HEX #B166FF

RGB 177 102 255

HSL 269.41, 1%, 0.7%

LAB 58.1, 58.17, -65

 

CMYK 24 / 53 / 0 / 0

HEX #C278FF

RGB 194 120 255

HSL 272.89, 1%, 0.74%

LAB 63.44, 53, -56.35

 

CMYK 48 / 79 / 0 / 9

HEX #7930E8

RGB 121 48 232

HSL 263.8, 0.8%, 0.55%

LAB 41.22, 67.2, -79.85

 

CMYK 51 / 86 / 0 / 16

HEX #681ED5

RGB 104 30 213

HSL 264.26, 0.75%, 0.48%

LAB 35.35, 66.76, -78.7

 

CMYK 55 / 94 / 0 / 24

HEX #570CC2

RGB 87 12 194

HSL 264.73, 0.88%, 0.4%

LAB 29.87, 65.07, -76.74

 

CMYK 60 / 100 / 0 / 31

HEX #4600AF

RGB 70 0 175

HSL 264, 1%, 0.34%

LAB 24.94, 61.62, -73.67

 

CMYK 66 / 100 / 0 / 39

HEX #35009C

RGB 53 0 156

HSL 260.38, 1%, 0.31%

LAB 20.66, 56.13, -69.3

 

CMYK 48 / 79 / 0 / 9

HEX #7930E8

RGB 121 48 232

HSL 263.8, 0.8%, 0.55%

LAB 41.22, 67.2, -79.85

 

CMYK 27 / 79 / 0 / 9

HEX #AA30E8

RGB 170 48 232

HSL 279.78, 0.8%, 0.55%

LAB 47.61, 74.4, -69.16

 

CMYK 5 / 79 / 0 / 9

HEX #DC30E8

RGB 220 48 232

HSL 296.09, 0.8%, 0.55%

LAB 55.23, 83.06, -56.47

 

CMYK 0 / 79 / 16 / 9

HEX #E830C2

RGB 232 48 194

HSL 312.39, 0.8%, 0.55%

LAB 55.24, 79.93, -34.68

 

CMYK 0 / 79 / 38 / 9

HEX #E83090

RGB 232 48 144

HSL 328.7, 0.8%, 0.55%

LAB 53.26, 74.19, -8.4

 

CMYK 48 / 79 / 0 / 9

HEX #7930E8

RGB 121 48 232

HSL 263.8, 0.8%, 0.55%

LAB 41.22, 67.2, -79.85

 

CMYK 69 / 79 / 0 / 9

HEX #4730E8

RGB 71 48 232

HSL 247.5, 0.8%, 0.55%

LAB 36.52, 61.93, -87.77

 

CMYK 79 / 79 / 0 / 9

HEX #3030E8

RGB 48 48 232

HSL 240, 0.8%, 0.55%

LAB 35.14, 60.4, -90.1

 

CMYK 48 / 79 / 0 / 9

HEX #7930E8

RGB 121 48 232

HSL 263.8, 0.8%, 0.55%

LAB 41.22, 67.2, -79.85

 

CMYK 53 / 88 / 0 / 2

HEX #751DFA

RGB 117 29 250

HSL 263.89, 0.96%, 0.55%

LAB 40.51, 76.9, -91.2

 

CMYK 48 / 79 / 0 / 9

HEX #7930E8

RGB 121 48 232

HSL 263.8, 0.8%, 0.55%

LAB 41.22, 67.2, -79.85

 

CMYK 41 / 69 / 0 / 16

HEX #7D43D5

RGB 125 67 213

HSL 263.84, 0.63%, 0.55%

LAB 43.03, 54.74, -66.03

 

CMYK 34 / 56 / 0 / 24

HEX #8055C2

RGB 128 85 194

HSL 263.67, 0.47%, 0.55%

LAB 45.61, 40.92, -50.88

 

CMYK 25 / 41 / 0 / 31

HEX #8468B0

RGB 132 104 176

HSL 263.33, 0.31%, 0.55%

LAB 49.42, 26.4, -34.34

 

CMYK 13 / 22 / 0 / 38

HEX #887A9D

RGB 136 122 157

HSL 264, 0.15%, 0.55%

LAB 53.59, 12.53, -16.82

 

CMYK 79 / 68 / 0 / 9

HEX #304BE8

RGB 48 75 232

HSL 231.2, 0.8%, 0.55%

LAB 40.39, 45.67, -81.42

 

CMYK 70 / 79 / 0 / 9

HEX #4530E8

RGB 69 48 232

HSL 246.85, 0.8%, 0.55%

LAB 36.38, 61.78, -88.01

 

CMYK 49 / 79 / 0 / 9

HEX #7630E8

RGB 118 48 232

HSL 262.83, 0.8%, 0.55%

LAB 40.88, 66.81, -80.42

 

CMYK 28 / 79 / 0 / 9

HEX #A730E8

RGB 167 48 232

HSL 278.8, 0.8%, 0.55%

LAB 47.18, 73.91, -69.87

 

CMYK 7 / 79 / 0 / 9

HEX #D830E8

RGB 216 48 232

HSL 294.78, 0.8%, 0.55%

LAB 54.59, 82.33, -57.53

 

CMYK 54 / 89 / 0 / 30

HEX #5213B2

RGB 82 19 178

HSL 263.77, 0.81%, 0.39%

LAB 28.04, 59.22, -70.29

 

CMYK 54 / 89 / 0 / 16

HEX #6317D7

RGB 99 23 215

HSL 263.75, 0.81%, 0.47%

LAB 34.34, 68.65, -81.56

 

CMYK 48 / 79 / 0 / 9

HEX #7930E8

RGB 121 48 232

HSL 263.8, 0.8%, 0.55%

LAB 41.22, 67.2, -79.85

 

CMYK 39 / 64 / 0 / 7

HEX #9155EC

RGB 145 85 236

HSL 263.84, 0.8%, 0.63%

LAB 50.18, 55.41, -67.38

 

CMYK 30 / 49 / 0 / 6

HEX #A97AF0

RGB 169 122 240

HSL 263.9, 0.8%, 0.71%

LAB 60.47, 42.1, -52.97

 

CMYK 48 / 79 / 0 / 9

HEX #7930E8

RGB 121 48 232

HSL 263.8, 0.8%, 0.55%

LAB 41.22, 67.2, -79.85

 

CMYK 0 / 79 / 47 / 9

HEX #E8307C

RGB 232 48 124

HSL 335.22, 0.8%, 0.55%

LAB 52.65, 72.36, 2.68

 

CMYK 78 / 0 / 79 / 9

HEX #33E830

RGB 51 232 48

HSL 119.02, 0.8%, 0.55%

LAB 81.09, -75.22, 70.21

 

CMYK 48 / 79 / 0 / 9

HEX #7930E8

RGB 121 48 232

HSL 263.8, 0.8%, 0.55%

LAB 41.22, 67.2, -79.85

 

CMYK 0 / 49 / 79 / 9

HEX #E87630

RGB 232 118 48

HSL 22.83, 0.8%, 0.55%

LAB 61.93, 39.67, 56.1

 

CMYK 79 / 0 / 49 / 9

HEX #30E876

RGB 48 232 118

HSL 142.83, 0.8%, 0.55%

LAB 81.65, -68.25, 42.87

 

CMYK 48 / 79 / 0 / 9

HEX #7930E8

RGB 121 48 232

HSL 263.8, 0.8%, 0.55%

LAB 41.22, 67.2, -79.85

 

CMYK 0 / 79 / 47 / 9

HEX #E8307C

RGB 232 48 124

HSL 335.22, 0.8%, 0.55%

LAB 52.65, 72.36, 2.68

 

CMYK 31 / 0 / 79 / 9

HEX #A1E830

RGB 161 232 48

HSL 83.15, 0.8%, 0.55%

LAB 84.74, -47.19, 74.92

 

CMYK 79 / 0 / 33 / 9

HEX #30E89B

RGB 48 232 155

HSL 154.89, 0.8%, 0.55%

LAB 82.22, -61.63, 25.12

 

CMYK 48 / 79 / 0 / 9

HEX #7930E8

RGB 121 48 232

HSL 263.8, 0.8%, 0.55%

LAB 41.22, 67.2, -79.85

 

CMYK 0 / 79 / 70 / 9

HEX #E83045

RGB 232 48 69

HSL 353.15, 0.8%, 0.55%

LAB 51.5, 68.85, 34.15

 

CMYK 31 / 0 / 79 / 9

HEX #A1E830

RGB 161 232 48

HSL 83.15, 0.8%, 0.55%

LAB 84.74, -47.19, 74.92

 

CMYK 79 / 0 / 9 / 9

HEX #30E8D2

RGB 48 232 210

HSL 172.83, 0.8%, 0.55%

LAB 83.44, -48.66, -1.93

 

Description

Color code: HEX #7930E8 | qconv.com Color code: HEX #7930E8 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 48 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 48 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 79 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 79% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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