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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #791CC4 it is the complementary color #86E33B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #791CC4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #791CC4 shade: #7E1CBF, #8F2ED2, #A040E5, #B152F8 and #C264FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #791CC4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #791CC4 shade: #791CC4, #680AB1, #57009E, #46008B and #350078

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #791CC4 shade: #791CC4, #A61CC4, #C41CB4, #C41C87 and #C41C59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #791CC4 shade: #791CC4, #4B1CC4, #1E1CC4 and #1C1CC4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #791CC4 shade matches the following richer shades: #791CC4 and #7B09D6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #791CC4 shade: #791CC4, #772EB2, #7540A0, #73528D and #71647B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #791CC4 shade: #1E1CC4, #4B1CC4, #781CC4, #A51CC4 and #C41CB6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #791CC4 shade: #4C117C, #6216A0, #791CC4, #8E29E0 and #A14DE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #791CC4 shade: #791CC4, #C41C46 and #1CC435

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #791CC4 shade: #791CC4, #C4781C and #1CC478

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #791CC4 shade: #791CC4, #C41C46, #67C41C and #1CC49A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #791CC4 shade: #791CC4, #C4241C, #67C41C and #1CBBC4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 86 / 0 / 23

HEX #791CC4

RGB 121 28 196

HSL 273.21, 0.75%, 0.44%

LAB 35.75, 65.45, -68.07

 

Complementary color

CMYK 41 / 0 / 74 / 11

HEX #86E33B

RGB 134 227 59

HSL 93.21, 0.75%, 0.56%

LAB 82.01, -53.84, 68.59

 

CMYK 34 / 85 / 0 / 25

HEX #7E1CBF

RGB 126 28 191

HSL 276.07, 0.74%, 0.43%

LAB 36.04, 65.07, -64.64

 

CMYK 32 / 78 / 0 / 18

HEX #8F2ED2

RGB 143 46 210

HSL 275.49, 0.65%, 0.5%

LAB 41.92, 66.11, -66.01

 

CMYK 30 / 72 / 0 / 10

HEX #A040E5

RGB 160 64 229

HSL 274.91, 0.76%, 0.57%

LAB 48, 66.34, -66.88

 

CMYK 29 / 67 / 0 / 3

HEX #B152F8

RGB 177 82 248

HSL 274.34, 0.92%, 0.65%

LAB 54.2, 66.07, -67.42

 

CMYK 24 / 61 / 0 / 0

HEX #C264FF

RGB 194 100 255

HSL 276.39, 1%, 0.7%

LAB 59.71, 62.94, -62.31

 

CMYK 38 / 86 / 0 / 23

HEX #791CC4

RGB 121 28 196

HSL 273.21, 0.75%, 0.44%

LAB 35.75, 65.45, -68.07

 

CMYK 41 / 94 / 0 / 31

HEX #680AB1

RGB 104 10 177

HSL 273.77, 0.89%, 0.37%

LAB 30.24, 63.18, -65.97

 

CMYK 45 / 100 / 0 / 38

HEX #57009E

RGB 87 0 158

HSL 273.04, 1%, 0.31%

LAB 25.24, 59.07, -62.8

 

CMYK 50 / 100 / 0 / 45

HEX #46008B

RGB 70 0 139

HSL 270.22, 1%, 0.27%

LAB 20.7, 53.24, -58.64

 

CMYK 56 / 100 / 0 / 53

HEX #350078

RGB 53 0 120

HSL 266.5, 1%, 0.24%

LAB 16.07, 47.33, -54.31

 

CMYK 38 / 86 / 0 / 23

HEX #791CC4

RGB 121 28 196

HSL 273.21, 0.75%, 0.44%

LAB 35.75, 65.45, -68.07

 

CMYK 15 / 86 / 0 / 23

HEX #A61CC4

RGB 166 28 196

HSL 289.29, 0.75%, 0.44%

LAB 42.65, 72.22, -56.55

 

CMYK 0 / 86 / 8 / 23

HEX #C41CB4

RGB 196 28 180

HSL 305.71, 0.75%, 0.44%

LAB 46.79, 75.06, -40.25

 

CMYK 0 / 86 / 31 / 23

HEX #C41C87

RGB 196 28 135

HSL 321.79, 0.75%, 0.44%

LAB 44.68, 69.35, -16.58

 

CMYK 0 / 86 / 55 / 23

HEX #C41C59

RGB 196 28 89

HSL 338.21, 0.75%, 0.44%

LAB 43.19, 65.14, 9.77

 

CMYK 38 / 86 / 0 / 23

HEX #791CC4

RGB 121 28 196

HSL 273.21, 0.75%, 0.44%

LAB 35.75, 65.45, -68.07

 

CMYK 62 / 86 / 0 / 23

HEX #4B1CC4

RGB 75 28 196

HSL 256.79, 0.75%, 0.44%

LAB 30.19, 60.38, -77.44

 

CMYK 85 / 86 / 0 / 23

HEX #1E1CC4

RGB 30 28 196

HSL 240.71, 0.75%, 0.44%

LAB 27, 57.7, -82.83

 

CMYK 86 / 86 / 0 / 23

HEX #1C1CC4

RGB 28 28 196

HSL 240, 0.75%, 0.44%

LAB 26.91, 57.64, -82.97

 

CMYK 38 / 86 / 0 / 23

HEX #791CC4

RGB 121 28 196

HSL 273.21, 0.75%, 0.44%

LAB 35.75, 65.45, -68.07

 

CMYK 43 / 96 / 0 / 16

HEX #7B09D6

RGB 123 9 214

HSL 273.37, 0.92%, 0.44%

LAB 36.48, 73.16, -77.33

 

CMYK 38 / 86 / 0 / 23

HEX #791CC4

RGB 121 28 196

HSL 273.21, 0.75%, 0.44%

LAB 35.75, 65.45, -68.07

 

CMYK 33 / 74 / 0 / 30

HEX #772EB2

RGB 119 46 178

HSL 273.18, 0.59%, 0.44%

LAB 36.16, 54.78, -56.81

 

CMYK 27 / 60 / 0 / 37

HEX #7540A0

RGB 117 64 160

HSL 273.13, 0.43%, 0.44%

LAB 37.82, 41.28, -43.38

 

CMYK 18 / 42 / 0 / 45

HEX #73528D

RGB 115 82 141

HSL 273.56, 0.26%, 0.44%

LAB 40.58, 25.7, -27.56

 

CMYK 8 / 19 / 0 / 52

HEX #71647B

RGB 113 100 123

HSL 273.91, 0.1%, 0.44%

LAB 44.31, 9.89, -10.95

 

CMYK 85 / 86 / 0 / 23

HEX #1E1CC4

RGB 30 28 196

HSL 240.71, 0.75%, 0.44%

LAB 27, 57.7, -82.83

 

CMYK 62 / 86 / 0 / 23

HEX #4B1CC4

RGB 75 28 196

HSL 256.79, 0.75%, 0.44%

LAB 30.19, 60.38, -77.44

 

CMYK 39 / 86 / 0 / 23

HEX #781CC4

RGB 120 28 196

HSL 272.86, 0.75%, 0.44%

LAB 35.61, 65.32, -68.31

 

CMYK 16 / 86 / 0 / 23

HEX #A51CC4

RGB 165 28 196

HSL 288.93, 0.75%, 0.44%

LAB 42.48, 72.06, -56.82

 

CMYK 0 / 86 / 7 / 23

HEX #C41CB6

RGB 196 28 182

HSL 305, 0.75%, 0.44%

LAB 46.9, 75.34, -41.26

 

CMYK 39 / 86 / 0 / 51

HEX #4C117C

RGB 76 17 124

HSL 273.08, 0.76%, 0.28%

LAB 21.55, 45.9, -47.73

 

CMYK 39 / 86 / 0 / 37

HEX #6216A0

RGB 98 22 160

HSL 273.04, 0.76%, 0.36%

LAB 28.66, 55.98, -58.34

 

CMYK 38 / 86 / 0 / 23

HEX #791CC4

RGB 121 28 196

HSL 273.21, 0.75%, 0.44%

LAB 35.75, 65.45, -68.07

 

CMYK 37 / 82 / 0 / 12

HEX #8E29E0

RGB 142 41 224

HSL 273.11, 0.75%, 0.52%

LAB 42.34, 70.62, -73.37

 

CMYK 30 / 66 / 0 / 10

HEX #A14DE5

RGB 161 77 229

HSL 273.16, 0.75%, 0.6%

LAB 50.15, 60.88, -63.4

 

CMYK 38 / 86 / 0 / 23

HEX #791CC4

RGB 121 28 196

HSL 273.21, 0.75%, 0.44%

LAB 35.75, 65.45, -68.07

 

CMYK 0 / 86 / 64 / 23

HEX #C41C46

RGB 196 28 70

HSL 345, 0.75%, 0.44%

LAB 42.78, 63.93, 21.12

 

CMYK 86 / 0 / 73 / 23

HEX #1CC435

RGB 28 196 53

HSL 128.93, 0.75%, 0.44%

LAB 69.46, -66.75, 57.15

 

CMYK 38 / 86 / 0 / 23

HEX #791CC4

RGB 121 28 196

HSL 273.21, 0.75%, 0.44%

LAB 35.75, 65.45, -68.07

 

CMYK 0 / 39 / 86 / 23

HEX #C4781C

RGB 196 120 28

HSL 32.86, 0.75%, 0.44%

LAB 57.32, 23.22, 57.74

 

CMYK 86 / 0 / 39 / 23

HEX #1CC478

RGB 28 196 120

HSL 152.86, 0.75%, 0.44%

LAB 70.23, -57.39, 27.11

 

CMYK 38 / 86 / 0 / 23

HEX #791CC4

RGB 121 28 196

HSL 273.21, 0.75%, 0.44%

LAB 35.75, 65.45, -68.07

 

CMYK 0 / 86 / 64 / 23

HEX #C41C46

RGB 196 28 70

HSL 345, 0.75%, 0.44%

LAB 42.78, 63.93, 21.12

 

CMYK 47 / 0 / 86 / 23

HEX #67C41C

RGB 103 196 28

HSL 93.21, 0.75%, 0.44%

LAB 71.18, -53.11, 66.73

 

CMYK 86 / 0 / 21 / 23

HEX #1CC49A

RGB 28 196 154

HSL 165, 0.75%, 0.44%

LAB 70.91, -49.83, 9.89

 

CMYK 38 / 86 / 0 / 23

HEX #791CC4

RGB 121 28 196

HSL 273.21, 0.75%, 0.44%

LAB 35.75, 65.45, -68.07

 

CMYK 0 / 82 / 86 / 23

HEX #C4241C

RGB 196 36 28

HSL 2.86, 0.75%, 0.44%

LAB 42.89, 60.47, 45.61

 

CMYK 47 / 0 / 86 / 23

HEX #67C41C

RGB 103 196 28

HSL 93.21, 0.75%, 0.44%

LAB 71.18, -53.11, 66.73

 

CMYK 86 / 5 / 0 / 23

HEX #1CBBC4

RGB 28 187 196

HSL 183.21, 0.75%, 0.44%

LAB 69.31, -34.17, -15.43

 

Description

Color code: HEX #791CC4 | qconv.com Color code: HEX #791CC4 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 28 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 28 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 86 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 86% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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