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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #78F2FC it is the complementary color #870D03. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #78F2FC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #78F2FC shade: #7DF2F7, #8EFFFF, #9FFFFF, #B0FFFF and #C1FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #78F2FC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #78F2FC shade: #78F2FC, #67E0E9, #56CED6, #45BCC3 and #34AAB0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #78F2FC shade: #78F2FC, #78CEFC, #78AAFC, #7887FC and #8C78FC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #78F2FC shade: #78F2FC, #78CEFC, #78AAFC, #7887FC and #7878FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #78F2FC shade matches the following richer shades: #78F2FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #78F2FC shade: #78F2FC, #83E8F1, #8EDFE5, #99D5DA and #A4CCCF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #78F2FC shade: #78FCBE, #78FCE1, #78F3FC, #78D0FC and #78ACFC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #78F2FC shade: #27EAFA, #4FEEFB, #78F2FC, #A0F6FD and #C8F9FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #78F2FC shade: #78F2FC, #9B78FC and #FCD078

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #78F2FC shade: #78F2FC, #FC78F3 and #F3FC78

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #78F2FC shade: #78F2FC, #9B78FC, #FC8078 and #D8FC78

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #78F2FC shade: #78F2FC, #C278FC, #FC8078 and #B1FC78

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 4 / 0 / 1

HEX #78F2FC

RGB 120 242 252

HSL 184.55, 0.96%, 0.73%

LAB 89.17, -31.5, -15.3

 

Complementary color

CMYK 0 / 90 / 98 / 47

HEX #870D03

RGB 135 13 3

HSL 4.55, 0.96%, 0.27%

LAB 27.97, 47.72, 39.61

 

CMYK 49 / 2 / 0 / 3

HEX #7DF2F7

RGB 125 242 247

HSL 182.46, 0.88%, 0.73%

LAB 89.2, -31.79, -12.64

 

CMYK 44 / 0 / 0 / 0

HEX #8EFFFF

RGB 142 255 255

HSL 180, 1%, 0.78%

LAB 93.66, -32.25, -10.07

 

CMYK 38 / 0 / 0 / 0

HEX #9FFFFF

RGB 159 255 255

HSL 180, 1%, 0.81%

LAB 94.36, -28.26, -8.96

 

CMYK 31 / 0 / 0 / 0

HEX #B0FFFF

RGB 176 255 255

HSL 180, 1%, 0.85%

LAB 95.15, -23.9, -7.7

 

CMYK 24 / 0 / 0 / 0

HEX #C1FFFF

RGB 193 255 255

HSL 180, 1%, 0.88%

LAB 96.03, -19.2, -6.3

 

CMYK 52 / 4 / 0 / 1

HEX #78F2FC

RGB 120 242 252

HSL 184.55, 0.96%, 0.73%

LAB 89.17, -31.5, -15.3

 

CMYK 56 / 4 / 0 / 9

HEX #67E0E9

RGB 103 224 233

HSL 184.15, 0.75%, 0.66%

LAB 82.95, -31.26, -14.69

 

CMYK 60 / 4 / 0 / 16

HEX #56CED6

RGB 86 206 214

HSL 183.75, 0.61%, 0.59%

LAB 76.66, -30.92, -14.03

 

CMYK 65 / 4 / 0 / 24

HEX #45BCC3

RGB 69 188 195

HSL 183.33, 0.51%, 0.52%

LAB 70.3, -30.45, -13.32

 

CMYK 70 / 3 / 0 / 31

HEX #34AAB0

RGB 52 170 176

HSL 182.9, 0.54%, 0.45%

LAB 63.85, -29.78, -12.54

 

CMYK 52 / 4 / 0 / 1

HEX #78F2FC

RGB 120 242 252

HSL 184.55, 0.96%, 0.73%

LAB 89.17, -31.5, -15.3

 

CMYK 52 / 18 / 0 / 1

HEX #78CEFC

RGB 120 206 252

HSL 200.91, 0.96%, 0.73%

LAB 79.14, -13.6, -30.54

 

CMYK 52 / 33 / 0 / 1

HEX #78AAFC

RGB 120 170 252

HSL 217.27, 0.96%, 0.73%

LAB 69.31, 6.03, -45.81

 

CMYK 52 / 46 / 0 / 1

HEX #7887FC

RGB 120 135 252

HSL 233.18, 0.96%, 0.73%

LAB 60.2, 26.41, -60.25

 

CMYK 44 / 52 / 0 / 1

HEX #8C78FC

RGB 140 120 252

HSL 249.09, 0.96%, 0.73%

LAB 58.07, 39.46, -63.58

 

CMYK 52 / 4 / 0 / 1

HEX #78F2FC

RGB 120 242 252

HSL 184.55, 0.96%, 0.73%

LAB 89.17, -31.5, -15.3

 

CMYK 52 / 18 / 0 / 1

HEX #78CEFC

RGB 120 206 252

HSL 200.91, 0.96%, 0.73%

LAB 79.14, -13.6, -30.54

 

CMYK 52 / 33 / 0 / 1

HEX #78AAFC

RGB 120 170 252

HSL 217.27, 0.96%, 0.73%

LAB 69.31, 6.03, -45.81

 

CMYK 52 / 46 / 0 / 1

HEX #7887FC

RGB 120 135 252

HSL 233.18, 0.96%, 0.73%

LAB 60.2, 26.41, -60.25

 

CMYK 52 / 52 / 0 / 1

HEX #7878FC

RGB 120 120 252

HSL 240, 0.96%, 0.73%

LAB 56.54, 35.28, -66.13

 

CMYK 52 / 4 / 0 / 1

HEX #78F2FC

RGB 120 242 252

HSL 184.55, 0.96%, 0.73%

LAB 89.17, -31.5, -15.3

 

CMYK 52 / 4 / 0 / 1

HEX #78F2FC

RGB 120 242 252

HSL 184.55, 0.96%, 0.73%

LAB 89.17, -31.5, -15.3

 

CMYK 46 / 4 / 0 / 5

HEX #83E8F1

RGB 131 232 241

HSL 184.91, 0.8%, 0.73%

LAB 86.45, -27.24, -13.57

 

CMYK 38 / 3 / 0 / 10

HEX #8EDFE5

RGB 142 223 229

HSL 184.14, 0.63%, 0.73%

LAB 84.06, -23.18, -10.76

 

CMYK 30 / 2 / 0 / 15

HEX #99D5DA

RGB 153 213 218

HSL 184.62, 0.47%, 0.73%

LAB 81.52, -17.85, -8.63

 

CMYK 21 / 1 / 0 / 19

HEX #A4CCCF

RGB 164 204 207

HSL 184.19, 0.31%, 0.73%

LAB 79.38, -12.48, -5.86

 

CMYK 52 / 0 / 25 / 1

HEX #78FCBE

RGB 120 252 190

HSL 151.82, 0.96%, 0.73%

LAB 90.47, -50.39, 18.78

 

CMYK 52 / 0 / 11 / 1

HEX #78FCE1

RGB 120 252 225

HSL 167.73, 0.96%, 0.73%

LAB 91.26, -42.78, 1.84

 

CMYK 52 / 4 / 0 / 1

HEX #78F3FC

RGB 120 243 252

HSL 184.09, 0.96%, 0.73%

LAB 89.45, -31.98, -14.88

 

CMYK 52 / 17 / 0 / 1

HEX #78D0FC

RGB 120 208 252

HSL 200, 0.96%, 0.73%

LAB 79.69, -14.64, -29.69

 

CMYK 52 / 32 / 0 / 1

HEX #78ACFC

RGB 120 172 252

HSL 216.36, 0.96%, 0.73%

LAB 69.84, 4.9, -44.97

 

CMYK 84 / 6 / 0 / 2

HEX #27EAFA

RGB 39 234 250

HSL 184.55, 0.95%, 0.57%

LAB 85.09, -38.9, -20.58

 

CMYK 69 / 5 / 0 / 2

HEX #4FEEFB

RGB 79 238 251

HSL 184.53, 0.96%, 0.65%

LAB 86.89, -36.62, -18.33

 

CMYK 52 / 4 / 0 / 1

HEX #78F2FC

RGB 120 242 252

HSL 184.55, 0.96%, 0.73%

LAB 89.17, -31.5, -15.3

 

CMYK 37 / 3 / 0 / 1

HEX #A0F6FD

RGB 160 246 253

HSL 184.52, 0.96%, 0.81%

LAB 91.9, -24.15, -11.58

 

CMYK 21 / 2 / 0 / 1

HEX #C8F9FD

RGB 200 249 253

HSL 184.53, 0.93%, 0.89%

LAB 94.79, -14.64, -7.06

 

CMYK 52 / 4 / 0 / 1

HEX #78F2FC

RGB 120 242 252

HSL 184.55, 0.96%, 0.73%

LAB 89.17, -31.5, -15.3

 

CMYK 38 / 52 / 0 / 1

HEX #9B78FC

RGB 155 120 252

HSL 255.91, 0.96%, 0.73%

LAB 59.37, 42.84, -61.43

 

CMYK 0 / 17 / 52 / 1

HEX #FCD078

RGB 252 208 120

HSL 40, 0.96%, 0.73%

LAB 85.59, 5.09, 49.11

 

CMYK 52 / 4 / 0 / 1

HEX #78F2FC

RGB 120 242 252

HSL 184.55, 0.96%, 0.73%

LAB 89.17, -31.5, -15.3

 

CMYK 0 / 52 / 4 / 1

HEX #FC78F3

RGB 252 120 243

HSL 304.09, 0.96%, 0.73%

LAB 69.89, 65.81, -39.12

 

CMYK 4 / 0 / 52 / 1

HEX #F3FC78

RGB 243 252 120

HSL 64.09, 0.96%, 0.73%

LAB 96.01, -20.43, 61.29

 

CMYK 52 / 4 / 0 / 1

HEX #78F2FC

RGB 120 242 252

HSL 184.55, 0.96%, 0.73%

LAB 89.17, -31.5, -15.3

 

CMYK 38 / 52 / 0 / 1

HEX #9B78FC

RGB 155 120 252

HSL 255.91, 0.96%, 0.73%

LAB 59.37, 42.84, -61.43

 

CMYK 0 / 49 / 52 / 1

HEX #FC8078

RGB 252 128 120

HSL 3.64, 0.96%, 0.73%

LAB 67.64, 46.44, 26.31

 

CMYK 14 / 0 / 52 / 1

HEX #D8FC78

RGB 216 252 120

HSL 76.36, 0.96%, 0.73%

LAB 94.13, -30.78, 58.62

 

CMYK 52 / 4 / 0 / 1

HEX #78F2FC

RGB 120 242 252

HSL 184.55, 0.96%, 0.73%

LAB 89.17, -31.5, -15.3

 

CMYK 23 / 52 / 0 / 1

HEX #C278FC

RGB 194 120 252

HSL 273.64, 0.96%, 0.73%

LAB 63.29, 52.33, -54.95

 

CMYK 0 / 49 / 52 / 1

HEX #FC8078

RGB 252 128 120

HSL 3.64, 0.96%, 0.73%

LAB 67.64, 46.44, 26.31

 

CMYK 30 / 0 / 52 / 1

HEX #B1FC78

RGB 177 252 120

HSL 94.09, 0.96%, 0.73%

LAB 91.83, -44.79, 55.33

 

Description

Color code: HEX #78F2FC | qconv.com Color code: HEX #78F2FC | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 242 green and 252 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 242 252 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 4 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 4% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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