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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #78F1DF it is the complementary color #870E20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #78F1DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #78F1DF shade: #7DF1DA, #8EFFED, #9FFFFF, #B0FFFF and #C1FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #78F1DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #78F1DF shade: #78F1DF, #67DFCC, #56CDB9, #45BBA6 and #34A993

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #78F1DF shade: #79F0DF, #79F0BE, #79F09E, #79F07E and #94F079

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #78F1DF shade: #79F0DF, #79E2F0, #79C2F0, #79A1F0 and #7981F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #78F1DF shade matches the following richer shades: #79F0DF and #6DFCE7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #78F1DF shade: #79F0DF, #85E4D6, #91D9CE, #9DCDC5 and #A9C1BD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #78F1DF shade: #79F09F, #79F0BF, #79F0DE, #79E2F0 and #79C3F0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #78F1DF shade: #2EE9CD, #53EDD6, #79F0DF, #9EF4E8 and #C3F8F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #78F1DF shade: #78F1DF, #7F79F0 and #F0AF79

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #78F1DF shade: #78F1DF, #DE79F0 and #F0DE79

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #78F1DF shade: #78F1DF, #7F79F0, #F0798B and #EAF079

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #78F1DF shade: #78F1DF, #A379F0, #F0798B and #C7F079

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 7 / 5

HEX #78F1DF

RGB 120 241 223

HSL 171.07, 0.81%, 0.71%

LAB 88.08, -38.32, -1.76

 

Complementary color

CMYK 0 / 90 / 76 / 47

HEX #870E20

RGB 135 14 32

HSL 351.07, 0.81%, 0.29%

LAB 28.3, 48.28, 24.57

 

CMYK 48 / 0 / 10 / 5

HEX #7DF1DA

RGB 125 241 218

HSL 168.1, 0.81%, 0.72%

LAB 88.13, -38.41, 0.95

 

CMYK 44 / 0 / 7 / 0

HEX #8EFFED

RGB 142 255 237

HSL 170.44, 1%, 0.78%

LAB 93.18, -36.51, -1.47

 

CMYK 38 / 0 / 0 / 0

HEX #9FFFFF

RGB 159 255 255

HSL 180, 1%, 0.81%

LAB 94.36, -28.26, -8.96

 

CMYK 31 / 0 / 0 / 0

HEX #B0FFFF

RGB 176 255 255

HSL 180, 1%, 0.85%

LAB 95.15, -23.9, -7.7

 

CMYK 24 / 0 / 0 / 0

HEX #C1FFFF

RGB 193 255 255

HSL 180, 1%, 0.88%

LAB 96.03, -19.2, -6.3

 

CMYK 50 / 0 / 7 / 5

HEX #78F1DF

RGB 120 241 223

HSL 171.07, 0.81%, 0.71%

LAB 88.08, -38.32, -1.76

 

CMYK 54 / 0 / 9 / 13

HEX #67DFCC

RGB 103 223 204

HSL 170.5, 0.65%, 0.64%

LAB 81.85, -38.28, -0.94

 

CMYK 58 / 0 / 10 / 20

HEX #56CDB9

RGB 86 205 185

HSL 169.92, 0.54%, 0.57%

LAB 75.54, -38.16, -0.06

 

CMYK 63 / 0 / 11 / 27

HEX #45BBA6

RGB 69 187 166

HSL 169.32, 0.46%, 0.5%

LAB 69.15, -37.92, 0.9

 

CMYK 69 / 0 / 13 / 34

HEX #34A993

RGB 52 169 147

HSL 168.72, 0.53%, 0.43%

LAB 62.69, -37.52, 1.97

 

CMYK 50 / 0 / 7 / 6

HEX #79F0DF

RGB 121 240 223

HSL 171.43, 0.8%, 0.71%

LAB 87.83, -37.65, -2.12

 

CMYK 50 / 0 / 21 / 6

HEX #79F0BE

RGB 121 240 190

HSL 154.79, 0.8%, 0.71%

LAB 87.05, -45.06, 13.97

 

CMYK 50 / 0 / 34 / 6

HEX #79F09E

RGB 121 240 158

HSL 138.66, 0.8%, 0.71%

LAB 86.43, -51.19, 29.58

 

CMYK 50 / 0 / 48 / 6

HEX #79F07E

RGB 121 240 126

HSL 122.52, 0.8%, 0.71%

LAB 85.95, -56.17, 44.79

 

CMYK 38 / 0 / 50 / 6

HEX #94F079

RGB 148 240 121

HSL 106.39, 0.8%, 0.71%

LAB 87, -49.05, 48.7

 

CMYK 50 / 0 / 7 / 6

HEX #79F0DF

RGB 121 240 223

HSL 171.43, 0.8%, 0.71%

LAB 87.83, -37.65, -2.12

 

CMYK 50 / 6 / 0 / 6

HEX #79E2F0

RGB 121 226 240

HSL 187.06, 0.8%, 0.71%

LAB 84.35, -26.77, -16.23

 

CMYK 50 / 19 / 0 / 6

HEX #79C2F0

RGB 121 194 240

HSL 203.19, 0.8%, 0.71%

LAB 75.41, -10.47, -29.82

 

CMYK 50 / 33 / 0 / 6

HEX #79A1F0

RGB 121 161 240

HSL 219.83, 0.8%, 0.71%

LAB 66.4, 7.78, -43.83

 

CMYK 50 / 46 / 0 / 6

HEX #7981F0

RGB 121 129 240

HSL 235.97, 0.8%, 0.71%

LAB 58.09, 26.52, -56.99

 

CMYK 50 / 0 / 7 / 6

HEX #79F0DF

RGB 121 240 223

HSL 171.43, 0.8%, 0.71%

LAB 87.83, -37.65, -2.12

 

CMYK 57 / 0 / 8 / 1

HEX #6DFCE7

RGB 109 252 231

HSL 171.19, 0.96%, 0.71%

LAB 91.07, -43.5, -1.59

 

CMYK 50 / 0 / 7 / 6

HEX #79F0DF

RGB 121 240 223

HSL 171.43, 0.8%, 0.71%

LAB 87.83, -37.65, -2.12

 

CMYK 42 / 0 / 6 / 11

HEX #85E4D6

RGB 133 228 214

HSL 171.16, 0.64%, 0.71%

LAB 84.65, -31.42, -2

 

CMYK 33 / 0 / 5 / 15

HEX #91D9CE

RGB 145 217 206

HSL 170.83, 0.49%, 0.71%

LAB 81.89, -24.81, -1.74

 

CMYK 23 / 0 / 4 / 20

HEX #9DCDC5

RGB 157 205 197

HSL 170, 0.32%, 0.71%

LAB 78.96, -17.28, -1.15

 

CMYK 12 / 0 / 2 / 24

HEX #A9C1BD

RGB 169 193 189

HSL 170, 0.16%, 0.71%

LAB 76.22, -8.92, -0.75

 

CMYK 50 / 0 / 34 / 6

HEX #79F09F

RGB 121 240 159

HSL 139.16, 0.8%, 0.71%

LAB 86.45, -51.02, 29.1

 

CMYK 50 / 0 / 20 / 6

HEX #79F0BF

RGB 121 240 191

HSL 155.29, 0.8%, 0.71%

LAB 87.07, -44.85, 13.48

 

CMYK 50 / 0 / 8 / 6

HEX #79F0DE

RGB 121 240 222

HSL 170.92, 0.8%, 0.71%

LAB 87.8, -37.89, -1.64

 

CMYK 50 / 6 / 0 / 6

HEX #79E2F0

RGB 121 226 240

HSL 187.06, 0.8%, 0.71%

LAB 84.35, -26.77, -16.23

 

CMYK 50 / 19 / 0 / 6

HEX #79C3F0

RGB 121 195 240

HSL 202.69, 0.8%, 0.71%

LAB 75.69, -11, -29.4

 

CMYK 80 / 0 / 12 / 9

HEX #2EE9CD

RGB 46 233 205

HSL 171.02, 0.81%, 0.55%

LAB 83.58, -50.57, 0.91

 

CMYK 65 / 0 / 10 / 7

HEX #53EDD6

RGB 83 237 214

HSL 171.04, 0.81%, 0.63%

LAB 85.64, -45.56, -0.75

 

CMYK 50 / 0 / 7 / 6

HEX #79F0DF

RGB 121 240 223

HSL 171.43, 0.8%, 0.71%

LAB 87.83, -37.65, -2.12

 

CMYK 35 / 0 / 5 / 4

HEX #9EF4E8

RGB 158 244 232

HSL 171.63, 0.8%, 0.79%

LAB 90.69, -28.53, -2.45

 

CMYK 21 / 0 / 3 / 3

HEX #C3F8F0

RGB 195 248 240

HSL 170.94, 0.79%, 0.87%

LAB 93.9, -18.31, -1.68

 

CMYK 50 / 0 / 7 / 5

HEX #78F1DF

RGB 120 241 223

HSL 171.07, 0.81%, 0.71%

LAB 88.08, -38.32, -1.76

 

CMYK 47 / 50 / 0 / 6

HEX #7F79F0

RGB 127 121 240

HSL 243.03, 0.8%, 0.71%

LAB 56.56, 32.57, -59.41

 

CMYK 0 / 27 / 50 / 6

HEX #F0AF79

RGB 240 175 121

HSL 27.23, 0.8%, 0.71%

LAB 76.42, 17.6, 36.92

 

CMYK 50 / 0 / 7 / 5

HEX #78F1DF

RGB 120 241 223

HSL 171.07, 0.81%, 0.71%

LAB 88.08, -38.32, -1.76

 

CMYK 8 / 50 / 0 / 6

HEX #DE79F0

RGB 222 121 240

HSL 290.92, 0.8%, 0.71%

LAB 66.13, 56.72, -43.63

 

CMYK 0 / 8 / 50 / 6

HEX #F0DE79

RGB 240 222 121

HSL 50.92, 0.8%, 0.71%

LAB 88.04, -6.79, 51.35

 

CMYK 50 / 0 / 7 / 5

HEX #78F1DF

RGB 120 241 223

HSL 171.07, 0.81%, 0.71%

LAB 88.08, -38.32, -1.76

 

CMYK 47 / 50 / 0 / 6

HEX #7F79F0

RGB 127 121 240

HSL 243.03, 0.8%, 0.71%

LAB 56.56, 32.57, -59.41

 

CMYK 0 / 50 / 42 / 6

HEX #F0798B

RGB 240 121 139

HSL 350.92, 0.8%, 0.71%

LAB 65.01, 47.4, 11.74

 

CMYK 3 / 0 / 50 / 6

HEX #EAF079

RGB 234 240 121

HSL 63.03, 0.8%, 0.71%

LAB 92.22, -18.08, 56.23

 

CMYK 50 / 0 / 7 / 5

HEX #78F1DF

RGB 120 241 223

HSL 171.07, 0.81%, 0.71%

LAB 88.08, -38.32, -1.76

 

CMYK 32 / 50 / 0 / 6

HEX #A379F0

RGB 163 121 240

HSL 261.18, 0.8%, 0.71%

LAB 59.66, 41.13, -54.28

 

CMYK 0 / 50 / 42 / 6

HEX #F0798B

RGB 240 121 139

HSL 350.92, 0.8%, 0.71%

LAB 65.01, 47.4, 11.74

 

CMYK 17 / 0 / 50 / 6

HEX #C7F079

RGB 199 240 121

HSL 80.67, 0.8%, 0.71%

LAB 89.79, -31.48, 52.74

 

Description

Color code: HEX #78F1DF | qconv.com Color code: HEX #78F1DF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 241 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 241 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 7 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 7% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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