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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #78F098 it is the complementary color #870F67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #78F098. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #78F098 shade: #7DF093, #8EFFA6, #9FFFB9, #B0FFCC and #C1FFDF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #78F098. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #78F098 shade: #78F098, #67DE85, #56CC72, #45BA5F and #34A84C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #78F098 shade: #79F099, #7AF079, #9AF079, #BAF079 and #D9F079

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #78F098 shade: #79F099, #79F0B9, #79F0D9, #79E7F0 and #79C7F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #78F098 shade matches the following richer shades: #79F099 and #6DFC93

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #78F098 shade: #79F099, #85E49F, #91D8A4, #9DCCAA and #A9C0AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #78F098 shade: #99F079, #79F079, #79F099, #79F0B8 and #79F0D8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #78F098 shade: #2FE760, #54EC7D, #79F099, #9FF4B5 and #C4F8D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #78F098 shade: #78F098, #79B8F0 and #F07989

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #78F098 shade: #78F098, #9979F0 and #F09979

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #78F098 shade: #78F098, #79B8F0, #F079D0 and #F0B179

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #78F098 shade: #78F098, #7995F0, #F079D0 and #F0D479

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 37 / 6

HEX #78F098

RGB 120 240 152

HSL 136, 0.8%, 0.71%

LAB 86.3, -52.47, 32.43

 

Complementary color

CMYK 0 / 89 / 24 / 47

HEX #870F67

RGB 135 15 103

HSL 316, 0.8%, 0.29%

LAB 30.57, 54.27, -19.22

 

CMYK 48 / 0 / 39 / 6

HEX #7DF093

RGB 125 240 147

HSL 131.48, 0.79%, 0.72%

LAB 86.4, -52.01, 35.1

 

CMYK 44 / 0 / 35 / 0

HEX #8EFFA6

RGB 142 255 166

HSL 132.74, 1%, 0.78%

LAB 91.7, -50.61, 32.74

 

CMYK 38 / 0 / 27 / 0

HEX #9FFFB9

RGB 159 255 185

HSL 136.25, 1%, 0.81%

LAB 92.75, -42.67, 24.72

 

CMYK 31 / 0 / 20 / 0

HEX #B0FFCC

RGB 176 255 204

HSL 141.27, 1%, 0.85%

LAB 93.93, -34.31, 16.8

 

CMYK 24 / 0 / 13 / 0

HEX #C1FFDF

RGB 193 255 223

HSL 149.03, 1%, 0.88%

LAB 95.24, -25.65, 9.03

 

CMYK 50 / 0 / 37 / 6

HEX #78F098

RGB 120 240 152

HSL 136, 0.8%, 0.71%

LAB 86.3, -52.47, 32.43

 

CMYK 54 / 0 / 40 / 13

HEX #67DE85

RGB 103 222 133

HSL 135.13, 0.64%, 0.64%

LAB 80.08, -52.54, 33.71

 

CMYK 58 / 0 / 44 / 20

HEX #56CC72

RGB 86 204 114

HSL 134.24, 0.54%, 0.57%

LAB 73.79, -52.49, 35.06

 

CMYK 63 / 0 / 49 / 27

HEX #45BA5F

RGB 69 186 95

HSL 133.33, 0.46%, 0.5%

LAB 67.43, -52.27, 36.49

 

CMYK 69 / 0 / 55 / 34

HEX #34A84C

RGB 52 168 76

HSL 132.41, 0.53%, 0.43%

LAB 61.01, -51.75, 37.95

 

CMYK 50 / 0 / 36 / 6

HEX #79F099

RGB 121 240 153

HSL 136.13, 0.8%, 0.71%

LAB 86.35, -52.05, 32

 

CMYK 49 / 0 / 50 / 6

HEX #7AF079

RGB 122 240 121

HSL 119.5, 0.8%, 0.71%

LAB 85.93, -56.58, 47.15

 

CMYK 36 / 0 / 50 / 6

HEX #9AF079

RGB 154 240 121

HSL 103.36, 0.8%, 0.71%

LAB 87.28, -47.16, 49.11

 

CMYK 23 / 0 / 50 / 6

HEX #BAF079

RGB 186 240 121

HSL 87.23, 0.8%, 0.71%

LAB 88.99, -36.23, 51.59

 

CMYK 10 / 0 / 50 / 6

HEX #D9F079

RGB 217 240 121

HSL 71.6, 0.8%, 0.71%

LAB 90.99, -24.67, 54.46

 

CMYK 50 / 0 / 36 / 6

HEX #79F099

RGB 121 240 153

HSL 136.13, 0.8%, 0.71%

LAB 86.35, -52.05, 32

 

CMYK 50 / 0 / 23 / 6

HEX #79F0B9

RGB 121 240 185

HSL 152.27, 0.8%, 0.71%

LAB 86.94, -46.09, 16.42

 

CMYK 50 / 0 / 10 / 6

HEX #79F0D9

RGB 121 240 217

HSL 168.4, 0.8%, 0.71%

LAB 87.68, -39.07, 0.79

 

CMYK 50 / 4 / 0 / 6

HEX #79E7F0

RGB 121 231 240

HSL 184.54, 0.8%, 0.71%

LAB 85.76, -29.19, -14.12

 

CMYK 50 / 17 / 0 / 6

HEX #79C7F0

RGB 121 199 240

HSL 200.67, 0.8%, 0.71%

LAB 76.8, -13.11, -27.69

 

CMYK 50 / 0 / 36 / 6

HEX #79F099

RGB 121 240 153

HSL 136.13, 0.8%, 0.71%

LAB 86.35, -52.05, 32

 

CMYK 57 / 0 / 42 / 1

HEX #6DFC93

RGB 109 252 147

HSL 135.94, 0.96%, 0.71%

LAB 89.38, -60.59, 38.9

 

CMYK 50 / 0 / 36 / 6

HEX #79F099

RGB 121 240 153

HSL 136.13, 0.8%, 0.71%

LAB 86.35, -52.05, 32

 

CMYK 42 / 0 / 30 / 11

HEX #85E49F

RGB 133 228 159

HSL 136.42, 0.64%, 0.71%

LAB 83.43, -42.74, 25.09

 

CMYK 33 / 0 / 24 / 15

HEX #91D8A4

RGB 145 216 164

HSL 136.06, 0.48%, 0.71%

LAB 80.63, -32.89, 18.73

 

CMYK 23 / 0 / 17 / 20

HEX #9DCCAA

RGB 157 204 170

HSL 136.6, 0.32%, 0.71%

LAB 78.03, -22.18, 11.98

 

CMYK 12 / 0 / 9 / 25

HEX #A9C0AF

RGB 169 192 175

HSL 135.65, 0.15%, 0.71%

LAB 75.59, -11.11, 5.92

 

CMYK 36 / 0 / 50 / 6

HEX #99F079

RGB 153 240 121

HSL 103.87, 0.8%, 0.71%

LAB 87.23, -47.48, 49.04

 

CMYK 50 / 0 / 50 / 6

HEX #79F079

RGB 121 240 121

HSL 120, 0.8%, 0.71%

LAB 85.89, -56.84, 47.1

 

CMYK 50 / 0 / 36 / 6

HEX #79F099

RGB 121 240 153

HSL 136.13, 0.8%, 0.71%

LAB 86.35, -52.05, 32

 

CMYK 50 / 0 / 23 / 6

HEX #79F0B8

RGB 121 240 184

HSL 151.76, 0.8%, 0.71%

LAB 86.92, -46.29, 16.91

 

CMYK 50 / 0 / 10 / 6

HEX #79F0D8

RGB 121 240 216

HSL 167.9, 0.8%, 0.71%

LAB 87.65, -39.31, 1.28

 

CMYK 80 / 0 / 58 / 9

HEX #2FE760

RGB 47 231 96

HSL 135.98, 0.79%, 0.55%

LAB 81.07, -71.09, 52.37

 

CMYK 64 / 0 / 47 / 7

HEX #54EC7D

RGB 84 236 125

HSL 136.18, 0.8%, 0.63%

LAB 83.63, -63.2, 42.12

 

CMYK 50 / 0 / 36 / 6

HEX #79F099

RGB 121 240 153

HSL 136.13, 0.8%, 0.71%

LAB 86.35, -52.05, 32

 

CMYK 35 / 0 / 26 / 4

HEX #9FF4B5

RGB 159 244 181

HSL 135.53, 0.79%, 0.79%

LAB 89.58, -38.47, 22.4

 

CMYK 21 / 0 / 15 / 3

HEX #C4F8D2

RGB 196 248 210

HSL 136.15, 0.79%, 0.87%

LAB 93.24, -23.76, 12.9

 

CMYK 50 / 0 / 37 / 6

HEX #78F098

RGB 120 240 152

HSL 136, 0.8%, 0.71%

LAB 86.3, -52.47, 32.43

 

CMYK 50 / 23 / 0 / 6

HEX #79B8F0

RGB 121 184 240

HSL 208.24, 0.8%, 0.71%

LAB 72.65, -5.09, -34.08

 

CMYK 0 / 50 / 43 / 6

HEX #F07989

RGB 240 121 137

HSL 351.93, 0.8%, 0.71%

LAB 64.97, 47.2, 12.81

 

CMYK 50 / 0 / 37 / 6

HEX #78F098

RGB 120 240 152

HSL 136, 0.8%, 0.71%

LAB 86.3, -52.47, 32.43

 

CMYK 36 / 50 / 0 / 6

HEX #9979F0

RGB 153 121 240

HSL 256.13, 0.8%, 0.71%

LAB 58.73, 38.65, -55.82

 

CMYK 0 / 36 / 50 / 6

HEX #F09979

RGB 240 153 121

HSL 16.13, 0.8%, 0.71%

LAB 71.34, 29.23, 30.36

 

CMYK 50 / 0 / 37 / 6

HEX #78F098

RGB 120 240 152

HSL 136, 0.8%, 0.71%

LAB 86.3, -52.47, 32.43

 

CMYK 50 / 23 / 0 / 6

HEX #79B8F0

RGB 121 184 240

HSL 208.24, 0.8%, 0.71%

LAB 72.65, -5.09, -34.08

 

CMYK 0 / 50 / 13 / 6

HEX #F079D0

RGB 240 121 208

HSL 316.13, 0.8%, 0.71%

LAB 67.09, 56.36, -24.2

 

CMYK 0 / 26 / 50 / 6

HEX #F0B179

RGB 240 177 121

HSL 28.24, 0.8%, 0.71%

LAB 76.89, 16.54, 37.53

 

CMYK 50 / 0 / 37 / 6

HEX #78F098

RGB 120 240 152

HSL 136, 0.8%, 0.71%

LAB 86.3, -52.47, 32.43

 

CMYK 50 / 38 / 0 / 6

HEX #7995F0

RGB 121 149 240

HSL 225.88, 0.8%, 0.71%

LAB 63.22, 14.72, -48.84

 

CMYK 0 / 50 / 13 / 6

HEX #F079D0

RGB 240 121 208

HSL 316.13, 0.8%, 0.71%

LAB 67.09, 56.36, -24.2

 

CMYK 0 / 12 / 50 / 6

HEX #F0D479

RGB 240 212 121

HSL 45.88, 0.8%, 0.71%

LAB 85.5, -1.71, 48.27

 

Description

Color code: HEX #78F098 | qconv.com Color code: HEX #78F098 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 240 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 240 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 37 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 37% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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