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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #78E7D8 it is the complementary color #871827. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #78E7D8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #78E7D8 shade: #7DE7D3, #8EF9E6, #9FFFF9, #B0FFFF and #C1FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #78E7D8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #78E7D8 shade: #78E7D8, #67D5C5, #56C3B2, #45B19F and #349F8C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #78E7D8 shade: #78E7D8, #78E7BA, #78E79C, #78E77E and #90E778

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #78E7D8 shade: #78E7D8, #78D8E7, #78BAE7, #789CE7 and #787EE7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #78E7D8 shade matches the following richer shades: #78E7D8 and #6BF4E1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #78E7D8 shade: #78E7D8, #85DACE, #92CDC5, #9EC0BC and #ABB4B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #78E7D8 shade: #78E79B, #78E7B9, #78E7D6, #78DAE7 and #78BCE7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #78E7D8 shade: #32DAC4, #55E1CE, #78E7D8, #9BEDE2 and #BEF3EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #78E7D8 shade: #78E7D8, #7E78E7 and #E7AA78

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #78E7D8 shade: #78E7D8, #D678E7 and #E7D678

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #78E7D8 shade: #78E7D8, #7E78E7, #E77889 and #E1E778

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #78E7D8 shade: #78E7D8, #9F78E7, #E77889 and #C0E778

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 6 / 9

HEX #78E7D8

RGB 120 231 216

HSL 171.89, 0.7%, 0.69%

LAB 85.05, -35.41, -2.53

 

Complementary color

CMYK 0 / 82 / 71 / 47

HEX #871827

RGB 135 24 39

HSL 351.89, 0.7%, 0.31%

LAB 29.29, 46.1, 21.2

 

CMYK 46 / 0 / 9 / 9

HEX #7DE7D3

RGB 125 231 211

HSL 168.68, 0.69%, 0.7%

LAB 85.11, -35.45, 0.21

 

CMYK 43 / 0 / 8 / 2

HEX #8EF9E6

RGB 142 249 230

HSL 169.35, 0.9%, 0.77%

LAB 91.33, -35.36, -0.55

 

CMYK 38 / 0 / 2 / 0

HEX #9FFFF9

RGB 159 255 249

HSL 176.25, 1%, 0.81%

LAB 94.2, -29.65, -6.1

 

CMYK 31 / 0 / 0 / 0

HEX #B0FFFF

RGB 176 255 255

HSL 180, 1%, 0.85%

LAB 95.15, -23.9, -7.7

 

CMYK 24 / 0 / 0 / 0

HEX #C1FFFF

RGB 193 255 255

HSL 180, 1%, 0.88%

LAB 96.03, -19.2, -6.3

 

CMYK 48 / 0 / 6 / 9

HEX #78E7D8

RGB 120 231 216

HSL 171.89, 0.7%, 0.69%

LAB 85.05, -35.41, -2.53

 

CMYK 52 / 0 / 8 / 16

HEX #67D5C5

RGB 103 213 197

HSL 171.27, 0.57%, 0.62%

LAB 78.75, -35.4, -1.74

 

CMYK 56 / 0 / 9 / 24

HEX #56C3B2

RGB 86 195 178

HSL 170.64, 0.48%, 0.55%

LAB 72.38, -35.33, -0.89

 

CMYK 61 / 0 / 10 / 31

HEX #45B19F

RGB 69 177 159

HSL 170, 0.44%, 0.48%

LAB 65.91, -35.15, 0.04

 

CMYK 67 / 0 / 12 / 38

HEX #349F8C

RGB 52 159 140

HSL 169.35, 0.51%, 0.41%

LAB 59.36, -34.82, 1.07

 

CMYK 48 / 0 / 6 / 9

HEX #78E7D8

RGB 120 231 216

HSL 171.89, 0.7%, 0.69%

LAB 85.05, -35.41, -2.53

 

CMYK 48 / 0 / 19 / 9

HEX #78E7BA

RGB 120 231 186

HSL 155.68, 0.7%, 0.69%

LAB 84.32, -42.2, 12.2

 

CMYK 48 / 0 / 32 / 9

HEX #78E79C

RGB 120 231 156

HSL 139.46, 0.7%, 0.69%

LAB 83.73, -48.05, 26.95

 

CMYK 48 / 0 / 45 / 9

HEX #78E77E

RGB 120 231 126

HSL 123.24, 0.7%, 0.69%

LAB 83.26, -52.87, 41.4

 

CMYK 38 / 0 / 48 / 9

HEX #90E778

RGB 144 231 120

HSL 107.03, 0.7%, 0.69%

LAB 84.19, -46.64, 45.69

 

CMYK 48 / 0 / 6 / 9

HEX #78E7D8

RGB 120 231 216

HSL 171.89, 0.7%, 0.69%

LAB 85.05, -35.41, -2.53

 

CMYK 48 / 6 / 0 / 9

HEX #78D8E7

RGB 120 216 231

HSL 188.11, 0.7%, 0.69%

LAB 81.22, -24.45, -16.17

 

CMYK 48 / 19 / 0 / 9

HEX #78BAE7

RGB 120 186 231

HSL 204.32, 0.7%, 0.69%

LAB 72.81, -8.97, -28.96

 

CMYK 48 / 32 / 0 / 9

HEX #789CE7

RGB 120 156 231

HSL 220.54, 0.7%, 0.69%

LAB 64.6, 7.74, -41.72

 

CMYK 48 / 45 / 0 / 9

HEX #787EE7

RGB 120 126 231

HSL 236.76, 0.7%, 0.69%

LAB 56.77, 25.38, -54.11

 

CMYK 48 / 0 / 6 / 9

HEX #78E7D8

RGB 120 231 216

HSL 171.89, 0.7%, 0.69%

LAB 85.05, -35.41, -2.53

 

CMYK 56 / 0 / 8 / 4

HEX #6BF4E1

RGB 107 244 225

HSL 171.68, 0.86%, 0.69%

LAB 88.57, -41.8, -2.13

 

CMYK 48 / 0 / 6 / 9

HEX #78E7D8

RGB 120 231 216

HSL 171.89, 0.7%, 0.69%

LAB 85.05, -35.41, -2.53

 

CMYK 39 / 0 / 6 / 15

HEX #85DACE

RGB 133 218 206

HSL 171.53, 0.53%, 0.69%

LAB 81.61, -28.51, -2.22

 

CMYK 29 / 0 / 4 / 20

HEX #92CDC5

RGB 146 205 197

HSL 171.86, 0.37%, 0.69%

LAB 78.35, -20.58, -2.12

 

CMYK 18 / 0 / 2 / 25

HEX #9EC0BC

RGB 158 192 188

HSL 172.94, 0.21%, 0.69%

LAB 75.2, -12.19, -1.79

 

CMYK 5 / 0 / 1 / 29

HEX #ABB4B2

RGB 171 180 178

HSL 166.67, 0.06%, 0.69%

LAB 72.57, -3.52, -0.08

 

CMYK 48 / 0 / 33 / 9

HEX #78E79B

RGB 120 231 155

HSL 138.92, 0.7%, 0.69%

LAB 83.71, -48.23, 27.44

 

CMYK 48 / 0 / 20 / 9

HEX #78E7B9

RGB 120 231 185

HSL 155.14, 0.7%, 0.69%

LAB 84.3, -42.41, 12.69

 

CMYK 48 / 0 / 7 / 9

HEX #78E7D6

RGB 120 231 214

HSL 170.81, 0.7%, 0.69%

LAB 85, -35.89, -1.55

 

CMYK 48 / 6 / 0 / 9

HEX #78DAE7

RGB 120 218 231

HSL 187.03, 0.7%, 0.69%

LAB 81.79, -25.43, -15.32

 

CMYK 48 / 19 / 0 / 9

HEX #78BCE7

RGB 120 188 231

HSL 203.24, 0.7%, 0.69%

LAB 73.37, -10.04, -28.11

 

CMYK 77 / 0 / 10 / 15

HEX #32DAC4

RGB 50 218 196

HSL 172.14, 0.69%, 0.53%

LAB 78.93, -46.25, -1.1

 

CMYK 62 / 0 / 8 / 12

HEX #55E1CE

RGB 85 225 206

HSL 171.86, 0.7%, 0.61%

LAB 81.97, -42, -1.89

 

CMYK 48 / 0 / 6 / 9

HEX #78E7D8

RGB 120 231 216

HSL 171.89, 0.7%, 0.69%

LAB 85.05, -35.41, -2.53

 

CMYK 35 / 0 / 5 / 7

HEX #9BEDE2

RGB 155 237 226

HSL 171.95, 0.69%, 0.77%

LAB 88.46, -27.32, -2.6

 

CMYK 22 / 0 / 3 / 5

HEX #BEF3EC

RGB 190 243 236

HSL 172.08, 0.69%, 0.85%

LAB 92.18, -18.16, -2.15

 

CMYK 48 / 0 / 6 / 9

HEX #78E7D8

RGB 120 231 216

HSL 171.89, 0.7%, 0.69%

LAB 85.05, -35.41, -2.53

 

CMYK 45 / 48 / 0 / 9

HEX #7E78E7

RGB 126 120 231

HSL 243.24, 0.7%, 0.69%

LAB 55.72, 30.31, -55.75

 

CMYK 0 / 26 / 48 / 9

HEX #E7AA78

RGB 231 170 120

HSL 27.03, 0.7%, 0.69%

LAB 74.25, 16.55, 34.48

 

CMYK 48 / 0 / 6 / 9

HEX #78E7D8

RGB 120 231 216

HSL 171.89, 0.7%, 0.69%

LAB 85.05, -35.41, -2.53

 

CMYK 7 / 48 / 0 / 9

HEX #D678E7

RGB 214 120 231

HSL 290.81, 0.7%, 0.69%

LAB 64.56, 53.32, -41.19

 

CMYK 0 / 7 / 48 / 9

HEX #E7D678

RGB 231 214 120

HSL 50.81, 0.7%, 0.69%

LAB 85.22, -6.44, 48.23

 

CMYK 48 / 0 / 6 / 9

HEX #78E7D8

RGB 120 231 216

HSL 171.89, 0.7%, 0.69%

LAB 85.05, -35.41, -2.53

 

CMYK 45 / 48 / 0 / 9

HEX #7E78E7

RGB 126 120 231

HSL 243.24, 0.7%, 0.69%

LAB 55.72, 30.31, -55.75

 

CMYK 0 / 48 / 41 / 9

HEX #E77889

RGB 231 120 137

HSL 350.81, 0.7%, 0.69%

LAB 63.53, 44.53, 10.61

 

CMYK 3 / 0 / 48 / 9

HEX #E1E778

RGB 225 231 120

HSL 63.24, 0.7%, 0.69%

LAB 89.17, -17.31, 52.89

 

CMYK 48 / 0 / 6 / 9

HEX #78E7D8

RGB 120 231 216

HSL 171.89, 0.7%, 0.69%

LAB 85.05, -35.41, -2.53

 

CMYK 31 / 48 / 0 / 9

HEX #9F78E7

RGB 159 120 231

HSL 261.08, 0.7%, 0.69%

LAB 58.58, 38.42, -51.03

 

CMYK 0 / 48 / 41 / 9

HEX #E77889

RGB 231 120 137

HSL 350.81, 0.7%, 0.69%

LAB 63.53, 44.53, 10.61

 

CMYK 17 / 0 / 48 / 9

HEX #C0E778

RGB 192 231 120

HSL 81.08, 0.7%, 0.69%

LAB 86.86, -29.99, 49.56

 

Description

Color code: HEX #78E7D8 | qconv.com Color code: HEX #78E7D8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 231 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 231 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 6 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 6% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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