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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #78E71E it is the complementary color #8718E1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #78E71E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #78E71E shade: #7DE719, #8EF92C, #9FFF3F, #B0FF52 and #C1FF65

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #78E71E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #78E71E shade: #78E71E, #67D50B, #56C300, #45B100 and #349F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #78E71E shade: #77E71C, #AEE71C, #E4E71C, #E7B31C and #E77C1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #78E71E shade: #77E71C, #40E71C, #1CE72F, #1CE765 and #1CE79C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #78E71E shade matches the following richer shades: #77E71C and #75FB08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #78E71E shade: #77E71C, #79D331, #7BBE45, #7DAA59 and #7F966D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #78E71E shade: #E3E71C, #ADE71C, #77E71C, #41E71C and #1CE72D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #78E71E shade: #51A010, #64C614, #77E71C, #8DEB42 and #A4EF67

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #78E71E shade: #78E71E, #1CE7B4 and #E71CC8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #78E71E shade: #78E71E, #1C77E7 and #E71C77

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #78E71E shade: #78E71E, #1CE7B4, #8C1CE7 and #E71C4F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #78E71E shade: #78E71E, #1CDDE7, #8C1CE7 and #E7261C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 87 / 9

HEX #78E71E

RGB 120 231 30

HSL 93.13, 0.81%, 0.51%

LAB 82.51, -60.98, 76.35

 

Complementary color

CMYK 40 / 89 / 0 / 12

HEX #8718E1

RGB 135 24 225

HSL 273.13, 0.81%, 0.49%

LAB 39.98, 74.33, -77.84

 

CMYK 46 / 0 / 89 / 9

HEX #7DE719

RGB 125 231 25

HSL 90.87, 0.81%, 0.5%

LAB 82.69, -59.62, 77.45

 

CMYK 43 / 0 / 82 / 2

HEX #8EF92C

RGB 142 249 44

HSL 91.32, 0.94%, 0.57%

LAB 88.77, -60.51, 79.2

 

CMYK 38 / 0 / 75 / 0

HEX #9FFF3F

RGB 159 255 63

HSL 90, 1%, 0.62%

LAB 91.35, -56.52, 76.73

 

CMYK 31 / 0 / 68 / 0

HEX #B0FF52

RGB 176 255 82

HSL 87.4, 1%, 0.66%

LAB 92.29, -49.64, 71.56

 

CMYK 24 / 0 / 60 / 0

HEX #C1FF65

RGB 193 255 101

HSL 84.16, 1%, 0.7%

LAB 93.36, -42.23, 65.57

 

CMYK 48 / 0 / 87 / 9

HEX #78E71E

RGB 120 231 30

HSL 93.13, 0.81%, 0.51%

LAB 82.51, -60.98, 76.35

 

CMYK 52 / 0 / 95 / 16

HEX #67D50B

RGB 103 213 11

HSL 92.67, 0.9%, 0.44%

LAB 76.37, -59.83, 73.75

 

CMYK 56 / 0 / 100 / 24

HEX #56C300

RGB 86 195 0

HSL 93.54, 1%, 0.38%

LAB 70.18, -58.31, 69.69

 

CMYK 61 / 0 / 100 / 31

HEX #45B100

RGB 69 177 0

HSL 96.61, 1%, 0.35%

LAB 63.92, -56.44, 64.52

 

CMYK 67 / 0 / 100 / 38

HEX #349F00

RGB 52 159 0

HSL 100.38, 1%, 0.31%

LAB 57.58, -54.29, 59.3

 

CMYK 48 / 0 / 88 / 9

HEX #77E71C

RGB 119 231 28

HSL 93.1, 0.81%, 0.51%

LAB 82.46, -61.34, 76.66

 

CMYK 25 / 0 / 88 / 9

HEX #AEE71C

RGB 174 231 28

HSL 76.85, 0.81%, 0.51%

LAB 85.12, -42.6, 79.95

 

CMYK 1 / 0 / 88 / 9

HEX #E4E71C

RGB 228 231 28

HSL 60.89, 0.81%, 0.51%

LAB 88.79, -20.93, 84.46

 

CMYK 0 / 23 / 88 / 9

HEX #E7B31C

RGB 231 179 28

HSL 44.63, 0.81%, 0.51%

LAB 75.65, 6.67, 74.18

 

CMYK 0 / 46 / 88 / 9

HEX #E77C1C

RGB 231 124 28

HSL 28.37, 0.81%, 0.51%

LAB 62.92, 35.69, 64.21

 

CMYK 48 / 0 / 88 / 9

HEX #77E71C

RGB 119 231 28

HSL 93.1, 0.81%, 0.51%

LAB 82.46, -61.34, 76.66

 

CMYK 72 / 0 / 88 / 9

HEX #40E71C

RGB 64 231 28

HSL 109.36, 0.81%, 0.51%

LAB 80.92, -73.95, 74.73

 

CMYK 88 / 0 / 80 / 9

HEX #1CE72F

RGB 28 231 47

HSL 125.62, 0.81%, 0.51%

LAB 80.52, -77.24, 69.86

 

CMYK 88 / 0 / 56 / 9

HEX #1CE765

RGB 28 231 101

HSL 141.58, 0.81%, 0.51%

LAB 80.93, -72.13, 49.9

 

CMYK 88 / 0 / 32 / 9

HEX #1CE79C

RGB 28 231 156

HSL 157.83, 0.81%, 0.51%

LAB 81.73, -62.67, 23.9

 

CMYK 48 / 0 / 88 / 9

HEX #77E71C

RGB 119 231 28

HSL 93.1, 0.81%, 0.51%

LAB 82.46, -61.34, 76.66

 

CMYK 53 / 0 / 97 / 2

HEX #75FB08

RGB 117 251 8

HSL 93.09, 0.97%, 0.51%

LAB 88.35, -69.32, 83.83

 

CMYK 48 / 0 / 88 / 9

HEX #77E71C

RGB 119 231 28

HSL 93.1, 0.81%, 0.51%

LAB 82.46, -61.34, 76.66

 

CMYK 43 / 0 / 77 / 17

HEX #79D331

RGB 121 211 49

HSL 93.33, 0.65%, 0.51%

LAB 76.6, -52.28, 66.36

 

CMYK 35 / 0 / 64 / 25

HEX #7BBE45

RGB 123 190 69

HSL 93.22, 0.48%, 0.51%

LAB 70.5, -41.53, 52.78

 

CMYK 26 / 0 / 48 / 33

HEX #7DAA59

RGB 125 170 89

HSL 93.33, 0.32%, 0.51%

LAB 64.83, -29.6, 36.8

 

CMYK 15 / 0 / 27 / 41

HEX #7F966D

RGB 127 150 109

HSL 93.66, 0.16%, 0.51%

LAB 59.37, -15.94, 19.01

 

CMYK 2 / 0 / 88 / 9

HEX #E3E71C

RGB 227 231 28

HSL 61.18, 0.81%, 0.51%

LAB 88.72, -21.35, 84.36

 

CMYK 25 / 0 / 88 / 9

HEX #ADE71C

RGB 173 231 28

HSL 77.14, 0.81%, 0.51%

LAB 85.06, -42.98, 79.88

 

CMYK 48 / 0 / 88 / 9

HEX #77E71C

RGB 119 231 28

HSL 93.1, 0.81%, 0.51%

LAB 82.46, -61.34, 76.66

 

CMYK 72 / 0 / 88 / 9

HEX #41E71C

RGB 65 231 28

HSL 109.06, 0.81%, 0.51%

LAB 80.94, -73.79, 74.75

 

CMYK 88 / 0 / 81 / 9

HEX #1CE72D

RGB 28 231 45

HSL 125.02, 0.81%, 0.51%

LAB 80.51, -77.35, 70.39

 

CMYK 49 / 0 / 90 / 37

HEX #51A010

RGB 81 160 16

HSL 92.92, 0.82%, 0.35%

LAB 58.91, -46.47, 58.3

 

CMYK 49 / 0 / 90 / 22

HEX #64C614

RGB 100 198 20

HSL 93.03, 0.82%, 0.43%

LAB 71.66, -55.02, 68.63

 

CMYK 48 / 0 / 88 / 9

HEX #77E71C

RGB 119 231 28

HSL 93.1, 0.81%, 0.51%

LAB 82.46, -61.34, 76.66

 

CMYK 40 / 0 / 72 / 8

HEX #8DEB42

RGB 141 235 66

HSL 93.37, 0.81%, 0.59%

LAB 84.73, -54.31, 69.02

 

CMYK 31 / 0 / 57 / 6

HEX #A4EF67

RGB 164 239 103

HSL 93.09, 0.81%, 0.67%

LAB 87.29, -45.34, 57.45

 

CMYK 48 / 0 / 87 / 9

HEX #78E71E

RGB 120 231 30

HSL 93.13, 0.81%, 0.51%

LAB 82.51, -60.98, 76.35

 

CMYK 88 / 0 / 22 / 9

HEX #1CE7B4

RGB 28 231 180

HSL 164.93, 0.81%, 0.51%

LAB 82.21, -57.29, 12.08

 

CMYK 0 / 88 / 13 / 9

HEX #E71CC8

RGB 231 28 200

HSL 309.16, 0.81%, 0.51%

LAB 54.02, 84.4, -40.07

 

CMYK 48 / 0 / 87 / 9

HEX #78E71E

RGB 120 231 30

HSL 93.13, 0.81%, 0.51%

LAB 82.51, -60.98, 76.35

 

CMYK 88 / 48 / 0 / 9

HEX #1C77E7

RGB 28 119 231

HSL 213.1, 0.81%, 0.51%

LAB 50.93, 16.15, -63.69

 

CMYK 0 / 88 / 48 / 9

HEX #E71C77

RGB 231 28 119

HSL 333.1, 0.81%, 0.51%

LAB 50.86, 75.89, 3.1

 

CMYK 48 / 0 / 87 / 9

HEX #78E71E

RGB 120 231 30

HSL 93.13, 0.81%, 0.51%

LAB 82.51, -60.98, 76.35

 

CMYK 88 / 0 / 22 / 9

HEX #1CE7B4

RGB 28 231 180

HSL 164.93, 0.81%, 0.51%

LAB 82.21, -57.29, 12.08

 

CMYK 39 / 88 / 0 / 9

HEX #8C1CE7

RGB 140 28 231

HSL 273.1, 0.81%, 0.51%

LAB 41.49, 75.31, -78.75

 

CMYK 0 / 88 / 66 / 9

HEX #E71C4F

RGB 231 28 79

HSL 344.93, 0.81%, 0.51%

LAB 49.96, 73.33, 26.24

 

CMYK 48 / 0 / 87 / 9

HEX #78E71E

RGB 120 231 30

HSL 93.13, 0.81%, 0.51%

LAB 82.51, -60.98, 76.35

 

CMYK 88 / 4 / 0 / 9

HEX #1CDDE7

RGB 28 221 231

HSL 182.96, 0.81%, 0.51%

LAB 80.59, -39.28, -17.33

 

CMYK 39 / 88 / 0 / 9

HEX #8C1CE7

RGB 140 28 231

HSL 273.1, 0.81%, 0.51%

LAB 41.49, 75.31, -78.75

 

CMYK 0 / 84 / 88 / 9

HEX #E7261C

RGB 231 38 28

HSL 2.96, 0.81%, 0.51%

LAB 50.05, 69.75, 54.31

 

Description

Color code: HEX #78E71E | qconv.com Color code: HEX #78E71E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 231 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 231 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 87 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 87% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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