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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #78E452 it is the complementary color #871BAD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #78E452. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #78E452 shade: #7DE44D, #8EF660, #9FFF73, #B0FF86 and #C1FF99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #78E452. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #78E452 shade: #78E452, #67D23F, #56C02C, #45AE19 and #349C06

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #78E452 shade: #78E452, #9FE452, #C7E452, #E4DA52 and #E4B252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #78E452 shade: #78E452, #52E454, #52E47B, #52E4A2 and #52E4C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #78E452 shade matches the following richer shades: #78E452 and #71F442

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #78E452 shade: #78E452, #80D463, #88C373, #8FB383 and #97A393

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #78E452 shade: #C7E452, #A0E452, #79E452, #52E452 and #52E479

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #78E452 shade: #4AC51E, #5CDE2F, #78E452, #94E976 and #B0EF9A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #78E452 shade: #78E452, #52E4DA and #E452B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #78E452 shade: #78E452, #5279E4 and #E45279

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #78E452 shade: #78E452, #52E4DA, #BD52E4 and #E4525C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #78E452 shade: #78E452, #52C2E4, #BD52E4 and #E47452

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 64 / 11

HEX #78E452

RGB 120 228 82

HSL 104.38, 0.73%, 0.61%

LAB 81.89, -56.8, 59.76

 

Complementary color

CMYK 22 / 84 / 0 / 32

HEX #871BAD

RGB 135 27 173

HSL 284.38, 0.73%, 0.39%

LAB 35.89, 63.07, -54.15

 

CMYK 45 / 0 / 66 / 11

HEX #7DE44D

RGB 125 228 77

HSL 100.93, 0.74%, 0.6%

LAB 82.05, -55.76, 61.99

 

CMYK 42 / 0 / 61 / 4

HEX #8EF660

RGB 142 246 96

HSL 101.6, 0.89%, 0.67%

LAB 88.21, -55.99, 61.21

 

CMYK 38 / 0 / 55 / 0

HEX #9FFF73

RGB 159 255 115

HSL 101.14, 1%, 0.73%

LAB 91.74, -52.47, 57.25

 

CMYK 31 / 0 / 47 / 0

HEX #B0FF86

RGB 176 255 134

HSL 99.17, 1%, 0.76%

LAB 92.78, -44.87, 50.01

 

CMYK 24 / 0 / 40 / 0

HEX #C1FF99

RGB 193 255 153

HSL 96.47, 1%, 0.8%

LAB 93.95, -36.82, 42.58

 

CMYK 47 / 0 / 64 / 11

HEX #78E452

RGB 120 228 82

HSL 104.38, 0.73%, 0.61%

LAB 81.89, -56.8, 59.76

 

CMYK 51 / 0 / 70 / 18

HEX #67D23F

RGB 103 210 63

HSL 103.67, 0.62%, 0.54%

LAB 75.66, -56.41, 60.4

 

CMYK 55 / 0 / 77 / 25

HEX #56C02C

RGB 86 192 44

HSL 102.97, 0.63%, 0.46%

LAB 69.37, -55.75, 60.53

 

CMYK 60 / 0 / 86 / 32

HEX #45AE19

RGB 69 174 25

HSL 102.28, 0.75%, 0.39%

LAB 63.02, -54.71, 59.77

 

CMYK 67 / 0 / 96 / 39

HEX #349C06

RGB 52 156 6

HSL 101.6, 0.93%, 0.32%

LAB 56.6, -53.13, 57.59

 

CMYK 47 / 0 / 64 / 11

HEX #78E452

RGB 120 228 82

HSL 104.38, 0.73%, 0.61%

LAB 81.89, -56.8, 59.76

 

CMYK 30 / 0 / 64 / 11

HEX #9FE452

RGB 159 228 82

HSL 88.36, 0.73%, 0.61%

LAB 83.69, -44.18, 62.24

 

CMYK 13 / 0 / 64 / 11

HEX #C7E452

RGB 199 228 82

HSL 71.92, 0.73%, 0.61%

LAB 86.13, -29.12, 65.57

 

CMYK 0 / 4 / 64 / 11

HEX #E4DA52

RGB 228 218 82

HSL 55.89, 0.73%, 0.61%

LAB 85.63, -12.52, 65.71

 

CMYK 0 / 22 / 64 / 11

HEX #E4B252

RGB 228 178 82

HSL 39.45, 0.73%, 0.61%

LAB 75.42, 8.07, 54.73

 

CMYK 47 / 0 / 64 / 11

HEX #78E452

RGB 120 228 82

HSL 104.38, 0.73%, 0.61%

LAB 81.89, -56.8, 59.76

 

CMYK 64 / 0 / 63 / 11

HEX #52E454

RGB 82 228 84

HSL 120.82, 0.73%, 0.61%

LAB 80.69, -65.99, 57.28

 

CMYK 64 / 0 / 46 / 11

HEX #52E47B

RGB 82 228 123

HSL 136.85, 0.73%, 0.61%

LAB 81.13, -60.98, 39.93

 

CMYK 64 / 0 / 29 / 11

HEX #52E4A2

RGB 82 228 162

HSL 152.88, 0.73%, 0.61%

LAB 81.78, -53.94, 21

 

CMYK 64 / 0 / 12 / 11

HEX #52E4C9

RGB 82 228 201

HSL 168.9, 0.73%, 0.61%

LAB 82.65, -45.07, 1.74

 

CMYK 47 / 0 / 64 / 11

HEX #78E452

RGB 120 228 82

HSL 104.38, 0.73%, 0.61%

LAB 81.89, -56.8, 59.76

 

CMYK 54 / 0 / 73 / 4

HEX #71F442

RGB 113 244 66

HSL 104.16, 0.89%, 0.61%

LAB 86.31, -65.84, 70.24

 

CMYK 47 / 0 / 64 / 11

HEX #78E452

RGB 120 228 82

HSL 104.38, 0.73%, 0.61%

LAB 81.89, -56.8, 59.76

 

CMYK 40 / 0 / 53 / 17

HEX #80D463

RGB 128 212 99

HSL 104.6, 0.57%, 0.61%

LAB 77.62, -46.21, 47.5

 

CMYK 30 / 0 / 41 / 24

HEX #88C373

RGB 136 195 115

HSL 104.25, 0.4%, 0.61%

LAB 73.22, -34, 34.24

 

CMYK 20 / 0 / 27 / 30

HEX #8FB383

RGB 143 179 131

HSL 105, 0.24%, 0.61%

LAB 69.27, -21.36, 20.63

 

CMYK 7 / 0 / 10 / 36

HEX #97A393

RGB 151 163 147

HSL 105, 0.08%, 0.61%

LAB 65.66, -7.32, 6.86

 

CMYK 13 / 0 / 64 / 11

HEX #C7E452

RGB 199 228 82

HSL 71.92, 0.73%, 0.61%

LAB 86.13, -29.12, 65.57

 

CMYK 30 / 0 / 64 / 11

HEX #A0E452

RGB 160 228 82

HSL 87.95, 0.73%, 0.61%

LAB 83.74, -43.82, 62.31

 

CMYK 47 / 0 / 64 / 11

HEX #79E452

RGB 121 228 82

HSL 103.97, 0.73%, 0.61%

LAB 81.93, -56.51, 59.81

 

CMYK 64 / 0 / 64 / 11

HEX #52E452

RGB 82 228 82

HSL 120, 0.73%, 0.61%

LAB 80.68, -66.2, 58.09

 

CMYK 64 / 0 / 47 / 11

HEX #52E479

RGB 82 228 121

HSL 136.03, 0.73%, 0.61%

LAB 81.1, -61.29, 40.87

 

CMYK 62 / 0 / 85 / 23

HEX #4AC51E

RGB 74 197 30

HSL 104.19, 0.74%, 0.45%

LAB 70.51, -61.21, 65.32

 

CMYK 59 / 0 / 79 / 13

HEX #5CDE2F

RGB 92 222 47

HSL 104.57, 0.73%, 0.53%

LAB 78.88, -64.62, 68.73

 

CMYK 47 / 0 / 64 / 11

HEX #78E452

RGB 120 228 82

HSL 104.38, 0.73%, 0.61%

LAB 81.89, -56.8, 59.76

 

CMYK 36 / 0 / 49 / 9

HEX #94E976

RGB 148 233 118

HSL 104.35, 0.72%, 0.69%

LAB 84.94, -46.47, 47.6

 

CMYK 26 / 0 / 36 / 6

HEX #B0EF9A

RGB 176 239 154

HSL 104.47, 0.73%, 0.77%

LAB 88.59, -35.16, 34.92

 

CMYK 47 / 0 / 64 / 11

HEX #78E452

RGB 120 228 82

HSL 104.38, 0.73%, 0.61%

LAB 81.89, -56.8, 59.76

 

CMYK 64 / 0 / 4 / 11

HEX #52E4DA

RGB 82 228 218

HSL 175.89, 0.73%, 0.61%

LAB 83.1, -40.7, -6.6

 

CMYK 0 / 64 / 21 / 11

HEX #E452B3

RGB 228 82 179

HSL 320.14, 0.73%, 0.61%

LAB 57.83, 66.04, -22.07

 

CMYK 47 / 0 / 64 / 11

HEX #78E452

RGB 120 228 82

HSL 104.38, 0.73%, 0.61%

LAB 81.89, -56.8, 59.76

 

CMYK 64 / 47 / 0 / 11

HEX #5279E4

RGB 82 121 228

HSL 223.97, 0.73%, 0.61%

LAB 53.03, 19.9, -58.54

 

CMYK 0 / 64 / 47 / 11

HEX #E45279

RGB 228 82 121

HSL 343.97, 0.73%, 0.61%

LAB 56, 59.5, 9.17

 

CMYK 47 / 0 / 64 / 11

HEX #78E452

RGB 120 228 82

HSL 104.38, 0.73%, 0.61%

LAB 81.89, -56.8, 59.76

 

CMYK 64 / 0 / 4 / 11

HEX #52E4DA

RGB 82 228 218

HSL 175.89, 0.73%, 0.61%

LAB 83.1, -40.7, -6.6

 

CMYK 17 / 64 / 0 / 11

HEX #BD52E4

RGB 189 82 228

HSL 283.97, 0.73%, 0.61%

LAB 54.51, 64.46, -55.64

 

CMYK 0 / 64 / 60 / 11

HEX #E4525C

RGB 228 82 92

HSL 355.89, 0.73%, 0.61%

LAB 55.38, 57.22, 25.41

 

CMYK 47 / 0 / 64 / 11

HEX #78E452

RGB 120 228 82

HSL 104.38, 0.73%, 0.61%

LAB 81.89, -56.8, 59.76

 

CMYK 64 / 15 / 0 / 11

HEX #52C2E4

RGB 82 194 228

HSL 193.97, 0.73%, 0.61%

LAB 73.53, -21.57, -26.36

 

CMYK 17 / 64 / 0 / 11

HEX #BD52E4

RGB 189 82 228

HSL 283.97, 0.73%, 0.61%

LAB 54.51, 64.46, -55.64

 

CMYK 0 / 49 / 64 / 11

HEX #E47452

RGB 228 116 82

HSL 13.97, 0.73%, 0.61%

LAB 61.3, 40.75, 38.47

 

Description

Color code: HEX #78E452 | qconv.com Color code: HEX #78E452 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 228 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 228 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 64 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 64% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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