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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #78DB0E it is the complementary color #8724F1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #78DB0E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #78DB0E shade: #7DDB09, #8EED1C, #9FFF2F, #B0FF42 and #C1FF55

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #78DB0E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #78DB0E shade: #78DB0E, #67C900, #56B700, #45A500 and #349300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #78DB0E shade: #78DC0E, #B0DC0E, #DCD00E, #DC990E and #DC610E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #78DB0E shade: #78DC0E, #41DC0E, #0EDC12, #0EDC4A and #0EDC82

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #78DB0E shade matches the following richer shades: #78DC0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #78DB0E shade: #78DC0E, #78C921, #77B634, #76A347 and #769059

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #78DB0E shade: #DCCE0E, #B3DC0E, #7CDC0E, #45DC0E and #0EDC0E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #78DB0E shade: #4E8E09, #63B50B, #78DC0E, #8DF022 and #A1F349

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #78DB0E shade: #78DB0E, #0EDC97 and #DC0ECE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #78DB0E shade: #78DB0E, #0E7CDC and #DC0E7C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #78DB0E shade: #78DB0E, #0EDC97, #6E0EDC and #DC0E52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #78DB0E shade: #78DB0E, #0EDCD5, #6E0EDC and #DC0E14

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 94 / 14

HEX #78DB0E

RGB 120 219 14

HSL 88.98, 0.88%, 0.46%

LAB 78.86, -56.91, 75.72

 

Complementary color

CMYK 44 / 85 / 0 / 5

HEX #8724F1

RGB 135 36 241

HSL 268.98, 0.88%, 0.54%

LAB 42.4, 74.9, -82.94

 

CMYK 43 / 0 / 96 / 14

HEX #7DDB09

RGB 125 219 9

HSL 86.86, 0.92%, 0.45%

LAB 79.07, -55.39, 76.47

 

CMYK 40 / 0 / 88 / 7

HEX #8EED1C

RGB 142 237 28

HSL 87.27, 0.85%, 0.52%

LAB 85.2, -56.44, 79.35

 

CMYK 38 / 0 / 82 / 0

HEX #9FFF2F

RGB 159 255 47

HSL 87.69, 1%, 0.59%

LAB 91.28, -57.25, 81

 

CMYK 31 / 0 / 74 / 0

HEX #B0FF42

RGB 176 255 66

HSL 85.08, 1%, 0.63%

LAB 92.2, -50.59, 76.91

 

CMYK 24 / 0 / 67 / 0

HEX #C1FF55

RGB 193 255 85

HSL 81.88, 1%, 0.67%

LAB 93.24, -43.39, 71.73

 

CMYK 45 / 0 / 94 / 14

HEX #78DB0E

RGB 120 219 14

HSL 88.98, 0.88%, 0.46%

LAB 78.86, -56.91, 75.72

 

CMYK 49 / 0 / 100 / 21

HEX #67C900

RGB 103 201 0

HSL 89.25, 1%, 0.39%

LAB 72.67, -55.62, 71.91

 

CMYK 53 / 0 / 100 / 28

HEX #56B700

RGB 86 183 0

HSL 91.8, 1%, 0.36%

LAB 66.4, -54.01, 66.72

 

CMYK 58 / 0 / 100 / 35

HEX #45A500

RGB 69 165 0

HSL 94.91, 1%, 0.32%

LAB 60.05, -52.23, 61.46

 

CMYK 65 / 0 / 100 / 42

HEX #349300

RGB 52 147 0

HSL 98.78, 1%, 0.29%

LAB 53.6, -50.21, 56.14

 

CMYK 45 / 0 / 94 / 14

HEX #78DC0E

RGB 120 220 14

HSL 89.13, 0.88%, 0.46%

LAB 79.16, -57.28, 75.96

 

CMYK 20 / 0 / 94 / 14

HEX #B0DC0E

RGB 176 220 14

HSL 72.82, 0.88%, 0.46%

LAB 82.08, -37.22, 79.52

 

CMYK 0 / 5 / 94 / 14

HEX #DCD00E

RGB 220 208 14

HSL 56.5, 0.88%, 0.46%

LAB 82.03, -13.22, 80.89

 

CMYK 0 / 30 / 94 / 14

HEX #DC990E

RGB 220 153 14

HSL 40.49, 0.88%, 0.46%

LAB 68.04, 15.49, 70.54

 

CMYK 0 / 56 / 94 / 14

HEX #DC610E

RGB 220 97 14

HSL 24.17, 0.88%, 0.46%

LAB 55.88, 44.64, 62.07

 

CMYK 45 / 0 / 94 / 14

HEX #78DC0E

RGB 120 220 14

HSL 89.13, 0.88%, 0.46%

LAB 79.16, -57.28, 75.96

 

CMYK 70 / 0 / 94 / 14

HEX #41DC0E

RGB 65 220 14

HSL 105.15, 0.88%, 0.46%

LAB 77.48, -70.84, 73.9

 

CMYK 94 / 0 / 92 / 14

HEX #0EDC12

RGB 14 220 18

HSL 121.17, 0.88%, 0.46%

LAB 76.87, -76.23, 72.64

 

CMYK 94 / 0 / 66 / 14

HEX #0EDC4A

RGB 14 220 74

HSL 137.48, 0.88%, 0.46%

LAB 77.15, -72.76, 57.19

 

CMYK 94 / 0 / 41 / 14

HEX #0EDC82

RGB 14 220 130

HSL 153.79, 0.88%, 0.46%

LAB 77.81, -64.67, 31.95

 

CMYK 45 / 0 / 94 / 14

HEX #78DC0E

RGB 120 220 14

HSL 89.13, 0.88%, 0.46%

LAB 79.16, -57.28, 75.96

 

CMYK 45 / 0 / 94 / 14

HEX #78DC0E

RGB 120 220 14

HSL 89.13, 0.88%, 0.46%

LAB 79.16, -57.28, 75.96

 

CMYK 40 / 0 / 84 / 21

HEX #78C921

RGB 120 201 33

HSL 88.93, 0.72%, 0.46%

LAB 73.47, -49.38, 67.88

 

CMYK 35 / 0 / 71 / 29

HEX #77B634

RGB 119 182 52

HSL 89.08, 0.56%, 0.46%

LAB 67.74, -40.8, 56.64

 

CMYK 28 / 0 / 56 / 36

HEX #76A347

RGB 118 163 71

HSL 89.35, 0.39%, 0.46%

LAB 62.08, -30.95, 42.32

 

CMYK 18 / 0 / 38 / 44

HEX #769059

RGB 118 144 89

HSL 88.36, 0.24%, 0.46%

LAB 56.6, -19.33, 26.27

 

CMYK 0 / 6 / 94 / 14

HEX #DCCE0E

RGB 220 206 14

HSL 55.92, 0.88%, 0.46%

LAB 81.51, -12.22, 80.49

 

CMYK 19 / 0 / 94 / 14

HEX #B3DC0E

RGB 179 220 14

HSL 71.94, 0.88%, 0.46%

LAB 82.27, -36.03, 79.75

 

CMYK 44 / 0 / 94 / 14

HEX #7CDC0E

RGB 124 220 14

HSL 87.96, 0.88%, 0.46%

LAB 79.33, -56.02, 76.17

 

CMYK 69 / 0 / 94 / 14

HEX #45DC0E

RGB 69 220 14

HSL 103.98, 0.88%, 0.46%

LAB 77.57, -70.12, 74

 

CMYK 94 / 0 / 94 / 14

HEX #0EDC0E

RGB 14 220 14

HSL 120, 0.88%, 0.46%

LAB 76.87, -76.33, 73.13

 

CMYK 45 / 0 / 94 / 44

HEX #4E8E09

RGB 78 142 9

HSL 88.87, 0.88%, 0.3%

LAB 52.93, -40.41, 54.48

 

CMYK 45 / 0 / 94 / 29

HEX #63B50B

RGB 99 181 11

HSL 88.94, 0.89%, 0.38%

LAB 66.31, -49.05, 65.52

 

CMYK 45 / 0 / 94 / 14

HEX #78DC0E

RGB 120 220 14

HSL 89.13, 0.88%, 0.46%

LAB 79.16, -57.28, 75.96

 

CMYK 41 / 0 / 86 / 6

HEX #8DF022

RGB 141 240 34

HSL 88.83, 0.87%, 0.54%

LAB 86.06, -57.75, 78.96

 

CMYK 34 / 0 / 70 / 5

HEX #A1F349

RGB 161 243 73

HSL 88.94, 0.88%, 0.62%

LAB 88.05, -50.43, 70.23

 

CMYK 45 / 0 / 94 / 14

HEX #78DB0E

RGB 120 219 14

HSL 88.98, 0.88%, 0.46%

LAB 78.86, -56.91, 75.72

 

CMYK 94 / 0 / 31 / 14

HEX #0EDC97

RGB 14 220 151

HSL 159.9, 0.88%, 0.46%

LAB 78.18, -60.44, 21.62

 

CMYK 0 / 94 / 6 / 14

HEX #DC0ECE

RGB 220 14 206

HSL 304.08, 0.88%, 0.46%

LAB 51.82, 84.88, -47.13

 

CMYK 45 / 0 / 94 / 14

HEX #78DB0E

RGB 120 219 14

HSL 88.98, 0.88%, 0.46%

LAB 78.86, -56.91, 75.72

 

CMYK 94 / 44 / 0 / 14

HEX #0E7CDC

RGB 14 124 220

HSL 207.96, 0.88%, 0.46%

LAB 51.47, 8.1, -56.65

 

CMYK 0 / 94 / 44 / 14

HEX #DC0E7C

RGB 220 14 124

HSL 327.96, 0.88%, 0.46%

LAB 48.24, 75.62, -4.04

 

CMYK 45 / 0 / 94 / 14

HEX #78DB0E

RGB 120 219 14

HSL 88.98, 0.88%, 0.46%

LAB 78.86, -56.91, 75.72

 

CMYK 94 / 0 / 31 / 14

HEX #0EDC97

RGB 14 220 151

HSL 159.9, 0.88%, 0.46%

LAB 78.18, -60.44, 21.62

 

CMYK 50 / 94 / 0 / 14

HEX #6E0EDC

RGB 110 14 220

HSL 267.96, 0.88%, 0.46%

LAB 35.59, 72.56, -82.32

 

CMYK 0 / 94 / 63 / 14

HEX #DC0E52

RGB 220 14 82

HSL 340.19, 0.88%, 0.46%

LAB 47.16, 72.67, 20.33

 

CMYK 45 / 0 / 94 / 14

HEX #78DB0E

RGB 120 219 14

HSL 88.98, 0.88%, 0.46%

LAB 78.86, -56.91, 75.72

 

CMYK 94 / 0 / 3 / 14

HEX #0EDCD5

RGB 14 220 213

HSL 177.96, 0.88%, 0.46%

LAB 79.66, -44.69, -9.13

 

CMYK 50 / 94 / 0 / 14

HEX #6E0EDC

RGB 110 14 220

HSL 267.96, 0.88%, 0.46%

LAB 35.59, 72.56, -82.32

 

CMYK 0 / 94 / 91 / 14

HEX #DC0E14

RGB 220 14 20

HSL 358.25, 0.88%, 0.46%

LAB 46.42, 70.62, 54

 

Description

Color code: HEX #78DB0E | qconv.com Color code: HEX #78DB0E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 219 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 219 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 94 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 94% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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