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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #78D900 it is the complementary color #8726FF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #78D900. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #78D900 shade: #7DD900, #8EEB0E, #9FFD21, #B0FF34 and #C1FF47

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #78D900. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #78D900 shade: #78D900, #67C700, #56B500, #45A300 and #349100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #78D900 shade: #79DB00, #B4DB00, #DBC700, #DB8B00 and #DB5000

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #78D900 shade: #79DB00, #3EDB00, #02DB00, #00DB38 and #00DB73

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #78D900 shade matches the following richer shades: #79DB00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #78D900 shade: #79DB00, #77C911, #75B723, #73A635 and #719446

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #78D900 shade: #DBC500, #B6DB00, #7CDB00, #41DB00 and #07DB00

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #78D900 shade: #4B8800, #62B200, #79DB00, #8FFF05 and #A1FF2E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #78D900 shade: #78D900, #00DB8A and #DB00D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #78D900 shade: #78D900, #007CDB and #DB007C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #78D900 shade: #78D900, #00DB8A, #5F00DB and #DB0050

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #78D900 shade: #78D900, #00DBCC, #5F00DB and #DB000E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 100 / 15

HEX #78D900

RGB 120 217 0

HSL 86.82, 1%, 0.43%

LAB 78.24, -56.35, 76.56

 

Complementary color

CMYK 47 / 85 / 0 / 0

HEX #8726FF

RGB 135 38 255

HSL 266.82, 1%, 0.57%

LAB 43.88, 77.46, -88.37

 

CMYK 42 / 0 / 100 / 15

HEX #7DD900

RGB 125 217 0

HSL 85.44, 1%, 0.43%

LAB 78.45, -54.75, 76.82

 

CMYK 40 / 0 / 94 / 8

HEX #8EEB0E

RGB 142 235 14

HSL 85.25, 0.89%, 0.49%

LAB 84.59, -55.95, 80.72

 

CMYK 37 / 0 / 87 / 1

HEX #9FFD21

RGB 159 253 33

HSL 85.64, 0.98%, 0.56%

LAB 90.66, -56.92, 83.37

 

CMYK 31 / 0 / 80 / 0

HEX #B0FF34

RGB 176 255 52

HSL 83.35, 1%, 0.6%

LAB 92.13, -51.24, 80.84

 

CMYK 24 / 0 / 72 / 0

HEX #C1FF47

RGB 193 255 71

HSL 80.22, 1%, 0.64%

LAB 93.15, -44.22, 76.55

 

CMYK 45 / 0 / 100 / 15

HEX #78D900

RGB 120 217 0

HSL 86.82, 1%, 0.43%

LAB 78.24, -56.35, 76.56

 

CMYK 48 / 0 / 100 / 22

HEX #67C700

RGB 103 199 0

HSL 88.94, 1%, 0.39%

LAB 72.05, -54.87, 71.42

 

CMYK 52 / 0 / 100 / 29

HEX #56B500

RGB 86 181 0

HSL 91.49, 1%, 0.35%

LAB 65.77, -53.28, 66.22

 

CMYK 58 / 0 / 100 / 36

HEX #45A300

RGB 69 163 0

HSL 94.6, 1%, 0.32%

LAB 59.4, -51.52, 60.95

 

CMYK 64 / 0 / 100 / 43

HEX #349100

RGB 52 145 0

HSL 98.48, 1%, 0.28%

LAB 52.93, -49.51, 55.61

 

CMYK 45 / 0 / 100 / 14

HEX #79DB00

RGB 121 219 0

HSL 86.85, 1%, 0.43%

LAB 78.88, -56.8, 77.08

 

CMYK 18 / 0 / 100 / 14

HEX #B4DB00

RGB 180 219 0

HSL 70.68, 1%, 0.43%

LAB 82.04, -35.33, 80.87

 

CMYK 0 / 9 / 100 / 14

HEX #DBC700

RGB 219 199 0

HSL 54.52, 1%, 0.43%

LAB 79.56, -9.25, 80.39

 

CMYK 0 / 37 / 100 / 14

HEX #DB8B00

RGB 219 139 0

HSL 38.08, 1%, 0.43%

LAB 64.58, 22.43, 70.07

 

CMYK 0 / 63 / 100 / 14

HEX #DB5000

RGB 219 80 0

HSL 21.92, 1%, 0.43%

LAB 52.73, 51.9, 63.02

 

CMYK 45 / 0 / 100 / 14

HEX #79DB00

RGB 121 219 0

HSL 86.85, 1%, 0.43%

LAB 78.88, -56.8, 77.08

 

CMYK 72 / 0 / 100 / 14

HEX #3EDB00

RGB 62 219 0

HSL 103.01, 1%, 0.43%

LAB 77.09, -71.29, 74.91

 

CMYK 99 / 0 / 100 / 14

HEX #02DB00

RGB 2 219 0

HSL 119.45, 1%, 0.43%

LAB 76.48, -76.76, 74.16

 

CMYK 100 / 0 / 74 / 14

HEX #00DB38

RGB 0 219 56

HSL 135.34, 1%, 0.43%

LAB 76.65, -74.58, 63.31

 

CMYK 100 / 0 / 47 / 14

HEX #00DB73

RGB 0 219 115

HSL 151.51, 1%, 0.43%

LAB 77.22, -67.45, 38.69

 

CMYK 45 / 0 / 100 / 14

HEX #79DB00

RGB 121 219 0

HSL 86.85, 1%, 0.43%

LAB 78.88, -56.8, 77.08

 

CMYK 45 / 0 / 100 / 14

HEX #79DB00

RGB 121 219 0

HSL 86.85, 1%, 0.43%

LAB 78.88, -56.8, 77.08

 

CMYK 41 / 0 / 92 / 21

HEX #77C911

RGB 119 201 17

HSL 86.74, 0.84%, 0.43%

LAB 73.37, -50.2, 70.85

 

CMYK 36 / 0 / 81 / 28

HEX #75B723

RGB 117 183 35

HSL 86.76, 0.68%, 0.43%

LAB 67.85, -42.9, 62.28

 

CMYK 31 / 0 / 68 / 35

HEX #73A635

RGB 115 166 53

HSL 87.08, 0.52%, 0.43%

LAB 62.65, -35.09, 50.95

 

CMYK 24 / 0 / 53 / 42

HEX #719446

RGB 113 148 70

HSL 86.92, 0.36%, 0.43%

LAB 57.2, -25.74, 36.98

 

CMYK 0 / 10 / 100 / 14

HEX #DBC500

RGB 219 197 0

HSL 53.97, 1%, 0.43%

LAB 79.04, -8.23, 80.01

 

CMYK 17 / 0 / 100 / 14

HEX #B6DB00

RGB 182 219 0

HSL 70.14, 1%, 0.43%

LAB 82.17, -34.53, 81.03

 

CMYK 43 / 0 / 100 / 14

HEX #7CDB00

RGB 124 219 0

HSL 86.03, 1%, 0.43%

LAB 79.01, -55.84, 77.23

 

CMYK 70 / 0 / 100 / 14

HEX #41DB00

RGB 65 219 0

HSL 102.19, 1%, 0.43%

LAB 77.15, -70.78, 74.98

 

CMYK 97 / 0 / 100 / 14

HEX #07DB00

RGB 7 219 0

HSL 118.08, 1%, 0.43%

LAB 76.5, -76.58, 74.18

 

CMYK 45 / 0 / 100 / 47

HEX #4B8800

RGB 75 136 0

HSL 86.91, 1%, 0.27%

LAB 50.81, -39.2, 54.31

 

CMYK 45 / 0 / 100 / 30

HEX #62B200

RGB 98 178 0

HSL 86.97, 1%, 0.35%

LAB 65.31, -48.4, 66.06

 

CMYK 45 / 0 / 100 / 14

HEX #79DB00

RGB 121 219 0

HSL 86.85, 1%, 0.43%

LAB 78.88, -56.8, 77.08

 

CMYK 44 / 0 / 98 / 0

HEX #8FFF05

RGB 143 255 5

HSL 86.88, 1%, 0.51%

LAB 90.49, -63.31, 86.16

 

CMYK 37 / 0 / 82 / 0

HEX #A1FF2E

RGB 161 255 46

HSL 86.99, 1%, 0.59%

LAB 91.37, -56.62, 81.35

 

CMYK 45 / 0 / 100 / 15

HEX #78D900

RGB 120 217 0

HSL 86.82, 1%, 0.43%

LAB 78.24, -56.35, 76.56

 

CMYK 100 / 0 / 37 / 14

HEX #00DB8A

RGB 0 219 138

HSL 157.81, 1%, 0.43%

LAB 77.58, -63.23, 27.54

 

CMYK 0 / 100 / 4 / 14

HEX #DB00D3

RGB 219 0 211

HSL 302.19, 1%, 0.43%

LAB 51.57, 86.46, -50.41

 

CMYK 45 / 0 / 100 / 15

HEX #78D900

RGB 120 217 0

HSL 86.82, 1%, 0.43%

LAB 78.24, -56.35, 76.56

 

CMYK 100 / 43 / 0 / 14

HEX #007CDB

RGB 0 124 219

HSL 206.03, 1%, 0.43%

LAB 51.3, 7.27, -56.36

 

CMYK 0 / 100 / 43 / 14

HEX #DB007C

RGB 219 0 124

HSL 326.03, 1%, 0.43%

LAB 47.64, 76.57, -4.95

 

CMYK 45 / 0 / 100 / 15

HEX #78D900

RGB 120 217 0

HSL 86.82, 1%, 0.43%

LAB 78.24, -56.35, 76.56

 

CMYK 100 / 0 / 37 / 14

HEX #00DB8A

RGB 0 219 138

HSL 157.81, 1%, 0.43%

LAB 77.58, -63.23, 27.54

 

CMYK 57 / 100 / 0 / 14

HEX #5F00DB

RGB 95 0 219

HSL 266.03, 1%, 0.43%

LAB 33.02, 73.18, -86.06

 

CMYK 0 / 100 / 63 / 14

HEX #DB0050

RGB 219 0 80

HSL 338.08, 1%, 0.43%

LAB 46.5, 73.53, 20.66

 

CMYK 45 / 0 / 100 / 15

HEX #78D900

RGB 120 217 0

HSL 86.82, 1%, 0.43%

LAB 78.24, -56.35, 76.56

 

CMYK 100 / 0 / 7 / 14

HEX #00DBCC

RGB 0 219 204

HSL 175.89, 1%, 0.43%

LAB 79.05, -47.18, -5.24

 

CMYK 57 / 100 / 0 / 14

HEX #5F00DB

RGB 95 0 219

HSL 266.03, 1%, 0.43%

LAB 33.02, 73.18, -86.06

 

CMYK 0 / 100 / 94 / 14

HEX #DB000E

RGB 219 0 14

HSL 356.16, 1%, 0.43%

LAB 45.76, 71.53, 55.68

 

Description

Color code: HEX #78D900 | qconv.com Color code: HEX #78D900 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 217 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 217 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 100 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 100% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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