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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #78D881 it is the complementary color #87277E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #78D881. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #78D881 shade: #7DD87C, #8EEA8F, #9FFCA2, #B0FFB5 and #C1FFC8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #78D881. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #78D881 shade: #78D881, #67C66E, #56B45B, #45A248 and #349035

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #78D881 shade: #78D781, #89D778, #A3D778, #BCD778 and #D6D778

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #78D881 shade: #78D781, #78D79B, #78D7B5, #78D7CE and #78C7D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #78D881 shade matches the following richer shades: #78D781, #6AE676 and #5CF46A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #78D881 shade: #78D781, #86C98C, #94BB98, #A2ADA3 and #B09FAF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #78D881 shade: #A3D778, #8AD778, #78D780, #78D799 and #78D7B3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #78D881 shade: #39C446, #58CE63, #78D781, #98E19F and #B8EABD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #78D881 shade: #78D881, #78BCD7 and #D77896

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #78D881 shade: #78D881, #8078D7 and #D78078

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #78D881 shade: #78D881, #78BCD7, #D778D0 and #D79378

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #78D881 shade: #78D881, #78A0D7, #D778D0 and #D7B078

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 40 / 15

HEX #78D881

RGB 120 216 129

HSL 125.63, 0.55%, 0.66%

LAB 78.86, -46.24, 34.27

 

Complementary color

CMYK 0 / 71 / 7 / 47

HEX #87277E

RGB 135 39 126

HSL 305.63, 0.55%, 0.34%

LAB 34.21, 50.65, -28.14

 

CMYK 42 / 0 / 43 / 15

HEX #7DD87C

RGB 125 216 124

HSL 119.35, 0.54%, 0.67%

LAB 79, -45.55, 37

 

CMYK 39 / 0 / 39 / 8

HEX #8EEA8F

RGB 142 234 143

HSL 120.65, 0.69%, 0.74%

LAB 85.29, -45.36, 35.79

 

CMYK 37 / 0 / 36 / 1

HEX #9FFCA2

RGB 159 252 162

HSL 121.94, 0.94%, 0.81%

LAB 91.51, -45.14, 34.62

 

CMYK 31 / 0 / 29 / 0

HEX #B0FFB5

RGB 176 255 181

HSL 123.8, 1%, 0.85%

LAB 93.49, -38.29, 27.89

 

CMYK 24 / 0 / 22 / 0

HEX #C1FFC8

RGB 193 255 200

HSL 126.77, 1%, 0.88%

LAB 94.75, -29.79, 20.12

 

CMYK 44 / 0 / 40 / 15

HEX #78D881

RGB 120 216 129

HSL 125.63, 0.55%, 0.66%

LAB 78.86, -46.24, 34.27

 

CMYK 48 / 0 / 44 / 22

HEX #67C66E

RGB 103 198 110

HSL 124.42, 0.45%, 0.59%

LAB 72.49, -46.38, 35.55

 

CMYK 52 / 0 / 49 / 29

HEX #56B45B

RGB 86 180 91

HSL 123.19, 0.39%, 0.52%

LAB 66.04, -46.41, 36.88

 

CMYK 57 / 0 / 56 / 36

HEX #45A248

RGB 69 162 72

HSL 121.94, 0.4%, 0.45%

LAB 59.5, -46.27, 38.22

 

CMYK 64 / 0 / 63 / 44

HEX #349035

RGB 52 144 53

HSL 120.65, 0.47%, 0.38%

LAB 52.88, -45.83, 39.5

 

CMYK 44 / 0 / 40 / 16

HEX #78D781

RGB 120 215 129

HSL 125.68, 0.54%, 0.66%

LAB 78.57, -45.82, 33.88

 

CMYK 36 / 0 / 44 / 16

HEX #89D778

RGB 137 215 120

HSL 109.26, 0.54%, 0.66%

LAB 79.2, -41.98, 39.37

 

CMYK 24 / 0 / 44 / 16

HEX #A3D778

RGB 163 215 120

HSL 92.84, 0.54%, 0.66%

LAB 80.6, -33.14, 41.42

 

CMYK 13 / 0 / 44 / 16

HEX #BCD778

RGB 188 215 120

HSL 77.05, 0.54%, 0.66%

LAB 82.19, -23.87, 43.76

 

CMYK 0 / 0 / 44 / 16

HEX #D6D778

RGB 214 215 120

HSL 60.63, 0.54%, 0.66%

LAB 84.1, -13.73, 46.54

 

CMYK 44 / 0 / 40 / 16

HEX #78D781

RGB 120 215 129

HSL 125.68, 0.54%, 0.66%

LAB 78.57, -45.82, 33.88

 

CMYK 44 / 0 / 28 / 16

HEX #78D79B

RGB 120 215 155

HSL 142.11, 0.54%, 0.66%

LAB 79.02, -41.34, 21.04

 

CMYK 44 / 0 / 16 / 16

HEX #78D7B5

RGB 120 215 181

HSL 158.53, 0.54%, 0.66%

LAB 79.57, -36.06, 8.07

 

CMYK 44 / 0 / 4 / 16

HEX #78D7CE

RGB 120 215 206

HSL 174.32, 0.54%, 0.66%

LAB 80.21, -30.3, -4.34

 

CMYK 44 / 7 / 0 / 16

HEX #78C7D7

RGB 120 199 215

HSL 190.11, 0.54%, 0.66%

LAB 75.91, -20.13, -15.58

 

CMYK 44 / 0 / 40 / 16

HEX #78D781

RGB 120 215 129

HSL 125.68, 0.54%, 0.66%

LAB 78.57, -45.82, 33.88

 

CMYK 54 / 0 / 49 / 10

HEX #6AE676

RGB 106 230 118

HSL 125.81, 0.71%, 0.66%

LAB 82.36, -57.21, 44.04

 

CMYK 62 / 0 / 57 / 4

HEX #5CF46A

RGB 92 244 106

HSL 125.53, 0.87%, 0.66%

LAB 86.02, -67.02, 53.93

 

CMYK 44 / 0 / 40 / 16

HEX #78D781

RGB 120 215 129

HSL 125.68, 0.54%, 0.66%

LAB 78.57, -45.82, 33.88

 

CMYK 33 / 0 / 30 / 21

HEX #86C98C

RGB 134 201 140

HSL 125.37, 0.38%, 0.66%

LAB 75.29, -33.56, 23.94

 

CMYK 21 / 0 / 19 / 27

HEX #94BB98

RGB 148 187 152

HSL 126.15, 0.22%, 0.66%

LAB 72.3, -20, 13.51

 

CMYK 6 / 0 / 6 / 32

HEX #A2ADA3

RGB 162 173 163

HSL 125.45, 0.06%, 0.66%

LAB 69.62, -5.78, 3.8

 

CMYK 0 / 10 / 1 / 31

HEX #B09FAF

RGB 176 159 175

HSL 303.53, 0.1%, 0.66%

LAB 67.37, 9.13, -6.02

 

CMYK 24 / 0 / 44 / 16

HEX #A3D778

RGB 163 215 120

HSL 92.84, 0.54%, 0.66%

LAB 80.6, -33.14, 41.42

 

CMYK 36 / 0 / 44 / 16

HEX #8AD778

RGB 138 215 120

HSL 108.63, 0.54%, 0.66%

LAB 79.25, -41.66, 39.44

 

CMYK 44 / 0 / 40 / 16

HEX #78D780

RGB 120 215 128

HSL 125.05, 0.54%, 0.66%

LAB 78.55, -45.97, 34.37

 

CMYK 44 / 0 / 29 / 16

HEX #78D799

RGB 120 215 153

HSL 140.84, 0.54%, 0.66%

LAB 78.98, -41.72, 22.04

 

CMYK 44 / 0 / 17 / 16

HEX #78D7B3

RGB 120 215 179

HSL 157.26, 0.54%, 0.66%

LAB 79.53, -36.49, 9.07

 

CMYK 71 / 0 / 64 / 23

HEX #39C446

RGB 57 196 70

HSL 125.61, 0.55%, 0.5%

LAB 70.03, -61.37, 51.18

 

CMYK 57 / 0 / 52 / 19

HEX #58CE63

RGB 88 206 99

HSL 125.59, 0.55%, 0.58%

LAB 74.27, -55.01, 43.08

 

CMYK 44 / 0 / 40 / 16

HEX #78D781

RGB 120 215 129

HSL 125.68, 0.54%, 0.66%

LAB 78.57, -45.82, 33.88

 

CMYK 32 / 0 / 29 / 12

HEX #98E19F

RGB 152 225 159

HSL 125.75, 0.55%, 0.74%

LAB 83.46, -35.76, 25.27

 

CMYK 21 / 0 / 19 / 8

HEX #B8EABD

RGB 184 234 189

HSL 126, 0.54%, 0.82%

LAB 88.31, -24.6, 16.7

 

CMYK 44 / 0 / 40 / 15

HEX #78D881

RGB 120 216 129

HSL 125.63, 0.55%, 0.66%

LAB 78.86, -46.24, 34.27

 

CMYK 44 / 13 / 0 / 16

HEX #78BCD7

RGB 120 188 215

HSL 197.05, 0.54%, 0.66%

LAB 72.8, -14.45, -20.28

 

CMYK 0 / 44 / 30 / 16

HEX #D77896

RGB 215 120 150

HSL 341.05, 0.54%, 0.66%

LAB 61.72, 40.44, 0.29

 

CMYK 44 / 0 / 40 / 15

HEX #78D881

RGB 120 216 129

HSL 125.63, 0.55%, 0.66%

LAB 78.86, -46.24, 34.27

 

CMYK 40 / 44 / 0 / 16

HEX #8078D7

RGB 128 120 215

HSL 245.05, 0.54%, 0.66%

LAB 55, 26.21, -47.91

 

CMYK 0 / 40 / 44 / 16

HEX #D78078

RGB 215 128 120

HSL 5.05, 0.54%, 0.66%

LAB 62.71, 32.7, 18.82

 

CMYK 44 / 0 / 40 / 15

HEX #78D881

RGB 120 216 129

HSL 125.63, 0.55%, 0.66%

LAB 78.86, -46.24, 34.27

 

CMYK 44 / 13 / 0 / 16

HEX #78BCD7

RGB 120 188 215

HSL 197.05, 0.54%, 0.66%

LAB 72.8, -14.45, -20.28

 

CMYK 0 / 44 / 3 / 16

HEX #D778D0

RGB 215 120 208

HSL 304.42, 0.54%, 0.66%

LAB 63.7, 49.39, -29.69

 

CMYK 0 / 32 / 44 / 16

HEX #D79378

RGB 215 147 120

HSL 17.05, 0.54%, 0.66%

LAB 67.03, 22.49, 24.66

 

CMYK 44 / 0 / 40 / 15

HEX #78D881

RGB 120 216 129

HSL 125.63, 0.55%, 0.66%

LAB 78.86, -46.24, 34.27

 

CMYK 44 / 26 / 0 / 16

HEX #78A0D7

RGB 120 160 215

HSL 214.74, 0.54%, 0.66%

LAB 65, 0.82, -32.26

 

CMYK 0 / 44 / 3 / 16

HEX #D778D0

RGB 215 120 208

HSL 304.42, 0.54%, 0.66%

LAB 63.7, 49.39, -29.69

 

CMYK 0 / 18 / 44 / 16

HEX #D7B078

RGB 215 176 120

HSL 35.37, 0.54%, 0.66%

LAB 74.1, 6.87, 33.96

 

Description

Color code: HEX #78D881 | qconv.com Color code: HEX #78D881 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 216 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 216 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 40 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 40% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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