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Color name
HEX #78CCF7

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #78CCF7 it is the complementary color #873308. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #78CCF7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #78CCF7 shade: #7DCCF2, #8EDEFF, #9FF0FF, #B0FFFF and #C1FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #78CCF7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #78CCF7 shade: #78CCF7, #67BAE4, #56A8D1, #4596BE and #3484AB

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #78CCF7 shade: #78CCF7, #78A9F7, #7887F7, #8A78F7 and #AD78F7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #78CCF7 shade: #78CCF7, #78A9F7, #7887F7 and #7878F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #78CCF7 shade matches the following richer shades: #78CCF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #78CCF7 shade: #78CCF7, #83C8EB, #8FC4E0, #9AC0D4 and #A6BDC8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #78CCF7 shade: #78F7DD, #78EEF7, #78CCF7, #78AAF7 and #7888F7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #78CCF7 shade: #2AAEF2, #51BDF4, #78CCF7, #9FDAF9 and #C6E9FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #78CCF7 shade: #78CCF7, #BB78F7 and #F7EE78

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #78CCF7 shade: #78CCF7, #F778CC and #CCF778

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #78CCF7 shade: #78CCF7, #BB78F7, #F7A278 and #B3F778

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #78CCF7 shade: #78CCF7, #E178F7, #F7A278 and #8DF778

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 17 / 0 / 3

HEX #78CCF7

RGB 120 204 247

HSL 200.31, 0.89%, 0.72%

LAB 78.4, -13.97, -29

 

Complementary color

CMYK 0 / 62 / 94 / 47

HEX #873308

RGB 135 51 8

HSL 20.31, 0.89%, 0.28%

LAB 33, 34.08, 41.33

 

CMYK 48 / 16 / 0 / 5

HEX #7DCCF2

RGB 125 204 242

HSL 199.49, 0.82%, 0.72%

LAB 78.44, -14.27, -26.25

 

CMYK 44 / 13 / 0 / 0

HEX #8EDEFF

RGB 142 222 255

HSL 197.52, 1%, 0.78%

LAB 84.59, -16.11, -23.7

 

CMYK 38 / 6 / 0 / 0

HEX #9FF0FF

RGB 159 240 255

HSL 189.38, 1%, 0.81%

LAB 90.28, -20.99, -15.04

 

CMYK 31 / 0 / 0 / 0

HEX #B0FFFF

RGB 176 255 255

HSL 180, 1%, 0.85%

LAB 95.15, -23.9, -7.7

 

CMYK 24 / 0 / 0 / 0

HEX #C1FFFF

RGB 193 255 255

HSL 180, 1%, 0.88%

LAB 96.03, -19.2, -6.3

 

CMYK 51 / 17 / 0 / 3

HEX #78CCF7

RGB 120 204 247

HSL 200.31, 0.89%, 0.72%

LAB 78.4, -13.97, -29

 

CMYK 55 / 18 / 0 / 11

HEX #67BAE4

RGB 103 186 228

HSL 200.16, 0.7%, 0.65%

LAB 71.96, -13.55, -28.7

 

CMYK 59 / 20 / 0 / 18

HEX #56A8D1

RGB 86 168 209

HSL 200, 0.57%, 0.58%

LAB 65.43, -13.02, -28.4

 

CMYK 64 / 21 / 0 / 25

HEX #4596BE

RGB 69 150 190

HSL 199.83, 0.48%, 0.51%

LAB 58.78, -12.34, -28.08

 

CMYK 70 / 23 / 0 / 33

HEX #3484AB

RGB 52 132 171

HSL 199.66, 0.53%, 0.44%

LAB 52.03, -11.43, -27.74

 

CMYK 51 / 17 / 0 / 3

HEX #78CCF7

RGB 120 204 247

HSL 200.31, 0.89%, 0.72%

LAB 78.4, -13.97, -29

 

CMYK 51 / 32 / 0 / 3

HEX #78A9F7

RGB 120 169 247

HSL 216.85, 0.89%, 0.72%

LAB 68.81, 5.09, -43.87

 

CMYK 51 / 45 / 0 / 3

HEX #7887F7

RGB 120 135 247

HSL 232.91, 0.89%, 0.72%

LAB 59.92, 24.88, -57.94

 

CMYK 44 / 51 / 0 / 3

HEX #8A78F7

RGB 138 120 247

HSL 248.5, 0.89%, 0.72%

LAB 57.61, 37.61, -61.57

 

CMYK 30 / 51 / 0 / 3

HEX #AD78F7

RGB 173 120 247

HSL 265.04, 0.89%, 0.72%

LAB 60.81, 45.91, -56.27

 

CMYK 51 / 17 / 0 / 3

HEX #78CCF7

RGB 120 204 247

HSL 200.31, 0.89%, 0.72%

LAB 78.4, -13.97, -29

 

CMYK 51 / 32 / 0 / 3

HEX #78A9F7

RGB 120 169 247

HSL 216.85, 0.89%, 0.72%

LAB 68.81, 5.09, -43.87

 

CMYK 51 / 45 / 0 / 3

HEX #7887F7

RGB 120 135 247

HSL 232.91, 0.89%, 0.72%

LAB 59.92, 24.88, -57.94

 

CMYK 51 / 51 / 0 / 3

HEX #7878F7

RGB 120 120 247

HSL 240, 0.89%, 0.72%

LAB 56.23, 33.77, -63.86

 

CMYK 51 / 17 / 0 / 3

HEX #78CCF7

RGB 120 204 247

HSL 200.31, 0.89%, 0.72%

LAB 78.4, -13.97, -29

 

CMYK 51 / 17 / 0 / 3

HEX #78CCF7

RGB 120 204 247

HSL 200.31, 0.89%, 0.72%

LAB 78.4, -13.97, -29

 

CMYK 44 / 15 / 0 / 8

HEX #83C8EB

RGB 131 200 235

HSL 200.19, 0.72%, 0.72%

LAB 77.36, -12.69, -24.11

 

CMYK 36 / 13 / 0 / 12

HEX #8FC4E0

RGB 143 196 224

HSL 200.74, 0.57%, 0.72%

LAB 76.5, -10.38, -19.45

 

CMYK 27 / 9 / 0 / 17

HEX #9AC0D4

RGB 154 192 212

HSL 200.69, 0.4%, 0.72%

LAB 75.65, -8.09, -14.17

 

CMYK 17 / 5 / 0 / 22

HEX #A6BDC8

RGB 166 189 200

HSL 199.41, 0.24%, 0.72%

LAB 75.25, -5.5, -8.18

 

CMYK 51 / 0 / 11 / 3

HEX #78F7DD

RGB 120 247 221

HSL 167.72, 0.89%, 0.72%

LAB 89.74, -41.5, 1.7

 

CMYK 51 / 4 / 0 / 3

HEX #78EEF7

RGB 120 238 247

HSL 184.25, 0.89%, 0.72%

LAB 87.9, -30.91, -14.59

 

CMYK 51 / 17 / 0 / 3

HEX #78CCF7

RGB 120 204 247

HSL 200.31, 0.89%, 0.72%

LAB 78.4, -13.97, -29

 

CMYK 51 / 31 / 0 / 3

HEX #78AAF7

RGB 120 170 247

HSL 216.38, 0.89%, 0.72%

LAB 69.08, 4.52, -43.45

 

CMYK 51 / 45 / 0 / 3

HEX #7888F7

RGB 120 136 247

HSL 232.44, 0.89%, 0.72%

LAB 60.17, 24.28, -57.54

 

CMYK 83 / 28 / 0 / 5

HEX #2AAEF2

RGB 42 174 242

HSL 200.4, 0.88%, 0.56%

LAB 67.41, -11.26, -43.53

 

CMYK 67 / 23 / 0 / 4

HEX #51BDF4

RGB 81 189 244

HSL 200.25, 0.88%, 0.64%

LAB 72.68, -14.15, -36.33

 

CMYK 51 / 17 / 0 / 3

HEX #78CCF7

RGB 120 204 247

HSL 200.31, 0.89%, 0.72%

LAB 78.4, -13.97, -29

 

CMYK 36 / 12 / 0 / 2

HEX #9FDAF9

RGB 159 218 249

HSL 200.67, 0.88%, 0.8%

LAB 84.15, -11.35, -21.13

 

CMYK 21 / 7 / 0 / 2

HEX #C6E9FB

RGB 198 233 251

HSL 200.38, 0.87%, 0.88%

LAB 90.44, -7.59, -12.5

 

CMYK 51 / 17 / 0 / 3

HEX #78CCF7

RGB 120 204 247

HSL 200.31, 0.89%, 0.72%

LAB 78.4, -13.97, -29

 

CMYK 24 / 51 / 0 / 3

HEX #BB78F7

RGB 187 120 247

HSL 271.65, 0.89%, 0.72%

LAB 62.26, 49.44, -53.87

 

CMYK 0 / 4 / 51 / 3

HEX #F7EE78

RGB 247 238 120

HSL 55.75, 0.89%, 0.72%

LAB 92.7, -12.05, 57.5

 

CMYK 51 / 17 / 0 / 3

HEX #78CCF7

RGB 120 204 247

HSL 200.31, 0.89%, 0.72%

LAB 78.4, -13.97, -29

 

CMYK 0 / 51 / 17 / 3

HEX #F778CC

RGB 247 120 204

HSL 320.31, 0.89%, 0.72%

LAB 67.7, 58.32, -20.95

 

CMYK 17 / 0 / 51 / 3

HEX #CCF778

RGB 204 247 120

HSL 80.31, 0.89%, 0.72%

LAB 92, -32.95, 55.92

 

CMYK 51 / 17 / 0 / 3

HEX #78CCF7

RGB 120 204 247

HSL 200.31, 0.89%, 0.72%

LAB 78.4, -13.97, -29

 

CMYK 24 / 51 / 0 / 3

HEX #BB78F7

RGB 187 120 247

HSL 271.65, 0.89%, 0.72%

LAB 62.26, 49.44, -53.87

 

CMYK 0 / 34 / 51 / 3

HEX #F7A278

RGB 247 162 120

HSL 19.84, 0.89%, 0.72%

LAB 74.17, 27.15, 34.73

 

CMYK 28 / 0 / 51 / 3

HEX #B3F778

RGB 179 247 120

HSL 92.13, 0.89%, 0.72%

LAB 90.53, -41.93, 53.81

 

CMYK 51 / 17 / 0 / 3

HEX #78CCF7

RGB 120 204 247

HSL 200.31, 0.89%, 0.72%

LAB 78.4, -13.97, -29

 

CMYK 9 / 51 / 0 / 3

HEX #E178F7

RGB 225 120 247

HSL 289.61, 0.89%, 0.72%

LAB 66.64, 59.33, -46.66

 

CMYK 0 / 34 / 51 / 3

HEX #F7A278

RGB 247 162 120

HSL 19.84, 0.89%, 0.72%

LAB 74.17, 27.15, 34.73

 

CMYK 43 / 0 / 51 / 3

HEX #8DF778

RGB 141 247 120

HSL 110.08, 0.89%, 0.72%

LAB 88.7, -54.15, 51.18

 

Description

Color code: HEX #78CCF7 | qconv.com Color code: HEX #78CCF7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 204 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 204 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 17 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 17% 0% 3% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

28% - ALFA DENTAL OFFICE 小...
Link: http://www.alfakids.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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