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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #78C800 it is the complementary color #8737FF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #78C800. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #78C800 shade: #7DC800, #8EDA0E, #9FEC21, #B0FE34 and #C1FF47

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #78C800. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #78C800 shade: #78C800, #67B600, #56A400, #459200 and #348000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #78C800 shade: #77C600, #ACC600, #C6AB00, #C67500 and #C63F00

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #78C800 shade: #77C600, #41C600, #0CC600, #00C629 and #00C65F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #78C800 shade matches the following richer shades: #77C600

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #78C800 shade: #77C600, #74B610, #70A620, #6D9630 and #6A8640

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #78C800 shade: #C6AC00, #ACC600, #77C600, #42C600 and #0DC600

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #78C800 shade: #457400, #5E9D00, #77C600, #90F000 and #A3FF1A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #78C800 shade: #78C800, #00C677 and #C600C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #78C800 shade: #78C800, #0077C6 and #C60077

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #78C800 shade: #78C800, #00C677, #4F00C6 and #C6004F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #78C800 shade: #78C800, #00C6B3, #4F00C6 and #C60013

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 100 / 22

HEX #78C800

RGB 120 200 0

HSL 84, 1%, 0.39%

LAB 73.09, -49.74, 72.55

 

Complementary color

CMYK 47 / 78 / 0 / 0

HEX #8737FF

RGB 135 55 255

HSL 264, 1%, 0.61%

LAB 45.78, 71.9, -85.25

 

CMYK 38 / 0 / 100 / 22

HEX #7DC800

RGB 125 200 0

HSL 82.5, 1%, 0.39%

LAB 73.33, -48, 72.84

 

CMYK 35 / 0 / 94 / 15

HEX #8EDA0E

RGB 142 218 14

HSL 82.35, 0.88%, 0.45%

LAB 79.57, -49.16, 76.71

 

CMYK 33 / 0 / 86 / 7

HEX #9FEC21

RGB 159 236 33

HSL 82.76, 0.84%, 0.53%

LAB 85.74, -50.09, 79.23

 

CMYK 31 / 0 / 80 / 0

HEX #B0FE34

RGB 176 254 52

HSL 83.17, 0.99%, 0.6%

LAB 91.85, -50.83, 80.59

 

CMYK 24 / 0 / 72 / 0

HEX #C1FF47

RGB 193 255 71

HSL 80.22, 1%, 0.64%

LAB 93.15, -44.22, 76.55

 

CMYK 40 / 0 / 100 / 22

HEX #78C800

RGB 120 200 0

HSL 84, 1%, 0.39%

LAB 73.09, -49.74, 72.55

 

CMYK 43 / 0 / 100 / 29

HEX #67B600

RGB 103 182 0

HSL 86.04, 1%, 0.36%

LAB 66.78, -48.32, 67.31

 

CMYK 48 / 0 / 100 / 36

HEX #56A400

RGB 86 164 0

HSL 88.54, 1%, 0.32%

LAB 60.36, -46.82, 61.98

 

CMYK 53 / 0 / 100 / 43

HEX #459200

RGB 69 146 0

HSL 91.64, 1%, 0.29%

LAB 53.84, -45.19, 56.57

 

CMYK 59 / 0 / 100 / 50

HEX #348000

RGB 52 128 0

HSL 95.63, 1%, 0.25%

LAB 47.19, -43.36, 51.07

 

CMYK 40 / 0 / 100 / 22

HEX #77C600

RGB 119 198 0

HSL 83.94, 1%, 0.39%

LAB 72.44, -49.28, 72.02

 

CMYK 13 / 0 / 100 / 22

HEX #ACC600

RGB 172 198 0

HSL 67.88, 1%, 0.39%

LAB 75.55, -28.85, 75.76

 

CMYK 0 / 14 / 100 / 22

HEX #C6AB00

RGB 198 171 0

HSL 51.82, 1%, 0.39%

LAB 70.27, -3.98, 72.87

 

CMYK 0 / 41 / 100 / 22

HEX #C67500

RGB 198 117 0

HSL 35.45, 1%, 0.39%

LAB 56.81, 25.27, 63.75

 

CMYK 0 / 68 / 100 / 22

HEX #C63F00

RGB 198 63 0

HSL 19.09, 1%, 0.39%

LAB 46.39, 51.71, 57.76

 

CMYK 40 / 0 / 100 / 22

HEX #77C600

RGB 119 198 0

HSL 83.94, 1%, 0.39%

LAB 72.44, -49.28, 72.02

 

CMYK 67 / 0 / 100 / 22

HEX #41C600

RGB 65 198 0

HSL 100.3, 1%, 0.39%

LAB 70.53, -64.26, 69.72

 

CMYK 94 / 0 / 100 / 22

HEX #0CC600

RGB 12 198 0

HSL 116.36, 1%, 0.39%

LAB 69.8, -70.73, 68.82

 

CMYK 100 / 0 / 79 / 22

HEX #00C629

RGB 0 198 41

HSL 132.42, 1%, 0.39%

LAB 69.86, -69.77, 61.43

 

CMYK 100 / 0 / 52 / 22

HEX #00C65F

RGB 0 198 95

HSL 148.79, 1%, 0.39%

LAB 70.33, -63.9, 39.87

 

CMYK 40 / 0 / 100 / 22

HEX #77C600

RGB 119 198 0

HSL 83.94, 1%, 0.39%

LAB 72.44, -49.28, 72.02

 

CMYK 40 / 0 / 100 / 22

HEX #77C600

RGB 119 198 0

HSL 83.94, 1%, 0.39%

LAB 72.44, -49.28, 72.02

 

CMYK 36 / 0 / 91 / 29

HEX #74B610

RGB 116 182 16

HSL 83.86, 0.84%, 0.39%

LAB 67.43, -43.48, 66.06

 

CMYK 33 / 0 / 81 / 35

HEX #70A620

RGB 112 166 32

HSL 84.18, 0.68%, 0.39%

LAB 62.36, -37.51, 58.03

 

CMYK 27 / 0 / 68 / 41

HEX #6D9630

RGB 109 150 48

HSL 84.12, 0.52%, 0.39%

LAB 57.34, -30.36, 47.34

 

CMYK 21 / 0 / 52 / 47

HEX #6A8640

RGB 106 134 64

HSL 84, 0.35%, 0.39%

LAB 52.38, -22.2, 34.15

 

CMYK 0 / 13 / 100 / 22

HEX #C6AC00

RGB 198 172 0

HSL 52.12, 1%, 0.39%

LAB 70.53, -4.51, 73.05

 

CMYK 13 / 0 / 100 / 22

HEX #ACC600

RGB 172 198 0

HSL 67.88, 1%, 0.39%

LAB 75.55, -28.85, 75.76

 

CMYK 40 / 0 / 100 / 22

HEX #77C600

RGB 119 198 0

HSL 83.94, 1%, 0.39%

LAB 72.44, -49.28, 72.02

 

CMYK 67 / 0 / 100 / 22

HEX #42C600

RGB 66 198 0

HSL 100, 1%, 0.39%

LAB 70.56, -64.06, 69.74

 

CMYK 93 / 0 / 100 / 22

HEX #0DC600

RGB 13 198 0

HSL 116.06, 1%, 0.39%

LAB 69.81, -70.68, 68.83

 

CMYK 41 / 0 / 100 / 55

HEX #457400

RGB 69 116 0

HSL 84.31, 1%, 0.23%

LAB 43.88, -32.77, 48.8

 

CMYK 40 / 0 / 100 / 38

HEX #5E9D00

RGB 94 157 0

HSL 84.08, 1%, 0.31%

LAB 58.5, -41.24, 60.69

 

CMYK 40 / 0 / 100 / 22

HEX #77C600

RGB 119 198 0

HSL 83.94, 1%, 0.39%

LAB 72.44, -49.28, 72.02

 

CMYK 40 / 0 / 100 / 6

HEX #90F000

RGB 144 240 0

HSL 84, 1%, 0.47%

LAB 86.13, -57.39, 83.15

 

CMYK 36 / 0 / 90 / 0

HEX #A3FF1A

RGB 163 255 26

HSL 84.1, 1%, 0.55%

LAB 91.41, -56.52, 85.19

 

CMYK 40 / 0 / 100 / 22

HEX #78C800

RGB 120 200 0

HSL 84, 1%, 0.39%

LAB 73.09, -49.74, 72.55

 

CMYK 100 / 0 / 40 / 22

HEX #00C677

RGB 0 198 119

HSL 156.06, 1%, 0.39%

LAB 70.68, -59.68, 28.19

 

CMYK 0 / 100 / 0 / 22

HEX #C600C6

RGB 198 0 198

HSL 300, 1%, 0.39%

LAB 47.08, 81.21, -50.29

 

CMYK 40 / 0 / 100 / 22

HEX #78C800

RGB 120 200 0

HSL 84, 1%, 0.39%

LAB 73.09, -49.74, 72.55

 

CMYK 100 / 40 / 0 / 22

HEX #0077C6

RGB 0 119 198

HSL 203.94, 1%, 0.39%

LAB 48.6, 2.1, -48.74

 

CMYK 0 / 100 / 40 / 22

HEX #C60077

RGB 198 0 119

HSL 323.94, 1%, 0.39%

LAB 43.27, 71.66, -8.83

 

CMYK 40 / 0 / 100 / 22

HEX #78C800

RGB 120 200 0

HSL 84, 1%, 0.39%

LAB 73.09, -49.74, 72.55

 

CMYK 100 / 0 / 40 / 22

HEX #00C677

RGB 0 198 119

HSL 156.06, 1%, 0.39%

LAB 70.68, -59.68, 28.19

 

CMYK 60 / 100 / 0 / 22

HEX #4F00C6

RGB 79 0 198

HSL 263.94, 1%, 0.39%

LAB 28.75, 67.48, -80.99

 

CMYK 0 / 100 / 60 / 22

HEX #C6004F

RGB 198 0 79

HSL 336.06, 1%, 0.39%

LAB 42.11, 68.6, 14.64

 

CMYK 40 / 0 / 100 / 22

HEX #78C800

RGB 120 200 0

HSL 84, 1%, 0.39%

LAB 73.09, -49.74, 72.55

 

CMYK 100 / 0 / 10 / 22

HEX #00C6B3

RGB 0 198 179

HSL 174.24, 1%, 0.39%

LAB 71.99, -45.27, -2.16

 

CMYK 60 / 100 / 0 / 22

HEX #4F00C6

RGB 79 0 198

HSL 263.94, 1%, 0.39%

LAB 28.75, 67.48, -80.99

 

CMYK 0 / 100 / 90 / 22

HEX #C60013

RGB 198 0 19

HSL 354.24, 1%, 0.39%

LAB 41.3, 66.42, 48.72

 

Description

Color code: HEX #78C800 | qconv.com Color code: HEX #78C800 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 200 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 200 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 100 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 100% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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