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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #78B313 it is the complementary color #874CEC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #78B313. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #78B313 shade: #7DB30E, #8EC521, #9FD734, #B0E947 and #C1FB5A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #78B313. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #78B313 shade: #78B313, #67A100, #568F00, #457D00 and #346B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #78B313 shade: #78B412, #A4B412, #B49812, #B46D12 and #B44112

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #78B313 shade: #78B412, #4DB412, #21B412, #12B42F and #12B45A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #78B313 shade matches the following richer shades: #78B412 and #7CC402

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #78B313 shade: #78B412, #74A322, #709333, #6B8343 and #677353

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #78B313 shade: #B49912, #A3B412, #78B412, #4DB412 and #23B412

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #78B313 shade: #46690B, #5F8E0E, #78B412, #91D916 and #A4E930

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #78B313 shade: #78B313, #12B46E and #AE12B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #78B313 shade: #78B313, #1278B4 and #B41278

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #78B313 shade: #78B313, #12B46E, #4D12B4 and #B41258

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #78B313 shade: #78B313, #12B49E, #4D12B4 and #B41228

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 89 / 30

HEX #78B313

RGB 120 179 19

HSL 82.13, 0.81%, 0.39%

LAB 66.73, -40.65, 65.06

 

Complementary color

CMYK 43 / 68 / 0 / 7

HEX #874CEC

RGB 135 76 236

HSL 262.13, 0.81%, 0.61%

LAB 47.46, 58.01, -71.84

 

CMYK 30 / 0 / 92 / 30

HEX #7DB30E

RGB 125 179 14

HSL 79.64, 0.85%, 0.38%

LAB 67, -38.87, 66.22

 

CMYK 28 / 0 / 83 / 23

HEX #8EC521

RGB 142 197 33

HSL 80.12, 0.71%, 0.45%

LAB 73.41, -39.76, 68.27

 

CMYK 26 / 0 / 76 / 16

HEX #9FD734

RGB 159 215 52

HSL 80.61, 0.67%, 0.52%

LAB 79.74, -40.43, 69.09

 

CMYK 24 / 0 / 70 / 9

HEX #B0E947

RGB 176 233 71

HSL 81.11, 0.79%, 0.6%

LAB 85.99, -40.93, 69.13

 

CMYK 23 / 0 / 64 / 2

HEX #C1FB5A

RGB 193 251 90

HSL 81.61, 0.95%, 0.67%

LAB 92.16, -41.31, 68.69

 

CMYK 33 / 0 / 89 / 30

HEX #78B313

RGB 120 179 19

HSL 82.13, 0.81%, 0.39%

LAB 66.73, -40.65, 65.06

 

CMYK 36 / 0 / 100 / 37

HEX #67A100

RGB 103 161 0

HSL 81.61, 1%, 0.32%

LAB 60.22, -39.63, 62.22

 

CMYK 40 / 0 / 100 / 44

HEX #568F00

RGB 86 143 0

HSL 83.92, 1%, 0.28%

LAB 53.63, -38.2, 56.73

 

CMYK 45 / 0 / 100 / 51

HEX #457D00

RGB 69 125 0

HSL 86.88, 1%, 0.25%

LAB 46.89, -36.7, 51.13

 

CMYK 51 / 0 / 100 / 58

HEX #346B00

RGB 52 107 0

HSL 90.84, 1%, 0.21%

LAB 39.99, -35.06, 45.41

 

CMYK 33 / 0 / 90 / 29

HEX #78B412

RGB 120 180 18

HSL 82.22, 0.82%, 0.39%

LAB 67.04, -41.11, 65.49

 

CMYK 9 / 0 / 90 / 29

HEX #A4B412

RGB 164 180 18

HSL 65.93, 0.82%, 0.39%

LAB 69.88, -23.28, 68.98

 

CMYK 0 / 16 / 90 / 29

HEX #B49812

RGB 180 152 18

HSL 49.63, 0.82%, 0.39%

LAB 63.51, -1.68, 64.53

 

CMYK 0 / 39 / 90 / 29

HEX #B46D12

RGB 180 109 18

HSL 33.7, 0.82%, 0.39%

LAB 52.6, 22.08, 56.06

 

CMYK 0 / 64 / 90 / 29

HEX #B44112

RGB 180 65 18

HSL 17.41, 0.82%, 0.39%

LAB 43.55, 44.74, 49.15

 

CMYK 33 / 0 / 90 / 29

HEX #78B412

RGB 120 180 18

HSL 82.22, 0.82%, 0.39%

LAB 67.04, -41.11, 65.49

 

CMYK 57 / 0 / 90 / 29

HEX #4DB412

RGB 77 180 18

HSL 98.15, 0.82%, 0.39%

LAB 65.17, -55.03, 63.18

 

CMYK 82 / 0 / 90 / 29

HEX #21B412

RGB 33 180 18

HSL 114.44, 0.82%, 0.39%

LAB 64.17, -63.52, 61.93

 

CMYK 90 / 0 / 74 / 29

HEX #12B42F

RGB 18 180 47

HSL 130.74, 0.82%, 0.39%

LAB 64.14, -63.26, 53.87

 

CMYK 90 / 0 / 50 / 29

HEX #12B45A

RGB 18 180 90

HSL 146.67, 0.82%, 0.39%

LAB 64.57, -57.96, 35.23

 

CMYK 33 / 0 / 90 / 29

HEX #78B412

RGB 120 180 18

HSL 82.22, 0.82%, 0.39%

LAB 67.04, -41.11, 65.49

 

CMYK 37 / 0 / 99 / 23

HEX #7CC402

RGB 124 196 2

HSL 82.27, 0.98%, 0.39%

LAB 72.07, -46.69, 71.63

 

CMYK 33 / 0 / 90 / 29

HEX #78B412

RGB 120 180 18

HSL 82.22, 0.82%, 0.39%

LAB 67.04, -41.11, 65.49

 

CMYK 29 / 0 / 79 / 36

HEX #74A322

RGB 116 163 34

HSL 81.86, 0.65%, 0.39%

LAB 61.67, -34.52, 56.88

 

CMYK 24 / 0 / 65 / 42

HEX #709333

RGB 112 147 51

HSL 81.88, 0.48%, 0.39%

LAB 56.64, -27.48, 45.35

 

CMYK 18 / 0 / 49 / 49

HEX #6B8343

RGB 107 131 67

HSL 82.5, 0.32%, 0.39%

LAB 51.57, -19.89, 31.61

 

CMYK 10 / 0 / 28 / 55

HEX #677353

RGB 103 115 83

HSL 82.5, 0.16%, 0.39%

LAB 46.67, -10.64, 16.26

 

CMYK 0 / 15 / 90 / 29

HEX #B49912

RGB 180 153 18

HSL 50, 0.82%, 0.39%

LAB 63.78, -2.22, 64.74

 

CMYK 9 / 0 / 90 / 29

HEX #A3B412

RGB 163 180 18

HSL 66.3, 0.82%, 0.39%

LAB 69.8, -23.71, 68.89

 

CMYK 33 / 0 / 90 / 29

HEX #78B412

RGB 120 180 18

HSL 82.22, 0.82%, 0.39%

LAB 67.04, -41.11, 65.49

 

CMYK 57 / 0 / 90 / 29

HEX #4DB412

RGB 77 180 18

HSL 98.15, 0.82%, 0.39%

LAB 65.17, -55.03, 63.18

 

CMYK 81 / 0 / 90 / 29

HEX #23B412

RGB 35 180 18

HSL 113.7, 0.82%, 0.39%

LAB 64.2, -63.28, 61.96

 

CMYK 33 / 0 / 90 / 59

HEX #46690B

RGB 70 105 11

HSL 82.34, 0.81%, 0.23%

LAB 40.29, -26.88, 43.25

 

CMYK 33 / 0 / 90 / 44

HEX #5F8E0E

RGB 95 142 14

HSL 82.03, 0.82%, 0.31%

LAB 53.83, -33.98, 54.67

 

CMYK 33 / 0 / 90 / 29

HEX #78B412

RGB 120 180 18

HSL 82.22, 0.82%, 0.39%

LAB 67.04, -41.11, 65.49

 

CMYK 33 / 0 / 90 / 15

HEX #91D916

RGB 145 217 22

HSL 82.15, 0.82%, 0.47%

LAB 79.44, -47.52, 75.61

 

CMYK 30 / 0 / 79 / 9

HEX #A4E930

RGB 164 233 48

HSL 82.38, 0.81%, 0.55%

LAB 85.19, -46.52, 75.39

 

CMYK 33 / 0 / 89 / 30

HEX #78B313

RGB 120 179 19

HSL 82.13, 0.81%, 0.39%

LAB 66.73, -40.65, 65.06

 

CMYK 90 / 0 / 39 / 29

HEX #12B46E

RGB 18 180 110

HSL 154.07, 0.82%, 0.39%

LAB 64.88, -54.31, 25.25

 

CMYK 3 / 90 / 0 / 29

HEX #AE12B4

RGB 174 18 180

HSL 297.78, 0.82%, 0.39%

LAB 42.35, 72.7, -47.57

 

CMYK 33 / 0 / 89 / 30

HEX #78B313

RGB 120 179 19

HSL 82.13, 0.81%, 0.39%

LAB 66.73, -40.65, 65.06

 

CMYK 90 / 33 / 0 / 29

HEX #1278B4

RGB 18 120 180

HSL 202.22, 0.82%, 0.39%

LAB 48.08, -4.78, -39.19

 

CMYK 0 / 90 / 33 / 29

HEX #B41278

RGB 180 18 120

HSL 322.22, 0.82%, 0.39%

LAB 40.4, 65.89, -14.14

 

CMYK 33 / 0 / 89 / 30

HEX #78B313

RGB 120 179 19

HSL 82.13, 0.81%, 0.39%

LAB 66.73, -40.65, 65.06

 

CMYK 90 / 0 / 39 / 29

HEX #12B46E

RGB 18 180 110

HSL 154.07, 0.82%, 0.39%

LAB 64.88, -54.31, 25.25

 

CMYK 57 / 90 / 0 / 29

HEX #4D12B4

RGB 77 18 180

HSL 261.85, 0.82%, 0.39%

LAB 27.59, 59.53, -72.26

 

CMYK 0 / 90 / 51 / 29

HEX #B41258

RGB 180 18 88

HSL 334.07, 0.82%, 0.39%

LAB 39.31, 62.9, 4.45

 

CMYK 33 / 0 / 89 / 30

HEX #78B313

RGB 120 179 19

HSL 82.13, 0.81%, 0.39%

LAB 66.73, -40.65, 65.06

 

CMYK 90 / 0 / 12 / 29

HEX #12B49E

RGB 18 180 158

HSL 171.85, 0.82%, 0.39%

LAB 65.93, -42.76, 0.52

 

CMYK 57 / 90 / 0 / 29

HEX #4D12B4

RGB 77 18 180

HSL 261.85, 0.82%, 0.39%

LAB 27.59, 59.53, -72.26

 

CMYK 0 / 90 / 78 / 29

HEX #B41228

RGB 180 18 40

HSL 351.85, 0.82%, 0.39%

LAB 38.36, 60.21, 33.51

 

Description

Color code: HEX #78B313 | qconv.com Color code: HEX #78B313 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 179 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 179 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 89 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 89% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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