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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #78638B it is the complementary color #879C74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #78638B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #78638B shade: #7D6386, #8E7599, #9F87AC, #B099BF and #C1ABD2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #78638B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #78638B shade: #78638B, #675178, #563F65, #452D52 and #341B3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #78638B shade: #78638C, #83638C, #8C6389, #8C637E and #8C6373

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #78638B shade: #78638C, #6D638C and #63638C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #78638B shade matches the following richer shades: #78638C, #79509F, #7A3CB3, #7B29C6 and #7C15D9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #78638B shade: #78638C, #777678, #768A65, #759D52 and #74B13E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #78638B shade: #63648C, #6D638C, #78638C, #83638C and #8C638A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #78638B shade: #4F415B, #645274, #78638C, #8D799F and #A191B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #78638B shade: #78638B, #8C636F and #638C68

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #78638B shade: #78638B, #8C7863 and #638C78

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #78638B shade: #78638B, #8C636F, #778C63 and #638C80

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #78638B shade: #78638B, #8C6463, #778C63 and #638B8C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 29 / 0 / 45

HEX #78638B

RGB 120 99 139

HSL 271.5, 0.17%, 0.47%

LAB 45.33, 16.62, -18.95

 

Complementary color

CMYK 13 / 0 / 26 / 39

HEX #879C74

RGB 135 156 116

HSL 91.5, 0.17%, 0.53%

LAB 61.82, -14.92, 18.56

 

CMYK 7 / 26 / 0 / 47

HEX #7D6386

RGB 125 99 134

HSL 284.57, 0.15%, 0.46%

LAB 45.64, 17.24, -15.44

 

CMYK 7 / 24 / 0 / 40

HEX #8E7599

RGB 142 117 153

HSL 281.67, 0.15%, 0.53%

LAB 52.7, 16.65, -15.79

 

CMYK 8 / 22 / 0 / 33

HEX #9F87AC

RGB 159 135 172

HSL 278.92, 0.18%, 0.6%

LAB 59.6, 16.12, -16.13

 

CMYK 8 / 20 / 0 / 25

HEX #B099BF

RGB 176 153 191

HSL 276.32, 0.23%, 0.67%

LAB 66.35, 15.65, -16.48

 

CMYK 8 / 19 / 0 / 18

HEX #C1ABD2

RGB 193 171 210

HSL 273.85, 0.3%, 0.75%

LAB 72.97, 15.21, -16.84

 

CMYK 14 / 29 / 0 / 45

HEX #78638B

RGB 120 99 139

HSL 271.5, 0.17%, 0.47%

LAB 45.33, 16.62, -18.95

 

CMYK 14 / 33 / 0 / 53

HEX #675178

RGB 103 81 120

HSL 273.85, 0.19%, 0.39%

LAB 38.06, 17.28, -18.73

 

CMYK 15 / 38 / 0 / 60

HEX #563F65

RGB 86 63 101

HSL 276.32, 0.23%, 0.32%

LAB 30.58, 18.04, -18.54

 

CMYK 16 / 45 / 0 / 68

HEX #452D52

RGB 69 45 82

HSL 278.92, 0.29%, 0.25%

LAB 22.83, 18.91, -18.35

 

CMYK 17 / 57 / 0 / 75

HEX #341B3F

RGB 52 27 63

HSL 281.67, 0.4%, 0.18%

LAB 14.81, 19.88, -18.13

 

CMYK 14 / 29 / 0 / 45

HEX #78638C

RGB 120 99 140

HSL 270.73, 0.17%, 0.47%

LAB 45.37, 16.85, -19.49

 

CMYK 6 / 29 / 0 / 45

HEX #83638C

RGB 131 99 140

HSL 286.83, 0.17%, 0.47%

LAB 46.5, 20.65, -17.66

 

CMYK 0 / 29 / 2 / 45

HEX #8C6389

RGB 140 99 137

HSL 304.39, 0.17%, 0.47%

LAB 47.37, 23.21, -14.45

 

CMYK 0 / 29 / 10 / 45

HEX #8C637E

RGB 140 99 126

HSL 320.49, 0.17%, 0.47%

LAB 46.98, 21.1, -8.46

 

CMYK 0 / 29 / 18 / 45

HEX #8C6373

RGB 140 99 115

HSL 336.59, 0.17%, 0.47%

LAB 46.63, 19.15, -2.37

 

CMYK 14 / 29 / 0 / 45

HEX #78638C

RGB 120 99 140

HSL 270.73, 0.17%, 0.47%

LAB 45.37, 16.85, -19.49

 

CMYK 22 / 29 / 0 / 45

HEX #6D638C

RGB 109 99 140

HSL 254.63, 0.17%, 0.47%

LAB 44.33, 13.14, -21.18

 

CMYK 29 / 29 / 0 / 45

HEX #63638C

RGB 99 99 140

HSL 240, 0.17%, 0.47%

LAB 43.46, 9.88, -22.59

 

CMYK 14 / 29 / 0 / 45

HEX #78638C

RGB 120 99 140

HSL 270.73, 0.17%, 0.47%

LAB 45.37, 16.85, -19.49

 

CMYK 24 / 50 / 0 / 38

HEX #79509F

RGB 121 80 159

HSL 271.14, 0.33%, 0.47%

LAB 41.7, 33.08, -36.58

 

CMYK 32 / 66 / 0 / 30

HEX #7A3CB3

RGB 122 60 179

HSL 271.26, 0.5%, 0.47%

LAB 38.94, 49.14, -52.87

 

CMYK 38 / 79 / 0 / 22

HEX #7B29C6

RGB 123 41 198

HSL 271.34, 0.66%, 0.47%

LAB 37.62, 62.04, -66.18

 

CMYK 43 / 90 / 0 / 15

HEX #7C15D9

RGB 124 21 217

HSL 271.53, 0.82%, 0.47%

LAB 37.54, 72.01, -77.32

 

CMYK 14 / 29 / 0 / 45

HEX #78638C

RGB 120 99 140

HSL 270.73, 0.17%, 0.47%

LAB 45.37, 16.85, -19.49

 

CMYK 1 / 2 / 0 / 53

HEX #777678

RGB 119 118 120

HSL 270, 0.01%, 0.47%

LAB 49.78, 0.79, -0.97

 

CMYK 14 / 0 / 27 / 46

HEX #768A65

RGB 118 138 101

HSL 92.43, 0.15%, 0.47%

LAB 55.04, -14.32, 17.5

 

CMYK 25 / 0 / 48 / 38

HEX #759D52

RGB 117 157 82

HSL 92, 0.31%, 0.47%

LAB 60.34, -27.19, 34.73

 

CMYK 34 / 0 / 65 / 31

HEX #74B13E

RGB 116 177 62

HSL 91.83, 0.48%, 0.47%

LAB 66.14, -38.93, 50.92

 

CMYK 29 / 29 / 0 / 45

HEX #63648C

RGB 99 100 140

HSL 238.54, 0.17%, 0.47%

LAB 43.74, 9.27, -22.16

 

CMYK 22 / 29 / 0 / 45

HEX #6D638C

RGB 109 99 140

HSL 254.63, 0.17%, 0.47%

LAB 44.33, 13.14, -21.18

 

CMYK 14 / 29 / 0 / 45

HEX #78638C

RGB 120 99 140

HSL 270.73, 0.17%, 0.47%

LAB 45.37, 16.85, -19.49

 

CMYK 6 / 29 / 0 / 45

HEX #83638C

RGB 131 99 140

HSL 286.83, 0.17%, 0.47%

LAB 46.5, 20.65, -17.66

 

CMYK 0 / 29 / 1 / 45

HEX #8C638A

RGB 140 99 138

HSL 302.93, 0.17%, 0.47%

LAB 47.41, 23.4, -14.99

 

CMYK 13 / 29 / 0 / 64

HEX #4F415B

RGB 79 65 91

HSL 272.31, 0.17%, 0.31%

LAB 29.91, 11.74, -13.21

 

CMYK 14 / 29 / 0 / 55

HEX #645274

RGB 100 82 116

HSL 271.76, 0.17%, 0.39%

LAB 37.85, 14.65, -16.62

 

CMYK 14 / 29 / 0 / 45

HEX #78638C

RGB 120 99 140

HSL 270.73, 0.17%, 0.47%

LAB 45.37, 16.85, -19.49

 

CMYK 11 / 24 / 0 / 38

HEX #8D799F

RGB 141 121 159

HSL 271.58, 0.17%, 0.55%

LAB 53.86, 15.27, -17.53

 

CMYK 9 / 18 / 0 / 31

HEX #A191B1

RGB 161 145 177

HSL 270, 0.17%, 0.63%

LAB 62.51, 12.16, -14.55

 

CMYK 14 / 29 / 0 / 45

HEX #78638B

RGB 120 99 139

HSL 271.5, 0.17%, 0.47%

LAB 45.33, 16.62, -18.95

 

CMYK 0 / 29 / 21 / 45

HEX #8C636F

RGB 140 99 111

HSL 342.44, 0.17%, 0.47%

LAB 46.51, 18.48, -0.14

 

CMYK 29 / 0 / 26 / 45

HEX #638C68

RGB 99 140 104

HSL 127.32, 0.17%, 0.47%

LAB 54.46, -21.86, 14.8

 

CMYK 14 / 29 / 0 / 45

HEX #78638B

RGB 120 99 139

HSL 271.5, 0.17%, 0.47%

LAB 45.33, 16.62, -18.95

 

CMYK 0 / 14 / 29 / 45

HEX #8C7863

RGB 140 120 99

HSL 30.73, 0.17%, 0.47%

LAB 51.73, 4.36, 14.41

 

CMYK 29 / 0 / 14 / 45

HEX #638C78

RGB 99 140 120

HSL 150.73, 0.17%, 0.47%

LAB 54.83, -18.63, 6.17

 

CMYK 14 / 29 / 0 / 45

HEX #78638B

RGB 120 99 139

HSL 271.5, 0.17%, 0.47%

LAB 45.33, 16.62, -18.95

 

CMYK 0 / 29 / 21 / 45

HEX #8C636F

RGB 140 99 111

HSL 342.44, 0.17%, 0.47%

LAB 46.51, 18.48, -0.14

 

CMYK 15 / 0 / 29 / 45

HEX #778C63

RGB 119 140 99

HSL 90.73, 0.17%, 0.47%

LAB 55.66, -15.33, 19.49

 

CMYK 29 / 0 / 9 / 45

HEX #638C80

RGB 99 140 128

HSL 162.44, 0.17%, 0.47%

LAB 55.04, -16.85, 1.86

 

CMYK 14 / 29 / 0 / 45

HEX #78638B

RGB 120 99 139

HSL 271.5, 0.17%, 0.47%

LAB 45.33, 16.62, -18.95

 

CMYK 0 / 29 / 29 / 45

HEX #8C6463

RGB 140 100 99

HSL 1.46, 0.17%, 0.47%

LAB 46.43, 16.01, 6.98

 

CMYK 15 / 0 / 29 / 45

HEX #778C63

RGB 119 140 99

HSL 90.73, 0.17%, 0.47%

LAB 55.66, -15.33, 19.49

 

CMYK 29 / 1 / 0 / 45

HEX #638B8C

RGB 99 139 140

HSL 181.46, 0.17%, 0.47%

LAB 55.08, -13.47, -4.99

 

Description

Color code: HEX #78638B | qconv.com Color code: HEX #78638B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 99 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 99 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 29 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 29% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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