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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #785229 it is the complementary color #87ADD6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #785229. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #785229 shade: #7D5224, #8E6437, #9F764A, #B0885D and #C19A70

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #785229. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #785229 shade: #785229, #674016, #562E03, #451C00 and #340A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #785229 shade: #795329, #793D29 and #792929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #785229 shade: #795329, #796829, #747929, #5F7929 and #497929

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #785229 shade matches the following richer shades: #795329, #86531C, #93540F and #A15402

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #785229 shade: #795329, #6C5236, #5F5244, #515151 and #44515E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #785229 shade: #79292A, #793D29, #795229, #796829 and #757929

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #785229 shade: #3C2914, #5A3E1F, #795329, #986834 and #B77D3E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #785229 shade: #785229, #407929 and #322979

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #785229 shade: #785229, #297952 and #522979

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #785229 shade: #785229, #407929, #295079 and #622979

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #785229 shade: #785229, #29792A, #295079 and #792978

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 66 / 53

HEX #785229

RGB 120 82 41

HSL 31.14, 0.49%, 0.32%

LAB 38.18, 11.34, 29.96

 

Complementary color

CMYK 37 / 19 / 0 / 16

HEX #87ADD6

RGB 135 173 214

HSL 211.14, 0.49%, 0.68%

LAB 69.39, -2.75, -24.86

 

CMYK 0 / 34 / 71 / 51

HEX #7D5224

RGB 125 82 36

HSL 31.01, 0.55%, 0.32%

LAB 38.76, 13.33, 33.49

 

CMYK 0 / 30 / 61 / 44

HEX #8E6437

RGB 142 100 55

HSL 31.03, 0.44%, 0.39%

LAB 45.83, 11.88, 31.9

 

CMYK 0 / 26 / 53 / 38

HEX #9F764A

RGB 159 118 74

HSL 31.06, 0.36%, 0.46%

LAB 52.75, 10.7, 30.35

 

CMYK 0 / 23 / 47 / 31

HEX #B0885D

RGB 176 136 93

HSL 31.08, 0.34%, 0.53%

LAB 59.55, 9.73, 28.89

 

CMYK 0 / 20 / 42 / 24

HEX #C19A70

RGB 193 154 112

HSL 31.11, 0.4%, 0.6%

LAB 66.23, 8.91, 27.55

 

CMYK 0 / 32 / 66 / 53

HEX #785229

RGB 120 82 41

HSL 31.14, 0.49%, 0.32%

LAB 38.18, 11.34, 29.96

 

CMYK 0 / 38 / 79 / 60

HEX #674016

RGB 103 64 22

HSL 31.11, 0.65%, 0.25%

LAB 30.9, 12.99, 31.51

 

CMYK 0 / 47 / 97 / 66

HEX #562E03

RGB 86 46 3

HSL 31.08, 0.93%, 0.17%

LAB 23.47, 15.09, 32

 

CMYK 0 / 59 / 100 / 73

HEX #451C00

RGB 69 28 0

HSL 24.35, 1%, 0.14%

LAB 15.98, 17.84, 23.93

 

CMYK 0 / 81 / 100 / 80

HEX #340A00

RGB 52 10 0

HSL 11.54, 1%, 0.1%

LAB 8.54, 20.31, 13.26

 

CMYK 0 / 31 / 66 / 53

HEX #795329

RGB 121 83 41

HSL 31.5, 0.49%, 0.32%

LAB 38.57, 11.21, 30.45

 

CMYK 0 / 50 / 66 / 53

HEX #793D29

RGB 121 61 41

HSL 15, 0.49%, 0.32%

LAB 33.05, 24.24, 23.95

 

CMYK 0 / 66 / 66 / 53

HEX #792929

RGB 121 41 41

HSL 0, 0.49%, 0.32%

LAB 28.93, 34.89, 18.85

 

CMYK 0 / 31 / 66 / 53

HEX #795329

RGB 121 83 41

HSL 31.5, 0.49%, 0.32%

LAB 38.57, 11.21, 30.45

 

CMYK 0 / 14 / 66 / 53

HEX #796829

RGB 121 104 41

HSL 47.25, 0.49%, 0.32%

LAB 44.41, -1.24, 36.98

 

CMYK 4 / 0 / 66 / 53

HEX #747929

RGB 116 121 41

HSL 63.75, 0.49%, 0.32%

LAB 48.94, -13.13, 41.69

 

CMYK 21 / 0 / 66 / 53

HEX #5F7929

RGB 95 121 41

HSL 79.5, 0.49%, 0.32%

LAB 47.32, -22.42, 39.48

 

CMYK 40 / 0 / 66 / 53

HEX #497929

RGB 73 121 41

HSL 96, 0.49%, 0.32%

LAB 45.98, -31.21, 37.63

 

CMYK 0 / 31 / 66 / 53

HEX #795329

RGB 121 83 41

HSL 31.5, 0.49%, 0.32%

LAB 38.57, 11.21, 30.45

 

CMYK 0 / 38 / 79 / 47

HEX #86531C

RGB 134 83 28

HSL 31.13, 0.65%, 0.32%

LAB 40.15, 16.49, 39.25

 

CMYK 0 / 43 / 90 / 42

HEX #93540F

RGB 147 84 15

HSL 31.36, 0.81%, 0.32%

LAB 42.12, 21.41, 46.8

 

CMYK 0 / 48 / 99 / 37

HEX #A15402

RGB 161 84 2

HSL 30.94, 0.98%, 0.32%

LAB 44.12, 27.35, 52.69

 

CMYK 0 / 31 / 66 / 53

HEX #795329

RGB 121 83 41

HSL 31.5, 0.49%, 0.32%

LAB 38.57, 11.21, 30.45

 

CMYK 0 / 24 / 50 / 58

HEX #6C5236

RGB 108 82 54

HSL 31.11, 0.33%, 0.32%

LAB 36.91, 6.94, 20.56

 

CMYK 0 / 14 / 28 / 63

HEX #5F5244

RGB 95 82 68

HSL 31.11, 0.17%, 0.32%

LAB 35.76, 2.91, 10.2

 

CMYK 0 / 0 / 0 / 68

HEX #515151

RGB 81 81 81

HSL 0, 0%, 0.32%

LAB 34.45, 0, -0

 

CMYK 28 / 14 / 0 / 63

HEX #44515E

RGB 68 81 94

HSL 210, 0.16%, 0.32%

LAB 33.82, -1.75, -9.27

 

CMYK 0 / 66 / 65 / 53

HEX #79292A

RGB 121 41 42

HSL 359.25, 0.49%, 0.32%

LAB 28.95, 34.96, 18.23

 

CMYK 0 / 50 / 66 / 53

HEX #793D29

RGB 121 61 41

HSL 15, 0.49%, 0.32%

LAB 33.05, 24.24, 23.95

 

CMYK 0 / 32 / 66 / 53

HEX #795229

RGB 121 82 41

HSL 30.75, 0.49%, 0.32%

LAB 38.3, 11.81, 30.14

 

CMYK 0 / 14 / 66 / 53

HEX #796829

RGB 121 104 41

HSL 47.25, 0.49%, 0.32%

LAB 44.41, -1.24, 36.98

 

CMYK 3 / 0 / 66 / 53

HEX #757929

RGB 117 121 41

HSL 63, 0.49%, 0.32%

LAB 49.03, -12.68, 41.81

 

CMYK 0 / 32 / 67 / 76

HEX #3C2914

RGB 60 41 20

HSL 31.5, 0.5%, 0.16%

LAB 18.35, 6.03, 17.12

 

CMYK 0 / 31 / 66 / 65

HEX #5A3E1F

RGB 90 62 31

HSL 31.53, 0.49%, 0.24%

LAB 28.69, 8.5, 23.64

 

CMYK 0 / 31 / 66 / 53

HEX #795329

RGB 121 83 41

HSL 31.5, 0.49%, 0.32%

LAB 38.57, 11.21, 30.45

 

CMYK 0 / 32 / 66 / 40

HEX #986834

RGB 152 104 52

HSL 31.2, 0.49%, 0.4%

LAB 48.04, 13.84, 36.39

 

CMYK 0 / 32 / 66 / 28

HEX #B77D3E

RGB 183 125 62

HSL 31.24, 0.49%, 0.48%

LAB 57.16, 16.3, 42.58

 

CMYK 0 / 32 / 66 / 53

HEX #785229

RGB 120 82 41

HSL 31.14, 0.49%, 0.32%

LAB 38.18, 11.34, 29.96

 

CMYK 47 / 0 / 66 / 53

HEX #407929

RGB 64 121 41

HSL 102.75, 0.49%, 0.32%

LAB 45.53, -34.39, 37.01

 

CMYK 59 / 66 / 0 / 53

HEX #322979

RGB 50 41 121

HSL 246.75, 0.49%, 0.32%

LAB 22.46, 28.32, -44.46

 

CMYK 0 / 32 / 66 / 53

HEX #785229

RGB 120 82 41

HSL 31.14, 0.49%, 0.32%

LAB 38.18, 11.34, 29.96

 

CMYK 66 / 0 / 32 / 53

HEX #297952

RGB 41 121 82

HSL 150.75, 0.49%, 0.32%

LAB 45.3, -34.02, 14.43

 

CMYK 32 / 66 / 0 / 53

HEX #522979

RGB 82 41 121

HSL 270.75, 0.49%, 0.32%

LAB 26.04, 35.36, -38.49

 

CMYK 0 / 32 / 66 / 53

HEX #785229

RGB 120 82 41

HSL 31.14, 0.49%, 0.32%

LAB 38.18, 11.34, 29.96

 

CMYK 47 / 0 / 66 / 53

HEX #407929

RGB 64 121 41

HSL 102.75, 0.49%, 0.32%

LAB 45.53, -34.39, 37.01

 

CMYK 66 / 34 / 0 / 53

HEX #295079

RGB 41 80 121

HSL 210.75, 0.49%, 0.32%

LAB 33.11, 0.21, -27.42

 

CMYK 19 / 66 / 0 / 53

HEX #622979

RGB 98 41 121

HSL 282.75, 0.49%, 0.32%

LAB 28.28, 39.37, -34.77

 

CMYK 0 / 32 / 66 / 53

HEX #785229

RGB 120 82 41

HSL 31.14, 0.49%, 0.32%

LAB 38.18, 11.34, 29.96

 

CMYK 66 / 0 / 65 / 53

HEX #29792A

RGB 41 121 42

HSL 120.75, 0.49%, 0.32%

LAB 44.68, -40.89, 35.35

 

CMYK 66 / 34 / 0 / 53

HEX #295079

RGB 41 80 121

HSL 210.75, 0.49%, 0.32%

LAB 33.11, 0.21, -27.42

 

CMYK 0 / 66 / 1 / 53

HEX #792978

RGB 121 41 120

HSL 300.75, 0.49%, 0.32%

LAB 31.82, 45.18, -28.29

 

Description

Color code: HEX #785229 | qconv.com Color code: HEX #785229 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 82 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 82 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 66 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 66% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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