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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #785154 it is the complementary color #87AEAB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #785154. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #785154 shade: #7D514F, #8E6362, #9F7575, #B08788 and #C1999B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #785154. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #785154 shade: #785154, #673F41, #562D2E, #451B1B and #340908

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #785154 shade: #765053 and #765050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #785154 shade: #765053, #76505D, #765067, #765072 and #705076

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #785154 shade matches the following richer shades: #765053, #864045, #963038, #A6202A and #B6101D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #785154 shade: #765053, #666061, #56706E, #46807C and #359089

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #785154 shade: #765067, #76505D, #765053, #765750 and #766150

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #785154 shade: #452F30, #5D3F42, #765053, #8E6164 and #A2767A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #785154 shade: #785154, #717650 and #506276

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #785154 shade: #785154, #537650 and #505376

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #785154 shade: #785154, #717650, #507673 and #545076

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #785154 shade: #785154, #667650, #507673 and #605076

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 30 / 53

HEX #785154

RGB 120 81 84

HSL 355.38, 0.19%, 0.39%

LAB 38.76, 16.81, 4.87

 

Complementary color

CMYK 22 / 0 / 2 / 32

HEX #87AEAB

RGB 135 174 171

HSL 175.38, 0.19%, 0.61%

LAB 68.29, -13.75, -2.79

 

CMYK 0 / 35 / 37 / 51

HEX #7D514F

RGB 125 81 79

HSL 2.61, 0.23%, 0.4%

LAB 39.26, 18.18, 8.77

 

CMYK 0 / 30 / 31 / 44

HEX #8E6362

RGB 142 99 98

HSL 1.36, 0.18%, 0.47%

LAB 46.39, 17.27, 7.54

 

CMYK 0 / 26 / 26 / 38

HEX #9F7575

RGB 159 117 117

HSL 0, 0.18%, 0.54%

LAB 53.36, 16.49, 6.47

 

CMYK 0 / 23 / 23 / 31

HEX #B08788

RGB 176 135 136

HSL 358.54, 0.21%, 0.61%

LAB 60.19, 15.81, 5.52

 

CMYK 0 / 21 / 20 / 24

HEX #C1999B

RGB 193 153 155

HSL 357, 0.24%, 0.68%

LAB 66.89, 15.21, 4.64

 

CMYK 0 / 33 / 30 / 53

HEX #785154

RGB 120 81 84

HSL 355.38, 0.19%, 0.39%

LAB 38.76, 16.81, 4.87

 

CMYK 0 / 39 / 37 / 60

HEX #673F41

RGB 103 63 65

HSL 357, 0.24%, 0.33%

LAB 31.39, 17.77, 6.12

 

CMYK 0 / 48 / 47 / 66

HEX #562D2E

RGB 86 45 46

HSL 358.54, 0.31%, 0.26%

LAB 23.84, 18.91, 7.7

 

CMYK 0 / 61 / 61 / 73

HEX #451B1B

RGB 69 27 27

HSL 0, 0.44%, 0.19%

LAB 16.15, 20.22, 9.86

 

CMYK 0 / 83 / 85 / 80

HEX #340908

RGB 52 9 8

HSL 1.36, 0.73%, 0.12%

LAB 8.51, 21.37, 9.95

 

CMYK 0 / 32 / 30 / 54

HEX #765053

RGB 118 80 83

HSL 355.26, 0.19%, 0.39%

LAB 38.22, 16.42, 4.7

 

CMYK 0 / 32 / 32 / 54

HEX #765050

RGB 118 80 80

HSL 0, 0.19%, 0.39%

LAB 38.14, 15.97, 6.45

 

CMYK 0 / 32 / 30 / 54

HEX #765053

RGB 118 80 83

HSL 355.26, 0.19%, 0.39%

LAB 38.22, 16.42, 4.7

 

CMYK 0 / 32 / 21 / 54

HEX #76505D

RGB 118 80 93

HSL 339.47, 0.19%, 0.39%

LAB 38.51, 18.04, -1.12

 

CMYK 0 / 32 / 13 / 54

HEX #765067

RGB 118 80 103

HSL 323.68, 0.19%, 0.39%

LAB 38.84, 19.81, -6.86

 

CMYK 0 / 32 / 3 / 54

HEX #765072

RGB 118 80 114

HSL 306.32, 0.19%, 0.39%

LAB 39.25, 21.94, -13.07

 

CMYK 5 / 32 / 0 / 54

HEX #705076

RGB 112 80 118

HSL 290.53, 0.19%, 0.39%

LAB 38.71, 20.62, -16.43

 

CMYK 0 / 32 / 30 / 54

HEX #765053

RGB 118 80 83

HSL 355.26, 0.19%, 0.39%

LAB 38.22, 16.42, 4.7

 

CMYK 0 / 52 / 49 / 47

HEX #864045

RGB 134 64 69

HSL 355.71, 0.35%, 0.39%

LAB 36.3, 30.45, 11.1

 

CMYK 0 / 68 / 63 / 41

HEX #963038

RGB 150 48 56

HSL 355.29, 0.52%, 0.39%

LAB 35.76, 43.13, 19.08

 

CMYK 0 / 81 / 75 / 35

HEX #A6202A

RGB 166 32 42

HSL 355.52, 0.68%, 0.39%

LAB 36.57, 53.23, 29.51

 

CMYK 0 / 91 / 84 / 29

HEX #B6101D

RGB 182 16 29

HSL 355.3, 0.84%, 0.39%

LAB 38.56, 60.73, 40.16

 

CMYK 0 / 32 / 30 / 54

HEX #765053

RGB 118 80 83

HSL 355.26, 0.19%, 0.39%

LAB 38.22, 16.42, 4.7

 

CMYK 0 / 6 / 5 / 60

HEX #666061

RGB 102 96 97

HSL 350, 0.03%, 0.39%

LAB 41.3, 2.58, 0.28

 

CMYK 23 / 0 / 2 / 56

HEX #56706E

RGB 86 112 110

HSL 175.38, 0.13%, 0.39%

LAB 45.21, -9.93, -2.02

 

CMYK 45 / 0 / 3 / 50

HEX #46807C

RGB 70 128 124

HSL 175.86, 0.29%, 0.39%

LAB 49.73, -20.01, -3.76

 

CMYK 63 / 0 / 5 / 44

HEX #359089

RGB 53 144 137

HSL 175.38, 0.46%, 0.39%

LAB 54.56, -28.32, -4.25

 

CMYK 0 / 32 / 13 / 54

HEX #765067

RGB 118 80 103

HSL 323.68, 0.19%, 0.39%

LAB 38.84, 19.81, -6.86

 

CMYK 0 / 32 / 21 / 54

HEX #76505D

RGB 118 80 93

HSL 339.47, 0.19%, 0.39%

LAB 38.51, 18.04, -1.12

 

CMYK 0 / 32 / 30 / 54

HEX #765053

RGB 118 80 83

HSL 355.26, 0.19%, 0.39%

LAB 38.22, 16.42, 4.7

 

CMYK 0 / 26 / 32 / 54

HEX #765750

RGB 118 87 80

HSL 11.05, 0.19%, 0.39%

LAB 39.99, 11.74, 9.06

 

CMYK 0 / 18 / 32 / 54

HEX #766150

RGB 118 97 80

HSL 26.84, 0.19%, 0.39%

LAB 42.73, 5.73, 12.87

 

CMYK 0 / 32 / 30 / 73

HEX #452F30

RGB 69 47 48

HSL 357.27, 0.19%, 0.23%

LAB 21.99, 10.25, 3.37

 

CMYK 0 / 32 / 29 / 64

HEX #5D3F42

RGB 93 63 66

HSL 354, 0.19%, 0.31%

LAB 30.1, 13.6, 3.45

 

CMYK 0 / 32 / 30 / 54

HEX #765053

RGB 118 80 83

HSL 355.26, 0.19%, 0.39%

LAB 38.22, 16.42, 4.7

 

CMYK 0 / 32 / 30 / 44

HEX #8E6164

RGB 142 97 100

HSL 356, 0.19%, 0.47%

LAB 45.93, 18.73, 5.69

 

CMYK 0 / 27 / 25 / 36

HEX #A2767A

RGB 162 118 122

HSL 354.55, 0.19%, 0.55%

LAB 54.07, 17.86, 4.61

 

CMYK 0 / 33 / 30 / 53

HEX #785154

RGB 120 81 84

HSL 355.38, 0.19%, 0.39%

LAB 38.76, 16.81, 4.87

 

CMYK 4 / 0 / 32 / 54

HEX #717650

RGB 113 118 80

HSL 67.89, 0.19%, 0.39%

LAB 48.32, -8.63, 20.35

 

CMYK 32 / 17 / 0 / 54

HEX #506276

RGB 80 98 118

HSL 211.58, 0.19%, 0.39%

LAB 40.81, -1.63, -13.47

 

CMYK 0 / 33 / 30 / 53

HEX #785154

RGB 120 81 84

HSL 355.38, 0.19%, 0.39%

LAB 38.76, 16.81, 4.87

 

CMYK 30 / 0 / 32 / 54

HEX #537650

RGB 83 118 80

HSL 115.26, 0.19%, 0.39%

LAB 46.14, -20.61, 17.06

 

CMYK 32 / 30 / 0 / 54

HEX #505376

RGB 80 83 118

HSL 235.26, 0.19%, 0.39%

LAB 36.37, 7.71, -20.3

 

CMYK 0 / 33 / 30 / 53

HEX #785154

RGB 120 81 84

HSL 355.38, 0.19%, 0.39%

LAB 38.76, 16.81, 4.87

 

CMYK 4 / 0 / 32 / 54

HEX #717650

RGB 113 118 80

HSL 67.89, 0.19%, 0.39%

LAB 48.32, -8.63, 20.35

 

CMYK 32 / 0 / 3 / 54

HEX #507673

RGB 80 118 115

HSL 175.26, 0.19%, 0.39%

LAB 46.84, -14.05, -2.64

 

CMYK 29 / 32 / 0 / 54

HEX #545076

RGB 84 80 118

HSL 246.32, 0.19%, 0.39%

LAB 35.85, 10.93, -21.07

 

CMYK 0 / 33 / 30 / 53

HEX #785154

RGB 120 81 84

HSL 355.38, 0.19%, 0.39%

LAB 38.76, 16.81, 4.87

 

CMYK 14 / 0 / 32 / 54

HEX #667650

RGB 102 118 80

HSL 85.26, 0.19%, 0.39%

LAB 47.44, -13.2, 19.03

 

CMYK 32 / 0 / 3 / 54

HEX #507673

RGB 80 118 115

HSL 175.26, 0.19%, 0.39%

LAB 46.84, -14.05, -2.64

 

CMYK 19 / 32 / 0 / 54

HEX #605076

RGB 96 80 118

HSL 265.26, 0.19%, 0.39%

LAB 36.99, 14.98, -19.22

 

Description

Color code: HEX #785154 | qconv.com Color code: HEX #785154 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 81 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 81 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 30 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 30% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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