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Color name
HEX #784AB5

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #784AB5 it is the complementary color #87B54A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #784AB5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #784AB5 shade: #7D4AB0, #8E5CC3, #9F6ED6, #B080E9 and #C192FC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #784AB5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #784AB5 shade: #784AB5, #6738A2, #56268F, #45147C and #340269

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #784AB5 shade: #7749B5, #9449B5, #B149B5, #B5499B and #B5497E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #784AB5 shade: #7749B5, #5B49B5 and #4949B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #784AB5 shade matches the following richer shades: #7749B5, #7535C9, #7220DE and #6F0CF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #784AB5 shade: #7749B5, #7A5EA0, #7D738B, #808777 and #839C62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #784AB5 shade: #4956B5, #5A49B5, #7649B5, #9349B5 and #AF49B5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #784AB5 shade: #51327A, #643D97, #7749B5, #8D67C1 and #A384CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #784AB5 shade: #784AB5, #B54973 and #49B54B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #784AB5 shade: #784AB5, #B57649 and #49B576

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #784AB5 shade: #784AB5, #B54973, #88B549 and #49B58B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #784AB5 shade: #784AB5, #B54952, #88B549 and #49B5AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 59 / 0 / 29

HEX #784AB5

RGB 120 74 181

HSL 265.79, 0.42%, 0.5%

LAB 41.57, 41.78, -49.82

 

Complementary color

CMYK 25 / 0 / 59 / 29

HEX #87B54A

RGB 135 181 74

HSL 85.79, 0.42%, 0.5%

LAB 68.53, -32.64, 48.58

 

CMYK 29 / 58 / 0 / 31

HEX #7D4AB0

RGB 125 74 176

HSL 270, 0.41%, 0.49%

LAB 41.83, 41.75, -46.43

 

CMYK 27 / 53 / 0 / 24

HEX #8E5CC3

RGB 142 92 195

HSL 269.13, 0.46%, 0.56%

LAB 48.69, 40.8, -46.45

 

CMYK 26 / 49 / 0 / 16

HEX #9F6ED6

RGB 159 110 214

HSL 268.27, 0.56%, 0.64%

LAB 55.46, 39.86, -46.43

 

CMYK 24 / 45 / 0 / 9

HEX #B080E9

RGB 176 128 233

HSL 267.43, 0.7%, 0.71%

LAB 62.13, 38.97, -46.41

 

CMYK 23 / 42 / 0 / 1

HEX #C192FC

RGB 193 146 252

HSL 266.6, 0.95%, 0.78%

LAB 68.7, 38.13, -46.4

 

CMYK 34 / 59 / 0 / 29

HEX #784AB5

RGB 120 74 181

HSL 265.79, 0.42%, 0.5%

LAB 41.57, 41.78, -49.82

 

CMYK 36 / 65 / 0 / 36

HEX #6738A2

RGB 103 56 162

HSL 266.6, 0.49%, 0.43%

LAB 34.64, 42.78, -49.79

 

CMYK 40 / 73 / 0 / 44

HEX #56268F

RGB 86 38 143

HSL 267.43, 0.58%, 0.35%

LAB 27.7, 43.57, -49.55

 

CMYK 44 / 84 / 0 / 51

HEX #45147C

RGB 69 20 124

HSL 268.27, 0.72%, 0.28%

LAB 20.91, 43.72, -48.82

 

CMYK 50 / 98 / 0 / 59

HEX #340269

RGB 52 2 105

HSL 269.13, 0.96%, 0.21%

LAB 14.36, 42.86, -47.38

 

CMYK 34 / 60 / 0 / 29

HEX #7749B5

RGB 119 73 181

HSL 265.56, 0.43%, 0.5%

LAB 41.25, 42.1, -50.34

 

CMYK 18 / 60 / 0 / 29

HEX #9449B5

RGB 148 73 181

HSL 281.67, 0.43%, 0.5%

LAB 44.8, 49.23, -44.47

 

CMYK 2 / 60 / 0 / 29

HEX #B149B5

RGB 177 73 181

HSL 297.78, 0.43%, 0.5%

LAB 48.82, 56.65, -37.84

 

CMYK 0 / 60 / 14 / 29

HEX #B5499B

RGB 181 73 155

HSL 314.44, 0.43%, 0.5%

LAB 48.2, 53.38, -23.43

 

CMYK 0 / 60 / 30 / 29

HEX #B5497E

RGB 181 73 126

HSL 330.56, 0.43%, 0.5%

LAB 47.1, 49.25, -7.7

 

CMYK 34 / 60 / 0 / 29

HEX #7749B5

RGB 119 73 181

HSL 265.56, 0.43%, 0.5%

LAB 41.25, 42.1, -50.34

 

CMYK 50 / 60 / 0 / 29

HEX #5B49B5

RGB 91 73 181

HSL 250, 0.43%, 0.5%

LAB 38.42, 35.86, -55.06

 

CMYK 60 / 60 / 0 / 29

HEX #4949B5

RGB 73 73 181

HSL 240, 0.43%, 0.5%

LAB 36.96, 32.4, -57.49

 

CMYK 34 / 60 / 0 / 29

HEX #7749B5

RGB 119 73 181

HSL 265.56, 0.43%, 0.5%

LAB 41.25, 42.1, -50.34

 

CMYK 42 / 74 / 0 / 21

HEX #7535C9

RGB 117 53 201

HSL 265.95, 0.58%, 0.5%

LAB 38.8, 56.91, -66.02

 

CMYK 49 / 86 / 0 / 13

HEX #7220DE

RGB 114 32 222

HSL 265.89, 0.75%, 0.5%

LAB 37.63, 69.36, -80.08

 

CMYK 54 / 95 / 0 / 5

HEX #6F0CF2

RGB 111 12 242

HSL 265.83, 0.91%, 0.5%

LAB 37.94, 77.79, -90.98

 

CMYK 34 / 60 / 0 / 29

HEX #7749B5

RGB 119 73 181

HSL 265.56, 0.43%, 0.5%

LAB 41.25, 42.1, -50.34

 

CMYK 24 / 41 / 0 / 37

HEX #7A5EA0

RGB 122 94 160

HSL 265.45, 0.26%, 0.5%

LAB 45.19, 25.34, -31.66

 

CMYK 10 / 17 / 0 / 45

HEX #7D738B

RGB 125 115 139

HSL 265, 0.09%, 0.5%

LAB 50.08, 8.8, -11.69

 

CMYK 5 / 0 / 12 / 47

HEX #808777

RGB 128 135 119

HSL 86.25, 0.06%, 0.5%

LAB 55.33, -5.68, 7.72

 

CMYK 16 / 0 / 37 / 39

HEX #839C62

RGB 131 156 98

HSL 85.86, 0.23%, 0.5%

LAB 61.21, -19.18, 27.55

 

CMYK 60 / 52 / 0 / 29

HEX #4956B5

RGB 73 86 181

HSL 232.78, 0.43%, 0.5%

LAB 40.26, 24.15, -52.15

 

CMYK 50 / 60 / 0 / 29

HEX #5A49B5

RGB 90 73 181

HSL 249.44, 0.43%, 0.5%

LAB 38.33, 35.65, -55.2

 

CMYK 35 / 60 / 0 / 29

HEX #7649B5

RGB 118 73 181

HSL 265, 0.43%, 0.5%

LAB 41.14, 41.86, -50.53

 

CMYK 19 / 60 / 0 / 29

HEX #9349B5

RGB 147 73 181

HSL 281.11, 0.43%, 0.5%

LAB 44.67, 48.98, -44.68

 

CMYK 3 / 60 / 0 / 29

HEX #AF49B5

RGB 175 73 181

HSL 296.67, 0.43%, 0.5%

LAB 48.53, 56.13, -38.31

 

CMYK 34 / 59 / 0 / 52

HEX #51327A

RGB 81 50 122

HSL 265.83, 0.42%, 0.34%

LAB 27.94, 30.15, -36.07

 

CMYK 34 / 60 / 0 / 41

HEX #643D97

RGB 100 61 151

HSL 266, 0.42%, 0.42%

LAB 34.56, 36.4, -43.28

 

CMYK 34 / 60 / 0 / 29

HEX #7749B5

RGB 119 73 181

HSL 265.56, 0.43%, 0.5%

LAB 41.25, 42.1, -50.34

 

CMYK 27 / 47 / 0 / 24

HEX #8D67C1

RGB 141 103 193

HSL 265.33, 0.42%, 0.58%

LAB 50.94, 33.8, -41.74

 

CMYK 20 / 35 / 0 / 20

HEX #A384CC

RGB 163 132 204

HSL 265.83, 0.41%, 0.66%

LAB 60.47, 26.21, -32.89

 

CMYK 34 / 59 / 0 / 29

HEX #784AB5

RGB 120 74 181

HSL 265.79, 0.42%, 0.5%

LAB 41.57, 41.78, -49.82

 

CMYK 0 / 60 / 36 / 29

HEX #B54973

RGB 181 73 115

HSL 336.67, 0.43%, 0.5%

LAB 46.75, 47.89, -1.55

 

CMYK 60 / 0 / 59 / 29

HEX #49B54B

RGB 73 181 75

HSL 121.11, 0.43%, 0.5%

LAB 65.73, -52.22, 44.16

 

CMYK 34 / 59 / 0 / 29

HEX #784AB5

RGB 120 74 181

HSL 265.79, 0.42%, 0.5%

LAB 41.57, 41.78, -49.82

 

CMYK 0 / 35 / 60 / 29

HEX #B57649

RGB 181 118 73

HSL 25, 0.43%, 0.5%

LAB 55.34, 20.11, 34.66

 

CMYK 60 / 0 / 35 / 29

HEX #49B576

RGB 73 181 118

HSL 145, 0.43%, 0.5%

LAB 66.35, -45.44, 23.11

 

CMYK 34 / 59 / 0 / 29

HEX #784AB5

RGB 120 74 181

HSL 265.79, 0.42%, 0.5%

LAB 41.57, 41.78, -49.82

 

CMYK 0 / 60 / 36 / 29

HEX #B54973

RGB 181 73 115

HSL 336.67, 0.43%, 0.5%

LAB 46.75, 47.89, -1.55

 

CMYK 25 / 0 / 60 / 29

HEX #88B549

RGB 136 181 73

HSL 85, 0.43%, 0.5%

LAB 68.58, -32.35, 49.1

 

CMYK 60 / 0 / 23 / 29

HEX #49B58B

RGB 73 181 139

HSL 156.67, 0.43%, 0.5%

LAB 66.77, -41.04, 12.31

 

CMYK 34 / 59 / 0 / 29

HEX #784AB5

RGB 120 74 181

HSL 265.79, 0.42%, 0.5%

LAB 41.57, 41.78, -49.82

 

CMYK 0 / 60 / 55 / 29

HEX #B54952

RGB 181 73 82

HSL 355, 0.43%, 0.5%

LAB 45.9, 44.58, 17.39

 

CMYK 25 / 0 / 60 / 29

HEX #88B549

RGB 136 181 73

HSL 85, 0.43%, 0.5%

LAB 68.58, -32.35, 49.1

 

CMYK 60 / 0 / 5 / 29

HEX #49B5AC

RGB 73 181 172

HSL 175, 0.43%, 0.5%

LAB 67.61, -32.84, -4.66

 

Description

Color code: HEX #784AB5 | qconv.com Color code: HEX #784AB5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 74 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 74 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 59 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 59% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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