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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7827F1 it is the complementary color #87D80E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7827F1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7827F1 shade: #7D27EC, #8E39FF, #9F4BFF, #B05DFF and #C16FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7827F1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7827F1 shade: #7827F1, #6715DE, #5603CB, #4500B8 and #3400A5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7827F1 shade: #7827F1, #AE27F1, #E527F1, #F127C6 and #F12790

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7827F1 shade: #7827F1, #4127F1 and #2727F1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7827F1 shade matches the following richer shades: #7827F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7827F1 shade: #7827F1, #7B39DE, #7F4CCC, #835EB9 and #8671A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7827F1 shade: #2742F1, #4227F1, #7827F1, #AD27F1 and #E327F1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7827F1 shade: #510BBA, #620EE0, #7827F1, #904EF3 and #A874F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7827F1 shade: #7827F1, #F12778 and #27F127

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7827F1 shade: #7827F1, #F17827 and #27F178

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7827F1 shade: #7827F1, #F12778, #A0F127 and #27F1A0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7827F1 shade: #7827F1, #F1273B, #A0F127 and #27F1DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 84 / 0 / 5

HEX #7827F1

RGB 120 39 241

HSL 264.06, 0.88%, 0.55%

LAB 40.89, 72.34, -85.5

 

Complementary color

CMYK 38 / 0 / 94 / 15

HEX #87D80E

RGB 135 216 14

HSL 84.06, 0.88%, 0.45%

LAB 78.63, -50.8, 75.81

 

CMYK 47 / 83 / 0 / 7

HEX #7D27EC

RGB 125 39 236

HSL 266.19, 0.84%, 0.54%

LAB 41, 71.73, -82.46

 

CMYK 44 / 78 / 0 / 0

HEX #8E39FF

RGB 142 57 255

HSL 265.76, 1%, 0.61%

LAB 46.84, 72.08, -83.48

 

CMYK 38 / 71 / 0 / 0

HEX #9F4BFF

RGB 159 75 255

HSL 268, 1%, 0.65%

LAB 51.41, 67.36, -75.93

 

CMYK 31 / 64 / 0 / 0

HEX #B05DFF

RGB 176 93 255

HSL 270.74, 1%, 0.68%

LAB 56.37, 62.36, -67.8

 

CMYK 24 / 56 / 0 / 0

HEX #C16FFF

RGB 193 111 255

HSL 274.17, 1%, 0.72%

LAB 61.59, 57.34, -59.31

 

CMYK 50 / 84 / 0 / 5

HEX #7827F1

RGB 120 39 241

HSL 264.06, 0.88%, 0.55%

LAB 40.89, 72.34, -85.5

 

CMYK 54 / 91 / 0 / 13

HEX #6715DE

RGB 103 21 222

HSL 264.48, 0.83%, 0.48%

LAB 35.39, 71.09, -83.83

 

CMYK 58 / 99 / 0 / 20

HEX #5603CB

RGB 86 3 203

HSL 264.9, 0.97%, 0.4%

LAB 30.29, 68.55, -81.33

 

CMYK 63 / 100 / 0 / 28

HEX #4500B8

RGB 69 0 184

HSL 262.5, 1%, 0.36%

LAB 25.94, 63.67, -77.41

 

CMYK 68 / 100 / 0 / 35

HEX #3400A5

RGB 52 0 165

HSL 258.91, 1%, 0.32%

LAB 21.75, 58.28, -72.99

 

CMYK 50 / 84 / 0 / 5

HEX #7827F1

RGB 120 39 241

HSL 264.06, 0.88%, 0.55%

LAB 40.89, 72.34, -85.5

 

CMYK 28 / 84 / 0 / 5

HEX #AE27F1

RGB 174 39 241

HSL 280.1, 0.88%, 0.55%

LAB 48.01, 79.24, -73.56

 

CMYK 5 / 84 / 0 / 5

HEX #E527F1

RGB 229 39 241

HSL 296.44, 0.88%, 0.55%

LAB 56.55, 87.99, -59.34

 

CMYK 0 / 84 / 18 / 5

HEX #F127C6

RGB 241 39 198

HSL 312.77, 0.88%, 0.55%

LAB 56.32, 84.22, -35.19

 

CMYK 0 / 84 / 40 / 5

HEX #F12790

RGB 241 39 144

HSL 328.81, 0.88%, 0.55%

LAB 54.2, 78.35, -6.82

 

CMYK 50 / 84 / 0 / 5

HEX #7827F1

RGB 120 39 241

HSL 264.06, 0.88%, 0.55%

LAB 40.89, 72.34, -85.5

 

CMYK 73 / 84 / 0 / 5

HEX #4127F1

RGB 65 39 241

HSL 247.72, 0.88%, 0.55%

LAB 35.84, 67.78, -94.01

 

CMYK 84 / 84 / 0 / 5

HEX #2727F1

RGB 39 39 241

HSL 240, 0.88%, 0.55%

LAB 34.46, 66.6, -96.34

 

CMYK 50 / 84 / 0 / 5

HEX #7827F1

RGB 120 39 241

HSL 264.06, 0.88%, 0.55%

LAB 40.89, 72.34, -85.5

 

CMYK 50 / 84 / 0 / 5

HEX #7827F1

RGB 120 39 241

HSL 264.06, 0.88%, 0.55%

LAB 40.89, 72.34, -85.5

 

CMYK 45 / 74 / 0 / 13

HEX #7B39DE

RGB 123 57 222

HSL 264, 0.71%, 0.55%

LAB 41.86, 61.34, -73.1

 

CMYK 38 / 63 / 0 / 20

HEX #7F4CCC

RGB 127 76 204

HSL 263.91, 0.56%, 0.55%

LAB 44.29, 48.21, -58.79

 

CMYK 29 / 49 / 0 / 27

HEX #835EB9

RGB 131 94 185

HSL 264.4, 0.39%, 0.55%

LAB 47.41, 34.24, -42.77

 

CMYK 19 / 32 / 0 / 35

HEX #8671A6

RGB 134 113 166

HSL 263.77, 0.23%, 0.55%

LAB 51.42, 19.25, -25.4

 

CMYK 84 / 73 / 0 / 5

HEX #2742F1

RGB 39 66 241

HSL 231.98, 0.88%, 0.55%

LAB 39.03, 53.4, -88.76

 

CMYK 73 / 84 / 0 / 5

HEX #4227F1

RGB 66 39 241

HSL 248.02, 0.88%, 0.55%

LAB 35.91, 67.84, -93.9

 

CMYK 50 / 84 / 0 / 5

HEX #7827F1

RGB 120 39 241

HSL 264.06, 0.88%, 0.55%

LAB 40.89, 72.34, -85.5

 

CMYK 28 / 84 / 0 / 5

HEX #AD27F1

RGB 173 39 241

HSL 279.8, 0.88%, 0.55%

LAB 47.86, 79.1, -73.8

 

CMYK 6 / 84 / 0 / 5

HEX #E327F1

RGB 227 39 241

HSL 295.84, 0.88%, 0.55%

LAB 56.22, 87.65, -59.88

 

CMYK 56 / 94 / 0 / 27

HEX #510BBA

RGB 81 11 186

HSL 264, 0.89%, 0.39%

LAB 28.2, 62.89, -74.8

 

CMYK 56 / 94 / 0 / 12

HEX #620EE0

RGB 98 14 224

HSL 264, 0.88%, 0.47%

LAB 34.58, 72.5, -86.33

 

CMYK 50 / 84 / 0 / 5

HEX #7827F1

RGB 120 39 241

HSL 264.06, 0.88%, 0.55%

LAB 40.89, 72.34, -85.5

 

CMYK 41 / 68 / 0 / 5

HEX #904EF3

RGB 144 78 243

HSL 264, 0.87%, 0.63%

LAB 49.31, 60.43, -72.72

 

CMYK 32 / 53 / 0 / 4

HEX #A874F6

RGB 168 116 246

HSL 264, 0.88%, 0.71%

LAB 59.41, 46.61, -57.99

 

CMYK 50 / 84 / 0 / 5

HEX #7827F1

RGB 120 39 241

HSL 264.06, 0.88%, 0.55%

LAB 40.89, 72.34, -85.5

 

CMYK 0 / 84 / 50 / 5

HEX #F12778

RGB 241 39 120

HSL 335.94, 0.88%, 0.55%

LAB 53.5, 76.34, 6.54

 

CMYK 84 / 0 / 84 / 5

HEX #27F127

RGB 39 241 39

HSL 120, 0.88%, 0.55%

LAB 83.7, -79.53, 74.81

 

CMYK 50 / 84 / 0 / 5

HEX #7827F1

RGB 120 39 241

HSL 264.06, 0.88%, 0.55%

LAB 40.89, 72.34, -85.5

 

CMYK 0 / 50 / 84 / 5

HEX #F17827

RGB 241 120 39

HSL 24.06, 0.88%, 0.55%

LAB 63.57, 41.91, 61.66

 

CMYK 84 / 0 / 50 / 5

HEX #27F178

RGB 39 241 120

HSL 144.06, 0.88%, 0.55%

LAB 84.33, -71.75, 45.23

 

CMYK 50 / 84 / 0 / 5

HEX #7827F1

RGB 120 39 241

HSL 264.06, 0.88%, 0.55%

LAB 40.89, 72.34, -85.5

 

CMYK 0 / 84 / 50 / 5

HEX #F12778

RGB 241 39 120

HSL 335.94, 0.88%, 0.55%

LAB 53.5, 76.34, 6.54

 

CMYK 34 / 0 / 84 / 5

HEX #A0F127

RGB 160 241 39

HSL 84.06, 0.88%, 0.55%

LAB 87.26, -51.6, 79.31

 

CMYK 84 / 0 / 34 / 5

HEX #27F1A0

RGB 39 241 160

HSL 155.94, 0.88%, 0.55%

LAB 84.94, -64.68, 26.23

 

CMYK 50 / 84 / 0 / 5

HEX #7827F1

RGB 120 39 241

HSL 264.06, 0.88%, 0.55%

LAB 40.89, 72.34, -85.5

 

CMYK 0 / 84 / 76 / 5

HEX #F1273B

RGB 241 39 59

HSL 354.06, 0.88%, 0.55%

LAB 52.36, 73, 41.35

 

CMYK 34 / 0 / 84 / 5

HEX #A0F127

RGB 160 241 39

HSL 84.06, 0.88%, 0.55%

LAB 87.26, -51.6, 79.31

 

CMYK 84 / 0 / 8 / 5

HEX #27F1DD

RGB 39 241 221

HSL 174.06, 0.88%, 0.55%

LAB 86.29, -50.21, -3.55

 

Description

Color code: HEX #7827F1 | qconv.com Color code: HEX #7827F1 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 39 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 39 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 84 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 84% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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