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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #781094 it is the complementary color #87EF6B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #781094. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #781094 shade: #7D108F, #8E22A2, #9F34B5, #B046C8 and #C158DB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #781094. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #781094 shade: #781094, #670081, #56006E, #45005B and #340048

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #781094 shade: #771092, #92108B, #921068, #921044 and #921021

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #781094 shade: #771092, #531092, #301092 and #101092

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #781094 shade matches the following richer shades: #771092 and #7E03A0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #781094 shade: #771092, #6F1D85, #672A78, #60376B and #58455E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #781094 shade: #301092, #531092, #761092, #92108C and #921069

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #781094 shade: #3A0848, #590C6D, #771092, #9514B8 and #B318DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #781094 shade: #781094, #921012 and #109242

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #781094 shade: #781094, #927610 and #109276

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #781094 shade: #781094, #921012, #2C9210 and #109290

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #781094 shade: #781094, #923510, #2C9210 and #106D92

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 89 / 0 / 42

HEX #781094

RGB 120 16 148

HSL 287.27, 0.8%, 0.32%

LAB 30.64, 58.37, -47.62

 

Complementary color

CMYK 44 / 0 / 55 / 6

HEX #87EF6B

RGB 135 239 107

HSL 107.27, 0.8%, 0.68%

LAB 85.98, -54.21, 53.8

 

CMYK 13 / 89 / 0 / 44

HEX #7D108F

RGB 125 16 143

HSL 291.5, 0.8%, 0.31%

LAB 31.15, 58.31, -43.69

 

CMYK 12 / 79 / 0 / 36

HEX #8E22A2

RGB 142 34 162

HSL 290.63, 0.65%, 0.38%

LAB 36.94, 60.28, -45.81

 

CMYK 12 / 71 / 0 / 29

HEX #9F34B5

RGB 159 52 181

HSL 289.77, 0.55%, 0.46%

LAB 43.01, 61.1, -47.24

 

CMYK 12 / 65 / 0 / 22

HEX #B046C8

RGB 176 70 200

HSL 288.92, 0.54%, 0.53%

LAB 49.23, 61.23, -48.22

 

CMYK 12 / 60 / 0 / 14

HEX #C158DB

RGB 193 88 219

HSL 288.09, 0.65%, 0.6%

LAB 55.51, 60.96, -48.92

 

CMYK 19 / 89 / 0 / 42

HEX #781094

RGB 120 16 148

HSL 287.27, 0.8%, 0.32%

LAB 30.64, 58.37, -47.62

 

CMYK 20 / 100 / 0 / 49

HEX #670081

RGB 103 0 129

HSL 287.91, 1%, 0.25%

LAB 25.16, 55.07, -44.82

 

CMYK 22 / 100 / 0 / 57

HEX #56006E

RGB 86 0 110

HSL 286.91, 1%, 0.22%

LAB 20.46, 48.91, -40.44

 

CMYK 24 / 100 / 0 / 64

HEX #45005B

RGB 69 0 91

HSL 285.49, 1%, 0.18%

LAB 15.59, 42.56, -35.94

 

CMYK 28 / 100 / 0 / 72

HEX #340048

RGB 52 0 72

HSL 283.33, 1%, 0.14%

LAB 10.54, 35.97, -31.29

 

CMYK 18 / 89 / 0 / 43

HEX #771092

RGB 119 16 146

HSL 287.54, 0.8%, 0.32%

LAB 30.32, 57.83, -46.92

 

CMYK 0 / 89 / 5 / 43

HEX #92108B

RGB 146 16 139

HSL 303.23, 0.8%, 0.32%

LAB 34.69, 61.54, -35.32

 

CMYK 0 / 89 / 29 / 43

HEX #921068

RGB 146 16 104

HSL 319.38, 0.8%, 0.32%

LAB 32.88, 56.72, -16.13

 

CMYK 0 / 89 / 53 / 43

HEX #921044

RGB 146 16 68

HSL 336, 0.8%, 0.32%

LAB 31.58, 53.09, 5.45

 

CMYK 0 / 89 / 77 / 43

HEX #921021

RGB 146 16 33

HSL 352.15, 0.8%, 0.32%

LAB 30.86, 51.03, 27.48

 

CMYK 18 / 89 / 0 / 43

HEX #771092

RGB 119 16 146

HSL 287.54, 0.8%, 0.32%

LAB 30.32, 57.83, -46.92

 

CMYK 43 / 89 / 0 / 43

HEX #531092

RGB 83 16 146

HSL 270.92, 0.8%, 0.32%

LAB 24.59, 52.43, -56.51

 

CMYK 67 / 89 / 0 / 43

HEX #301092

RGB 48 16 146

HSL 254.77, 0.8%, 0.32%

LAB 20.34, 48.8, -63.68

 

CMYK 89 / 89 / 0 / 43

HEX #101092

RGB 16 16 146

HSL 240, 0.8%, 0.32%

LAB 18.17, 47.13, -67.34

 

CMYK 18 / 89 / 0 / 43

HEX #771092

RGB 119 16 146

HSL 287.54, 0.8%, 0.32%

LAB 30.32, 57.83, -46.92

 

CMYK 21 / 98 / 0 / 37

HEX #7E03A0

RGB 126 3 160

HSL 287.01, 0.96%, 0.32%

LAB 31.9, 63.65, -52.88

 

CMYK 18 / 89 / 0 / 43

HEX #771092

RGB 119 16 146

HSL 287.54, 0.8%, 0.32%

LAB 30.32, 57.83, -46.92

 

CMYK 17 / 78 / 0 / 48

HEX #6F1D85

RGB 111 29 133

HSL 287.31, 0.64%, 0.32%

LAB 29.29, 50.12, -40.59

 

CMYK 14 / 65 / 0 / 53

HEX #672A78

RGB 103 42 120

HSL 286.92, 0.48%, 0.32%

LAB 29.15, 39.95, -32.71

 

CMYK 10 / 49 / 0 / 58

HEX #60376B

RGB 96 55 107

HSL 287.31, 0.32%, 0.32%

LAB 30.11, 27.82, -23

 

CMYK 6 / 27 / 0 / 63

HEX #58455E

RGB 88 69 94

HSL 285.6, 0.15%, 0.32%

LAB 32.12, 13.27, -11.67

 

CMYK 67 / 89 / 0 / 43

HEX #301092

RGB 48 16 146

HSL 254.77, 0.8%, 0.32%

LAB 20.34, 48.8, -63.68

 

CMYK 43 / 89 / 0 / 43

HEX #531092

RGB 83 16 146

HSL 270.92, 0.8%, 0.32%

LAB 24.59, 52.43, -56.51

 

CMYK 19 / 89 / 0 / 43

HEX #761092

RGB 118 16 146

HSL 287.08, 0.8%, 0.32%

LAB 30.15, 57.66, -47.21

 

CMYK 0 / 89 / 4 / 43

HEX #92108C

RGB 146 16 140

HSL 302.77, 0.8%, 0.32%

LAB 34.75, 61.69, -35.85

 

CMYK 0 / 89 / 28 / 43

HEX #921069

RGB 146 16 105

HSL 318.92, 0.8%, 0.32%

LAB 32.92, 56.84, -16.7

 

CMYK 19 / 89 / 0 / 72

HEX #3A0848

RGB 58 8 72

HSL 286.88, 0.8%, 0.16%

LAB 12.87, 33.61, -27.46

 

CMYK 18 / 89 / 0 / 57

HEX #590C6D

RGB 89 12 109

HSL 287.63, 0.8%, 0.24%

LAB 21.91, 46.29, -37.4

 

CMYK 18 / 89 / 0 / 43

HEX #771092

RGB 119 16 146

HSL 287.54, 0.8%, 0.32%

LAB 30.32, 57.83, -46.92

 

CMYK 19 / 89 / 0 / 28

HEX #9514B8

RGB 149 20 184

HSL 287.2, 0.8%, 0.4%

LAB 38.46, 68.93, -56.41

 

CMYK 19 / 89 / 0 / 13

HEX #B318DD

RGB 179 24 221

HSL 287.21, 0.8%, 0.48%

LAB 46.25, 79.38, -65.04

 

CMYK 19 / 89 / 0 / 42

HEX #781094

RGB 120 16 148

HSL 287.27, 0.8%, 0.32%

LAB 30.64, 58.37, -47.62

 

CMYK 0 / 89 / 88 / 43

HEX #921012

RGB 146 16 18

HSL 359.08, 0.8%, 0.32%

LAB 30.7, 50.57, 36.12

 

CMYK 89 / 0 / 55 / 43

HEX #109242

RGB 16 146 66

HSL 143.08, 0.8%, 0.32%

LAB 53.02, -50.36, 33.13

 

CMYK 19 / 89 / 0 / 42

HEX #781094

RGB 120 16 148

HSL 287.27, 0.8%, 0.32%

LAB 30.64, 58.37, -47.62

 

CMYK 0 / 19 / 89 / 43

HEX #927610

RGB 146 118 16

HSL 47.08, 0.8%, 0.32%

LAB 50.81, 1.4, 53.43

 

CMYK 89 / 0 / 19 / 43

HEX #109276

RGB 16 146 118

HSL 167.08, 0.8%, 0.32%

LAB 54, -39.17, 5.77

 

CMYK 19 / 89 / 0 / 42

HEX #781094

RGB 120 16 148

HSL 287.27, 0.8%, 0.32%

LAB 30.64, 58.37, -47.62

 

CMYK 0 / 89 / 88 / 43

HEX #921012

RGB 146 16 18

HSL 359.08, 0.8%, 0.32%

LAB 30.7, 50.57, 36.12

 

CMYK 70 / 0 / 89 / 43

HEX #2C9210

RGB 44 146 16

HSL 107.08, 0.8%, 0.32%

LAB 53.09, -51.15, 52.82

 

CMYK 89 / 0 / 1 / 43

HEX #109290

RGB 16 146 144

HSL 179.08, 0.8%, 0.32%

LAB 54.74, -31.6, -8.09

 

CMYK 19 / 89 / 0 / 42

HEX #781094

RGB 120 16 148

HSL 287.27, 0.8%, 0.32%

LAB 30.64, 58.37, -47.62

 

CMYK 0 / 64 / 89 / 43

HEX #923510

RGB 146 53 16

HSL 17.08, 0.8%, 0.32%

LAB 35.39, 37.56, 40.96

 

CMYK 70 / 0 / 89 / 43

HEX #2C9210

RGB 44 146 16

HSL 107.08, 0.8%, 0.32%

LAB 53.09, -51.15, 52.82

 

CMYK 89 / 25 / 0 / 43

HEX #106D92

RGB 16 109 146

HSL 197.08, 0.8%, 0.32%

LAB 42.95, -11.38, -27.27

 

Description

Color code: HEX #781094 | qconv.com Color code: HEX #781094 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 16 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 16 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 89 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 89% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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