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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7817A0 it is the complementary color #87E85F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7817A0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7817A0 shade: #7D179B, #8E29AE, #9F3BC1, #B04DD4 and #C15FE7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7817A0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7817A0 shade: #7817A0, #67058D, #56007A, #450067 and #340054

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7817A0 shade: #7816A0, #9D16A0, #A0167E, #A01659 and #A01634

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7817A0 shade: #7816A0, #5316A0, #2E16A0 and #1616A0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7817A0 shade matches the following richer shades: #7816A0 and #7E08AF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7817A0 shade: #7816A0, #722591, #6C3482, #654374 and #5F5265

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7817A0 shade: #2D16A0, #5216A0, #7716A0, #9C16A0 and #A01680

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7817A0 shade: #420C58, #5D117C, #7816A0, #931CC4 and #AB29E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7817A0 shade: #7817A0, #A01624 and #16A040

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7817A0 shade: #7817A0, #A07716 and #16A077

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7817A0 shade: #7817A0, #A01624, #40A016 and #16A092

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7817A0 shade: #7817A0, #A03216, #40A016 and #1685A0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 86 / 0 / 37

HEX #7817A0

RGB 120 23 160

HSL 282.48, 0.75%, 0.36%

LAB 32.13, 59.07, -52.54

 

Complementary color

CMYK 42 / 0 / 59 / 9

HEX #87E85F

RGB 135 232 95

HSL 102.48, 0.75%, 0.64%

LAB 83.8, -52.66, 56.59

 

CMYK 19 / 85 / 0 / 39

HEX #7D179B

RGB 125 23 155

HSL 286.36, 0.74%, 0.35%

LAB 32.57, 58.93, -48.75

 

CMYK 18 / 76 / 0 / 32

HEX #8E29AE

RGB 142 41 174

HSL 285.56, 0.62%, 0.42%

LAB 38.54, 60.26, -50.41

 

CMYK 18 / 69 / 0 / 24

HEX #9F3BC1

RGB 159 59 193

HSL 284.78, 0.53%, 0.49%

LAB 44.73, 60.66, -51.5

 

CMYK 17 / 64 / 0 / 17

HEX #B04DD4

RGB 176 77 212

HSL 284, 0.61%, 0.57%

LAB 51.03, 60.52, -52.23

 

CMYK 16 / 59 / 0 / 9

HEX #C15FE7

RGB 193 95 231

HSL 283.24, 0.74%, 0.64%

LAB 57.36, 60.08, -52.74

 

CMYK 25 / 86 / 0 / 37

HEX #7817A0

RGB 120 23 160

HSL 282.48, 0.75%, 0.36%

LAB 32.13, 59.07, -52.54

 

CMYK 27 / 96 / 0 / 45

HEX #67058D

RGB 103 5 141

HSL 283.24, 0.93%, 0.29%

LAB 26.49, 56.42, -50.17

 

CMYK 30 / 100 / 0 / 52

HEX #56007A

RGB 86 0 122

HSL 282.3, 1%, 0.24%

LAB 21.52, 51.31, -46.44

 

CMYK 33 / 100 / 0 / 60

HEX #450067

RGB 69 0 103

HSL 280.19, 1%, 0.2%

LAB 16.72, 45.08, -42.08

 

CMYK 38 / 100 / 0 / 67

HEX #340054

RGB 52 0 84

HSL 277.14, 1%, 0.16%

LAB 11.76, 38.66, -37.6

 

CMYK 25 / 86 / 0 / 37

HEX #7816A0

RGB 120 22 160

HSL 282.61, 0.76%, 0.36%

LAB 32.04, 59.32, -52.68

 

CMYK 2 / 86 / 0 / 37

HEX #9D16A0

RGB 157 22 160

HSL 298.7, 0.76%, 0.36%

LAB 38.34, 65.81, -42.21

 

CMYK 0 / 86 / 21 / 37

HEX #A0167E

RGB 160 22 126

HSL 314.78, 0.76%, 0.36%

LAB 37.03, 61.45, -23.39

 

CMYK 0 / 86 / 44 / 37

HEX #A01659

RGB 160 22 89

HSL 330.87, 0.76%, 0.36%

LAB 35.54, 57.28, -2.19

 

CMYK 0 / 86 / 68 / 37

HEX #A01634

RGB 160 22 52

HSL 346.96, 0.76%, 0.36%

LAB 34.59, 54.54, 20.53

 

CMYK 25 / 86 / 0 / 37

HEX #7816A0

RGB 120 22 160

HSL 282.61, 0.76%, 0.36%

LAB 32.04, 59.32, -52.68

 

CMYK 48 / 86 / 0 / 37

HEX #5316A0

RGB 83 22 160

HSL 266.52, 0.76%, 0.36%

LAB 26.59, 54, -61.82

 

CMYK 71 / 86 / 0 / 37

HEX #2E16A0

RGB 46 22 160

HSL 250.43, 0.76%, 0.36%

LAB 22.63, 50.4, -68.5

 

CMYK 86 / 86 / 0 / 37

HEX #1616A0

RGB 22 22 160

HSL 240, 0.76%, 0.36%

LAB 21.14, 49.12, -71.01

 

CMYK 25 / 86 / 0 / 37

HEX #7816A0

RGB 120 22 160

HSL 282.61, 0.76%, 0.36%

LAB 32.04, 59.32, -52.68

 

CMYK 28 / 95 / 0 / 31

HEX #7E08AF

RGB 126 8 175

HSL 282.4, 0.91%, 0.36%

LAB 33.36, 65.77, -59.53

 

CMYK 25 / 86 / 0 / 37

HEX #7816A0

RGB 120 22 160

HSL 282.61, 0.76%, 0.36%

LAB 32.04, 59.32, -52.68

 

CMYK 21 / 74 / 0 / 43

HEX #722591

RGB 114 37 145

HSL 282.78, 0.59%, 0.36%

LAB 31.68, 50.18, -44.15

 

CMYK 17 / 60 / 0 / 49

HEX #6C3482

RGB 108 52 130

HSL 283.08, 0.43%, 0.36%

LAB 32.38, 38.34, -33.79

 

CMYK 13 / 42 / 0 / 55

HEX #654374

RGB 101 67 116

HSL 281.63, 0.27%, 0.36%

LAB 34.07, 24.29, -22.45

 

CMYK 6 / 19 / 0 / 60

HEX #5F5265

RGB 95 82 101

HSL 281.05, 0.1%, 0.36%

LAB 36.76, 9.32, -9.01

 

CMYK 72 / 86 / 0 / 37

HEX #2D16A0

RGB 45 22 160

HSL 250, 0.76%, 0.36%

LAB 22.55, 50.33, -68.64

 

CMYK 49 / 86 / 0 / 37

HEX #5216A0

RGB 82 22 160

HSL 266.09, 0.76%, 0.36%

LAB 26.46, 53.88, -62.03

 

CMYK 26 / 86 / 0 / 37

HEX #7716A0

RGB 119 22 160

HSL 282.17, 0.76%, 0.36%

LAB 31.88, 59.16, -52.95

 

CMYK 2 / 86 / 0 / 37

HEX #9C16A0

RGB 156 22 160

HSL 298.26, 0.76%, 0.36%

LAB 38.16, 65.62, -42.5

 

CMYK 0 / 86 / 20 / 37

HEX #A01680

RGB 160 22 128

HSL 313.91, 0.76%, 0.36%

LAB 37.13, 61.72, -24.49

 

CMYK 25 / 86 / 0 / 65

HEX #420C58

RGB 66 12 88

HSL 282.63, 0.76%, 0.2%

LAB 16.13, 37.41, -33.07

 

CMYK 25 / 86 / 0 / 51

HEX #5D117C

RGB 93 17 124

HSL 282.62, 0.76%, 0.28%

LAB 24.27, 48.73, -43.18

 

CMYK 25 / 86 / 0 / 37

HEX #7816A0

RGB 120 22 160

HSL 282.61, 0.76%, 0.36%

LAB 32.04, 59.32, -52.68

 

CMYK 25 / 86 / 0 / 23

HEX #931CC4

RGB 147 28 196

HSL 282.5, 0.75%, 0.44%

LAB 39.61, 69.19, -61.61

 

CMYK 24 / 82 / 0 / 12

HEX #AB29E0

RGB 171 41 224

HSL 282.62, 0.75%, 0.52%

LAB 46.48, 75.02, -66.44

 

CMYK 25 / 86 / 0 / 37

HEX #7817A0

RGB 120 23 160

HSL 282.48, 0.75%, 0.36%

LAB 32.13, 59.07, -52.54

 

CMYK 0 / 86 / 78 / 37

HEX #A01624

RGB 160 22 36

HSL 353.91, 0.76%, 0.36%

LAB 34.34, 53.81, 30.33

 

CMYK 86 / 0 / 60 / 37

HEX #16A040

RGB 22 160 64

HSL 138.26, 0.76%, 0.36%

LAB 57.73, -54.85, 39.75

 

CMYK 25 / 86 / 0 / 37

HEX #7817A0

RGB 120 23 160

HSL 282.48, 0.75%, 0.36%

LAB 32.13, 59.07, -52.54

 

CMYK 0 / 26 / 86 / 37

HEX #A07716

RGB 160 119 22

HSL 42.17, 0.76%, 0.36%

LAB 52.65, 7.52, 53.93

 

CMYK 86 / 0 / 26 / 37

HEX #16A077

RGB 22 160 119

HSL 162.17, 0.76%, 0.36%

LAB 58.64, -44.34, 11.8

 

CMYK 25 / 86 / 0 / 37

HEX #7817A0

RGB 120 23 160

HSL 282.48, 0.75%, 0.36%

LAB 32.13, 59.07, -52.54

 

CMYK 0 / 86 / 78 / 37

HEX #A01624

RGB 160 22 36

HSL 353.91, 0.76%, 0.36%

LAB 34.34, 53.81, 30.33

 

CMYK 60 / 0 / 86 / 37

HEX #40A016

RGB 64 160 22

HSL 101.74, 0.76%, 0.36%

LAB 58.31, -51.13, 56.26

 

CMYK 86 / 0 / 9 / 37

HEX #16A092

RGB 22 160 146

HSL 173.91, 0.76%, 0.36%

LAB 59.33, -37.09, -2.43

 

CMYK 25 / 86 / 0 / 37

HEX #7817A0

RGB 120 23 160

HSL 282.48, 0.75%, 0.36%

LAB 32.13, 59.07, -52.54

 

CMYK 0 / 69 / 86 / 37

HEX #A03216

RGB 160 50 22

HSL 12.17, 0.76%, 0.36%

LAB 37.5, 44.2, 41.1

 

CMYK 60 / 0 / 86 / 37

HEX #40A016

RGB 64 160 22

HSL 101.74, 0.76%, 0.36%

LAB 58.31, -51.13, 56.26

 

CMYK 86 / 17 / 0 / 37

HEX #1685A0

RGB 22 133 160

HSL 191.74, 0.76%, 0.36%

LAB 51.25, -19.28, -22.64

 

Description

Color code: HEX #7817A0 | qconv.com Color code: HEX #7817A0 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 23 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 23 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 86 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 86% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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