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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7783D4 it is the complementary color #887C2B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7783D4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7783D4 shade: #7C83CF, #8D95E2, #9EA7F5, #AFB9FF and #C0CBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7783D4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7783D4 shade: #7783D4, #6671C1, #555FAE, #444D9B and #333B88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7783D4 shade: #7783D4, #8477D4, #9D77D4, #B677D4 and #CF77D4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7783D4 shade: #7783D4 and #7777D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7783D4 shade matches the following richer shades: #7783D4, #6878E2 and #5A6DF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7783D4 shade: #7783D4, #858EC5, #9498B7, #A2A3A8 and #B1AE9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7783D4 shade: #77B5D4, #779CD4, #7783D4, #8377D4 and #9C77D4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7783D4 shade: #3B4CBD, #5766CA, #7783D4, #969FDE and #B6BCE7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7783D4 shade: #7783D4, #D477CD and #A8D477

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7783D4 shade: #7783D4, #D47783 and #83D477

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7783D4 shade: #7783D4, #D477CD, #D4C777 and #77D47D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7783D4 shade: #7783D4, #D477B2, #D4C777 and #77D499

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 38 / 0 / 17

HEX #7783D4

RGB 119 131 212

HSL 232.26, 0.52%, 0.65%

LAB 56.99, 16.54, -43.12

 

Complementary color

CMYK 0 / 9 / 68 / 47

HEX #887C2B

RGB 136 124 43

HSL 52.26, 0.52%, 0.35%

LAB 51.64, -5.49, 44.18

 

CMYK 40 / 37 / 0 / 19

HEX #7C83CF

RGB 124 131 207

HSL 234.94, 0.46%, 0.65%

LAB 57.1, 16.39, -40.1

 

CMYK 38 / 34 / 0 / 11

HEX #8D95E2

RGB 141 149 226

HSL 234.35, 0.59%, 0.72%

LAB 63.88, 15.65, -39.99

 

CMYK 36 / 32 / 0 / 4

HEX #9EA7F5

RGB 158 167 245

HSL 233.79, 0.81%, 0.79%

LAB 70.52, 15.01, -39.94

 

CMYK 31 / 27 / 0 / 0

HEX #AFB9FF

RGB 175 185 255

HSL 232.5, 1%, 0.84%

LAB 76.7, 12.18, -35.65

 

CMYK 25 / 20 / 0 / 0

HEX #C0CBFF

RGB 192 203 255

HSL 229.52, 1%, 0.88%

LAB 82.45, 7.26, -26.7

 

CMYK 44 / 38 / 0 / 17

HEX #7783D4

RGB 119 131 212

HSL 232.26, 0.52%, 0.65%

LAB 56.99, 16.54, -43.12

 

CMYK 47 / 41 / 0 / 24

HEX #6671C1

RGB 102 113 193

HSL 232.75, 0.42%, 0.58%

LAB 50.08, 17.5, -43.31

 

CMYK 51 / 45 / 0 / 32

HEX #555FAE

RGB 85 95 174

HSL 233.26, 0.35%, 0.51%

LAB 43.02, 18.64, -43.56

 

CMYK 56 / 50 / 0 / 39

HEX #444D9B

RGB 68 77 155

HSL 233.79, 0.39%, 0.44%

LAB 35.8, 20.06, -43.88

 

CMYK 63 / 57 / 0 / 47

HEX #333B88

RGB 51 59 136

HSL 234.35, 0.45%, 0.37%

LAB 28.4, 21.84, -44.23

 

CMYK 44 / 38 / 0 / 17

HEX #7783D4

RGB 119 131 212

HSL 232.26, 0.52%, 0.65%

LAB 56.99, 16.54, -43.12

 

CMYK 38 / 44 / 0 / 17

HEX #8477D4

RGB 132 119 212

HSL 248.39, 0.52%, 0.65%

LAB 54.92, 26.99, -46.32

 

CMYK 26 / 44 / 0 / 17

HEX #9D77D4

RGB 157 119 212

HSL 264.52, 0.52%, 0.65%

LAB 57.19, 33.76, -42.59

 

CMYK 14 / 44 / 0 / 17

HEX #B677D4

RGB 182 119 212

HSL 280.65, 0.52%, 0.65%

LAB 59.79, 40.92, -38.31

 

CMYK 2 / 44 / 0 / 17

HEX #CF77D4

RGB 207 119 212

HSL 296.77, 0.52%, 0.65%

LAB 62.69, 48.25, -33.58

 

CMYK 44 / 38 / 0 / 17

HEX #7783D4

RGB 119 131 212

HSL 232.26, 0.52%, 0.65%

LAB 56.99, 16.54, -43.12

 

CMYK 44 / 44 / 0 / 17

HEX #7777D4

RGB 119 119 212

HSL 240, 0.52%, 0.65%

LAB 53.89, 23.7, -48.02

 

CMYK 44 / 38 / 0 / 17

HEX #7783D4

RGB 119 131 212

HSL 232.26, 0.52%, 0.65%

LAB 56.99, 16.54, -43.12

 

CMYK 54 / 47 / 0 / 11

HEX #6878E2

RGB 104 120 226

HSL 232.13, 0.68%, 0.65%

LAB 53.89, 23.98, -55.98

 

CMYK 63 / 55 / 0 / 5

HEX #5A6DF1

RGB 90 109 241

HSL 232.45, 0.84%, 0.65%

LAB 51.22, 32.99, -68.71

 

CMYK 44 / 38 / 0 / 17

HEX #7783D4

RGB 119 131 212

HSL 232.26, 0.52%, 0.65%

LAB 56.99, 16.54, -43.12

 

CMYK 32 / 28 / 0 / 23

HEX #858EC5

RGB 133 142 197

HSL 231.56, 0.36%, 0.65%

LAB 60.22, 9.72, -29.54

 

CMYK 19 / 17 / 0 / 28

HEX #9498B7

RGB 148 152 183

HSL 233.14, 0.2%, 0.65%

LAB 63.48, 5.19, -16.56

 

CMYK 4 / 3 / 0 / 34

HEX #A2A3A8

RGB 162 163 168

HSL 230, 0.03%, 0.65%

LAB 67.05, 0.62, -2.72

 

CMYK 0 / 2 / 13 / 31

HEX #B1AE9A

RGB 177 174 154

HSL 52.17, 0.13%, 0.65%

LAB 70.84, -2.44, 10.65

 

CMYK 44 / 15 / 0 / 17

HEX #77B5D4

RGB 119 181 212

HSL 200, 0.52%, 0.65%

LAB 70.68, -11.8, -21.88

 

CMYK 44 / 26 / 0 / 17

HEX #779CD4

RGB 119 156 212

HSL 216.13, 0.52%, 0.65%

LAB 63.71, 1.97, -32.59

 

CMYK 44 / 38 / 0 / 17

HEX #7783D4

RGB 119 131 212

HSL 232.26, 0.52%, 0.65%

LAB 56.99, 16.54, -43.12

 

CMYK 38 / 44 / 0 / 17

HEX #8377D4

RGB 131 119 212

HSL 247.74, 0.52%, 0.65%

LAB 54.84, 26.73, -46.46

 

CMYK 26 / 44 / 0 / 17

HEX #9C77D4

RGB 156 119 212

HSL 263.87, 0.52%, 0.65%

LAB 57.09, 33.48, -42.75

 

CMYK 69 / 60 / 0 / 26

HEX #3B4CBD

RGB 59 76 189

HSL 232.15, 0.52%, 0.49%

LAB 37.43, 31.04, -61.47

 

CMYK 57 / 50 / 0 / 21

HEX #5766CA

RGB 87 102 202

HSL 232.17, 0.52%, 0.57%

LAB 46.7, 23.83, -53.93

 

CMYK 44 / 38 / 0 / 17

HEX #7783D4

RGB 119 131 212

HSL 232.26, 0.52%, 0.65%

LAB 56.99, 16.54, -43.12

 

CMYK 32 / 28 / 0 / 13

HEX #969FDE

RGB 150 159 222

HSL 232.5, 0.52%, 0.73%

LAB 66.94, 11.36, -32.96

 

CMYK 21 / 19 / 0 / 9

HEX #B6BCE7

RGB 182 188 231

HSL 232.65, 0.51%, 0.81%

LAB 77.09, 6.9, -22.09

 

CMYK 44 / 38 / 0 / 17

HEX #7783D4

RGB 119 131 212

HSL 232.26, 0.52%, 0.65%

LAB 56.99, 16.54, -43.12

 

CMYK 0 / 44 / 3 / 17

HEX #D477CD

RGB 212 119 205

HSL 304.52, 0.52%, 0.65%

LAB 63.01, 48.47, -29.1

 

CMYK 21 / 0 / 44 / 17

HEX #A8D477

RGB 168 212 119

HSL 88.39, 0.52%, 0.65%

LAB 80.04, -30.04, 41.28

 

CMYK 44 / 38 / 0 / 17

HEX #7783D4

RGB 119 131 212

HSL 232.26, 0.52%, 0.65%

LAB 56.99, 16.54, -43.12

 

CMYK 0 / 44 / 38 / 17

HEX #D47783

RGB 212 119 131

HSL 352.26, 0.52%, 0.65%

LAB 60.63, 37.54, 9.58

 

CMYK 38 / 0 / 44 / 17

HEX #83D477

RGB 131 212 119

HSL 112.26, 0.52%, 0.65%

LAB 78.02, -42.71, 38.31

 

CMYK 44 / 38 / 0 / 17

HEX #7783D4

RGB 119 131 212

HSL 232.26, 0.52%, 0.65%

LAB 56.99, 16.54, -43.12

 

CMYK 0 / 44 / 3 / 17

HEX #D477CD

RGB 212 119 205

HSL 304.52, 0.52%, 0.65%

LAB 63.01, 48.47, -29.1

 

CMYK 0 / 6 / 44 / 17

HEX #D4C777

RGB 212 199 119

HSL 51.61, 0.52%, 0.65%

LAB 79.71, -6.51, 41.56

 

CMYK 44 / 0 / 41 / 17

HEX #77D47D

RGB 119 212 125

HSL 123.87, 0.52%, 0.65%

LAB 77.57, -45.45, 34.61

 

CMYK 44 / 38 / 0 / 17

HEX #7783D4

RGB 119 131 212

HSL 232.26, 0.52%, 0.65%

LAB 56.99, 16.54, -43.12

 

CMYK 0 / 44 / 16 / 17

HEX #D477B2

RGB 212 119 178

HSL 321.94, 0.52%, 0.65%

LAB 62, 43.97, -15.35

 

CMYK 0 / 6 / 44 / 17

HEX #D4C777

RGB 212 199 119

HSL 51.61, 0.52%, 0.65%

LAB 79.71, -6.51, 41.56

 

CMYK 44 / 0 / 28 / 17

HEX #77D499

RGB 119 212 153

HSL 141.94, 0.52%, 0.65%

LAB 78.06, -40.66, 20.76

 

Description

Color code: HEX #7783D4 | qconv.com Color code: HEX #7783D4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 131 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 131 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 38 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 38% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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