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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #777CD3 it is the complementary color #88832C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #777CD3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #777CD3 shade: #7C7CCE, #8D8EE1, #9EA0F4, #AFB2FF and #C0C4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #777CD3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #777CD3 shade: #777CD3, #666AC0, #5558AD, #44469A and #333487

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #777CD3 shade: #787DD3, #8B78D3, #A478D3, #BC78D3 and #D378D1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #777CD3 shade: #787DD3 and #7878D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #777CD3 shade matches the following richer shades: #787DD3, #6970E1, #5B63F0 and #4C56FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #777CD3 shade: #787DD3, #868AC4, #9596B6, #A3A3A7 and #B1B099

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #777CD3 shade: #78AED3, #7896D3, #787ED3, #8A78D3 and #A278D3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #777CD3 shade: #3D43BB, #595FC9, #787DD3, #979BDD and #B6B9E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #777CD3 shade: #777CD3, #D378C7 and #A2D378

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #777CD3 shade: #777CD3, #D3787E and #7ED378

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #777CD3 shade: #777CD3, #D378C7, #D3CD78 and #78D384

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #777CD3 shade: #777CD3, #D378AB, #D3CD78 and #78D39F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 41 / 0 / 17

HEX #777CD3

RGB 119 124 211

HSL 236.74, 0.51%, 0.65%

LAB 55.11, 20.42, -45.51

 

Complementary color

CMYK 0 / 4 / 68 / 47

HEX #88832C

RGB 136 131 44

HSL 56.74, 0.51%, 0.35%

LAB 53.65, -9.29, 45.83

 

CMYK 40 / 40 / 0 / 19

HEX #7C7CCE

RGB 124 124 206

HSL 240, 0.46%, 0.65%

LAB 55.23, 20.26, -42.47

 

CMYK 37 / 37 / 0 / 12

HEX #8D8EE1

RGB 141 142 225

HSL 239.29, 0.58%, 0.72%

LAB 62.04, 19.43, -42.32

 

CMYK 35 / 34 / 0 / 4

HEX #9EA0F4

RGB 158 160 244

HSL 238.6, 0.8%, 0.79%

LAB 68.71, 18.71, -42.23

 

CMYK 31 / 30 / 0 / 0

HEX #AFB2FF

RGB 175 178 255

HSL 237.75, 1%, 0.84%

LAB 74.94, 16.06, -38.39

 

CMYK 25 / 23 / 0 / 0

HEX #C0C4FF

RGB 192 196 255

HSL 236.19, 1%, 0.88%

LAB 80.69, 11.04, -29.41

 

CMYK 44 / 41 / 0 / 17

HEX #777CD3

RGB 119 124 211

HSL 236.74, 0.51%, 0.65%

LAB 55.11, 20.42, -45.51

 

CMYK 47 / 45 / 0 / 25

HEX #666AC0

RGB 102 106 192

HSL 237.33, 0.42%, 0.58%

LAB 48.18, 21.48, -45.75

 

CMYK 51 / 49 / 0 / 32

HEX #5558AD

RGB 85 88 173

HSL 237.95, 0.35%, 0.51%

LAB 41.1, 22.74, -46.04

 

CMYK 56 / 55 / 0 / 40

HEX #44469A

RGB 68 70 154

HSL 238.6, 0.39%, 0.44%

LAB 33.86, 24.28, -46.38

 

CMYK 62 / 61 / 0 / 47

HEX #333487

RGB 51 52 135

HSL 239.29, 0.45%, 0.36%

LAB 26.47, 26.17, -46.74

 

CMYK 43 / 41 / 0 / 17

HEX #787DD3

RGB 120 125 211

HSL 236.7, 0.51%, 0.65%

LAB 55.44, 20.07, -44.98

 

CMYK 34 / 43 / 0 / 17

HEX #8B78D3

RGB 139 120 211

HSL 252.53, 0.51%, 0.65%

LAB 55.71, 27.98, -44.46

 

CMYK 22 / 43 / 0 / 17

HEX #A478D3

RGB 164 120 211

HSL 269.01, 0.51%, 0.65%

LAB 58.06, 34.94, -40.59

 

CMYK 11 / 43 / 0 / 17

HEX #BC78D3

RGB 188 120 211

HSL 284.84, 0.51%, 0.65%

LAB 60.63, 41.92, -36.39

 

CMYK 0 / 43 / 1 / 17

HEX #D378D1

RGB 211 120 209

HSL 301.32, 0.51%, 0.65%

LAB 63.25, 48.37, -30.99

 

CMYK 43 / 41 / 0 / 17

HEX #787DD3

RGB 120 125 211

HSL 236.7, 0.51%, 0.65%

LAB 55.44, 20.07, -44.98

 

CMYK 43 / 43 / 0 / 17

HEX #7878D3

RGB 120 120 211

HSL 240, 0.51%, 0.65%

LAB 54.16, 23.06, -47.01

 

CMYK 43 / 41 / 0 / 17

HEX #787DD3

RGB 120 125 211

HSL 236.7, 0.51%, 0.65%

LAB 55.44, 20.07, -44.98

 

CMYK 53 / 50 / 0 / 12

HEX #6970E1

RGB 105 112 225

HSL 236.5, 0.67%, 0.65%

LAB 51.87, 28.72, -58.64

 

CMYK 62 / 59 / 0 / 6

HEX #5B63F0

RGB 91 99 240

HSL 236.78, 0.83%, 0.65%

LAB 48.81, 38.88, -72.06

 

CMYK 70 / 66 / 0 / 0

HEX #4C56FE

RGB 76 86 254

HSL 236.63, 0.99%, 0.65%

LAB 46.11, 49.19, -84.33

 

CMYK 43 / 41 / 0 / 17

HEX #787DD3

RGB 120 125 211

HSL 236.7, 0.51%, 0.65%

LAB 55.44, 20.07, -44.98

 

CMYK 32 / 30 / 0 / 23

HEX #868AC4

RGB 134 138 196

HSL 236.13, 0.34%, 0.65%

LAB 59.19, 12.07, -30.57

 

CMYK 18 / 18 / 0 / 29

HEX #9596B6

RGB 149 150 182

HSL 238.18, 0.18%, 0.65%

LAB 62.99, 6.42, -16.73

 

CMYK 2 / 2 / 0 / 35

HEX #A3A3A7

RGB 163 163 167

HSL 240, 0.02%, 0.65%

LAB 67.1, 0.77, -2.08

 

CMYK 0 / 1 / 14 / 31

HEX #B1B099

RGB 177 176 153

HSL 57.5, 0.13%, 0.65%

LAB 71.35, -3.67, 11.92

 

CMYK 43 / 18 / 0 / 17

HEX #78AED3

RGB 120 174 211

HSL 204.4, 0.51%, 0.65%

LAB 68.73, -8.06, -24.3

 

CMYK 43 / 29 / 0 / 17

HEX #7896D3

RGB 120 150 211

HSL 220.22, 0.51%, 0.65%

LAB 62.09, 5.38, -34.55

 

CMYK 43 / 40 / 0 / 17

HEX #787ED3

RGB 120 126 211

HSL 236.04, 0.51%, 0.65%

LAB 55.7, 19.47, -44.57

 

CMYK 35 / 43 / 0 / 17

HEX #8A78D3

RGB 138 120 211

HSL 251.87, 0.51%, 0.65%

LAB 55.62, 27.71, -44.61

 

CMYK 23 / 43 / 0 / 17

HEX #A278D3

RGB 162 120 211

HSL 267.69, 0.51%, 0.65%

LAB 57.86, 34.37, -40.92

 

CMYK 67 / 64 / 0 / 27

HEX #3D43BB

RGB 61 67 187

HSL 237.14, 0.51%, 0.49%

LAB 35.19, 36.31, -63.95

 

CMYK 56 / 53 / 0 / 21

HEX #595FC9

RGB 89 95 201

HSL 236.79, 0.51%, 0.57%

LAB 44.98, 28.26, -56.13

 

CMYK 43 / 41 / 0 / 17

HEX #787DD3

RGB 120 125 211

HSL 236.7, 0.51%, 0.65%

LAB 55.44, 20.07, -44.98

 

CMYK 32 / 30 / 0 / 13

HEX #979BDD

RGB 151 155 221

HSL 236.57, 0.51%, 0.73%

LAB 65.94, 13.66, -33.96

 

CMYK 21 / 20 / 0 / 9

HEX #B6B9E7

RGB 182 185 231

HSL 236.33, 0.51%, 0.81%

LAB 76.32, 8.53, -23.26

 

CMYK 44 / 41 / 0 / 17

HEX #777CD3

RGB 119 124 211

HSL 236.74, 0.51%, 0.65%

LAB 55.11, 20.42, -45.51

 

CMYK 0 / 43 / 6 / 17

HEX #D378C7

RGB 211 120 199

HSL 307.91, 0.51%, 0.65%

LAB 62.85, 46.6, -25.98

 

CMYK 23 / 0 / 43 / 17

HEX #A2D378

RGB 162 211 120

HSL 92.31, 0.51%, 0.65%

LAB 79.4, -31.63, 39.91

 

CMYK 44 / 41 / 0 / 17

HEX #777CD3

RGB 119 124 211

HSL 236.74, 0.51%, 0.65%

LAB 55.11, 20.42, -45.51

 

CMYK 0 / 43 / 40 / 17

HEX #D3787E

RGB 211 120 126

HSL 356.04, 0.51%, 0.65%

LAB 60.59, 36.07, 12.39

 

CMYK 40 / 0 / 43 / 17

HEX #7ED378

RGB 126 211 120

HSL 116.04, 0.51%, 0.65%

LAB 77.51, -43.69, 37.11

 

CMYK 44 / 41 / 0 / 17

HEX #777CD3

RGB 119 124 211

HSL 236.74, 0.51%, 0.65%

LAB 55.11, 20.42, -45.51

 

CMYK 0 / 43 / 6 / 17

HEX #D378C7

RGB 211 120 199

HSL 307.91, 0.51%, 0.65%

LAB 62.85, 46.6, -25.98

 

CMYK 0 / 3 / 43 / 17

HEX #D3CD78

RGB 211 205 120

HSL 56.04, 0.51%, 0.65%

LAB 81.22, -9.88, 42.93

 

CMYK 43 / 0 / 37 / 17

HEX #78D384

RGB 120 211 132

HSL 127.91, 0.51%, 0.65%

LAB 77.43, -43.63, 30.86

 

CMYK 44 / 41 / 0 / 17

HEX #777CD3

RGB 119 124 211

HSL 236.74, 0.51%, 0.65%

LAB 55.11, 20.42, -45.51

 

CMYK 0 / 43 / 19 / 17

HEX #D378AB

RGB 211 120 171

HSL 326.37, 0.51%, 0.65%

LAB 61.85, 42.04, -11.61

 

CMYK 0 / 3 / 43 / 17

HEX #D3CD78

RGB 211 205 120

HSL 56.04, 0.51%, 0.65%

LAB 81.22, -9.88, 42.93

 

CMYK 43 / 0 / 25 / 17

HEX #78D39F

RGB 120 211 159

HSL 145.71, 0.51%, 0.65%

LAB 77.93, -38.79, 17.42

 

Description

Color code: HEX #777CD3 | qconv.com Color code: HEX #777CD3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 124 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 124 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 41 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 41% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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