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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #777915 it is the complementary color #8886EA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #777915. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #777915 shade: #7C7910, #8D8B23, #9E9D36, #AFAF49 and #C0C15C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #777915. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #777915 shade: #777915, #666702, #555500, #444300 and #333100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #777915 shade: #777915, #796015, #794515, #792A15 and #791515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #777915 shade: #777915, #5C7915, #417915, #267915 and #15791F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #777915 shade matches the following richer shades: #777915 and #828409

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #777915 shade: #777915, #6C6D20, #61622C, #565638 and #4B4B43

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #777915 shade: #794515, #796015, #777915, #5D7915 and #427915

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #777915 shade: #323309, #54560F, #777915, #999C1B and #BCBF21

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #777915 shade: #777915, #15792B and #531579

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #777915 shade: #777915, #157779 and #791577

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #777915 shade: #777915, #15792B, #171579 and #791563

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #777915 shade: #777915, #157949, #171579 and #791545

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 83 / 53

HEX #777915

RGB 119 121 21

HSL 61.2, 0.7%, 0.28%

LAB 49.07, -12.81, 49.53

 

Complementary color

CMYK 42 / 43 / 0 / 8

HEX #8886EA

RGB 136 134 234

HSL 241.2, 0.7%, 0.72%

LAB 60.09, 25.31, -50.42

 

CMYK 0 / 2 / 87 / 51

HEX #7C7910

RGB 124 121 16

HSL 58.33, 0.77%, 0.27%

LAB 49.49, -10.64, 51.45

 

CMYK 0 / 1 / 75 / 45

HEX #8D8B23

RGB 141 139 35

HSL 58.87, 0.6%, 0.35%

LAB 56.34, -11.84, 52.21

 

CMYK 0 / 1 / 66 / 38

HEX #9E9D36

RGB 158 157 54

HSL 59.42, 0.49%, 0.42%

LAB 63.05, -12.78, 51.89

 

CMYK 0 / 0 / 58 / 31

HEX #AFAF49

RGB 175 175 73

HSL 60, 0.41%, 0.49%

LAB 69.65, -13.51, 51.07

 

CMYK 1 / 0 / 52 / 24

HEX #C0C15C

RGB 192 193 92

HSL 60.59, 0.45%, 0.56%

LAB 76.14, -14.1, 50.03

 

CMYK 2 / 0 / 83 / 53

HEX #777915

RGB 119 121 21

HSL 61.2, 0.7%, 0.28%

LAB 49.07, -12.81, 49.53

 

CMYK 1 / 0 / 98 / 60

HEX #666702

RGB 102 103 2

HSL 60.59, 0.96%, 0.21%

LAB 42.05, -11.5, 47.92

 

CMYK 0 / 0 / 100 / 67

HEX #555500

RGB 85 85 0

HSL 60, 1%, 0.17%

LAB 34.86, -9.69, 42.47

 

CMYK 0 / 1 / 100 / 73

HEX #444300

RGB 68 67 0

HSL 59.12, 1%, 0.13%

LAB 27.42, -7.73, 36.1

 

CMYK 0 / 4 / 100 / 80

HEX #333100

RGB 51 49 0

HSL 57.65, 1%, 0.1%

LAB 19.64, -5.65, 27.71

 

CMYK 2 / 0 / 83 / 53

HEX #777915

RGB 119 121 21

HSL 61.2, 0.7%, 0.28%

LAB 49.07, -12.81, 49.53

 

CMYK 0 / 21 / 83 / 53

HEX #796015

RGB 121 96 21

HSL 45, 0.7%, 0.28%

LAB 41.98, 2.34, 43.3

 

CMYK 0 / 43 / 83 / 53

HEX #794515

RGB 121 69 21

HSL 28.8, 0.7%, 0.28%

LAB 34.75, 18.45, 36.64

 

CMYK 0 / 65 / 83 / 53

HEX #792A15

RGB 121 42 21

HSL 12.6, 0.7%, 0.28%

LAB 28.84, 33.34, 30.93

 

CMYK 0 / 83 / 83 / 53

HEX #791515

RGB 121 21 21

HSL 0, 0.7%, 0.28%

LAB 25.73, 41.86, 27.8

 

CMYK 2 / 0 / 83 / 53

HEX #777915

RGB 119 121 21

HSL 61.2, 0.7%, 0.28%

LAB 49.07, -12.81, 49.53

 

CMYK 24 / 0 / 83 / 53

HEX #5C7915

RGB 92 121 21

HSL 77.4, 0.7%, 0.28%

LAB 46.98, -24.98, 46.88

 

CMYK 46 / 0 / 83 / 53

HEX #417915

RGB 65 121 21

HSL 93.6, 0.7%, 0.28%

LAB 45.43, -35.61, 44.89

 

CMYK 69 / 0 / 83 / 53

HEX #267915

RGB 38 121 21

HSL 109.8, 0.7%, 0.28%

LAB 44.43, -43.47, 43.59

 

CMYK 83 / 0 / 74 / 53

HEX #15791F

RGB 21 121 31

HSL 126, 0.7%, 0.28%

LAB 44.14, -45.77, 39.52

 

CMYK 2 / 0 / 83 / 53

HEX #777915

RGB 119 121 21

HSL 61.2, 0.7%, 0.28%

LAB 49.07, -12.81, 49.53

 

CMYK 2 / 0 / 93 / 48

HEX #828409

RGB 130 132 9

HSL 60.98, 0.87%, 0.28%

LAB 53.24, -13.97, 56.15

 

CMYK 2 / 0 / 83 / 53

HEX #777915

RGB 119 121 21

HSL 61.2, 0.7%, 0.28%

LAB 49.07, -12.81, 49.53

 

CMYK 1 / 0 / 71 / 57

HEX #6C6D20

RGB 108 109 32

HSL 60.78, 0.55%, 0.28%

LAB 44.56, -10.81, 40.91

 

CMYK 1 / 0 / 55 / 62

HEX #61622C

RGB 97 98 44

HSL 61.11, 0.38%, 0.28%

LAB 40.34, -8.78, 30.21

 

CMYK 0 / 0 / 35 / 66

HEX #565638

RGB 86 86 56

HSL 60, 0.21%, 0.28%

LAB 35.83, -5.38, 17.51

 

CMYK 0 / 0 / 11 / 71

HEX #4B4B43

RGB 75 75 67

HSL 60, 0.06%, 0.28%

LAB 31.65, -1.67, 4.77

 

CMYK 0 / 43 / 83 / 53

HEX #794515

RGB 121 69 21

HSL 28.8, 0.7%, 0.28%

LAB 34.75, 18.45, 36.64

 

CMYK 0 / 21 / 83 / 53

HEX #796015

RGB 121 96 21

HSL 45, 0.7%, 0.28%

LAB 41.98, 2.34, 43.3

 

CMYK 2 / 0 / 83 / 53

HEX #777915

RGB 119 121 21

HSL 61.2, 0.7%, 0.28%

LAB 49.07, -12.81, 49.53

 

CMYK 23 / 0 / 83 / 53

HEX #5D7915

RGB 93 121 21

HSL 76.8, 0.7%, 0.28%

LAB 47.05, -24.55, 46.96

 

CMYK 45 / 0 / 83 / 53

HEX #427915

RGB 66 121 21

HSL 93, 0.7%, 0.28%

LAB 45.48, -35.26, 44.95

 

CMYK 2 / 0 / 82 / 80

HEX #323309

RGB 50 51 9

HSL 61.43, 0.7%, 0.12%

LAB 20.3, -6.83, 24.77

 

CMYK 2 / 0 / 83 / 66

HEX #54560F

RGB 84 86 15

HSL 61.69, 0.7%, 0.2%

LAB 35.15, -10.2, 37.87

 

CMYK 2 / 0 / 83 / 53

HEX #777915

RGB 119 121 21

HSL 61.2, 0.7%, 0.28%

LAB 49.07, -12.81, 49.53

 

CMYK 2 / 0 / 83 / 39

HEX #999C1B

RGB 153 156 27

HSL 61.4, 0.7%, 0.36%

LAB 62.19, -15.73, 60.35

 

CMYK 2 / 0 / 83 / 25

HEX #BCBF21

RGB 188 191 33

HSL 61.14, 0.71%, 0.44%

LAB 74.86, -18.08, 70.76

 

CMYK 2 / 0 / 83 / 53

HEX #777915

RGB 119 121 21

HSL 61.2, 0.7%, 0.28%

LAB 49.07, -12.81, 49.53

 

CMYK 83 / 0 / 64 / 53

HEX #15792B

RGB 21 121 43

HSL 133.2, 0.7%, 0.28%

LAB 44.25, -44.43, 34.27

 

CMYK 31 / 83 / 0 / 53

HEX #531579

RGB 83 21 121

HSL 277.2, 0.7%, 0.28%

LAB 22.85, 44.96, -43.66

 

CMYK 2 / 0 / 83 / 53

HEX #777915

RGB 119 121 21

HSL 61.2, 0.7%, 0.28%

LAB 49.07, -12.81, 49.53

 

CMYK 83 / 2 / 0 / 53

HEX #157779

RGB 21 119 121

HSL 181.2, 0.7%, 0.28%

LAB 45.27, -25.26, -8.79

 

CMYK 0 / 83 / 2 / 53

HEX #791577

RGB 121 21 119

HSL 301.2, 0.7%, 0.28%

LAB 29.24, 52.16, -31.75

 

CMYK 2 / 0 / 83 / 53

HEX #777915

RGB 119 121 21

HSL 61.2, 0.7%, 0.28%

LAB 49.07, -12.81, 49.53

 

CMYK 83 / 0 / 64 / 53

HEX #15792B

RGB 21 121 43

HSL 133.2, 0.7%, 0.28%

LAB 44.25, -44.43, 34.27

 

CMYK 81 / 83 / 0 / 53

HEX #171579

RGB 23 21 121

HSL 241.2, 0.7%, 0.28%

LAB 16, 37.04, -55.16

 

CMYK 0 / 83 / 18 / 53

HEX #791563

RGB 121 21 99

HSL 313.2, 0.7%, 0.28%

LAB 28.12, 49.02, -20.66

 

CMYK 2 / 0 / 83 / 53

HEX #777915

RGB 119 121 21

HSL 61.2, 0.7%, 0.28%

LAB 49.07, -12.81, 49.53

 

CMYK 83 / 0 / 40 / 53

HEX #157949

RGB 21 121 73

HSL 151.2, 0.7%, 0.28%

LAB 44.68, -39.29, 18.72

 

CMYK 81 / 83 / 0 / 53

HEX #171579

RGB 23 21 121

HSL 241.2, 0.7%, 0.28%

LAB 16, 37.04, -55.16

 

CMYK 0 / 83 / 43 / 53

HEX #791545

RGB 121 21 69

HSL 331.2, 0.7%, 0.28%

LAB 26.82, 45.22, -2.76

 

Description

Color code: HEX #777915 | qconv.com Color code: HEX #777915 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 121 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 121 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 83 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 83% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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