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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7765F5 it is the complementary color #889A0A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7765F5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7765F5 shade: #7C65F0, #8D77FF, #9E89FF, #AF9BFF and #C0ADFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7765F5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7765F5 shade: #7765F5, #6653E2, #5541CF, #442FBC and #331DA9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7765F5 shade: #7765F5, #9E65F5, #C565F5, #EB65F5 and #F565D7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7765F5 shade: #7765F5 and #6565F5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7765F5 shade matches the following richer shades: #7765F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7765F5 shade: #7765F5, #8172E8, #8B7FDA, #958DCD and #9F9AC0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7765F5 shade: #65A1F5, #657BF5, #7665F5, #9C65F5 and #C265F5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7765F5 shade: #3318F0, #553EF2, #7765F5, #998CF7 and #BCB3FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7765F5 shade: #7765F5, #F565C7 and #8EF565

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7765F5 shade: #7765F5, #F57665 and #65F576

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7765F5 shade: #7765F5, #F565C7, #E4F565 and #65F593

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7765F5 shade: #7765F5, #F5659C, #E4F565 and #65F5BE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 59 / 0 / 4

HEX #7765F5

RGB 119 101 245

HSL 247.5, 0.88%, 0.68%

LAB 51.64, 44.08, -70.17

 

Complementary color

CMYK 12 / 0 / 94 / 40

HEX #889A0A

RGB 136 154 10

HSL 67.5, 0.88%, 0.32%

LAB 60.22, -22.64, 61.68

 

CMYK 48 / 58 / 0 / 6

HEX #7C65F0

RGB 124 101 240

HSL 249.93, 0.82%, 0.67%

LAB 51.71, 43.59, -67.25

 

CMYK 45 / 53 / 0 / 0

HEX #8D77FF

RGB 141 119 255

HSL 249.71, 1%, 0.73%

LAB 58.11, 41.09, -65.17

 

CMYK 38 / 46 / 0 / 0

HEX #9E89FF

RGB 158 137 255

HSL 250.68, 1%, 0.77%

LAB 63.66, 34.74, -56.22

 

CMYK 31 / 39 / 0 / 0

HEX #AF9BFF

RGB 175 155 255

HSL 252, 1%, 0.8%

LAB 69.31, 28.93, -47.18

 

CMYK 25 / 32 / 0 / 0

HEX #C0ADFF

RGB 192 173 255

HSL 253.9, 1%, 0.84%

LAB 75.02, 23.64, -38.15

 

CMYK 51 / 59 / 0 / 4

HEX #7765F5

RGB 119 101 245

HSL 247.5, 0.88%, 0.68%

LAB 51.64, 44.08, -70.17

 

CMYK 55 / 63 / 0 / 11

HEX #6653E2

RGB 102 83 226

HSL 247.97, 0.71%, 0.61%

LAB 44.94, 45.69, -70.43

 

CMYK 59 / 69 / 0 / 19

HEX #5541CF

RGB 85 65 207

HSL 248.45, 0.6%, 0.53%

LAB 38.23, 47.41, -70.57

 

CMYK 64 / 75 / 0 / 26

HEX #442FBC

RGB 68 47 188

HSL 248.94, 0.6%, 0.46%

LAB 31.56, 49.11, -70.48

 

CMYK 70 / 83 / 0 / 34

HEX #331DA9

RGB 51 29 169

HSL 249.43, 0.71%, 0.39%

LAB 25.1, 50.46, -69.86

 

CMYK 51 / 59 / 0 / 4

HEX #7765F5

RGB 119 101 245

HSL 247.5, 0.88%, 0.68%

LAB 51.64, 44.08, -70.17

 

CMYK 36 / 59 / 0 / 4

HEX #9E65F5

RGB 158 101 245

HSL 263.75, 0.88%, 0.68%

LAB 55.25, 52.09, -64.16

 

CMYK 20 / 59 / 0 / 4

HEX #C565F5

RGB 197 101 245

HSL 280, 0.88%, 0.68%

LAB 59.68, 61.05, -56.81

 

CMYK 4 / 59 / 0 / 4

HEX #EB65F5

RGB 235 101 245

HSL 295.83, 0.88%, 0.68%

LAB 64.61, 70.18, -48.67

 

CMYK 0 / 59 / 12 / 4

HEX #F565D7

RGB 245 101 215

HSL 312.5, 0.88%, 0.68%

LAB 64.66, 67.89, -31.8

 

CMYK 51 / 59 / 0 / 4

HEX #7765F5

RGB 119 101 245

HSL 247.5, 0.88%, 0.68%

LAB 51.64, 44.08, -70.17

 

CMYK 59 / 59 / 0 / 4

HEX #6565F5

RGB 101 101 245

HSL 240, 0.88%, 0.68%

LAB 50.29, 40.9, -72.41

 

CMYK 51 / 59 / 0 / 4

HEX #7765F5

RGB 119 101 245

HSL 247.5, 0.88%, 0.68%

LAB 51.64, 44.08, -70.17

 

CMYK 51 / 59 / 0 / 4

HEX #7765F5

RGB 119 101 245

HSL 247.5, 0.88%, 0.68%

LAB 51.64, 44.08, -70.17

 

CMYK 44 / 51 / 0 / 9

HEX #8172E8

RGB 129 114 232

HSL 247.63, 0.72%, 0.68%

LAB 54.58, 34.81, -58.12

 

CMYK 36 / 42 / 0 / 15

HEX #8B7FDA

RGB 139 127 218

HSL 247.91, 0.55%, 0.68%

LAB 57.78, 25.76, -45.13

 

CMYK 27 / 31 / 0 / 20

HEX #958DCD

RGB 149 141 205

HSL 247.5, 0.39%, 0.68%

LAB 61.52, 17.06, -31.92

 

CMYK 17 / 20 / 0 / 25

HEX #9F9AC0

RGB 159 154 192

HSL 247.89, 0.23%, 0.68%

LAB 65.19, 9.68, -18.93

 

CMYK 59 / 34 / 0 / 4

HEX #65A1F5

RGB 101 161 245

HSL 215, 0.88%, 0.68%

LAB 65.63, 5.13, -47.85

 

CMYK 59 / 50 / 0 / 4

HEX #657BF5

RGB 101 123 245

HSL 230.83, 0.88%, 0.68%

LAB 55.61, 27.68, -63.82

 

CMYK 52 / 59 / 0 / 4

HEX #7665F5

RGB 118 101 245

HSL 247.08, 0.88%, 0.68%

LAB 51.56, 43.89, -70.31

 

CMYK 36 / 59 / 0 / 4

HEX #9C65F5

RGB 156 101 245

HSL 262.92, 0.88%, 0.68%

LAB 55.04, 51.65, -64.51

 

CMYK 21 / 59 / 0 / 4

HEX #C265F5

RGB 194 101 245

HSL 278.75, 0.88%, 0.68%

LAB 59.31, 60.34, -57.41

 

CMYK 79 / 90 / 0 / 6

HEX #3318F0

RGB 51 24 240

HSL 247.5, 0.88%, 0.52%

LAB 33.24, 71.78, -97.8

 

CMYK 65 / 74 / 0 / 5

HEX #553EF2

RGB 85 62 242

HSL 247.67, 0.87%, 0.6%

LAB 40.88, 59.48, -86.2

 

CMYK 51 / 59 / 0 / 4

HEX #7765F5

RGB 119 101 245

HSL 247.5, 0.88%, 0.68%

LAB 51.64, 44.08, -70.17

 

CMYK 38 / 43 / 0 / 3

HEX #998CF7

RGB 153 140 247

HSL 247.29, 0.87%, 0.76%

LAB 63.54, 29.64, -52.03

 

CMYK 25 / 28 / 0 / 2

HEX #BCB3FA

RGB 188 179 250

HSL 247.61, 0.88%, 0.84%

LAB 75.97, 18, -34.02

 

CMYK 51 / 59 / 0 / 4

HEX #7765F5

RGB 119 101 245

HSL 247.5, 0.88%, 0.68%

LAB 51.64, 44.08, -70.17

 

CMYK 0 / 59 / 19 / 4

HEX #F565C7

RGB 245 101 199

HSL 319.17, 0.88%, 0.68%

LAB 64.03, 65.58, -23.76

 

CMYK 42 / 0 / 59 / 4

HEX #8EF565

RGB 142 245 101

HSL 102.92, 0.88%, 0.68%

LAB 87.97, -55.12, 58.82

 

CMYK 51 / 59 / 0 / 4

HEX #7765F5

RGB 119 101 245

HSL 247.5, 0.88%, 0.68%

LAB 51.64, 44.08, -70.17

 

CMYK 0 / 52 / 59 / 4

HEX #F57665

RGB 245 118 101

HSL 7.08, 0.88%, 0.68%

LAB 64.41, 47.34, 32.46

 

CMYK 59 / 0 / 52 / 4

HEX #65F576

RGB 101 245 118

HSL 127.08, 0.88%, 0.68%

LAB 86.69, -63.96, 49.34

 

CMYK 51 / 59 / 0 / 4

HEX #7765F5

RGB 119 101 245

HSL 247.5, 0.88%, 0.68%

LAB 51.64, 44.08, -70.17

 

CMYK 0 / 59 / 19 / 4

HEX #F565C7

RGB 245 101 199

HSL 319.17, 0.88%, 0.68%

LAB 64.03, 65.58, -23.76

 

CMYK 7 / 0 / 59 / 4

HEX #E4F565

RGB 228 245 101

HSL 67.08, 0.88%, 0.68%

LAB 92.9, -24.42, 65.7

 

CMYK 59 / 0 / 40 / 4

HEX #65F593

RGB 101 245 147

HSL 139.17, 0.88%, 0.68%

LAB 87.08, -59.64, 35.86

 

CMYK 51 / 59 / 0 / 4

HEX #7765F5

RGB 119 101 245

HSL 247.5, 0.88%, 0.68%

LAB 51.64, 44.08, -70.17

 

CMYK 0 / 59 / 36 / 4

HEX #F5659C

RGB 245 101 156

HSL 337.08, 0.88%, 0.68%

LAB 62.61, 60.2, -1.36

 

CMYK 7 / 0 / 59 / 4

HEX #E4F565

RGB 228 245 101

HSL 67.08, 0.88%, 0.68%

LAB 92.9, -24.42, 65.7

 

CMYK 59 / 0 / 22 / 4

HEX #65F5BE

RGB 101 245 190

HSL 157.08, 0.88%, 0.68%

LAB 87.87, -51.44, 15.04

 

Description

Color code: HEX #7765F5 | qconv.com Color code: HEX #7765F5 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 101 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 101 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 59 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 59% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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