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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #775D1C it is the complementary color #88A2E3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #775D1C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #775D1C shade: #7C5D17, #8D6F2A, #9E813D, #AF9350 and #C0A563

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #775D1C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #775D1C shade: #775D1C, #664B09, #553900, #442700 and #331500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #775D1C shade: #775D1C, #77441C, #772C1C and #771C1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #775D1C shade: #775D1C, #77761C, #60771C, #47771C and #2F771C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #775D1C shade matches the following richer shades: #775D1C, #836210 and #8F6704

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #775D1C shade: #775D1C, #6B5828, #5F5334, #534E3F and #47494B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #775D1C shade: #772B1C, #77431C, #775C1C, #77741C and #62771C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #775D1C shade: #34290C, #564314, #775D1C, #997723 and #BA912B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #775D1C shade: #775D1C, #25771C and #371C77

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #775D1C shade: #775D1C, #1C775C and #5C1C77

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #775D1C shade: #775D1C, #25771C, #1C3777 and #6E1C77

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #775D1C shade: #775D1C, #1C772E, #1C3777 and #771C65

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 76 / 53

HEX #775D1C

RGB 119 93 28

HSL 42.86, 0.62%, 0.29%

LAB 40.95, 3.47, 39.41

 

Complementary color

CMYK 40 / 29 / 0 / 11

HEX #88A2E3

RGB 136 162 227

HSL 222.86, 0.62%, 0.71%

LAB 66.99, 7.16, -35.71

 

CMYK 0 / 25 / 81 / 51

HEX #7C5D17

RGB 124 93 23

HSL 41.58, 0.69%, 0.29%

LAB 41.49, 5.64, 42.22

 

CMYK 0 / 21 / 70 / 45

HEX #8D6F2A

RGB 141 111 42

HSL 41.82, 0.54%, 0.36%

LAB 48.51, 4.13, 41.52

 

CMYK 0 / 18 / 61 / 38

HEX #9E813D

RGB 158 129 61

HSL 42.06, 0.44%, 0.43%

LAB 55.39, 2.94, 40.33

 

CMYK 0 / 16 / 54 / 31

HEX #AF9350

RGB 175 147 80

HSL 42.32, 0.37%, 0.5%

LAB 62.13, 1.97, 39.01

 

CMYK 0 / 14 / 48 / 25

HEX #C0A563

RGB 192 165 99

HSL 42.58, 0.42%, 0.57%

LAB 68.76, 1.18, 37.69

 

CMYK 0 / 22 / 76 / 53

HEX #775D1C

RGB 119 93 28

HSL 42.86, 0.62%, 0.29%

LAB 40.95, 3.47, 39.41

 

CMYK 0 / 26 / 91 / 60

HEX #664B09

RGB 102 75 9

HSL 42.58, 0.84%, 0.22%

LAB 33.72, 5.2, 39.39

 

CMYK 0 / 33 / 100 / 67

HEX #553900

RGB 85 57 0

HSL 40.24, 1%, 0.17%

LAB 26.33, 7.49, 35.9

 

CMYK 0 / 43 / 100 / 73

HEX #442700

RGB 68 39 0

HSL 34.41, 1%, 0.13%

LAB 18.71, 10.28, 27.21

 

CMYK 0 / 59 / 100 / 80

HEX #331500

RGB 51 21 0

HSL 24.71, 1%, 0.1%

LAB 10.85, 13.3, 16.51

 

CMYK 0 / 22 / 76 / 53

HEX #775D1C

RGB 119 93 28

HSL 42.86, 0.62%, 0.29%

LAB 40.95, 3.47, 39.41

 

CMYK 0 / 43 / 76 / 53

HEX #77441C

RGB 119 68 28

HSL 26.37, 0.62%, 0.29%

LAB 34.27, 18.44, 32.63

 

CMYK 0 / 63 / 76 / 53

HEX #772C1C

RGB 119 44 28

HSL 10.55, 0.62%, 0.29%

LAB 28.92, 31.87, 26.88

 

CMYK 0 / 76 / 76 / 53

HEX #771C1C

RGB 119 28 28

HSL 0, 0.62%, 0.29%

LAB 26.26, 39.06, 23.9

 

CMYK 0 / 22 / 76 / 53

HEX #775D1C

RGB 119 93 28

HSL 42.86, 0.62%, 0.29%

LAB 40.95, 3.47, 39.41

 

CMYK 0 / 1 / 76 / 53

HEX #77761C

RGB 119 118 28

HSL 59.34, 0.62%, 0.29%

LAB 48.21, -10.87, 46.41

 

CMYK 19 / 0 / 76 / 53

HEX #60771C

RGB 96 119 28

HSL 75.16, 0.62%, 0.29%

LAB 46.66, -21.87, 44.28

 

CMYK 40 / 0 / 76 / 53

HEX #47771C

RGB 71 119 28

HSL 91.65, 0.62%, 0.29%

LAB 45.11, -32.12, 42.22

 

CMYK 61 / 0 / 76 / 53

HEX #2F771C

RGB 47 119 28

HSL 107.47, 0.62%, 0.29%

LAB 44.06, -39.96, 40.84

 

CMYK 0 / 22 / 76 / 53

HEX #775D1C

RGB 119 93 28

HSL 42.86, 0.62%, 0.29%

LAB 40.95, 3.47, 39.41

 

CMYK 0 / 25 / 88 / 49

HEX #836210

RGB 131 98 16

HSL 42.78, 0.78%, 0.29%

LAB 43.65, 5.81, 46.88

 

CMYK 0 / 28 / 97 / 44

HEX #8F6704

RGB 143 103 4

HSL 42.73, 0.95%, 0.29%

LAB 46.38, 8.36, 52.56

 

CMYK 0 / 22 / 76 / 53

HEX #775D1C

RGB 119 93 28

HSL 42.86, 0.62%, 0.29%

LAB 40.95, 3.47, 39.41

 

CMYK 0 / 18 / 63 / 58

HEX #6B5828

RGB 107 88 40

HSL 42.99, 0.46%, 0.29%

LAB 38.3, 1.48, 30.25

 

CMYK 0 / 13 / 45 / 63

HEX #5F5334

RGB 95 83 52

HSL 43.26, 0.29%, 0.29%

LAB 35.73, 0.04, 19.96

 

CMYK 0 / 6 / 24 / 67

HEX #534E3F

RGB 83 78 63

HSL 45, 0.14%, 0.29%

LAB 33.24, -0.77, 9.64

 

CMYK 5 / 3 / 0 / 71

HEX #47494B

RGB 71 73 75

HSL 210, 0.03%, 0.29%

LAB 30.91, -0.37, -1.48

 

CMYK 0 / 64 / 76 / 53

HEX #772B1C

RGB 119 43 28

HSL 9.89, 0.62%, 0.29%

LAB 28.73, 32.37, 26.67

 

CMYK 0 / 44 / 76 / 53

HEX #77431C

RGB 119 67 28

HSL 25.71, 0.62%, 0.29%

LAB 34.02, 19.03, 32.37

 

CMYK 0 / 23 / 76 / 53

HEX #775C1C

RGB 119 92 28

HSL 42.2, 0.62%, 0.29%

LAB 40.67, 4.06, 39.13

 

CMYK 0 / 3 / 76 / 53

HEX #77741C

RGB 119 116 28

HSL 58.02, 0.62%, 0.29%

LAB 47.62, -9.77, 45.85

 

CMYK 18 / 0 / 76 / 53

HEX #62771C

RGB 98 119 28

HSL 73.85, 0.62%, 0.29%

LAB 46.81, -20.99, 44.47

 

CMYK 0 / 21 / 77 / 80

HEX #34290C

RGB 52 41 12

HSL 43.5, 0.63%, 0.13%

LAB 17.19, 1.04, 19.91

 

CMYK 0 / 22 / 77 / 66

HEX #564314

RGB 86 67 20

HSL 42.73, 0.62%, 0.21%

LAB 29.52, 2.55, 30.4

 

CMYK 0 / 22 / 76 / 53

HEX #775D1C

RGB 119 93 28

HSL 42.86, 0.62%, 0.29%

LAB 40.95, 3.47, 39.41

 

CMYK 0 / 22 / 77 / 40

HEX #997723

RGB 153 119 35

HSL 42.71, 0.63%, 0.37%

LAB 51.94, 4.75, 48.44

 

CMYK 0 / 22 / 77 / 27

HEX #BA912B

RGB 186 145 43

HSL 42.8, 0.62%, 0.45%

LAB 62.39, 5.57, 56.52

 

CMYK 0 / 22 / 76 / 53

HEX #775D1C

RGB 119 93 28

HSL 42.86, 0.62%, 0.29%

LAB 40.95, 3.47, 39.41

 

CMYK 69 / 0 / 76 / 53

HEX #25771C

RGB 37 119 28

HSL 114.07, 0.62%, 0.29%

LAB 43.76, -42.46, 40.43

 

CMYK 54 / 76 / 0 / 53

HEX #371C77

RGB 55 28 119

HSL 257.8, 0.62%, 0.29%

LAB 19.94, 36.35, -47.28

 

CMYK 0 / 22 / 76 / 53

HEX #775D1C

RGB 119 93 28

HSL 42.86, 0.62%, 0.29%

LAB 40.95, 3.47, 39.41

 

CMYK 76 / 0 / 23 / 53

HEX #1C775C

RGB 28 119 92

HSL 162.2, 0.62%, 0.29%

LAB 44.54, -32.98, 7.45

 

CMYK 23 / 76 / 0 / 53

HEX #5C1C77

RGB 92 28 119

HSL 282.2, 0.62%, 0.29%

LAB 25.07, 43.54, -38.71

 

CMYK 0 / 22 / 76 / 53

HEX #775D1C

RGB 119 93 28

HSL 42.86, 0.62%, 0.29%

LAB 40.95, 3.47, 39.41

 

CMYK 69 / 0 / 76 / 53

HEX #25771C

RGB 37 119 28

HSL 114.07, 0.62%, 0.29%

LAB 43.76, -42.46, 40.43

 

CMYK 76 / 54 / 0 / 53

HEX #1C3777

RGB 28 55 119

HSL 222.2, 0.62%, 0.29%

LAB 24.67, 14.18, -39.66

 

CMYK 8 / 76 / 0 / 53

HEX #6E1C77

RGB 110 28 119

HSL 294.07, 0.62%, 0.29%

LAB 28.05, 47.53, -33.76

 

CMYK 0 / 22 / 76 / 53

HEX #775D1C

RGB 119 93 28

HSL 42.86, 0.62%, 0.29%

LAB 40.95, 3.47, 39.41

 

CMYK 76 / 0 / 61 / 53

HEX #1C772E

RGB 28 119 46

HSL 131.87, 0.62%, 0.29%

LAB 43.71, -42.25, 32.21

 

CMYK 76 / 54 / 0 / 53

HEX #1C3777

RGB 28 55 119

HSL 222.2, 0.62%, 0.29%

LAB 24.67, 14.18, -39.66

 

CMYK 0 / 76 / 15 / 53

HEX #771C65

RGB 119 28 101

HSL 311.87, 0.62%, 0.29%

LAB 28.62, 46.6, -21.2

 

Description

Color code: HEX #775D1C | qconv.com Color code: HEX #775D1C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 93 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 93 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 76 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 76% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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