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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #774B61 it is the complementary color #88B49E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #774B61. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #774B61 shade: #7C4B5C, #8D5D6F, #9E6F82, #AF8195 and #C093A8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #774B61. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #774B61 shade: #774B61, #66394E, #55273B, #441528 and #330315

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #774B61 shade: #774A60, #774A54 and #774A4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #774B61 shade: #774A60, #774A6C, #754A77, #694A77 and #5D4A77

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #774B61 shade matches the following richer shades: #774A60, #863A60, #962B60, #A61B60 and #B50B60

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #774B61 shade: #774A60, #675A60, #576960, #487960 and #388960

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #774B61 shade: #754A77, #774A6C, #774A60, #774A55 and #774C4A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #774B61 shade: #442A37, #5D3A4C, #774A60, #905A75 and #A56F8A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #774B61 shade: #774B61, #77694A and #4A7277

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #774B61 shade: #774B61, #60774A and #4A6077

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #774B61 shade: #774B61, #77694A, #4A7760 and #4A5777

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #774B61 shade: #774B61, #77774A, #4A7760 and #4A4A77

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 18 / 53

HEX #774B61

RGB 119 75 97

HSL 330, 0.23%, 0.38%

LAB 37.51, 22.12, -5.09

 

Complementary color

CMYK 24 / 0 / 12 / 29

HEX #88B49E

RGB 136 180 158

HSL 150, 0.23%, 0.62%

LAB 69.71, -19.3, 6.46

 

CMYK 0 / 40 / 26 / 51

HEX #7C4B5C

RGB 124 75 92

HSL 339.18, 0.25%, 0.39%

LAB 38, 23.25, -1.16

 

CMYK 0 / 34 / 21 / 45

HEX #8D5D6F

RGB 141 93 111

HSL 337.5, 0.21%, 0.46%

LAB 45.14, 22.38, -2.14

 

CMYK 0 / 30 / 18 / 38

HEX #9E6F82

RGB 158 111 130

HSL 335.74, 0.2%, 0.53%

LAB 52.12, 21.6, -2.98

 

CMYK 0 / 26 / 15 / 31

HEX #AF8195

RGB 175 129 149

HSL 333.91, 0.22%, 0.6%

LAB 58.96, 20.9, -3.75

 

CMYK 0 / 23 / 13 / 25

HEX #C093A8

RGB 192 147 168

HSL 332, 0.26%, 0.66%

LAB 65.67, 20.27, -4.44

 

CMYK 0 / 37 / 18 / 53

HEX #774B61

RGB 119 75 97

HSL 330, 0.23%, 0.38%

LAB 37.51, 22.12, -5.09

 

CMYK 0 / 44 / 24 / 60

HEX #66394E

RGB 102 57 78

HSL 332, 0.28%, 0.31%

LAB 30.16, 23.02, -4.13

 

CMYK 0 / 54 / 31 / 67

HEX #55273B

RGB 85 39 59

HSL 333.91, 0.37%, 0.24%

LAB 22.65, 23.97, -2.89

 

CMYK 0 / 69 / 41 / 73

HEX #441528

RGB 68 21 40

HSL 335.74, 0.53%, 0.17%

LAB 15.05, 24.78, -1.08

 

CMYK 0 / 94 / 59 / 80

HEX #330315

RGB 51 3 21

HSL 337.5, 0.89%, 0.11%

LAB 7.43, 25.32, 1.55

 

CMYK 0 / 38 / 19 / 53

HEX #774A60

RGB 119 74 96

HSL 330.67, 0.23%, 0.38%

LAB 37.23, 22.55, -4.88

 

CMYK 0 / 38 / 29 / 53

HEX #774A54

RGB 119 74 84

HSL 346.67, 0.23%, 0.38%

LAB 36.85, 20.6, 2.12

 

CMYK 0 / 38 / 38 / 53

HEX #774A4A

RGB 119 74 74

HSL 0, 0.23%, 0.38%

LAB 36.58, 19.16, 8.02

 

CMYK 0 / 38 / 19 / 53

HEX #774A60

RGB 119 74 96

HSL 330.67, 0.23%, 0.38%

LAB 37.23, 22.55, -4.88

 

CMYK 0 / 38 / 9 / 53

HEX #774A6C

RGB 119 74 108

HSL 314.67, 0.23%, 0.38%

LAB 37.67, 24.72, -11.73

 

CMYK 2 / 38 / 0 / 53

HEX #754A77

RGB 117 74 119

HSL 297.33, 0.23%, 0.38%

LAB 37.86, 26.2, -18.29

 

CMYK 12 / 38 / 0 / 53

HEX #694A77

RGB 105 74 119

HSL 281.33, 0.23%, 0.38%

LAB 36.43, 22.06, -20.62

 

CMYK 22 / 38 / 0 / 53

HEX #5D4A77

RGB 93 74 119

HSL 265.33, 0.23%, 0.38%

LAB 35.12, 18, -22.76

 

CMYK 0 / 38 / 19 / 53

HEX #774A60

RGB 119 74 96

HSL 330.67, 0.23%, 0.38%

LAB 37.23, 22.55, -4.88

 

CMYK 0 / 57 / 28 / 47

HEX #863A60

RGB 134 58 96

HSL 330, 0.4%, 0.38%

LAB 35.87, 37.03, -6.68

 

CMYK 0 / 71 / 36 / 41

HEX #962B60

RGB 150 43 96

HSL 330.28, 0.55%, 0.38%

LAB 36.09, 48.94, -6.06

 

CMYK 0 / 84 / 42 / 35

HEX #A61B60

RGB 166 27 96

HSL 330.22, 0.72%, 0.38%

LAB 37.36, 58.33, -3.84

 

CMYK 0 / 94 / 47 / 29

HEX #B50B60

RGB 181 11 96

HSL 330, 0.89%, 0.38%

LAB 39.42, 64.74, -0.46

 

CMYK 0 / 38 / 19 / 53

HEX #774A60

RGB 119 74 96

HSL 330.67, 0.23%, 0.38%

LAB 37.23, 22.55, -4.88

 

CMYK 0 / 13 / 7 / 60

HEX #675A60

RGB 103 90 96

HSL 332.31, 0.07%, 0.38%

LAB 39.65, 6.43, -1.51

 

CMYK 17 / 0 / 9 / 59

HEX #576960

RGB 87 105 96

HSL 150, 0.09%, 0.38%

LAB 42.72, -8.77, 2.8

 

CMYK 40 / 0 / 21 / 53

HEX #487960

RGB 72 121 96

HSL 149.39, 0.25%, 0.38%

LAB 46.84, -22.69, 8.56

 

CMYK 59 / 0 / 30 / 46

HEX #388960

RGB 56 137 96

HSL 149.63, 0.42%, 0.38%

LAB 51.36, -34.79, 14.76

 

CMYK 2 / 38 / 0 / 53

HEX #754A77

RGB 117 74 119

HSL 297.33, 0.23%, 0.38%

LAB 37.86, 26.2, -18.29

 

CMYK 0 / 38 / 9 / 53

HEX #774A6C

RGB 119 74 108

HSL 314.67, 0.23%, 0.38%

LAB 37.67, 24.72, -11.73

 

CMYK 0 / 38 / 19 / 53

HEX #774A60

RGB 119 74 96

HSL 330.67, 0.23%, 0.38%

LAB 37.23, 22.55, -4.88

 

CMYK 0 / 38 / 29 / 53

HEX #774A55

RGB 119 74 85

HSL 345.33, 0.23%, 0.38%

LAB 36.88, 20.75, 1.53

 

CMYK 0 / 36 / 38 / 53

HEX #774C4A

RGB 119 76 74

HSL 2.67, 0.23%, 0.38%

LAB 37.09, 17.96, 8.73

 

CMYK 0 / 38 / 19 / 73

HEX #442A37

RGB 68 42 55

HSL 330, 0.24%, 0.22%

LAB 20.68, 14.39, -3.36

 

CMYK 0 / 38 / 18 / 64

HEX #5D3A4C

RGB 93 58 76

HSL 329.14, 0.23%, 0.3%

LAB 29.1, 18.47, -4.54

 

CMYK 0 / 38 / 19 / 53

HEX #774A60

RGB 119 74 96

HSL 330.67, 0.23%, 0.38%

LAB 37.23, 22.55, -4.88

 

CMYK 0 / 38 / 19 / 44

HEX #905A75

RGB 144 90 117

HSL 330, 0.23%, 0.46%

LAB 44.98, 26.24, -5.97

 

CMYK 0 / 33 / 16 / 35

HEX #A56F8A

RGB 165 111 138

HSL 330, 0.23%, 0.54%

LAB 53.17, 25.54, -6.04

 

CMYK 0 / 37 / 18 / 53

HEX #774B61

RGB 119 75 97

HSL 330, 0.23%, 0.38%

LAB 37.51, 22.12, -5.09

 

CMYK 0 / 12 / 38 / 53

HEX #77694A

RGB 119 105 74

HSL 41.33, 0.23%, 0.38%

LAB 44.97, 0.6, 19.48

 

CMYK 38 / 4 / 0 / 53

HEX #4A7277

RGB 74 114 119

HSL 186.67, 0.23%, 0.38%

LAB 45.39, -12.59, -7.22

 

CMYK 0 / 37 / 18 / 53

HEX #774B61

RGB 119 75 97

HSL 330, 0.23%, 0.38%

LAB 37.51, 22.12, -5.09

 

CMYK 19 / 0 / 38 / 53

HEX #60774A

RGB 96 119 74

HSL 90.67, 0.23%, 0.38%

LAB 47.2, -17.1, 22.06

 

CMYK 38 / 19 / 0 / 53

HEX #4A6077

RGB 74 96 119

HSL 210.67, 0.23%, 0.38%

LAB 39.84, -2.02, -15.61

 

CMYK 0 / 37 / 18 / 53

HEX #774B61

RGB 119 75 97

HSL 330, 0.23%, 0.38%

LAB 37.51, 22.12, -5.09

 

CMYK 0 / 12 / 38 / 53

HEX #77694A

RGB 119 105 74

HSL 41.33, 0.23%, 0.38%

LAB 44.97, 0.6, 19.48

 

CMYK 38 / 0 / 19 / 53

HEX #4A7760

RGB 74 119 96

HSL 149.33, 0.23%, 0.38%

LAB 46.3, -21.02, 7.82

 

CMYK 38 / 27 / 0 / 53

HEX #4A5777

RGB 74 87 119

HSL 222.67, 0.23%, 0.38%

LAB 37.12, 3.57, -19.78

 

CMYK 0 / 37 / 18 / 53

HEX #774B61

RGB 119 75 97

HSL 330, 0.23%, 0.38%

LAB 37.51, 22.12, -5.09

 

CMYK 0 / 0 / 38 / 53

HEX #77774A

RGB 119 119 74

HSL 60, 0.23%, 0.38%

LAB 49.02, -7.44, 24.78

 

CMYK 38 / 0 / 19 / 53

HEX #4A7760

RGB 74 119 96

HSL 149.33, 0.23%, 0.38%

LAB 46.3, -21.02, 7.82

 

CMYK 38 / 38 / 0 / 53

HEX #4A4A77

RGB 74 74 119

HSL 240, 0.23%, 0.38%

LAB 33.32, 11.91, -25.71

 

Description

Color code: HEX #774B61 | qconv.com Color code: HEX #774B61 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 75 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 75 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 18 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 18% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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