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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #773712 it is the complementary color #88C8ED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #773712. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #773712 shade: #7C370D, #8D4920, #9E5B33, #AF6D46 and #C07F59

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #773712. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #773712 shade: #773712, #662500, #551300, #440100 and #330000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #773712 shade: #773711, #771B11 and #771111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #773712 shade: #773711, #775211, #776E11, #657711 and #4A7711

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #773712 shade matches the following richer shades: #773711 and #823406

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #773712 shade: #773711, #6C3A1D, #613D28, #564033 and #4B433E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #773712 shade: #771124, #771A11, #773511, #775011 and #776B11

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #773712 shade: #301607, #53260C, #773711, #9B4717 and #BF581C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #773712 shade: #773712, #3F7711 and #111677

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #773712 shade: #773712, #117735 and #351177

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #773712 shade: #773712, #3F7711, #115477 and #491177

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #773712 shade: #773712, #217711, #115477 and #681177

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 85 / 53

HEX #773712

RGB 119 55 18

HSL 21.98, 0.74%, 0.27%

LAB 31.11, 25.54, 34.52

 

Complementary color

CMYK 43 / 16 / 0 / 7

HEX #88C8ED

RGB 136 200 237

HSL 201.98, 0.74%, 0.73%

LAB 77.67, -10.93, -24.69

 

CMYK 0 / 56 / 90 / 51

HEX #7C370D

RGB 124 55 13

HSL 22.7, 0.81%, 0.27%

LAB 31.91, 27.55, 37.77

 

CMYK 0 / 48 / 77 / 45

HEX #8D4920

RGB 141 73 32

HSL 22.57, 0.63%, 0.34%

LAB 38.78, 25.57, 36.26

 

CMYK 0 / 42 / 68 / 38

HEX #9E5B33

RGB 158 91 51

HSL 22.43, 0.51%, 0.41%

LAB 45.62, 23.84, 34.37

 

CMYK 0 / 38 / 60 / 31

HEX #AF6D46

RGB 175 109 70

HSL 22.29, 0.43%, 0.48%

LAB 52.39, 22.35, 32.53

 

CMYK 0 / 34 / 54 / 25

HEX #C07F59

RGB 192 127 89

HSL 22.14, 0.45%, 0.55%

LAB 59.07, 21.07, 30.85

 

CMYK 0 / 54 / 85 / 53

HEX #773712

RGB 119 55 18

HSL 21.98, 0.74%, 0.27%

LAB 31.11, 25.54, 34.52

 

CMYK 0 / 64 / 100 / 60

HEX #662500

RGB 102 37 0

HSL 21.76, 1%, 0.2%

LAB 24.15, 27.55, 34.82

 

CMYK 0 / 78 / 100 / 67

HEX #551300

RGB 85 19 0

HSL 13.41, 1%, 0.17%

LAB 17.45, 29.45, 26.46

 

CMYK 0 / 99 / 100 / 73

HEX #440100

RGB 68 1 0

HSL 0.88, 1%, 0.13%

LAB 10.93, 30.52, 17.19

 

CMYK 0 / 100 / 100 / 80

HEX #330000

RGB 51 0 0

HSL 0, 1%, 0.1%

LAB 6.36, 25.17, 10.05

 

CMYK 0 / 54 / 86 / 53

HEX #773711

RGB 119 55 17

HSL 22.35, 0.75%, 0.27%

LAB 31.1, 25.5, 34.99

 

CMYK 0 / 77 / 86 / 53

HEX #771B11

RGB 119 27 17

HSL 5.88, 0.75%, 0.27%

LAB 26, 39.01, 30.26

 

CMYK 0 / 86 / 86 / 53

HEX #771111

RGB 119 17 17

HSL 0, 0.75%, 0.27%

LAB 24.84, 42.27, 29.15

 

CMYK 0 / 54 / 86 / 53

HEX #773711

RGB 119 55 17

HSL 22.35, 0.75%, 0.27%

LAB 31.1, 25.5, 34.99

 

CMYK 0 / 31 / 86 / 53

HEX #775211

RGB 119 82 17

HSL 38.24, 0.75%, 0.27%

LAB 37.84, 9.57, 41

 

CMYK 0 / 8 / 86 / 53

HEX #776E11

RGB 119 110 17

HSL 54.71, 0.75%, 0.27%

LAB 45.79, -6.85, 47.87

 

CMYK 15 / 0 / 86 / 53

HEX #657711

RGB 101 119 17

HSL 70.59, 0.75%, 0.27%

LAB 46.98, -20.16, 48.29

 

CMYK 38 / 0 / 86 / 53

HEX #4A7711

RGB 74 119 17

HSL 86.47, 0.75%, 0.27%

LAB 45.21, -31.6, 46.05

 

CMYK 0 / 54 / 86 / 53

HEX #773711

RGB 119 55 17

HSL 22.35, 0.75%, 0.27%

LAB 31.1, 25.5, 34.99

 

CMYK 0 / 60 / 95 / 49

HEX #823406

RGB 130 52 6

HSL 22.26, 0.91%, 0.27%

LAB 32.29, 31.51, 41.19

 

CMYK 0 / 54 / 86 / 53

HEX #773711

RGB 119 55 17

HSL 22.35, 0.75%, 0.27%

LAB 31.1, 25.5, 34.99

 

CMYK 0 / 46 / 73 / 58

HEX #6C3A1D

RGB 108 58 29

HSL 22.03, 0.58%, 0.27%

LAB 30.16, 19.4, 27.16

 

CMYK 0 / 37 / 59 / 62

HEX #613D28

RGB 97 61 40

HSL 22.11, 0.42%, 0.27%

LAB 29.49, 13.31, 19.38

 

CMYK 0 / 26 / 41 / 66

HEX #564033

RGB 86 64 51

HSL 22.29, 0.26%, 0.27%

LAB 29.12, 7.54, 11.65

 

CMYK 0 / 11 / 17 / 71

HEX #4B433E

RGB 75 67 62

HSL 23.08, 0.09%, 0.27%

LAB 29.05, 2.42, 4.27

 

CMYK 0 / 86 / 70 / 53

HEX #771124

RGB 119 17 36

HSL 348.82, 0.75%, 0.27%

LAB 25.11, 43.09, 17.24

 

CMYK 0 / 78 / 86 / 53

HEX #771A11

RGB 119 26 17

HSL 5.29, 0.75%, 0.27%

LAB 25.87, 39.38, 30.13

 

CMYK 0 / 55 / 86 / 53

HEX #773511

RGB 119 53 17

HSL 21.18, 0.75%, 0.27%

LAB 30.66, 26.62, 34.58

 

CMYK 0 / 33 / 86 / 53

HEX #775011

RGB 119 80 17

HSL 37.06, 0.75%, 0.27%

LAB 37.3, 10.77, 40.52

 

CMYK 0 / 10 / 86 / 53

HEX #776B11

RGB 119 107 17

HSL 52.94, 0.75%, 0.27%

LAB 44.91, -5.15, 47.12

 

CMYK 0 / 54 / 85 / 81

HEX #301607

RGB 48 22 7

HSL 21.95, 0.75%, 0.11%

LAB 10.69, 11.61, 13.35

 

CMYK 0 / 54 / 86 / 67

HEX #53260C

RGB 83 38 12

HSL 21.97, 0.75%, 0.19%

LAB 21.03, 18.94, 25.56

 

CMYK 0 / 54 / 86 / 53

HEX #773711

RGB 119 55 17

HSL 22.35, 0.75%, 0.27%

LAB 31.1, 25.5, 34.99

 

CMYK 0 / 54 / 85 / 39

HEX #9B4717

RGB 155 71 23

HSL 21.82, 0.74%, 0.35%

LAB 40.47, 32.24, 42.91

 

CMYK 0 / 54 / 85 / 25

HEX #BF581C

RGB 191 88 28

HSL 22.09, 0.74%, 0.43%

LAB 49.67, 38.11, 51.03

 

CMYK 0 / 54 / 85 / 53

HEX #773712

RGB 119 55 18

HSL 21.98, 0.74%, 0.27%

LAB 31.11, 25.54, 34.52

 

CMYK 47 / 0 / 86 / 53

HEX #3F7711

RGB 63 119 17

HSL 92.94, 0.75%, 0.27%

LAB 44.65, -35.66, 45.34

 

CMYK 86 / 82 / 0 / 53

HEX #111677

RGB 17 22 119

HSL 237.06, 0.75%, 0.27%

LAB 15.62, 35.4, -54.52

 

CMYK 0 / 54 / 85 / 53

HEX #773712

RGB 119 55 18

HSL 21.98, 0.74%, 0.27%

LAB 31.11, 25.54, 34.52

 

CMYK 86 / 0 / 55 / 53

HEX #117735

RGB 17 119 53

HSL 141.18, 0.75%, 0.27%

LAB 43.61, -42.76, 28.43

 

CMYK 55 / 86 / 0 / 53

HEX #351177

RGB 53 17 119

HSL 261.18, 0.75%, 0.27%

LAB 17.87, 41.33, -50.69

 

CMYK 0 / 54 / 85 / 53

HEX #773712

RGB 119 55 18

HSL 21.98, 0.74%, 0.27%

LAB 31.11, 25.54, 34.52

 

CMYK 47 / 0 / 86 / 53

HEX #3F7711

RGB 63 119 17

HSL 92.94, 0.75%, 0.27%

LAB 44.65, -35.66, 45.34

 

CMYK 86 / 29 / 0 / 53

HEX #115477

RGB 17 84 119

HSL 200.59, 0.75%, 0.27%

LAB 33.55, -6.69, -25.55

 

CMYK 39 / 86 / 0 / 53

HEX #491177

RGB 73 17 119

HSL 272.94, 0.75%, 0.27%

LAB 20.63, 44.22, -46.06

 

CMYK 0 / 54 / 85 / 53

HEX #773712

RGB 119 55 18

HSL 21.98, 0.74%, 0.27%

LAB 31.11, 25.54, 34.52

 

CMYK 72 / 0 / 86 / 53

HEX #217711

RGB 33 119 17

HSL 110.59, 0.75%, 0.27%

LAB 43.59, -44.08, 43.99

 

CMYK 86 / 29 / 0 / 53

HEX #115477

RGB 17 84 119

HSL 200.59, 0.75%, 0.27%

LAB 33.55, -6.69, -25.55

 

CMYK 13 / 86 / 0 / 53

HEX #681177

RGB 104 17 119

HSL 291.18, 0.75%, 0.27%

LAB 25.79, 49.77, -37.44

 

Description

Color code: HEX #773712 | qconv.com Color code: HEX #773712 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 55 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 55 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 85 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 85% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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