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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #772FCB it is the complementary color #88D034. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #772FCB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #772FCB shade: #7C2FC6, #8D41D9, #9E53EC, #AF65FF and #C077FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #772FCB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #772FCB shade: #772FCB, #661DB8, #550BA5, #440092 and #33007F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #772FCB shade: #762FCA, #A02FCA, #CA2FCA, #CA2FA0 and #CA2F76

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #772FCB shade: #762FCA, #4D2FCA and #2F2FCA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #772FCB shade matches the following richer shades: #762FCA, #751BDE and #7307F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #772FCB shade: #762FCA, #7843B6, #7A57A1, #7B6C8D and #7D8079

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #772FCB shade: #2F3CCA, #4B2FCA, #752FCA, #9E2FCA and #C72FCA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #772FCB shade: #4F1F87, #6327A8, #762FCA, #8C4DD5 and #A16FDD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #772FCB shade: #772FCB, #CA2F65 and #2FCA37

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #772FCB shade: #772FCB, #CA752F and #2FCA75

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #772FCB shade: #772FCB, #CA2F65, #84CA2F and #2FCA94

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #772FCB shade: #772FCB, #CA2F37, #84CA2F and #2FCAC2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 77 / 0 / 20

HEX #772FCB

RGB 119 47 203

HSL 267.69, 0.62%, 0.49%

LAB 38.32, 60.28, -67.97

 

Complementary color

CMYK 35 / 0 / 75 / 18

HEX #88D034

RGB 136 208 52

HSL 87.69, 0.62%, 0.51%

LAB 76.43, -45.83, 65.5

 

CMYK 37 / 76 / 0 / 22

HEX #7C2FC6

RGB 124 47 198

HSL 270.6, 0.62%, 0.48%

LAB 38.54, 59.91, -64.66

 

CMYK 35 / 70 / 0 / 15

HEX #8D41D9

RGB 141 65 217

HSL 270, 0.67%, 0.55%

LAB 44.88, 59.66, -65.24

 

CMYK 33 / 65 / 0 / 7

HEX #9E53EC

RGB 158 83 236

HSL 269.41, 0.8%, 0.63%

LAB 51.28, 59.04, -65.53

 

CMYK 31 / 60 / 0 / 0

HEX #AF65FF

RGB 175 101 255

HSL 268.83, 1%, 0.7%

LAB 57.7, 58.24, -65.66

 

CMYK 25 / 53 / 0 / 0

HEX #C077FF

RGB 192 119 255

HSL 272.21, 1%, 0.73%

LAB 63.03, 53.02, -57.02

 

CMYK 41 / 77 / 0 / 20

HEX #772FCB

RGB 119 47 203

HSL 267.69, 0.62%, 0.49%

LAB 38.32, 60.28, -67.97

 

CMYK 45 / 84 / 0 / 28

HEX #661DB8

RGB 102 29 184

HSL 268.26, 0.73%, 0.42%

LAB 32.18, 59.93, -66.96

 

CMYK 48 / 93 / 0 / 35

HEX #550BA5

RGB 85 11 165

HSL 268.83, 0.88%, 0.35%

LAB 26.41, 58.3, -65.15

 

CMYK 53 / 100 / 0 / 43

HEX #440092

RGB 68 0 146

HSL 267.95, 1%, 0.29%

LAB 21.22, 54.7, -62.14

 

CMYK 60 / 100 / 0 / 50

HEX #33007F

RGB 51 0 127

HSL 264.09, 1%, 0.25%

LAB 16.68, 48.9, -57.79

 

CMYK 42 / 77 / 0 / 21

HEX #762FCA

RGB 118 47 202

HSL 267.48, 0.62%, 0.49%

LAB 38.11, 59.89, -67.74

 

CMYK 21 / 77 / 0 / 21

HEX #A02FCA

RGB 160 47 202

HSL 283.74, 0.62%, 0.49%

LAB 43.9, 67.1, -58.06

 

CMYK 0 / 77 / 0 / 21

HEX #CA2FCA

RGB 202 47 202

HSL 300, 0.62%, 0.49%

LAB 50.52, 75.17, -47.09

 

CMYK 0 / 77 / 21 / 21

HEX #CA2FA0

RGB 202 47 160

HSL 316.26, 0.62%, 0.49%

LAB 48.42, 69.14, -25.79

 

CMYK 0 / 77 / 42 / 21

HEX #CA2F76

RGB 202 47 118

HSL 332.52, 0.62%, 0.49%

LAB 46.84, 64.36, -2.82

 

CMYK 42 / 77 / 0 / 21

HEX #762FCA

RGB 118 47 202

HSL 267.48, 0.62%, 0.49%

LAB 38.11, 59.89, -67.74

 

CMYK 62 / 77 / 0 / 21

HEX #4D2FCA

RGB 77 47 202

HSL 251.61, 0.62%, 0.49%

LAB 33.72, 54.3, -75.1

 

CMYK 77 / 77 / 0 / 21

HEX #2F2FCA

RGB 47 47 202

HSL 240, 0.62%, 0.49%

LAB 31.58, 51.52, -78.71

 

CMYK 42 / 77 / 0 / 21

HEX #762FCA

RGB 118 47 202

HSL 267.48, 0.62%, 0.49%

LAB 38.11, 59.89, -67.74

 

CMYK 47 / 88 / 0 / 13

HEX #751BDE

RGB 117 27 222

HSL 267.69, 0.78%, 0.49%

LAB 37.55, 71.02, -80.2

 

CMYK 52 / 97 / 0 / 5

HEX #7307F2

RGB 115 7 242

HSL 267.57, 0.94%, 0.49%

LAB 38.21, 78.68, -90.51

 

CMYK 42 / 77 / 0 / 21

HEX #762FCA

RGB 118 47 202

HSL 267.48, 0.62%, 0.49%

LAB 38.11, 59.89, -67.74

 

CMYK 34 / 63 / 0 / 29

HEX #7843B6

RGB 120 67 182

HSL 267.65, 0.46%, 0.49%

LAB 40.22, 45.84, -52.59

 

CMYK 24 / 46 / 0 / 37

HEX #7A57A1

RGB 122 87 161

HSL 268.38, 0.3%, 0.49%

LAB 43.55, 29.76, -34.84

 

CMYK 13 / 23 / 0 / 45

HEX #7B6C8D

RGB 123 108 141

HSL 267.27, 0.13%, 0.49%

LAB 48.08, 12.71, -15.92

 

CMYK 2 / 0 / 5 / 50

HEX #7D8079

RGB 125 128 121

HSL 85.71, 0.03%, 0.49%

LAB 53.14, -2.5, 3.4

 

CMYK 77 / 70 / 0 / 21

HEX #2F3CCA

RGB 47 60 202

HSL 234.97, 0.62%, 0.49%

LAB 34.19, 44.21, -74.4

 

CMYK 63 / 77 / 0 / 21

HEX #4B2FCA

RGB 75 47 202

HSL 250.84, 0.62%, 0.49%

LAB 33.55, 54.08, -75.39

 

CMYK 42 / 77 / 0 / 21

HEX #752FCA

RGB 117 47 202

HSL 267.1, 0.62%, 0.49%

LAB 37.98, 59.73, -67.94

 

CMYK 22 / 77 / 0 / 21

HEX #9E2FCA

RGB 158 47 202

HSL 282.97, 0.62%, 0.49%

LAB 43.6, 66.73, -58.55

 

CMYK 1 / 77 / 0 / 21

HEX #C72FCA

RGB 199 47 202

HSL 298.84, 0.62%, 0.49%

LAB 50.02, 74.58, -47.9

 

CMYK 41 / 77 / 0 / 47

HEX #4F1F87

RGB 79 31 135

HSL 267.69, 0.63%, 0.33%

LAB 24.93, 43.52, -49.14

 

CMYK 41 / 77 / 0 / 34

HEX #6327A8

RGB 99 39 168

HSL 267.91, 0.62%, 0.41%

LAB 31.65, 51.83, -58.29

 

CMYK 42 / 77 / 0 / 21

HEX #762FCA

RGB 118 47 202

HSL 267.48, 0.62%, 0.49%

LAB 38.11, 59.89, -67.74

 

CMYK 34 / 64 / 0 / 16

HEX #8C4DD5

RGB 140 77 213

HSL 267.79, 0.62%, 0.57%

LAB 46.56, 52.73, -60.22

 

CMYK 27 / 50 / 0 / 13

HEX #A16FDD

RGB 161 111 221

HSL 267.27, 0.62%, 0.65%

LAB 56.25, 41.51, -49.11

 

CMYK 41 / 77 / 0 / 20

HEX #772FCB

RGB 119 47 203

HSL 267.69, 0.62%, 0.49%

LAB 38.32, 60.28, -67.97

 

CMYK 0 / 77 / 50 / 21

HEX #CA2F65

RGB 202 47 101

HSL 339.1, 0.62%, 0.49%

LAB 46.35, 62.84, 6.92

 

CMYK 77 / 0 / 73 / 21

HEX #2FCA37

RGB 47 202 55

HSL 123.1, 0.62%, 0.49%

LAB 71.64, -66.25, 58.73

 

CMYK 41 / 77 / 0 / 20

HEX #772FCB

RGB 119 47 203

HSL 267.69, 0.62%, 0.49%

LAB 38.32, 60.28, -67.97

 

CMYK 0 / 42 / 77 / 21

HEX #CA752F

RGB 202 117 47

HSL 27.1, 0.62%, 0.49%

LAB 57.54, 28.03, 50.85

 

CMYK 77 / 0 / 42 / 21

HEX #2FCA75

RGB 47 202 117

HSL 147.1, 0.62%, 0.49%

LAB 72.32, -58.17, 31.45

 

CMYK 41 / 77 / 0 / 20

HEX #772FCB

RGB 119 47 203

HSL 267.69, 0.62%, 0.49%

LAB 38.32, 60.28, -67.97

 

CMYK 0 / 77 / 50 / 21

HEX #CA2F65

RGB 202 47 101

HSL 339.1, 0.62%, 0.49%

LAB 46.35, 62.84, 6.92

 

CMYK 35 / 0 / 77 / 21

HEX #84CA2F

RGB 132 202 47

HSL 87.1, 0.62%, 0.49%

LAB 74.41, -44.99, 65.09

 

CMYK 77 / 0 / 27 / 21

HEX #2FCA94

RGB 47 202 148

HSL 159.1, 0.62%, 0.49%

LAB 72.88, -51.85, 15.92

 

CMYK 41 / 77 / 0 / 20

HEX #772FCB

RGB 119 47 203

HSL 267.69, 0.62%, 0.49%

LAB 38.32, 60.28, -67.97

 

CMYK 0 / 77 / 73 / 21

HEX #CA2F37

RGB 202 47 55

HSL 356.9, 0.62%, 0.49%

LAB 45.45, 59.97, 33.81

 

CMYK 35 / 0 / 77 / 21

HEX #84CA2F

RGB 132 202 47

HSL 87.1, 0.62%, 0.49%

LAB 74.41, -44.99, 65.09

 

CMYK 77 / 0 / 4 / 21

HEX #2FCAC2

RGB 47 202 194

HSL 176.9, 0.62%, 0.49%

LAB 74.02, -40.09, -7.26

 

Description

Color code: HEX #772FCB | qconv.com Color code: HEX #772FCB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 47 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 47 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 77 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 77% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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