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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #772C63 it is the complementary color #88D39C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #772C63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #772C63 shade: #7C2C5E, #8D3E71, #9E5084, #AF6297 and #C074AA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #772C63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #772C63 shade: #772C63, #661A50, #55083D, #44002A and #330017

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #772C63 shade: #772C63, #772C4E, #772C3A and #772C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #772C63 shade: #772C63, #762C77, #622C77, #4E2C77 and #3A2C77

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #772C63 shade matches the following richer shades: #772C63, #841E69, #91116F and #9E0475

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #772C63 shade: #772C63, #69395C, #5C4656, #4F5350 and #42604A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #772C63 shade: #632C77, #772C77, #772C63, #772C4F and #772C3B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #772C63 shade: #3A1531, #59204A, #772C63, #95377C and #B34295

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #772C63 shade: #772C63, #774F2C and #2C776D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #772C63 shade: #772C63, #63772C and #2C6377

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #772C63 shade: #772C63, #774F2C, #2C7740 and #2C5477

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #772C63 shade: #772C63, #77652C, #2C7740 and #2C3D77

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 17 / 53

HEX #772C63

RGB 119 44 99

HSL 316, 0.46%, 0.32%

LAB 30.94, 39.57, -16.32

 

Complementary color

CMYK 36 / 0 / 26 / 17

HEX #88D39C

RGB 136 211 156

HSL 136, 0.46%, 0.68%

LAB 78.59, -34.76, 20.04

 

CMYK 0 / 65 / 24 / 51

HEX #7C2C5E

RGB 124 44 94

HSL 322.5, 0.48%, 0.33%

LAB 31.57, 40.35, -12.06

 

CMYK 0 / 56 / 20 / 45

HEX #8D3E71

RGB 141 62 113

HSL 321.27, 0.39%, 0.4%

LAB 38.38, 39.89, -13.48

 

CMYK 0 / 49 / 16 / 38

HEX #9E5084

RGB 158 80 132

HSL 320, 0.33%, 0.47%

LAB 45.18, 39.2, -14.56

 

CMYK 0 / 44 / 14 / 31

HEX #AF6297

RGB 175 98 151

HSL 318.7, 0.32%, 0.54%

LAB 51.93, 38.42, -15.43

 

CMYK 0 / 40 / 11 / 25

HEX #C074AA

RGB 192 116 170

HSL 317.37, 0.38%, 0.6%

LAB 58.6, 37.64, -16.16

 

CMYK 0 / 63 / 17 / 53

HEX #772C63

RGB 119 44 99

HSL 316, 0.46%, 0.32%

LAB 30.94, 39.57, -16.32

 

CMYK 0 / 75 / 22 / 60

HEX #661A50

RGB 102 26 80

HSL 317.37, 0.59%, 0.25%

LAB 24.14, 39.5, -14.58

 

CMYK 0 / 91 / 28 / 67

HEX #55083D

RGB 85 8 61

HSL 318.7, 0.83%, 0.18%

LAB 17.65, 38.14, -11.83

 

CMYK 0 / 100 / 38 / 73

HEX #44002A

RGB 68 0 42

HSL 322.94, 1%, 0.13%

LAB 11.93, 34.06, -7.23

 

CMYK 0 / 100 / 55 / 80

HEX #330017

RGB 51 0 23

HSL 332.94, 1%, 0.1%

LAB 6.92, 27.19, -0.64

 

CMYK 0 / 63 / 17 / 53

HEX #772C63

RGB 119 44 99

HSL 316, 0.46%, 0.32%

LAB 30.94, 39.57, -16.32

 

CMYK 0 / 63 / 34 / 53

HEX #772C4E

RGB 119 44 78

HSL 332.8, 0.46%, 0.32%

LAB 30.09, 36.45, -3.94

 

CMYK 0 / 63 / 51 / 53

HEX #772C3A

RGB 119 44 58

HSL 348.8, 0.46%, 0.32%

LAB 29.48, 34.12, 8.37

 

CMYK 0 / 63 / 63 / 53

HEX #772C2C

RGB 119 44 44

HSL 0, 0.46%, 0.32%

LAB 29.17, 32.88, 17.14

 

CMYK 0 / 63 / 17 / 53

HEX #772C63

RGB 119 44 99

HSL 316, 0.46%, 0.32%

LAB 30.94, 39.57, -16.32

 

CMYK 1 / 63 / 0 / 53

HEX #762C77

RGB 118 44 119

HSL 299.2, 0.46%, 0.32%

LAB 31.77, 42.82, -27.77

 

CMYK 18 / 63 / 0 / 53

HEX #622C77

RGB 98 44 119

HSL 283.2, 0.46%, 0.32%

LAB 28.72, 37.37, -32.8

 

CMYK 34 / 63 / 0 / 53

HEX #4E2C77

RGB 78 44 119

HSL 267.2, 0.46%, 0.32%

LAB 26.02, 32.12, -37.28

 

CMYK 51 / 63 / 0 / 53

HEX #3A2C77

RGB 58 44 119

HSL 251.2, 0.46%, 0.32%

LAB 23.78, 27.35, -41.01

 

CMYK 0 / 63 / 17 / 53

HEX #772C63

RGB 119 44 99

HSL 316, 0.46%, 0.32%

LAB 30.94, 39.57, -16.32

 

CMYK 0 / 77 / 20 / 48

HEX #841E69

RGB 132 30 105

HSL 315.88, 0.63%, 0.32%

LAB 31.47, 49.85, -19.16

 

CMYK 0 / 88 / 23 / 43

HEX #91116F

RGB 145 17 111

HSL 315.94, 0.79%, 0.32%

LAB 33.07, 57.18, -20.33

 

CMYK 0 / 97 / 26 / 38

HEX #9E0475

RGB 158 4 117

HSL 315.97, 0.95%, 0.32%

LAB 35.28, 62.62, -20.49

 

CMYK 0 / 63 / 17 / 53

HEX #772C63

RGB 119 44 99

HSL 316, 0.46%, 0.32%

LAB 30.94, 39.57, -16.32

 

CMYK 0 / 46 / 12 / 59

HEX #69395C

RGB 105 57 92

HSL 316.25, 0.3%, 0.32%

LAB 31.12, 26.64, -11.72

 

CMYK 0 / 24 / 7 / 64

HEX #5C4656

RGB 92 70 86

HSL 316.36, 0.14%, 0.32%

LAB 32.54, 12.45, -5.88

 

CMYK 5 / 0 / 4 / 67

HEX #4F5350

RGB 79 83 80

HSL 135, 0.02%, 0.32%

LAB 34.86, -2.26, 1.19

 

CMYK 31 / 0 / 23 / 62

HEX #42604A

RGB 66 96 74

HSL 136, 0.19%, 0.32%

LAB 37.88, -16.2, 9.09

 

CMYK 17 / 63 / 0 / 53

HEX #632C77

RGB 99 44 119

HSL 284, 0.46%, 0.32%

LAB 28.87, 37.64, -32.56

 

CMYK 0 / 63 / 0 / 53

HEX #772C77

RGB 119 44 119

HSL 300, 0.46%, 0.32%

LAB 31.93, 43.1, -27.51

 

CMYK 0 / 63 / 17 / 53

HEX #772C63

RGB 119 44 99

HSL 316, 0.46%, 0.32%

LAB 30.94, 39.57, -16.32

 

CMYK 0 / 63 / 34 / 53

HEX #772C4F

RGB 119 44 79

HSL 332, 0.46%, 0.32%

LAB 30.13, 36.58, -4.54

 

CMYK 0 / 63 / 50 / 53

HEX #772C3B

RGB 119 44 59

HSL 348, 0.46%, 0.32%

LAB 29.51, 34.22, 7.75

 

CMYK 0 / 64 / 16 / 77

HEX #3A1531

RGB 58 21 49

HSL 314.59, 0.47%, 0.15%

LAB 13.58, 22.54, -10.01

 

CMYK 0 / 64 / 17 / 65

HEX #59204A

RGB 89 32 74

HSL 315.79, 0.47%, 0.24%

LAB 22.48, 31.79, -13.29

 

CMYK 0 / 63 / 17 / 53

HEX #772C63

RGB 119 44 99

HSL 316, 0.46%, 0.32%

LAB 30.94, 39.57, -16.32

 

CMYK 0 / 63 / 17 / 42

HEX #95377C

RGB 149 55 124

HSL 315.96, 0.46%, 0.4%

LAB 38.86, 47.44, -19.47

 

CMYK 0 / 63 / 17 / 30

HEX #B34295

RGB 179 66 149

HSL 315.93, 0.46%, 0.48%

LAB 46.51, 54.97, -22.49

 

CMYK 0 / 63 / 17 / 53

HEX #772C63

RGB 119 44 99

HSL 316, 0.46%, 0.32%

LAB 30.94, 39.57, -16.32

 

CMYK 0 / 34 / 63 / 53

HEX #774F2C

RGB 119 79 44

HSL 28, 0.46%, 0.32%

LAB 37.29, 12.91, 27.21

 

CMYK 63 / 0 / 8 / 53

HEX #2C776D

RGB 44 119 109

HSL 172, 0.46%, 0.32%

LAB 45.4, -25.56, -1.36

 

CMYK 0 / 63 / 17 / 53

HEX #772C63

RGB 119 44 99

HSL 316, 0.46%, 0.32%

LAB 30.94, 39.57, -16.32

 

CMYK 17 / 0 / 63 / 53

HEX #63772C

RGB 99 119 44

HSL 76, 0.46%, 0.32%

LAB 47.01, -19.4, 37.82

 

CMYK 63 / 17 / 0 / 53

HEX #2C6377

RGB 44 99 119

HSL 196, 0.46%, 0.32%

LAB 39.23, -11.59, -16.68

 

CMYK 0 / 63 / 17 / 53

HEX #772C63

RGB 119 44 99

HSL 316, 0.46%, 0.32%

LAB 30.94, 39.57, -16.32

 

CMYK 0 / 34 / 63 / 53

HEX #774F2C

RGB 119 79 44

HSL 28, 0.46%, 0.32%

LAB 37.29, 12.91, 27.21

 

CMYK 63 / 0 / 46 / 53

HEX #2C7740

RGB 44 119 64

HSL 136, 0.46%, 0.32%

LAB 44.37, -36.11, 23.52

 

CMYK 63 / 29 / 0 / 53

HEX #2C5477

RGB 44 84 119

HSL 208, 0.46%, 0.32%

LAB 34.41, -2.47, -24.13

 

CMYK 0 / 63 / 17 / 53

HEX #772C63

RGB 119 44 99

HSL 316, 0.46%, 0.32%

LAB 30.94, 39.57, -16.32

 

CMYK 0 / 15 / 63 / 53

HEX #77652C

RGB 119 101 44

HSL 45.6, 0.46%, 0.32%

LAB 43.38, -0.21, 34.26

 

CMYK 63 / 0 / 46 / 53

HEX #2C7740

RGB 44 119 64

HSL 136, 0.46%, 0.32%

LAB 44.37, -36.11, 23.52

 

CMYK 63 / 49 / 0 / 53

HEX #2C3D77

RGB 44 61 119

HSL 226.4, 0.46%, 0.32%

LAB 27.31, 12.81, -35.37

 

Description

Color code: HEX #772C63 | qconv.com Color code: HEX #772C63 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 44 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 44 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 17 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 17% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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