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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #772C20 it is the complementary color #88D3DF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #772C20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #772C20 shade: #7C2C1B, #8D3E2E, #9E5041, #AF6254 and #C07467

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #772C20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #772C20 shade: #772C20, #661A0D, #550800, #440000 and #330000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #772C20 shade: #782C20 and #782020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #772C20 shade: #782C20, #784420, #785C20, #787420 and #657820

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #772C20 shade matches the following richer shades: #782C20, #852313 and #911A07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #772C20 shade: #782C20, #6C352C, #603E38, #534745 and #475051

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #772C20 shade: #782043, #78202B, #782B20, #784320 and #785B20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #772C20 shade: #37140E, #582017, #782C20, #993828 and #BA4431

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #772C20 shade: #772C20, #5B7820 and #203778

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #772C20 shade: #772C20, #20782B and #2B2078

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #772C20 shade: #772C20, #5B7820, #206D78 and #3D2078

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #772C20 shade: #772C20, #407820, #206D78 and #582078

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 73 / 53

HEX #772C20

RGB 119 44 32

HSL 8.28, 0.58%, 0.3%

LAB 28.97, 32.08, 24.51

 

Complementary color

CMYK 39 / 5 / 0 / 13

HEX #88D3DF

RGB 136 211 223

HSL 188.28, 0.58%, 0.7%

LAB 80.26, -20.2, -13.27

 

CMYK 0 / 65 / 78 / 51

HEX #7C2C1B

RGB 124 44 27

HSL 10.52, 0.64%, 0.3%

LAB 29.83, 33.78, 28.72

 

CMYK 0 / 56 / 67 / 45

HEX #8D3E2E

RGB 141 62 46

HSL 10.11, 0.51%, 0.37%

LAB 36.57, 32.36, 25.94

 

CMYK 0 / 49 / 59 / 38

HEX #9E5041

RGB 158 80 65

HSL 9.68, 0.42%, 0.44%

LAB 43.34, 30.94, 23.59

 

CMYK 0 / 44 / 52 / 31

HEX #AF6254

RGB 175 98 84

HSL 9.23, 0.36%, 0.51%

LAB 50.08, 29.63, 21.62

 

CMYK 0 / 40 / 46 / 25

HEX #C07467

RGB 192 116 103

HSL 8.76, 0.41%, 0.58%

LAB 56.76, 28.44, 19.93

 

CMYK 0 / 63 / 73 / 53

HEX #772C20

RGB 119 44 32

HSL 8.28, 0.58%, 0.3%

LAB 28.97, 32.08, 24.51

 

CMYK 0 / 75 / 87 / 60

HEX #661A0D

RGB 102 26 13

HSL 8.76, 0.77%, 0.23%

LAB 22.28, 33.23, 27.51

 

CMYK 0 / 91 / 100 / 67

HEX #550800

RGB 85 8 0

HSL 5.65, 1%, 0.17%

LAB 16.03, 33.41, 24.71

 

CMYK 0 / 100 / 100 / 73

HEX #440000

RGB 68 0 0

HSL 0, 1%, 0.13%

LAB 10.77, 30.97, 16.97

 

CMYK 0 / 100 / 100 / 80

HEX #330000

RGB 51 0 0

HSL 0, 1%, 0.1%

LAB 6.36, 25.17, 10.05

 

CMYK 0 / 63 / 73 / 53

HEX #782C20

RGB 120 44 32

HSL 8.18, 0.58%, 0.3%

LAB 29.16, 32.47, 24.77

 

CMYK 0 / 73 / 73 / 53

HEX #782020

RGB 120 32 32

HSL 0, 0.58%, 0.3%

LAB 27.1, 38.01, 22.37

 

CMYK 0 / 63 / 73 / 53

HEX #782C20

RGB 120 44 32

HSL 8.18, 0.58%, 0.3%

LAB 29.16, 32.47, 24.77

 

CMYK 0 / 43 / 73 / 53

HEX #784420

RGB 120 68 32

HSL 24.55, 0.58%, 0.3%

LAB 34.46, 19.12, 30.74

 

CMYK 0 / 23 / 73 / 53

HEX #785C20

RGB 120 92 32

HSL 40.91, 0.58%, 0.3%

LAB 40.82, 4.76, 37.48

 

CMYK 0 / 3 / 73 / 53

HEX #787420

RGB 120 116 32

HSL 57.27, 0.58%, 0.3%

LAB 47.74, -9.1, 44.43

 

CMYK 16 / 0 / 73 / 53

HEX #657820

RGB 101 120 32

HSL 72.95, 0.58%, 0.3%

LAB 47.37, -19.94, 43.54

 

CMYK 0 / 63 / 73 / 53

HEX #782C20

RGB 120 44 32

HSL 8.18, 0.58%, 0.3%

LAB 29.16, 32.47, 24.77

 

CMYK 0 / 74 / 86 / 48

HEX #852313

RGB 133 35 19

HSL 8.42, 0.75%, 0.3%

LAB 30, 40.81, 33.93

 

CMYK 0 / 82 / 95 / 43

HEX #911A07

RGB 145 26 7

HSL 8.26, 0.91%, 0.3%

LAB 31.29, 47.6, 41.48

 

CMYK 0 / 63 / 73 / 53

HEX #782C20

RGB 120 44 32

HSL 8.18, 0.58%, 0.3%

LAB 29.16, 32.47, 24.77

 

CMYK 0 / 51 / 59 / 58

HEX #6C352C

RGB 108 53 44

HSL 8.44, 0.42%, 0.3%

LAB 29.2, 23.49, 16.81

 

CMYK 0 / 35 / 42 / 62

HEX #603E38

RGB 96 62 56

HSL 9, 0.26%, 0.3%

LAB 29.95, 14.07, 9.78

 

CMYK 0 / 14 / 17 / 67

HEX #534745

RGB 83 71 69

HSL 8.57, 0.09%, 0.3%

LAB 31.29, 4.69, 3.07

 

CMYK 12 / 1 / 0 / 68

HEX #475051

RGB 71 80 81

HSL 186, 0.07%, 0.3%

LAB 33.29, -3.34, -1.81

 

CMYK 0 / 73 / 44 / 53

HEX #782043

RGB 120 32 67

HSL 336.14, 0.58%, 0.3%

LAB 27.93, 40.84, 0.19

 

CMYK 0 / 73 / 64 / 53

HEX #78202B

RGB 120 32 43

HSL 352.5, 0.58%, 0.3%

LAB 27.3, 38.69, 15.4

 

CMYK 0 / 64 / 73 / 53

HEX #782B20

RGB 120 43 32

HSL 7.5, 0.58%, 0.3%

LAB 28.97, 32.97, 24.55

 

CMYK 0 / 44 / 73 / 53

HEX #784320

RGB 120 67 32

HSL 23.86, 0.58%, 0.3%

LAB 34.21, 19.71, 30.47

HEX #784320

CMYK 0 / 24 / 73 / 53

HEX #785B20

RGB 120 91 32

HSL 40.23, 0.58%, 0.3%

LAB 40.54, 5.35, 37.19

HEX #785B20

CMYK 0 / 64 / 75 / 78

HEX #37140E

RGB 55 20 14

HSL 8.78, 0.59%, 0.14%

LAB 11.58, 16.93, 11.75

 

CMYK 0 / 64 / 74 / 65

HEX #582017

RGB 88 32 23

HSL 8.31, 0.59%, 0.22%

LAB 20.71, 25.23, 19.1

 

CMYK 0 / 63 / 73 / 53

HEX #782C20

RGB 120 44 32

HSL 8.18, 0.58%, 0.3%

LAB 29.16, 32.47, 24.77

 

CMYK 0 / 63 / 74 / 40

HEX #993828

RGB 153 56 40

HSL 8.5, 0.59%, 0.38%

LAB 37.4, 39.65, 30.97

 

CMYK 0 / 63 / 74 / 27

HEX #BA4431

RGB 186 68 49

HSL 8.32, 0.58%, 0.46%

LAB 45.35, 46.55, 36.35

 

CMYK 0 / 63 / 73 / 53

HEX #772C20

RGB 119 44 32

HSL 8.28, 0.58%, 0.3%

LAB 28.97, 32.08, 24.51

 

CMYK 24 / 0 / 73 / 53

HEX #5B7820

RGB 91 120 32

HSL 79.77, 0.58%, 0.3%

LAB 46.66, -24.29, 42.6

 

CMYK 73 / 54 / 0 / 53

HEX #203778

RGB 32 55 120

HSL 224.32, 0.58%, 0.3%

LAB 24.94, 15.19, -39.86

 

CMYK 0 / 63 / 73 / 53

HEX #772C20

RGB 119 44 32

HSL 8.28, 0.58%, 0.3%

LAB 28.97, 32.08, 24.51

 

CMYK 73 / 0 / 64 / 53

HEX #20782B

RGB 32 120 43

HSL 127.5, 0.58%, 0.3%

LAB 44.11, -42.3, 34.17

 

CMYK 64 / 73 / 0 / 53

HEX #2B2078

RGB 43 32 120

HSL 247.5, 0.58%, 0.3%

LAB 19.65, 32.46, -48.45

 

CMYK 0 / 63 / 73 / 53

HEX #772C20

RGB 119 44 32

HSL 8.28, 0.58%, 0.3%

LAB 28.97, 32.08, 24.51

 

CMYK 24 / 0 / 73 / 53

HEX #5B7820

RGB 91 120 32

HSL 79.77, 0.58%, 0.3%

LAB 46.66, -24.29, 42.6

 

CMYK 73 / 9 / 0 / 53

HEX #206D78

RGB 32 109 120

HSL 187.5, 0.58%, 0.3%

LAB 42.15, -19, -12.86

 

CMYK 49 / 73 / 0 / 53

HEX #3D2078

RGB 61 32 120

HSL 259.77, 0.58%, 0.3%

LAB 21.51, 35.52, -45.33

 

CMYK 0 / 63 / 73 / 53

HEX #772C20

RGB 119 44 32

HSL 8.28, 0.58%, 0.3%

LAB 28.97, 32.08, 24.51

 

CMYK 47 / 0 / 73 / 53

HEX #407820

RGB 64 120 32

HSL 98.18, 0.58%, 0.3%

LAB 45.12, -34.78, 40.54

 

CMYK 73 / 9 / 0 / 53

HEX #206D78

RGB 32 109 120

HSL 187.5, 0.58%, 0.3%

LAB 42.15, -19, -12.86

 

CMYK 27 / 73 / 0 / 53

HEX #582078

RGB 88 32 120

HSL 278.18, 0.58%, 0.3%

LAB 25.15, 41.13, -39.25

 

Description

Color code: HEX #772C20 | qconv.com Color code: HEX #772C20 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 44 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 44 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 73 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 73% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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