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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #77123A it is the complementary color #88EDC5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #77123A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #77123A shade: #7C1235, #8D2448, #9E365B, #AF486E and #C05A81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #77123A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #77123A shade: #77123A, #660027, #550014, #440001 and #330000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #77123A shade: #77113A, #77111E and #771111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #77123A shade: #77113A, #771155, #771171, #621177 and #471177

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #77123A shade matches the following richer shades: #77113A and #820637

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #77123A shade: #77113A, #6C1D3C, #61283E, #563341 and #4B3E43

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #77123A shade: #771171, #771155, #77113A, #77111F and #771F11

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #77123A shade: #300717, #530C28, #77113A, #9B174B and #BF1C5D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #77123A shade: #77123A, #776311 and #116377

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #77123A shade: #77123A, #3A7711 and #113A77

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #77123A shade: #77123A, #776311, #11774F and #112677

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #77123A shade: #77123A, #6D7711, #11774F and #1C1177

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 51 / 53

HEX #77123A

RGB 119 18 58

HSL 336.24, 0.74%, 0.27%

LAB 25.74, 44.43, 3.08

 

Complementary color

CMYK 43 / 0 / 17 / 7

HEX #88EDC5

RGB 136 237 197

HSL 156.24, 0.74%, 0.73%

LAB 86.92, -38.59, 10.22

 

CMYK 0 / 85 / 57 / 51

HEX #7C1235

RGB 124 18 53

HSL 340.19, 0.75%, 0.28%

LAB 26.66, 45.44, 7.94

 

CMYK 0 / 74 / 49 / 45

HEX #8D2448

RGB 141 36 72

HSL 339.43, 0.59%, 0.35%

LAB 32.68, 46.34, 4.26

 

CMYK 0 / 66 / 42 / 38

HEX #9E365B

RGB 158 54 91

HSL 338.65, 0.49%, 0.42%

LAB 39.01, 46.31, 1.57

 

CMYK 0 / 59 / 37 / 31

HEX #AF486E

RGB 175 72 110

HSL 337.86, 0.42%, 0.48%

LAB 45.46, 45.8, -0.49

 

CMYK 0 / 53 / 33 / 25

HEX #C05A81

RGB 192 90 129

HSL 337.06, 0.45%, 0.55%

LAB 51.95, 45.08, -2.12

 

CMYK 0 / 85 / 51 / 53

HEX #77123A

RGB 119 18 58

HSL 336.24, 0.74%, 0.27%

LAB 25.74, 44.43, 3.08

 

CMYK 0 / 100 / 62 / 60

HEX #660027

RGB 102 0 39

HSL 337.06, 1%, 0.2%

LAB 19.93, 42.5, 7.6

 

CMYK 0 / 100 / 76 / 67

HEX #550014

RGB 85 0 20

HSL 345.88, 1%, 0.17%

LAB 15.39, 36.74, 14.52

 

CMYK 0 / 100 / 99 / 73

HEX #440001

RGB 68 0 1

HSL 359.12, 1%, 0.13%

LAB 10.79, 31.02, 16.59

 

CMYK 0 / 100 / 100 / 80

HEX #330000

RGB 51 0 0

HSL 0, 1%, 0.1%

LAB 6.36, 25.17, 10.05

 

CMYK 0 / 86 / 51 / 53

HEX #77113A

RGB 119 17 58

HSL 335.88, 0.75%, 0.27%

LAB 25.65, 44.71, 2.94

 

CMYK 0 / 86 / 75 / 53

HEX #77111E

RGB 119 17 30

HSL 352.35, 0.75%, 0.27%

LAB 25, 42.77, 21.13

 

CMYK 0 / 86 / 86 / 53

HEX #771111

RGB 119 17 17

HSL 0, 0.75%, 0.27%

LAB 24.84, 42.27, 29.15

 

CMYK 0 / 86 / 51 / 53

HEX #77113A

RGB 119 17 58

HSL 335.88, 0.75%, 0.27%

LAB 25.65, 44.71, 2.94

 

CMYK 0 / 86 / 29 / 53

HEX #771155

RGB 119 17 85

HSL 320, 0.75%, 0.27%

LAB 26.67, 47.68, -13.73

 

CMYK 0 / 86 / 5 / 53

HEX #771171

RGB 119 17 113

HSL 303.53, 0.75%, 0.27%

LAB 28.15, 51.77, -29.67

 

CMYK 18 / 86 / 0 / 53

HEX #621177

RGB 98 17 119

HSL 287.65, 0.75%, 0.27%

LAB 24.73, 48.61, -39.21

 

CMYK 40 / 86 / 0 / 53

HEX #471177

RGB 71 17 119

HSL 271.76, 0.75%, 0.27%

LAB 20.33, 43.9, -46.56

 

CMYK 0 / 86 / 51 / 53

HEX #77113A

RGB 119 17 58

HSL 335.88, 0.75%, 0.27%

LAB 25.65, 44.71, 2.94

 

CMYK 0 / 95 / 58 / 49

HEX #820637

RGB 130 6 55

HSL 336.29, 0.91%, 0.27%

LAB 27.16, 49.68, 7.47

 

CMYK 0 / 86 / 51 / 53

HEX #77113A

RGB 119 17 58

HSL 335.88, 0.75%, 0.27%

LAB 25.65, 44.71, 2.94

 

CMYK 0 / 73 / 44 / 58

HEX #6C1D3C

RGB 108 29 60

HSL 336.46, 0.58%, 0.27%

LAB 24.93, 37.45, 0.26

 

CMYK 0 / 59 / 36 / 62

HEX #61283E

RGB 97 40 62

HSL 336.84, 0.42%, 0.27%

LAB 24.97, 28.47, -1.27

 

CMYK 0 / 41 / 24 / 66

HEX #563341

RGB 86 51 65

HSL 336, 0.26%, 0.27%

LAB 25.94, 18.02, -2.05

 

CMYK 0 / 17 / 11 / 71

HEX #4B3E43

RGB 75 62 67

HSL 336.92, 0.09%, 0.27%

LAB 27.7, 6.63, -0.95

 

CMYK 0 / 86 / 5 / 53

HEX #771171

RGB 119 17 113

HSL 303.53, 0.75%, 0.27%

LAB 28.15, 51.77, -29.67

 

CMYK 0 / 86 / 29 / 53

HEX #771155

RGB 119 17 85

HSL 320, 0.75%, 0.27%

LAB 26.67, 47.68, -13.73

 

CMYK 0 / 86 / 51 / 53

HEX #77113A

RGB 119 17 58

HSL 335.88, 0.75%, 0.27%

LAB 25.65, 44.71, 2.94

 

CMYK 0 / 86 / 74 / 53

HEX #77111F

RGB 119 17 31

HSL 351.76, 0.75%, 0.27%

LAB 25.02, 42.82, 20.49

 

CMYK 0 / 74 / 86 / 53

HEX #771F11

RGB 119 31 17

HSL 8.24, 0.75%, 0.27%

LAB 26.57, 37.43, 30.8

 

CMYK 0 / 85 / 52 / 81

HEX #300717

RGB 48 7 23

HSL 336.59, 0.75%, 0.11%

LAB 7.61, 22.24, 0.29

 

CMYK 0 / 86 / 52 / 67

HEX #530C28

RGB 83 12 40

HSL 336.34, 0.75%, 0.19%

LAB 16.77, 33.83, 1.8

 

CMYK 0 / 86 / 51 / 53

HEX #77113A

RGB 119 17 58

HSL 335.88, 0.75%, 0.27%

LAB 25.65, 44.71, 2.94

 

CMYK 0 / 85 / 52 / 39

HEX #9B174B

RGB 155 23 75

HSL 336.36, 0.74%, 0.35%

LAB 34.17, 54.52, 4.8

 

CMYK 0 / 85 / 51 / 25

HEX #BF1C5D

RGB 191 28 93

HSL 336.07, 0.74%, 0.43%

LAB 42.3, 64.18, 5.85

 

CMYK 0 / 85 / 51 / 53

HEX #77123A

RGB 119 18 58

HSL 336.24, 0.74%, 0.27%

LAB 25.74, 44.43, 3.08

 

CMYK 0 / 17 / 86 / 53

HEX #776311

RGB 119 99 17

HSL 48.24, 0.75%, 0.27%

LAB 42.59, -0.53, 45.13

 

CMYK 86 / 17 / 0 / 53

HEX #116377

RGB 17 99 119

HSL 191.76, 0.75%, 0.27%

LAB 38.51, -15.61, -17.85

 

CMYK 0 / 85 / 51 / 53

HEX #77123A

RGB 119 18 58

HSL 336.24, 0.74%, 0.27%

LAB 25.74, 44.43, 3.08

 

CMYK 51 / 0 / 86 / 53

HEX #3A7711

RGB 58 119 17

HSL 95.88, 0.75%, 0.27%

LAB 44.42, -37.35, 45.05

 

CMYK 86 / 51 / 0 / 53

HEX #113A77

RGB 17 58 119

HSL 215.88, 0.75%, 0.27%

LAB 25.19, 10.72, -38.85

 

CMYK 0 / 85 / 51 / 53

HEX #77123A

RGB 119 18 58

HSL 336.24, 0.74%, 0.27%

LAB 25.74, 44.43, 3.08

 

CMYK 0 / 17 / 86 / 53

HEX #776311

RGB 119 99 17

HSL 48.24, 0.75%, 0.27%

LAB 42.59, -0.53, 45.13

 

CMYK 86 / 0 / 34 / 53

HEX #11774F

RGB 17 119 79

HSL 156.47, 0.75%, 0.27%

LAB 44.06, -37.58, 14.4

 

CMYK 86 / 68 / 0 / 53

HEX #112677

RGB 17 38 119

HSL 227.65, 0.75%, 0.27%

LAB 19.38, 25.02, -48.31

 

CMYK 0 / 85 / 51 / 53

HEX #77123A

RGB 119 18 58

HSL 336.24, 0.74%, 0.27%

LAB 25.74, 44.43, 3.08

 

CMYK 8 / 0 / 86 / 53

HEX #6D7711

RGB 109 119 17

HSL 65.88, 0.75%, 0.27%

LAB 47.6, -16.51, 49.08

 

CMYK 86 / 0 / 34 / 53

HEX #11774F

RGB 17 119 79

HSL 156.47, 0.75%, 0.27%

LAB 44.06, -37.58, 14.4

 

CMYK 76 / 86 / 0 / 53

HEX #1C1177

RGB 28 17 119

HSL 246.47, 0.75%, 0.27%

LAB 15.38, 38.79, -54.89

 

Description

Color code: HEX #77123A | qconv.com Color code: HEX #77123A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 18 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 18 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 51 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 51% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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