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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #76F3AC it is the complementary color #890C53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #76F3AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #76F3AC shade: #7BF3A7, #8CFFBA, #9DFFCD, #AEFFE0 and #BFFFF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #76F3AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #76F3AC shade: #76F3AC, #65E199, #54CF86, #43BD73 and #32AB60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #76F3AC shade: #76F3AC, #76F38B, #84F376, #A5F376 and #C7F376

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #76F3AC shade: #76F3AC, #76F3CE, #76F3EF, #76D5F3 and #76B3F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #76F3AC shade matches the following richer shades: #76F3AC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #76F3AC shade: #76F3AC, #82E7AE, #8EDBAF, #9ACFB1 and #A6C3B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #76F3AC shade: #85F376, #76F389, #76F3AA, #76F3CB and #76F3EC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #76F3AC shade: #2BEC7E, #50EF95, #76F3AC, #9CF6C3 and #C2F9DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #76F3AC shade: #76F3AC, #76A6F3 and #F37976

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #76F3AC shade: #76F3AC, #AA76F3 and #F3AA76

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #76F3AC shade: #76F3AC, #76A6F3, #F376BF and #F3C376

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #76F3AC shade: #76F3AC, #7681F3, #F376BF and #F3E876

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 29 / 5

HEX #76F3AC

RGB 118 243 172

HSL 145.92, 0.84%, 0.71%

LAB 87.45, -50.61, 23.81

 

Complementary color

CMYK 0 / 91 / 39 / 46

HEX #890C53

RGB 137 12 83

HSL 325.92, 0.84%, 0.29%

LAB 29.93, 52.94, -7.12

 

CMYK 49 / 0 / 31 / 5

HEX #7BF3A7

RGB 123 243 167

HSL 142, 0.83%, 0.72%

LAB 87.53, -50.34, 26.51

 

CMYK 45 / 0 / 27 / 0

HEX #8CFFBA

RGB 140 255 186

HSL 144, 1%, 0.77%

LAB 91.97, -47.63, 23.02

 

CMYK 38 / 0 / 20 / 0

HEX #9DFFCD

RGB 157 255 205

HSL 149.39, 1%, 0.81%

LAB 93.06, -39.53, 14.92

 

CMYK 32 / 0 / 12 / 0

HEX #AEFFE0

RGB 174 255 224

HSL 157.04, 1%, 0.84%

LAB 94.27, -31.04, 6.99

 

CMYK 25 / 0 / 5 / 0

HEX #BFFFF3

RGB 191 255 243

HSL 168.75, 1%, 0.87%

LAB 95.61, -22.29, -0.75

 

CMYK 51 / 0 / 29 / 5

HEX #76F3AC

RGB 118 243 172

HSL 145.92, 0.84%, 0.71%

LAB 87.45, -50.61, 23.81

 

CMYK 55 / 0 / 32 / 12

HEX #65E199

RGB 101 225 153

HSL 145.16, 0.67%, 0.64%

LAB 81.25, -50.69, 25.02

 

CMYK 59 / 0 / 35 / 19

HEX #54CF86

RGB 84 207 134

HSL 144.39, 0.56%, 0.57%

LAB 74.97, -50.66, 26.32

 

CMYK 65 / 0 / 39 / 26

HEX #43BD73

RGB 67 189 115

HSL 143.61, 0.48%, 0.5%

LAB 68.63, -50.47, 27.72

 

CMYK 71 / 0 / 44 / 33

HEX #32AB60

RGB 50 171 96

HSL 142.81, 0.55%, 0.43%

LAB 62.21, -50.03, 29.23

 

CMYK 51 / 0 / 29 / 5

HEX #76F3AC

RGB 118 243 172

HSL 145.92, 0.84%, 0.71%

LAB 87.45, -50.61, 23.81

 

CMYK 51 / 0 / 43 / 5

HEX #76F38B

RGB 118 243 139

HSL 130.08, 0.84%, 0.71%

LAB 86.91, -56.24, 39.68

 

CMYK 46 / 0 / 51 / 5

HEX #84F376

RGB 132 243 118

HSL 113.28, 0.84%, 0.71%

LAB 87.15, -55.39, 50.14

 

CMYK 32 / 0 / 51 / 5

HEX #A5F376

RGB 165 243 118

HSL 97.44, 0.84%, 0.71%

LAB 88.64, -45.18, 52.29

 

CMYK 18 / 0 / 51 / 5

HEX #C7F376

RGB 199 243 118

HSL 81.12, 0.84%, 0.71%

LAB 90.57, -33.16, 55.06

 

CMYK 51 / 0 / 29 / 5

HEX #76F3AC

RGB 118 243 172

HSL 145.92, 0.84%, 0.71%

LAB 87.45, -50.61, 23.81

 

CMYK 51 / 0 / 15 / 5

HEX #76F3CE

RGB 118 243 206

HSL 162.24, 0.84%, 0.71%

LAB 88.17, -43.59, 7.23

 

CMYK 51 / 0 / 2 / 5

HEX #76F3EF

RGB 118 243 239

HSL 178.08, 0.84%, 0.71%

LAB 89.01, -35.71, -8.76

 

CMYK 51 / 12 / 0 / 5

HEX #76D5F3

RGB 118 213 243

HSL 194.4, 0.84%, 0.71%

LAB 80.69, -20.14, -23.37

 

CMYK 51 / 26 / 0 / 5

HEX #76B3F3

RGB 118 179 243

HSL 210.72, 0.84%, 0.71%

LAB 71.26, -2.14, -37.89

 

CMYK 51 / 0 / 29 / 5

HEX #76F3AC

RGB 118 243 172

HSL 145.92, 0.84%, 0.71%

LAB 87.45, -50.61, 23.81

 

CMYK 51 / 0 / 29 / 5

HEX #76F3AC

RGB 118 243 172

HSL 145.92, 0.84%, 0.71%

LAB 87.45, -50.61, 23.81

 

CMYK 44 / 0 / 25 / 9

HEX #82E7AE

RGB 130 231 174

HSL 146.14, 0.68%, 0.71%

LAB 84.46, -42.1, 18.71

 

CMYK 35 / 0 / 20 / 14

HEX #8EDBAF

RGB 142 219 175

HSL 145.71, 0.52%, 0.71%

LAB 81.57, -33.12, 14.22

 

CMYK 26 / 0 / 14 / 19

HEX #9ACFB1

RGB 154 207 177

HSL 146.04, 0.36%, 0.71%

LAB 78.85, -23.3, 9.39

 

CMYK 15 / 0 / 8 / 24

HEX #A6C3B3

RGB 166 195 179

HSL 146.9, 0.19%, 0.71%

LAB 76.31, -12.93, 4.76

 

CMYK 45 / 0 / 51 / 5

HEX #85F376

RGB 133 243 118

HSL 112.8, 0.84%, 0.71%

LAB 87.19, -55.11, 50.2

 

CMYK 51 / 0 / 44 / 5

HEX #76F389

RGB 118 243 137

HSL 129.12, 0.84%, 0.71%

LAB 86.88, -56.54, 40.62

 

CMYK 51 / 0 / 30 / 5

HEX #76F3AA

RGB 118 243 170

HSL 144.96, 0.84%, 0.71%

LAB 87.41, -50.99, 24.79

 

CMYK 51 / 0 / 16 / 5

HEX #76F3CB

RGB 118 243 203

HSL 160.8, 0.84%, 0.71%

LAB 88.1, -44.25, 8.69

 

CMYK 51 / 0 / 3 / 5

HEX #76F3EC

RGB 118 243 236

HSL 176.64, 0.84%, 0.71%

LAB 88.93, -36.47, -7.32

 

CMYK 82 / 0 / 47 / 7

HEX #2BEC7E

RGB 43 236 126

HSL 145.8, 0.84%, 0.55%

LAB 82.92, -68.82, 40.59

 

CMYK 67 / 0 / 38 / 6

HEX #50EF95

RGB 80 239 149

HSL 146.04, 0.83%, 0.63%

LAB 84.8, -61.03, 31.74

 

CMYK 51 / 0 / 29 / 5

HEX #76F3AC

RGB 118 243 172

HSL 145.92, 0.84%, 0.71%

LAB 87.45, -50.61, 23.81

 

CMYK 37 / 0 / 21 / 4

HEX #9CF6C3

RGB 156 246 195

HSL 146, 0.83%, 0.79%

LAB 90.28, -37.67, 16.15

 

CMYK 22 / 0 / 12 / 2

HEX #C2F9DA

RGB 194 249 218

HSL 146.18, 0.82%, 0.87%

LAB 93.57, -23.41, 9.22

 

CMYK 51 / 0 / 29 / 5

HEX #76F3AC

RGB 118 243 172

HSL 145.92, 0.84%, 0.71%

LAB 87.45, -50.61, 23.81

 

CMYK 51 / 32 / 0 / 5

HEX #76A6F3

RGB 118 166 243

HSL 216.96, 0.84%, 0.71%

LAB 67.72, 5.15, -43.41

 

CMYK 0 / 50 / 51 / 5

HEX #F37976

RGB 243 121 118

HSL 1.44, 0.84%, 0.71%

LAB 64.99, 46.48, 23.67

 

CMYK 51 / 0 / 29 / 5

HEX #76F3AC

RGB 118 243 172

HSL 145.92, 0.84%, 0.71%

LAB 87.45, -50.61, 23.81

 

CMYK 30 / 51 / 0 / 5

HEX #AA76F3

RGB 170 118 243

HSL 264.96, 0.84%, 0.71%

LAB 59.87, 45.28, -55.58

 

CMYK 0 / 30 / 51 / 5

HEX #F3AA76

RGB 243 170 118

HSL 24.96, 0.84%, 0.71%

LAB 75.52, 21.17, 37.42

 

CMYK 51 / 0 / 29 / 5

HEX #76F3AC

RGB 118 243 172

HSL 145.92, 0.84%, 0.71%

LAB 87.45, -50.61, 23.81

 

CMYK 51 / 32 / 0 / 5

HEX #76A6F3

RGB 118 166 243

HSL 216.96, 0.84%, 0.71%

LAB 67.72, 5.15, -43.41

 

CMYK 0 / 51 / 21 / 5

HEX #F376BF

RGB 243 118 191

HSL 324.96, 0.84%, 0.71%

LAB 66.35, 56.2, -15.75

 

CMYK 0 / 20 / 51 / 5

HEX #F3C376

RGB 243 195 118

HSL 36.96, 0.84%, 0.71%

LAB 81.51, 8.03, 44.91

 

CMYK 51 / 0 / 29 / 5

HEX #76F3AC

RGB 118 243 172

HSL 145.92, 0.84%, 0.71%

LAB 87.45, -50.61, 23.81

 

CMYK 51 / 47 / 0 / 5

HEX #7681F3

RGB 118 129 243

HSL 234.72, 0.84%, 0.71%

LAB 58.06, 26.79, -58.72

 

CMYK 0 / 51 / 21 / 5

HEX #F376BF

RGB 243 118 191

HSL 324.96, 0.84%, 0.71%

LAB 66.35, 56.2, -15.75

 

CMYK 0 / 5 / 51 / 5

HEX #F3E876

RGB 243 232 118

HSL 54.72, 0.84%, 0.71%

LAB 90.81, -10.84, 56.13

 

Description

Color code: HEX #76F3AC | qconv.com Color code: HEX #76F3AC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 243 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 243 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 29 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 29% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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