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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #76ECEC it is the complementary color #891313. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #76ECEC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #76ECEC shade: #7BECE7, #8CFEFA, #9DFFFF, #AEFFFF and #BFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #76ECEC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #76ECEC shade: #76ECEC, #65DAD9, #54C8C6, #43B6B3 and #32A4A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #76ECEC shade: #73ECEC, #73ECCB, #73ECAB, #73EC8A and #7DEC73

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #76ECEC shade: #73ECEC, #73CBEC, #73ABEC, #738AEC and #7373EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #76ECEC shade matches the following richer shades: #73ECEC and #67F8F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #76ECEC shade: #73ECEC, #80DFDF, #8DD2D2, #9AC5C5 and #A7B8B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #76ECEC shade: #73ECAB, #73ECCB, #73ECEC, #73CBEC and #73ABEC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #76ECEC shade: #2BE2E2, #4FE7E7, #73ECEC, #98F0F0 and #BCF5F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #76ECEC shade: #76ECEC, #8B73EC and #ECBB73

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #76ECEC shade: #76ECEC, #EC73EC and #ECEC73

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #76ECEC shade: #76ECEC, #8B73EC, #EC7373 and #D3EC73

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #76ECEC shade: #76ECEC, #AF73EC, #EC7373 and #AFEC73

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 0 / 7

HEX #76ECEC

RGB 118 236 236

HSL 180, 0.76%, 0.69%

LAB 86.95, -33.21, -10.25

 

Complementary color

CMYK 0 / 86 / 86 / 46

HEX #891313

RGB 137 19 19

HSL 0, 0.76%, 0.31%

LAB 28.98, 47.29, 33.3

 

CMYK 48 / 0 / 2 / 7

HEX #7BECE7

RGB 123 236 231

HSL 177.35, 0.75%, 0.7%

LAB 86.98, -33.42, -7.56

 

CMYK 45 / 0 / 2 / 0

HEX #8CFEFA

RGB 140 254 250

HSL 177.89, 0.98%, 0.77%

LAB 93.17, -33.44, -8.22

 

CMYK 38 / 0 / 0 / 0

HEX #9DFFFF

RGB 157 255 255

HSL 180, 1%, 0.81%

LAB 94.27, -28.75, -9.1

 

CMYK 32 / 0 / 0 / 0

HEX #AEFFFF

RGB 174 255 255

HSL 180, 1%, 0.84%

LAB 95.05, -24.43, -7.86

 

CMYK 25 / 0 / 0 / 0

HEX #BFFFFF

RGB 191 255 255

HSL 180, 1%, 0.87%

LAB 95.92, -19.77, -6.48

 

CMYK 50 / 0 / 0 / 7

HEX #76ECEC

RGB 118 236 236

HSL 180, 0.76%, 0.69%

LAB 86.95, -33.21, -10.25

 

CMYK 54 / 0 / 0 / 15

HEX #65DAD9

RGB 101 218 217

HSL 179.49, 0.61%, 0.63%

LAB 80.69, -33.06, -9.57

 

CMYK 58 / 0 / 1 / 22

HEX #54C8C6

RGB 84 200 198

HSL 178.97, 0.51%, 0.56%

LAB 74.36, -32.81, -8.83

 

CMYK 63 / 0 / 2 / 29

HEX #43B6B3

RGB 67 182 179

HSL 178.43, 0.46%, 0.49%

LAB 67.95, -32.44, -8.03

 

CMYK 70 / 0 / 2 / 36

HEX #32A4A0

RGB 50 164 160

HSL 177.89, 0.53%, 0.42%

LAB 61.45, -31.88, -7.15

 

CMYK 51 / 0 / 0 / 7

HEX #73ECEC

RGB 115 236 236

HSL 180, 0.76%, 0.69%

LAB 86.85, -33.82, -10.42

 

CMYK 51 / 0 / 14 / 7

HEX #73ECCB

RGB 115 236 203

HSL 163.64, 0.76%, 0.69%

LAB 85.98, -41.83, 5.64

 

CMYK 51 / 0 / 28 / 7

HEX #73ECAB

RGB 115 236 171

HSL 147.77, 0.76%, 0.69%

LAB 85.29, -48.59, 21.33

 

CMYK 51 / 0 / 42 / 7

HEX #73EC8A

RGB 115 236 138

HSL 131.4, 0.76%, 0.69%

LAB 84.73, -54.38, 37.33

 

CMYK 47 / 0 / 51 / 7

HEX #7DEC73

RGB 125 236 115

HSL 115.04, 0.76%, 0.69%

LAB 84.79, -54.96, 48.6

 

CMYK 51 / 0 / 0 / 7

HEX #73ECEC

RGB 115 236 236

HSL 180, 0.76%, 0.69%

LAB 86.85, -33.82, -10.42

 

CMYK 51 / 14 / 0 / 7

HEX #73CBEC

RGB 115 203 236

HSL 196.36, 0.76%, 0.69%

LAB 77.53, -17.62, -24.46

 

CMYK 51 / 28 / 0 / 7

HEX #73ABEC

RGB 115 171 236

HSL 212.23, 0.76%, 0.69%

LAB 68.63, -0.43, -38.19

 

CMYK 51 / 42 / 0 / 7

HEX #738AEC

RGB 115 138 236

HSL 228.6, 0.76%, 0.69%

LAB 59.78, 18.65, -52.11

 

CMYK 51 / 51 / 0 / 7

HEX #7373EC

RGB 115 115 236

HSL 240, 0.76%, 0.69%

LAB 53.99, 32.37, -61.37

 

CMYK 51 / 0 / 0 / 7

HEX #73ECEC

RGB 115 236 236

HSL 180, 0.76%, 0.69%

LAB 86.85, -33.82, -10.42

 

CMYK 58 / 0 / 0 / 3

HEX #67F8F8

RGB 103 248 248

HSL 180, 0.91%, 0.69%

LAB 90.23, -38.45, -11.69

 

CMYK 51 / 0 / 0 / 7

HEX #73ECEC

RGB 115 236 236

HSL 180, 0.76%, 0.69%

LAB 86.85, -33.82, -10.42

 

CMYK 43 / 0 / 0 / 13

HEX #80DFDF

RGB 128 223 223

HSL 180, 0.6%, 0.69%

LAB 83.28, -28.08, -8.81

 

CMYK 33 / 0 / 0 / 18

HEX #8DD2D2

RGB 141 210 210

HSL 180, 0.43%, 0.69%

LAB 79.85, -21.52, -6.91

 

CMYK 22 / 0 / 0 / 23

HEX #9AC5C5

RGB 154 197 197

HSL 180, 0.27%, 0.69%

LAB 76.58, -14.11, -4.67

 

CMYK 9 / 0 / 0 / 28

HEX #A7B8B8

RGB 167 184 184

HSL 180, 0.11%, 0.69%

LAB 73.52, -5.84, -2.01

 

CMYK 51 / 0 / 28 / 7

HEX #73ECAB

RGB 115 236 171

HSL 147.77, 0.76%, 0.69%

LAB 85.29, -48.59, 21.33

 

CMYK 51 / 0 / 14 / 7

HEX #73ECCB

RGB 115 236 203

HSL 163.64, 0.76%, 0.69%

LAB 85.98, -41.83, 5.64

 

CMYK 51 / 0 / 0 / 7

HEX #73ECEC

RGB 115 236 236

HSL 180, 0.76%, 0.69%

LAB 86.85, -33.82, -10.42

 

CMYK 51 / 14 / 0 / 7

HEX #73CBEC

RGB 115 203 236

HSL 196.36, 0.76%, 0.69%

LAB 77.53, -17.62, -24.46

 

CMYK 51 / 28 / 0 / 7

HEX #73ABEC

RGB 115 171 236

HSL 212.23, 0.76%, 0.69%

LAB 68.63, -0.43, -38.19

 

CMYK 81 / 0 / 0 / 11

HEX #2BE2E2

RGB 43 226 226

HSL 180, 0.76%, 0.53%

LAB 82.05, -42.05, -12.46

 

CMYK 66 / 0 / 0 / 9

HEX #4FE7E7

RGB 79 231 231

HSL 180, 0.76%, 0.61%

LAB 84.27, -38.99, -11.73

 

CMYK 51 / 0 / 0 / 7

HEX #73ECEC

RGB 115 236 236

HSL 180, 0.76%, 0.69%

LAB 86.85, -33.82, -10.42

 

CMYK 37 / 0 / 0 / 6

HEX #98F0F0

RGB 152 240 240

HSL 180, 0.75%, 0.77%

LAB 89.53, -26.33, -8.37

 

CMYK 23 / 0 / 0 / 4

HEX #BCF5F5

RGB 188 245 245

HSL 180, 0.74%, 0.85%

LAB 92.83, -17.85, -5.88

 

CMYK 50 / 0 / 0 / 7

HEX #76ECEC

RGB 118 236 236

HSL 180, 0.76%, 0.69%

LAB 86.95, -33.21, -10.25

 

CMYK 41 / 51 / 0 / 7

HEX #8B73EC

RGB 139 115 236

HSL 251.9, 0.76%, 0.69%

LAB 55.89, 37.65, -58.21

 

CMYK 0 / 21 / 51 / 7

HEX #ECBB73

RGB 236 187 115

HSL 35.7, 0.76%, 0.69%

LAB 78.82, 9.11, 42.94

 

CMYK 50 / 0 / 0 / 7

HEX #76ECEC

RGB 118 236 236

HSL 180, 0.76%, 0.69%

LAB 86.95, -33.21, -10.25

 

CMYK 0 / 51 / 0 / 7

HEX #EC73EC

RGB 236 115 236

HSL 300, 0.76%, 0.69%

LAB 66.63, 62.64, -40.51

 

CMYK 0 / 0 / 51 / 7

HEX #ECEC73

RGB 236 236 115

HSL 60, 0.76%, 0.69%

LAB 91.26, -15.84, 57.88

 

CMYK 50 / 0 / 0 / 7

HEX #76ECEC

RGB 118 236 236

HSL 180, 0.76%, 0.69%

LAB 86.95, -33.21, -10.25

 

CMYK 41 / 51 / 0 / 7

HEX #8B73EC

RGB 139 115 236

HSL 251.9, 0.76%, 0.69%

LAB 55.89, 37.65, -58.21

 

CMYK 0 / 51 / 51 / 7

HEX #EC7373

RGB 236 115 115

HSL 0, 0.76%, 0.69%

LAB 62.79, 46.65, 22.23

 

CMYK 11 / 0 / 51 / 7

HEX #D3EC73

RGB 211 236 115

HSL 72.4, 0.76%, 0.69%

LAB 89.43, -25.63, 55.27

 

CMYK 50 / 0 / 0 / 7

HEX #76ECEC

RGB 118 236 236

HSL 180, 0.76%, 0.69%

LAB 86.95, -33.21, -10.25

 

CMYK 26 / 51 / 0 / 7

HEX #AF73EC

RGB 175 115 236

HSL 269.75, 0.76%, 0.69%

LAB 59.37, 46.51, -52.45

 

CMYK 0 / 51 / 51 / 7

HEX #EC7373

RGB 236 115 115

HSL 0, 0.76%, 0.69%

LAB 62.79, 46.65, 22.23

 

CMYK 26 / 0 / 51 / 7

HEX #AFEC73

RGB 175 236 115

HSL 90.25, 0.76%, 0.69%

LAB 87.16, -38.99, 52.03

 

Description

Color code: HEX #76ECEC | qconv.com Color code: HEX #76ECEC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 236 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 236 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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