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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #76DA55 it is the complementary color #8925AA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #76DA55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #76DA55 shade: #7BDA50, #8CEC63, #9DFE76, #AEFF89 and #BFFF9C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #76DA55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #76DA55 shade: #76DA55, #65C842, #54B62F, #43A41C and #329209

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #76DA55 shade: #74D953, #98D953, #BCD953, #D9D153 and #D9AD53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #76DA55 shade: #74D953, #53D956, #53D97A, #53D99E and #53D9C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #76DA55 shade matches the following richer shades: #74D953, #6CEA42 and #63FB31

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #76DA55 shade: #74D953, #7DC864, #85B775, #8EA686 and #969597

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #76DA55 shade: #BCD953, #98D953, #74D953, #53D955 and #53D979

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #76DA55 shade: #49B327, #59D131, #74D953, #90E075 and #ABE897

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #76DA55 shade: #76DA55, #53D9D2 and #D953AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #76DA55 shade: #76DA55, #5374D9 and #D95374

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #76DA55 shade: #76DA55, #53D9D2, #B753D9 and #D9535A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #76DA55 shade: #76DA55, #53B7D9, #B753D9 and #D97453

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 61 / 15

HEX #76DA55

RGB 118 218 85

HSL 105.11, 0.64%, 0.59%

LAB 78.84, -53.22, 55.11

 

Complementary color

CMYK 19 / 78 / 0 / 33

HEX #8925AA

RGB 137 37 170

HSL 285.11, 0.64%, 0.41%

LAB 37.01, 59.87, -50.53

 

CMYK 44 / 0 / 63 / 15

HEX #7BDA50

RGB 123 218 80

HSL 101.3, 0.65%, 0.58%

LAB 79, -52.18, 57.46

 

CMYK 41 / 0 / 58 / 7

HEX #8CEC63

RGB 140 236 99

HSL 102.04, 0.78%, 0.66%

LAB 85.23, -52.33, 56.54

 

CMYK 38 / 0 / 54 / 0

HEX #9DFE76

RGB 157 254 118

HSL 102.79, 0.99%, 0.73%

LAB 91.4, -52.37, 55.48

 

CMYK 32 / 0 / 46 / 0

HEX #AEFF89

RGB 174 255 137

HSL 101.19, 1%, 0.77%

LAB 92.72, -45.17, 48.49

 

CMYK 25 / 0 / 39 / 0

HEX #BFFF9C

RGB 191 255 156

HSL 98.79, 1%, 0.81%

LAB 93.88, -37.11, 41

 

CMYK 46 / 0 / 61 / 15

HEX #76DA55

RGB 118 218 85

HSL 105.11, 0.64%, 0.59%

LAB 78.84, -53.22, 55.11

 

CMYK 50 / 0 / 67 / 22

HEX #65C842

RGB 101 200 66

HSL 104.33, 0.55%, 0.52%

LAB 72.54, -52.94, 55.94

 

CMYK 54 / 0 / 74 / 29

HEX #54B62F

RGB 84 182 47

HSL 103.56, 0.59%, 0.45%

LAB 66.17, -52.41, 56.37

 

CMYK 59 / 0 / 83 / 36

HEX #43A41C

RGB 67 164 28

HSL 102.79, 0.71%, 0.38%

LAB 59.73, -51.51, 56.03

 

CMYK 66 / 0 / 94 / 43

HEX #329209

RGB 50 146 9

HSL 102.04, 0.88%, 0.3%

LAB 53.23, -50.07, 54.3

 

CMYK 47 / 0 / 62 / 15

HEX #74D953

RGB 116 217 83

HSL 105.22, 0.64%, 0.59%

LAB 78.44, -53.61, 55.49

 

CMYK 30 / 0 / 62 / 15

HEX #98D953

RGB 152 217 83

HSL 89.1, 0.64%, 0.59%

LAB 80.14, -41.82, 57.85

 

CMYK 13 / 0 / 62 / 15

HEX #BCD953

RGB 188 217 83

HSL 72.99, 0.64%, 0.59%

LAB 82.35, -28.21, 60.9

 

CMYK 0 / 4 / 62 / 15

HEX #D9D153

RGB 217 209 83

HSL 56.42, 0.64%, 0.59%

LAB 82.37, -12.51, 61.56

 

CMYK 0 / 20 / 62 / 15

HEX #D9AD53

RGB 217 173 83

HSL 40.3, 0.64%, 0.59%

LAB 73.06, 6.14, 51.33

 

CMYK 47 / 0 / 62 / 15

HEX #74D953

RGB 116 217 83

HSL 105.22, 0.64%, 0.59%

LAB 78.44, -53.61, 55.49

 

CMYK 62 / 0 / 60 / 15

HEX #53D956

RGB 83 217 86

HSL 121.34, 0.64%, 0.59%

LAB 77.36, -61.77, 52.68

 

CMYK 62 / 0 / 44 / 15

HEX #53D97A

RGB 83 217 122

HSL 137.46, 0.64%, 0.59%

LAB 77.8, -56.85, 36.17

 

CMYK 62 / 0 / 27 / 15

HEX #53D99E

RGB 83 217 158

HSL 153.58, 0.64%, 0.59%

LAB 78.42, -50.15, 18.45

 

CMYK 62 / 0 / 11 / 15

HEX #53D9C2

RGB 83 217 194

HSL 169.7, 0.64%, 0.59%

LAB 79.25, -41.83, 0.51

 

CMYK 47 / 0 / 62 / 15

HEX #74D953

RGB 116 217 83

HSL 105.22, 0.64%, 0.59%

LAB 78.44, -53.61, 55.49

 

CMYK 54 / 0 / 72 / 8

HEX #6CEA42

RGB 108 234 66

HSL 105, 0.8%, 0.59%

LAB 83.14, -63.6, 67.01

 

CMYK 61 / 0 / 80 / 2

HEX #63FB31

RGB 99 251 49

HSL 105.15, 0.96%, 0.59%

LAB 87.91, -72.56, 76.64

 

CMYK 47 / 0 / 62 / 15

HEX #74D953

RGB 116 217 83

HSL 105.22, 0.64%, 0.59%

LAB 78.44, -53.61, 55.49

 

CMYK 38 / 0 / 50 / 22

HEX #7DC864

RGB 125 200 100

HSL 105, 0.48%, 0.59%

LAB 73.93, -41.92, 42.52

 

CMYK 27 / 0 / 36 / 28

HEX #85B775

RGB 133 183 117

HSL 105.45, 0.31%, 0.59%

LAB 69.57, -29.09, 28.41

 

CMYK 14 / 0 / 19 / 35

HEX #8EA686

RGB 142 166 134

HSL 105, 0.15%, 0.59%

LAB 65.55, -14.53, 13.83

 

CMYK 1 / 1 / 0 / 41

HEX #969597

RGB 150 149 151

HSL 270, 0.01%, 0.59%

LAB 61.84, 0.75, -0.93

 

CMYK 13 / 0 / 62 / 15

HEX #BCD953

RGB 188 217 83

HSL 72.99, 0.64%, 0.59%

LAB 82.35, -28.21, 60.9

 

CMYK 30 / 0 / 62 / 15

HEX #98D953

RGB 152 217 83

HSL 89.1, 0.64%, 0.59%

LAB 80.14, -41.82, 57.85

 

CMYK 47 / 0 / 62 / 15

HEX #74D953

RGB 116 217 83

HSL 105.22, 0.64%, 0.59%

LAB 78.44, -53.61, 55.49

 

CMYK 62 / 0 / 61 / 15

HEX #53D955

RGB 83 217 85

HSL 120.9, 0.64%, 0.59%

LAB 77.35, -61.88, 53.11

 

CMYK 62 / 0 / 44 / 15

HEX #53D979

RGB 83 217 121

HSL 137.01, 0.64%, 0.59%

LAB 77.78, -57.02, 36.65

 

CMYK 59 / 0 / 78 / 30

HEX #49B327

RGB 73 179 39

HSL 105.43, 0.64%, 0.43%

LAB 64.81, -54.75, 57.59

 

CMYK 57 / 0 / 77 / 18

HEX #59D131

RGB 89 209 49

HSL 105, 0.63%, 0.51%

LAB 74.79, -60.74, 64.21

 

CMYK 47 / 0 / 62 / 15

HEX #74D953

RGB 116 217 83

HSL 105.22, 0.64%, 0.59%

LAB 78.44, -53.61, 55.49

 

CMYK 36 / 0 / 48 / 12

HEX #90E075

RGB 144 224 117

HSL 104.86, 0.63%, 0.67%

LAB 82.12, -44.02, 44.57

 

CMYK 26 / 0 / 35 / 9

HEX #ABE897

RGB 171 232 151

HSL 105.19, 0.64%, 0.75%

LAB 86.31, -34.06, 33.37

 

CMYK 46 / 0 / 61 / 15

HEX #76DA55

RGB 118 218 85

HSL 105.11, 0.64%, 0.59%

LAB 78.84, -53.22, 55.11

 

CMYK 62 / 0 / 3 / 15

HEX #53D9D2

RGB 83 217 210

HSL 176.87, 0.64%, 0.59%

LAB 79.68, -37.68, -7.4

 

CMYK 0 / 62 / 22 / 15

HEX #D953AA

RGB 217 83 170

HSL 321.04, 0.64%, 0.59%

LAB 55.93, 61.4, -19.91

 

CMYK 46 / 0 / 61 / 15

HEX #76DA55

RGB 118 218 85

HSL 105.11, 0.64%, 0.59%

LAB 78.84, -53.22, 55.11

 

CMYK 62 / 47 / 0 / 15

HEX #5374D9

RGB 83 116 217

HSL 225.22, 0.64%, 0.59%

LAB 51.08, 19.41, -55.46

 

CMYK 0 / 62 / 47 / 15

HEX #D95374

RGB 217 83 116

HSL 345.22, 0.64%, 0.59%

LAB 54.24, 55.16, 9.4

 

CMYK 46 / 0 / 61 / 15

HEX #76DA55

RGB 118 218 85

HSL 105.11, 0.64%, 0.59%

LAB 78.84, -53.22, 55.11

 

CMYK 62 / 0 / 3 / 15

HEX #53D9D2

RGB 83 217 210

HSL 176.87, 0.64%, 0.59%

LAB 79.68, -37.68, -7.4

 

CMYK 16 / 62 / 0 / 15

HEX #B753D9

RGB 183 83 217

HSL 284.78, 0.64%, 0.59%

LAB 53.24, 60.45, -51.49

 

CMYK 0 / 62 / 59 / 15

HEX #D9535A

RGB 217 83 90

HSL 356.87, 0.64%, 0.59%

LAB 53.68, 53.02, 24.02

 

CMYK 46 / 0 / 61 / 15

HEX #76DA55

RGB 118 218 85

HSL 105.11, 0.64%, 0.59%

LAB 78.84, -53.22, 55.11

 

CMYK 62 / 16 / 0 / 15

HEX #53B7D9

RGB 83 183 217

HSL 195.22, 0.64%, 0.59%

LAB 69.98, -19.08, -25.82

 

CMYK 16 / 62 / 0 / 15

HEX #B753D9

RGB 183 83 217

HSL 284.78, 0.64%, 0.59%

LAB 53.24, 60.45, -51.49

 

CMYK 0 / 47 / 62 / 15

HEX #D97453

RGB 217 116 83

HSL 14.78, 0.64%, 0.59%

LAB 59.77, 36.58, 35.71

 

Description

Color code: HEX #76DA55 | qconv.com Color code: HEX #76DA55 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 218 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 218 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 61 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 61% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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