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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #76D278 it is the complementary color #892D87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #76D278. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #76D278 shade: #7BD273, #8CE486, #9DF699, #AEFFAC and #BFFFBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #76D278. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #76D278 shade: #76D278, #65C065, #54AE52, #439C3F and #328A2C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #76D278 shade: #74D276, #8BD274, #A4D274, #BED274 and #D2CC74

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #76D278 shade: #74D276, #74D28F, #74D2A8, #74D2C2 and #74C8D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #76D278 shade matches the following richer shades: #74D276, #65E068, #56EF59 and #47FE4B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #76D278 shade: #74D276, #83C384, #92B492, #A0A5A1 and #AF96AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #76D278 shade: #A4D274, #8BD274, #74D275, #74D28E and #74D2A7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #76D278 shade: #3BB83E, #55C757, #74D276, #93DC95 and #B2E6B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #76D278 shade: #76D278, #74BDD2 and #D27498

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #76D278 shade: #76D278, #7574D2 and #D27574

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #76D278 shade: #76D278, #74BDD2, #D274D0 and #D28874

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #76D278 shade: #76D278, #74A1D2, #D274D0 and #D2A474

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 43 / 18

HEX #76D278

RGB 118 210 120

HSL 121.3, 0.51%, 0.64%

LAB 76.86, -45.65, 36.21

 

Complementary color

CMYK 0 / 67 / 1 / 46

HEX #892D87

RGB 137 45 135

HSL 301.3, 0.51%, 0.36%

LAB 35.88, 50.31, -31.07

 

CMYK 41 / 0 / 45 / 18

HEX #7BD273

RGB 123 210 115

HSL 114.95, 0.51%, 0.64%

LAB 77.01, -44.88, 38.94

 

CMYK 39 / 0 / 41 / 11

HEX #8CE486

RGB 140 228 134

HSL 116.17, 0.64%, 0.71%

LAB 83.33, -44.71, 37.71

 

CMYK 36 / 0 / 38 / 4

HEX #9DF699

RGB 157 246 153

HSL 117.42, 0.84%, 0.78%

LAB 89.57, -44.51, 36.53

 

CMYK 32 / 0 / 33 / 0

HEX #AEFFAC

RGB 174 255 172

HSL 118.55, 1%, 0.84%

LAB 93.23, -40.34, 32.05

 

CMYK 25 / 0 / 25 / 0

HEX #BFFFBF

RGB 191 255 191

HSL 120, 1%, 0.87%

LAB 94.47, -31.93, 24.29

 

CMYK 44 / 0 / 43 / 18

HEX #76D278

RGB 118 210 120

HSL 121.3, 0.51%, 0.64%

LAB 76.86, -45.65, 36.21

 

CMYK 47 / 0 / 47 / 25

HEX #65C065

RGB 101 192 101

HSL 120, 0.42%, 0.57%

LAB 70.46, -45.76, 37.49

 

CMYK 52 / 0 / 53 / 32

HEX #54AE52

RGB 84 174 82

HSL 118.7, 0.36%, 0.5%

LAB 63.97, -45.75, 38.81

 

CMYK 57 / 0 / 60 / 39

HEX #439C3F

RGB 67 156 63

HSL 117.42, 0.42%, 0.43%

LAB 57.39, -45.55, 40.09

 

CMYK 64 / 0 / 68 / 46

HEX #328A2C

RGB 50 138 44

HSL 116.17, 0.52%, 0.36%

LAB 50.73, -45.02, 41.19

 

CMYK 45 / 0 / 44 / 18

HEX #74D276

RGB 116 210 118

HSL 121.28, 0.51%, 0.64%

LAB 76.75, -46.52, 37.05

 

CMYK 34 / 0 / 45 / 18

HEX #8BD274

RGB 139 210 116

HSL 105.32, 0.51%, 0.64%

LAB 77.78, -39.66, 39.58

 

CMYK 22 / 0 / 45 / 18

HEX #A4D274

RGB 164 210 116

HSL 89.36, 0.51%, 0.64%

LAB 79.18, -30.92, 41.64

 

CMYK 10 / 0 / 45 / 18

HEX #BED274

RGB 190 210 116

HSL 72.77, 0.51%, 0.64%

LAB 80.91, -21.1, 44.16

 

CMYK 0 / 3 / 45 / 18

HEX #D2CC74

RGB 210 204 116

HSL 56.17, 0.51%, 0.64%

LAB 80.82, -10.17, 44.4

 

CMYK 45 / 0 / 44 / 18

HEX #74D276

RGB 116 210 118

HSL 121.28, 0.51%, 0.64%

LAB 76.75, -46.52, 37.05

 

CMYK 45 / 0 / 32 / 18

HEX #74D28F

RGB 116 210 143

HSL 137.23, 0.51%, 0.64%

LAB 77.15, -42.44, 24.76

 

CMYK 45 / 0 / 20 / 18

HEX #74D2A8

RGB 116 210 168

HSL 153.19, 0.51%, 0.64%

LAB 77.66, -37.58, 12.24

 

CMYK 45 / 0 / 8 / 18

HEX #74D2C2

RGB 116 210 194

HSL 169.79, 0.51%, 0.64%

LAB 78.29, -31.76, -0.76

 

CMYK 45 / 5 / 0 / 18

HEX #74C8D2

RGB 116 200 210

HSL 186.38, 0.51%, 0.64%

LAB 75.87, -22.89, -12.96

 

CMYK 45 / 0 / 44 / 18

HEX #74D276

RGB 116 210 118

HSL 121.28, 0.51%, 0.64%

LAB 76.75, -46.52, 37.05

 

CMYK 55 / 0 / 54 / 12

HEX #65E068

RGB 101 224 104

HSL 121.46, 0.66%, 0.64%

LAB 80.22, -58.01, 48.02

 

CMYK 64 / 0 / 63 / 6

HEX #56EF59

RGB 86 239 89

HSL 121.18, 0.83%, 0.64%

LAB 84.19, -68.4, 59.12

 

CMYK 72 / 0 / 70 / 0

HEX #47FE4B

RGB 71 254 75

HSL 121.31, 0.99%, 0.64%

LAB 88.32, -77.12, 68.84

 

CMYK 45 / 0 / 44 / 18

HEX #74D276

RGB 116 210 118

HSL 121.28, 0.51%, 0.64%

LAB 76.75, -46.52, 37.05

 

CMYK 33 / 0 / 32 / 24

HEX #83C384

RGB 131 195 132

HSL 120.94, 0.35%, 0.64%

LAB 73.23, -33.07, 25.36

 

CMYK 19 / 0 / 19 / 29

HEX #92B492

RGB 146 180 146

HSL 120, 0.18%, 0.64%

LAB 70.06, -18.22, 13.6

 

CMYK 3 / 0 / 2 / 35

HEX #A0A5A1

RGB 160 165 161

HSL 132, 0.03%, 0.64%

LAB 67.24, -2.54, 1.44

 

CMYK 0 / 14 / 0 / 31

HEX #AF96AF

RGB 175 150 175

HSL 300, 0.14%, 0.64%

LAB 64.98, 13.79, -9.59

 

CMYK 22 / 0 / 45 / 18

HEX #A4D274

RGB 164 210 116

HSL 89.36, 0.51%, 0.64%

LAB 79.18, -30.92, 41.64

 

CMYK 34 / 0 / 45 / 18

HEX #8BD274

RGB 139 210 116

HSL 105.32, 0.51%, 0.64%

LAB 77.78, -39.66, 39.58

 

CMYK 45 / 0 / 44 / 18

HEX #74D275

RGB 116 210 117

HSL 120.64, 0.51%, 0.64%

LAB 76.73, -46.67, 37.54

 

CMYK 45 / 0 / 32 / 18

HEX #74D28E

RGB 116 210 142

HSL 136.6, 0.51%, 0.64%

LAB 77.14, -42.62, 25.25

 

CMYK 45 / 0 / 20 / 18

HEX #74D2A7

RGB 116 210 167

HSL 152.55, 0.51%, 0.64%

LAB 77.64, -37.79, 12.74

 

CMYK 68 / 0 / 66 / 28

HEX #3BB83E

RGB 59 184 62

HSL 121.44, 0.51%, 0.48%

LAB 66.18, -57.76, 50.34

 

CMYK 57 / 0 / 56 / 22

HEX #55C757

RGB 85 199 87

HSL 121.05, 0.5%, 0.56%

LAB 71.87, -54.63, 45.87

 

CMYK 45 / 0 / 44 / 18

HEX #74D276

RGB 116 210 118

HSL 121.28, 0.51%, 0.64%

LAB 76.75, -46.52, 37.05

 

CMYK 33 / 0 / 32 / 14

HEX #93DC95

RGB 147 220 149

HSL 121.64, 0.51%, 0.72%

LAB 81.6, -36.69, 27.88

 

CMYK 23 / 0 / 22 / 10

HEX #B2E6B3

RGB 178 230 179

HSL 121.15, 0.51%, 0.8%

LAB 86.66, -26.36, 19.53

 

CMYK 44 / 0 / 43 / 18

HEX #76D278

RGB 118 210 120

HSL 121.3, 0.51%, 0.64%

LAB 76.86, -45.65, 36.21

 

CMYK 45 / 10 / 0 / 18

HEX #74BDD2

RGB 116 189 210

HSL 193.4, 0.51%, 0.64%

LAB 72.73, -17.29, -17.68

 

CMYK 0 / 45 / 28 / 18

HEX #D27498

RGB 210 116 152

HSL 337.02, 0.51%, 0.64%

LAB 60.3, 41.04, -3.02

 

CMYK 44 / 0 / 43 / 18

HEX #76D278

RGB 118 210 120

HSL 121.3, 0.51%, 0.64%

LAB 76.86, -45.65, 36.21

 

CMYK 44 / 45 / 0 / 18

HEX #7574D2

RGB 117 116 210

HSL 240.64, 0.51%, 0.64%

LAB 52.87, 24.43, -48.52

 

CMYK 0 / 44 / 45 / 18

HEX #D27574

RGB 210 117 116

HSL 0.64, 0.51%, 0.64%

LAB 59.6, 36.2, 16.73

 

CMYK 44 / 0 / 43 / 18

HEX #76D278

RGB 118 210 120

HSL 121.3, 0.51%, 0.64%

LAB 76.86, -45.65, 36.21

 

CMYK 45 / 10 / 0 / 18

HEX #74BDD2

RGB 116 189 210

HSL 193.4, 0.51%, 0.64%

LAB 72.73, -17.29, -17.68

 

CMYK 0 / 45 / 1 / 18

HEX #D274D0

RGB 210 116 208

HSL 301.28, 0.51%, 0.64%

LAB 62.29, 49.93, -31.91

 

CMYK 0 / 35 / 45 / 18

HEX #D28874

RGB 210 136 116

HSL 12.77, 0.51%, 0.64%

LAB 63.81, 26.05, 22.46

 

CMYK 44 / 0 / 43 / 18

HEX #76D278

RGB 118 210 120

HSL 121.3, 0.51%, 0.64%

LAB 76.86, -45.65, 36.21

 

CMYK 45 / 23 / 0 / 18

HEX #74A1D2

RGB 116 161 210

HSL 211.28, 0.51%, 0.64%

LAB 64.85, -2.18, -29.73

 

CMYK 0 / 45 / 1 / 18

HEX #D274D0

RGB 210 116 208

HSL 301.28, 0.51%, 0.64%

LAB 62.29, 49.93, -31.91

 

CMYK 0 / 22 / 45 / 18

HEX #D2A474

RGB 210 164 116

HSL 30.64, 0.51%, 0.64%

LAB 70.53, 10.86, 31.36

 

Description

Color code: HEX #76D278 | qconv.com Color code: HEX #76D278 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 210 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 210 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 43 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 43% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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