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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #76D70E it is the complementary color #8928F1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #76D70E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #76D70E shade: #7BD709, #8CE91C, #9DFB2F, #AEFF42 and #BFFF55

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #76D70E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #76D70E shade: #76D70E, #65C500, #54B300, #43A100 and #328F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #76D70E shade: #76D70D, #ACD70D, #D7CC0D, #D7950D and #D75F0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #76D70E shade: #76D70D, #3FD70D, #0DD712, #0DD748 and #0DD77F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #76D70E shade matches the following richer shades: #76D70D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #76D70E shade: #76D70D, #75C520, #74B232, #74A045 and #738D58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #76D70E shade: #D7CA0D, #AFD70D, #79D70D, #43D70D and #0DD70D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #76D70E shade: #4B8A08, #60B00B, #76D70D, #8BF01E and #9FF344

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #76D70E shade: #76D70E, #0DD794 and #D70DCA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #76D70E shade: #76D70E, #0D79D7 and #D70D79

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #76D70E shade: #76D70E, #0DD794, #6C0DD7 and #D70D51

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #76D70E shade: #76D70E, #0DD7D0, #6C0DD7 and #D70D14

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 93 / 16

HEX #76D70E

RGB 118 215 14

HSL 88.96, 0.88%, 0.45%

LAB 77.57, -56.02, 74.64

 

Complementary color

CMYK 43 / 83 / 0 / 5

HEX #8928F1

RGB 137 40 241

HSL 268.96, 0.88%, 0.55%

LAB 43.04, 73.99, -81.88

 

CMYK 43 / 0 / 96 / 16

HEX #7BD709

RGB 123 215 9

HSL 86.8, 0.92%, 0.44%

LAB 77.78, -54.5, 75.4

 

CMYK 40 / 0 / 88 / 9

HEX #8CE91C

RGB 140 233 28

HSL 87.22, 0.82%, 0.51%

LAB 83.93, -55.54, 78.25

 

CMYK 37 / 0 / 81 / 2

HEX #9DFB2F

RGB 157 251 47

HSL 87.65, 0.96%, 0.58%

LAB 90.03, -56.34, 79.86

 

CMYK 32 / 0 / 74 / 0

HEX #AEFF42

RGB 174 255 66

HSL 85.71, 1%, 0.63%

LAB 92.09, -51.29, 76.77

 

CMYK 25 / 0 / 67 / 0

HEX #BFFF55

RGB 191 255 85

HSL 82.59, 1%, 0.67%

LAB 93.12, -44.12, 71.57

 

CMYK 45 / 0 / 93 / 16

HEX #76D70E

RGB 118 215 14

HSL 88.96, 0.88%, 0.45%

LAB 77.57, -56.02, 74.64

 

CMYK 49 / 0 / 100 / 23

HEX #65C500

RGB 101 197 0

HSL 89.24, 1%, 0.39%

LAB 71.35, -54.73, 70.84

 

CMYK 53 / 0 / 100 / 30

HEX #54B300

RGB 84 179 0

HSL 91.84, 1%, 0.35%

LAB 65.06, -53.12, 65.63

 

CMYK 58 / 0 / 100 / 37

HEX #43A100

RGB 67 161 0

HSL 95.03, 1%, 0.32%

LAB 58.68, -51.34, 60.35

 

CMYK 65 / 0 / 100 / 44

HEX #328F00

RGB 50 143 0

HSL 99.02, 1%, 0.28%

LAB 52.2, -49.29, 55.01

 

CMYK 45 / 0 / 94 / 16

HEX #76D70D

RGB 118 215 13

HSL 88.81, 0.89%, 0.45%

LAB 77.57, -56.04, 74.75

 

CMYK 20 / 0 / 94 / 16

HEX #ACD70D

RGB 172 215 13

HSL 72.77, 0.89%, 0.45%

LAB 80.4, -36.56, 78.2

 

CMYK 0 / 5 / 94 / 16

HEX #D7CC0D

RGB 215 204 13

HSL 56.73, 0.89%, 0.45%

LAB 80.55, -13.37, 79.7

 

CMYK 0 / 31 / 94 / 16

HEX #D7950D

RGB 215 149 13

HSL 40.4, 0.89%, 0.45%

LAB 66.5, 15.46, 69.32

 

CMYK 0 / 56 / 94 / 16

HEX #D75F0D

RGB 215 95 13

HSL 24.36, 0.89%, 0.45%

LAB 54.72, 43.69, 61.14

 

CMYK 45 / 0 / 94 / 16

HEX #76D70D

RGB 118 215 13

HSL 88.81, 0.89%, 0.45%

LAB 77.57, -56.04, 74.75

 

CMYK 71 / 0 / 94 / 16

HEX #3FD70D

RGB 63 215 13

HSL 105.15, 0.89%, 0.45%

LAB 75.88, -69.69, 72.67

 

CMYK 94 / 0 / 92 / 16

HEX #0DD712

RGB 13 215 18

HSL 121.49, 0.89%, 0.45%

LAB 75.28, -74.93, 71.3

 

CMYK 94 / 0 / 67 / 16

HEX #0DD748

RGB 13 215 72

HSL 137.52, 0.89%, 0.45%

LAB 75.55, -71.55, 56.26

 

CMYK 94 / 0 / 41 / 16

HEX #0DD77F

RGB 13 215 127

HSL 153.86, 0.89%, 0.45%

LAB 76.2, -63.56, 31.36

 

CMYK 45 / 0 / 94 / 16

HEX #76D70D

RGB 118 215 13

HSL 88.81, 0.89%, 0.45%

LAB 77.57, -56.04, 74.75

 

CMYK 45 / 0 / 94 / 16

HEX #76D70D

RGB 118 215 13

HSL 88.81, 0.89%, 0.45%

LAB 77.57, -56.04, 74.75

 

CMYK 41 / 0 / 84 / 23

HEX #75C520

RGB 117 197 32

HSL 89.09, 0.72%, 0.45%

LAB 72.11, -48.82, 66.86

 

CMYK 35 / 0 / 72 / 30

HEX #74B232

RGB 116 178 50

HSL 89.06, 0.56%, 0.45%

LAB 66.35, -40.28, 55.93

 

CMYK 28 / 0 / 57 / 37

HEX #74A045

RGB 116 160 69

HSL 89.01, 0.4%, 0.45%

LAB 61.03, -30.5, 42.03

 

CMYK 18 / 0 / 38 / 45

HEX #738D58

RGB 115 141 88

HSL 89.43, 0.23%, 0.45%

LAB 55.48, -19.09, 25.32

 

CMYK 0 / 6 / 94 / 16

HEX #D7CA0D

RGB 215 202 13

HSL 56.14, 0.89%, 0.45%

LAB 80.02, -12.37, 79.3

 

CMYK 19 / 0 / 94 / 16

HEX #AFD70D

RGB 175 215 13

HSL 71.88, 0.89%, 0.45%

LAB 80.6, -35.37, 78.43

 

CMYK 44 / 0 / 94 / 16

HEX #79D70D

RGB 121 215 13

HSL 87.92, 0.89%, 0.45%

LAB 77.69, -55.09, 74.9

 

CMYK 69 / 0 / 94 / 16

HEX #43D70D

RGB 67 215 13

HSL 103.96, 0.89%, 0.45%

LAB 75.96, -68.97, 72.77

 

CMYK 94 / 0 / 94 / 16

HEX #0DD70D

RGB 13 215 13

HSL 120, 0.89%, 0.45%

LAB 75.27, -75.04, 71.92

 

CMYK 46 / 0 / 94 / 46

HEX #4B8A08

RGB 75 138 8

HSL 89.08, 0.89%, 0.29%

LAB 51.49, -39.82, 53.4

 

CMYK 45 / 0 / 94 / 31

HEX #60B00B

RGB 96 176 11

HSL 89.09, 0.88%, 0.37%

LAB 64.61, -48.06, 64.09

 

CMYK 45 / 0 / 94 / 16

HEX #76D70D

RGB 118 215 13

HSL 88.81, 0.89%, 0.45%

LAB 77.57, -56.04, 74.75

 

CMYK 42 / 0 / 88 / 6

HEX #8BF01E

RGB 139 240 30

HSL 88.86, 0.88%, 0.53%

LAB 85.96, -58.51, 79.58

 

CMYK 35 / 0 / 72 / 5

HEX #9FF344

RGB 159 243 68

HSL 88.8, 0.88%, 0.61%

LAB 87.92, -51.43, 71.79

 

CMYK 45 / 0 / 93 / 16

HEX #76D70E

RGB 118 215 14

HSL 88.96, 0.88%, 0.45%

LAB 77.57, -56.02, 74.64

 

CMYK 94 / 0 / 31 / 16

HEX #0DD794

RGB 13 215 148

HSL 160.1, 0.89%, 0.45%

LAB 76.57, -59.3, 20.98

 

CMYK 0 / 94 / 6 / 16

HEX #D70DCA

RGB 215 13 202

HSL 303.86, 0.89%, 0.45%

LAB 50.69, 83.56, -46.68

 

CMYK 45 / 0 / 93 / 16

HEX #76D70E

RGB 118 215 14

HSL 88.96, 0.88%, 0.45%

LAB 77.57, -56.02, 74.64

 

CMYK 94 / 44 / 0 / 16

HEX #0D79D7

RGB 13 121 215

HSL 207.92, 0.89%, 0.45%

LAB 50.29, 7.97, -55.71

 

CMYK 0 / 94 / 44 / 16

HEX #D70D79

RGB 215 13 121

HSL 327.92, 0.89%, 0.45%

LAB 47.13, 74.36, -3.96

 

CMYK 45 / 0 / 93 / 16

HEX #76D70E

RGB 118 215 14

HSL 88.96, 0.88%, 0.45%

LAB 77.57, -56.02, 74.64

 

CMYK 94 / 0 / 31 / 16

HEX #0DD794

RGB 13 215 148

HSL 160.1, 0.89%, 0.45%

LAB 76.57, -59.3, 20.98

 

CMYK 50 / 94 / 0 / 16

HEX #6C0DD7

RGB 108 13 215

HSL 268.22, 0.89%, 0.45%

LAB 34.77, 71.43, -80.81

 

CMYK 0 / 94 / 62 / 16

HEX #D70D51

RGB 215 13 81

HSL 339.8, 0.89%, 0.45%

LAB 46.08, 71.52, 19.34

 

CMYK 45 / 0 / 93 / 16

HEX #76D70E

RGB 118 215 14

HSL 88.96, 0.88%, 0.45%

LAB 77.57, -56.02, 74.64

 

CMYK 94 / 0 / 3 / 16

HEX #0DD7D0

RGB 13 215 208

HSL 177.92, 0.89%, 0.45%

LAB 78.02, -43.98, -8.91

 

CMYK 50 / 94 / 0 / 16

HEX #6C0DD7

RGB 108 13 215

HSL 268.22, 0.89%, 0.45%

LAB 34.77, 71.43, -80.81

 

CMYK 0 / 94 / 91 / 16

HEX #D70D14

RGB 215 13 20

HSL 357.92, 0.89%, 0.45%

LAB 45.34, 69.46, 52.77

 

Description

Color code: HEX #76D70E | qconv.com Color code: HEX #76D70E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 215 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 215 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 93 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 93% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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