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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #76C483 it is the complementary color #893B7C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #76C483. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #76C483 shade: #7BC47E, #8CD691, #9DE8A4, #AEFAB7 and #BFFFCA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #76C483. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #76C483 shade: #76C483, #65B270, #54A05D, #438E4A and #327C37

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #76C483 shade: #77C484, #7FC477, #94C477, #A9C477 and #BEC477

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #76C483 shade: #77C484, #77C499, #77C4AE, #77C4C2 and #77B1C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #76C483 shade matches the following richer shades: #77C484, #67D479, #57E46F and #48F364

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #76C483 shade: #77C484, #87B58E, #96A599, #A695A3 and #B686AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #76C483 shade: #93C477, #7FC477, #77C484, #77C498 and #77C4AD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #76C483 shade: #46A355, #5AB86A, #77C484, #94D19E and #B1DDB8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #76C483 shade: #76C483, #77A8C4 and #C47789

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #76C483 shade: #76C483, #8477C4 and #C48477

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #76C483 shade: #76C483, #77A8C4, #C477B7 and #C49377

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #76C483 shade: #76C483, #7791C4, #C477B7 and #C4AB77

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 33 / 23

HEX #76C483

RGB 118 196 131

HSL 130, 0.4%, 0.62%

LAB 72.87, -37.76, 25.29

 

Complementary color

CMYK 0 / 57 / 9 / 46

HEX #893B7C

RGB 137 59 124

HSL 310, 0.4%, 0.38%

LAB 37.67, 41.96, -21.47

 

CMYK 37 / 0 / 36 / 23

HEX #7BC47E

RGB 123 196 126

HSL 122.47, 0.38%, 0.63%

LAB 73.02, -37.06, 28.16

 

CMYK 35 / 0 / 32 / 16

HEX #8CD691

RGB 140 214 145

HSL 124.05, 0.47%, 0.69%

LAB 79.45, -36.81, 27

 

CMYK 32 / 0 / 29 / 9

HEX #9DE8A4

RGB 157 232 164

HSL 125.6, 0.62%, 0.76%

LAB 85.79, -36.56, 25.91

 

CMYK 30 / 0 / 27 / 2

HEX #AEFAB7

RGB 174 250 183

HSL 127.11, 0.88%, 0.83%

LAB 92.04, -36.31, 24.87

 

CMYK 25 / 0 / 21 / 0

HEX #BFFFCA

RGB 191 255 202

HSL 130.31, 1%, 0.87%

LAB 94.68, -30.08, 18.99

 

CMYK 40 / 0 / 33 / 23

HEX #76C483

RGB 118 196 131

HSL 130, 0.4%, 0.62%

LAB 72.87, -37.76, 25.29

 

CMYK 43 / 0 / 37 / 30

HEX #65B270

RGB 101 178 112

HSL 128.57, 0.33%, 0.55%

LAB 66.35, -38, 26.5

 

CMYK 48 / 0 / 42 / 37

HEX #54A05D

RGB 84 160 93

HSL 127.11, 0.31%, 0.48%

LAB 59.72, -38.19, 27.8

 

CMYK 53 / 0 / 48 / 44

HEX #438E4A

RGB 67 142 74

HSL 125.6, 0.36%, 0.41%

LAB 52.99, -38.27, 29.19

 

CMYK 60 / 0 / 56 / 51

HEX #327C37

RGB 50 124 55

HSL 124.05, 0.43%, 0.34%

LAB 46.14, -38.15, 30.62

 

CMYK 39 / 0 / 33 / 23

HEX #77C484

RGB 119 196 132

HSL 130.13, 0.39%, 0.62%

LAB 72.94, -37.29, 24.86

 

CMYK 35 / 0 / 39 / 23

HEX #7FC477

RGB 127 196 119

HSL 113.77, 0.39%, 0.62%

LAB 73.1, -36.88, 31.94

 

CMYK 24 / 0 / 39 / 23

HEX #94C477

RGB 148 196 119

HSL 97.4, 0.39%, 0.62%

LAB 74.26, -29.7, 33.67

 

CMYK 14 / 0 / 39 / 23

HEX #A9C477

RGB 169 196 119

HSL 81.04, 0.39%, 0.62%

LAB 75.6, -21.94, 35.67

 

CMYK 3 / 0 / 39 / 23

HEX #BEC477

RGB 190 196 119

HSL 64.68, 0.39%, 0.62%

LAB 77.14, -13.77, 37.94

 

CMYK 39 / 0 / 33 / 23

HEX #77C484

RGB 119 196 132

HSL 130.13, 0.39%, 0.62%

LAB 72.94, -37.29, 24.86

 

CMYK 39 / 0 / 22 / 23

HEX #77C499

RGB 119 196 153

HSL 146.49, 0.39%, 0.62%

LAB 73.35, -33.37, 14.22

 

CMYK 39 / 0 / 11 / 23

HEX #77C4AE

RGB 119 196 174

HSL 162.86, 0.39%, 0.62%

LAB 73.84, -28.91, 3.57

 

CMYK 39 / 0 / 1 / 23

HEX #77C4C2

RGB 119 196 194

HSL 178.44, 0.39%, 0.62%

LAB 74.38, -24.2, -6.5

 

CMYK 39 / 10 / 0 / 23

HEX #77B1C4

RGB 119 177 196

HSL 194.81, 0.39%, 0.62%

LAB 69.01, -13.94, -15.63

 

CMYK 39 / 0 / 33 / 23

HEX #77C484

RGB 119 196 132

HSL 130.13, 0.39%, 0.62%

LAB 72.94, -37.29, 24.86

 

CMYK 51 / 0 / 43 / 17

HEX #67D479

RGB 103 212 121

HSL 129.91, 0.56%, 0.62%

LAB 76.89, -50.44, 35.63

 

CMYK 62 / 0 / 51 / 11

HEX #57E46F

RGB 87 228 111

HSL 130.21, 0.72%, 0.62%

LAB 81.1, -61.74, 45.71

 

CMYK 70 / 0 / 59 / 5

HEX #48F364

RGB 72 243 100

HSL 129.82, 0.88%, 0.62%

LAB 85.2, -71.05, 55.51

 

CMYK 39 / 0 / 33 / 23

HEX #77C484

RGB 119 196 132

HSL 130.13, 0.39%, 0.62%

LAB 72.94, -37.29, 24.86

 

CMYK 25 / 0 / 22 / 29

HEX #87B58E

RGB 135 181 142

HSL 129.13, 0.24%, 0.62%

LAB 69.58, -23.23, 15.01

 

CMYK 9 / 0 / 7 / 35

HEX #96A599

RGB 150 165 153

HSL 132, 0.08%, 0.62%

LAB 66.29, -7.63, 4.41

 

CMYK 0 / 10 / 2 / 35

HEX #A695A3

RGB 166 149 163

HSL 310.59, 0.09%, 0.62%

LAB 63.55, 8.85, -5.05

 

CMYK 0 / 26 / 4 / 29

HEX #B686AE

RGB 182 134 174

HSL 310, 0.25%, 0.62%

LAB 61.7, 25.03, -13.87

 

CMYK 25 / 0 / 39 / 23

HEX #93C477

RGB 147 196 119

HSL 98.18, 0.39%, 0.62%

LAB 74.2, -30.06, 33.58

 

CMYK 35 / 0 / 39 / 23

HEX #7FC477

RGB 127 196 119

HSL 113.77, 0.39%, 0.62%

LAB 73.1, -36.88, 31.94

 

CMYK 39 / 0 / 33 / 23

HEX #77C484

RGB 119 196 132

HSL 130.13, 0.39%, 0.62%

LAB 72.94, -37.29, 24.86

 

CMYK 39 / 0 / 22 / 23

HEX #77C498

RGB 119 196 152

HSL 145.71, 0.39%, 0.62%

LAB 73.33, -33.57, 14.73

 

CMYK 39 / 0 / 12 / 23

HEX #77C4AD

RGB 119 196 173

HSL 162.08, 0.39%, 0.62%

LAB 73.82, -29.13, 4.08

 

CMYK 57 / 0 / 48 / 36

HEX #46A355

RGB 70 163 85

HSL 129.68, 0.4%, 0.46%

LAB 60.03, -44.54, 32.3

 

CMYK 51 / 0 / 42 / 28

HEX #5AB86A

RGB 90 184 106

HSL 130.21, 0.4%, 0.54%

LAB 67.65, -44.7, 31.27

 

CMYK 39 / 0 / 33 / 23

HEX #77C484

RGB 119 196 132

HSL 130.13, 0.39%, 0.62%

LAB 72.94, -37.29, 24.86

 

CMYK 29 / 0 / 24 / 18

HEX #94D19E

RGB 148 209 158

HSL 129.84, 0.4%, 0.7%

LAB 78.67, -29.72, 19.2

 

CMYK 20 / 0 / 17 / 13

HEX #B1DDB8

RGB 177 221 184

HSL 129.55, 0.39%, 0.78%

LAB 84.24, -21.44, 13.51

 

CMYK 40 / 0 / 33 / 23

HEX #76C483

RGB 118 196 131

HSL 130, 0.4%, 0.62%

LAB 72.87, -37.76, 25.29

 

CMYK 39 / 14 / 0 / 23

HEX #77A8C4

RGB 119 168 196

HSL 201.82, 0.39%, 0.62%

LAB 66.45, -9.12, -19.49

 

CMYK 0 / 39 / 30 / 23

HEX #C47789

RGB 196 119 137

HSL 345.97, 0.39%, 0.62%

LAB 58.73, 32.4, 3.13

 

CMYK 40 / 0 / 33 / 23

HEX #76C483

RGB 118 196 131

HSL 130, 0.4%, 0.62%

LAB 72.87, -37.76, 25.29

 

CMYK 33 / 39 / 0 / 23

HEX #8477C4

RGB 132 119 196

HSL 250.13, 0.39%, 0.62%

LAB 54.12, 22.66, -38.5

 

CMYK 0 / 33 / 39 / 23

HEX #C48477

RGB 196 132 119

HSL 10.13, 0.39%, 0.62%

LAB 61.28, 23.03, 17.05

 

CMYK 40 / 0 / 33 / 23

HEX #76C483

RGB 118 196 131

HSL 130, 0.4%, 0.62%

LAB 72.87, -37.76, 25.29

 

CMYK 39 / 14 / 0 / 23

HEX #77A8C4

RGB 119 168 196

HSL 201.82, 0.39%, 0.62%

LAB 66.45, -9.12, -19.49

 

CMYK 0 / 39 / 7 / 23

HEX #C477B7

RGB 196 119 183

HSL 310.13, 0.39%, 0.62%

LAB 60.2, 39.59, -21.12

 

CMYK 0 / 25 / 39 / 23

HEX #C49377

RGB 196 147 119

HSL 21.82, 0.39%, 0.62%

LAB 64.91, 14.77, 22

 

CMYK 40 / 0 / 33 / 23

HEX #76C483

RGB 118 196 131

HSL 130, 0.4%, 0.62%

LAB 72.87, -37.76, 25.29

 

CMYK 39 / 26 / 0 / 23

HEX #7791C4

RGB 119 145 196

HSL 219.74, 0.39%, 0.62%

LAB 60.03, 3.77, -29.34

 

CMYK 0 / 39 / 7 / 23

HEX #C477B7

RGB 196 119 183

HSL 310.13, 0.39%, 0.62%

LAB 60.2, 39.59, -21.12

 

CMYK 0 / 13 / 39 / 23

HEX #C4AB77

RGB 196 171 119

HSL 40.52, 0.39%, 0.62%

LAB 71, 1.72, 30.12

 

Description

Color code: HEX #76C483 | qconv.com Color code: HEX #76C483 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 196 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 196 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 33 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 33% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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