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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #76B6CC it is the complementary color #894933. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #76B6CC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #76B6CC shade: #7BB6C7, #8CC8DA, #9DDAED, #AEECFF and #BFFEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #76B6CC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #76B6CC shade: #76B6CC, #65A4B9, #5492A6, #438093 and #326E80

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #76B6CC shade: #75B5CC, #759ECC, #7587CC, #7A75CC and #9275CC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #76B6CC shade: #75B5CC, #759ECC, #7587CC and #7575CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #76B6CC shade matches the following richer shades: #75B5CC, #65BDDB, #56C4EA and #47CCF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #76B6CC shade: #75B5CC, #84AEBC, #93A6AD, #A39F9E and #B2988E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #76B6CC shade: #75CCB3, #75CCCA, #75B6CC, #759FCC and #7588CC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #76B6CC shade: #4092AE, #57A5C0, #75B5CC, #93C5D7 and #B1D5E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #76B6CC shade: #76B6CC, #9C75CC and #CCBF75

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #76B6CC shade: #76B6CC, #CC75B6 and #B6CC75

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #76B6CC shade: #76B6CC, #9C75CC, #CC8A75 and #A4CC75

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #76B6CC shade: #76B6CC, #B675CC, #CC8A75 and #8ACC75

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 11 / 0 / 20

HEX #76B6CC

RGB 118 182 204

HSL 195.35, 0.46%, 0.63%

LAB 70.64, -14.73, -17.56

 

Complementary color

CMYK 0 / 47 / 63 / 46

HEX #894933

RGB 137 73 51

HSL 15.35, 0.46%, 0.37%

LAB 38.42, 25.01, 25.06

 

CMYK 38 / 9 / 0 / 22

HEX #7BB6C7

RGB 123 182 199

HSL 193.42, 0.4%, 0.63%

LAB 70.73, -14.74, -14.66

 

CMYK 36 / 8 / 0 / 15

HEX #8CC8DA

RGB 140 200 218

HSL 193.85, 0.51%, 0.7%

LAB 77.25, -14.78, -15.09

 

CMYK 34 / 8 / 0 / 7

HEX #9DDAED

RGB 157 218 237

HSL 194.25, 0.69%, 0.77%

LAB 83.67, -14.81, -15.51

 

CMYK 32 / 7 / 0 / 0

HEX #AEECFF

RGB 174 236 255

HSL 194.07, 1%, 0.84%

LAB 89.96, -15.06, -15.45

 

CMYK 25 / 0 / 0 / 0

HEX #BFFEFF

RGB 191 254 255

HSL 180.94, 1%, 0.87%

LAB 95.66, -19.28, -6.87

 

CMYK 42 / 11 / 0 / 20

HEX #76B6CC

RGB 118 182 204

HSL 195.35, 0.46%, 0.63%

LAB 70.64, -14.73, -17.56

 

CMYK 45 / 11 / 0 / 27

HEX #65A4B9

RGB 101 164 185

HSL 195, 0.38%, 0.56%

LAB 64.02, -14.6, -17.15

 

CMYK 49 / 12 / 0 / 35

HEX #5492A6

RGB 84 146 166

HSL 194.63, 0.33%, 0.49%

LAB 57.27, -14.4, -16.73

 

CMYK 54 / 13 / 0 / 42

HEX #438093

RGB 67 128 147

HSL 194.25, 0.37%, 0.42%

LAB 50.38, -14.13, -16.29

 

CMYK 61 / 14 / 0 / 50

HEX #326E80

RGB 50 110 128

HSL 193.85, 0.44%, 0.35%

LAB 43.34, -13.7, -15.82

 

CMYK 43 / 11 / 0 / 20

HEX #75B5CC

RGB 117 181 204

HSL 195.86, 0.46%, 0.63%

LAB 70.31, -14.46, -18.07

 

CMYK 43 / 23 / 0 / 20

HEX #759ECC

RGB 117 158 204

HSL 211.72, 0.46%, 0.63%

LAB 63.83, -1.93, -27.96

 

CMYK 43 / 34 / 0 / 20

HEX #7587CC

RGB 117 135 204

HSL 227.59, 0.46%, 0.63%

LAB 57.53, 11.33, -37.76

 

CMYK 40 / 43 / 0 / 20

HEX #7A75CC

RGB 122 117 204

HSL 243.45, 0.46%, 0.63%

LAB 53.19, 23.35, -44.58

 

CMYK 28 / 43 / 0 / 20

HEX #9275CC

RGB 146 117 204

HSL 260, 0.46%, 0.63%

LAB 55.27, 29.85, -41.15

 

CMYK 43 / 11 / 0 / 20

HEX #75B5CC

RGB 117 181 204

HSL 195.86, 0.46%, 0.63%

LAB 70.31, -14.46, -18.07

 

CMYK 43 / 23 / 0 / 20

HEX #759ECC

RGB 117 158 204

HSL 211.72, 0.46%, 0.63%

LAB 63.83, -1.93, -27.96

 

CMYK 43 / 34 / 0 / 20

HEX #7587CC

RGB 117 135 204

HSL 227.59, 0.46%, 0.63%

LAB 57.53, 11.33, -37.76

 

CMYK 43 / 43 / 0 / 20

HEX #7575CC

RGB 117 117 204

HSL 240, 0.46%, 0.63%

LAB 52.8, 22.07, -45.22

 

CMYK 43 / 11 / 0 / 20

HEX #75B5CC

RGB 117 181 204

HSL 195.86, 0.46%, 0.63%

LAB 70.31, -14.46, -18.07

 

CMYK 54 / 14 / 0 / 14

HEX #65BDDB

RGB 101 189 219

HSL 195.25, 0.62%, 0.63%

LAB 72.41, -18.16, -23.13

 

CMYK 63 / 16 / 0 / 8

HEX #56C4EA

RGB 86 196 234

HSL 195.41, 0.78%, 0.63%

LAB 74.44, -20.12, -28.19

 

CMYK 71 / 18 / 0 / 2

HEX #47CCF9

RGB 71 204 249

HSL 195.17, 0.94%, 0.63%

LAB 76.9, -21.75, -32.51

 

CMYK 43 / 11 / 0 / 20

HEX #75B5CC

RGB 117 181 204

HSL 195.86, 0.46%, 0.63%

LAB 70.31, -14.46, -18.07

 

CMYK 30 / 7 / 0 / 26

HEX #84AEBC

RGB 132 174 188

HSL 195, 0.29%, 0.63%

LAB 68.61, -10.72, -11.73

 

CMYK 15 / 4 / 0 / 32

HEX #93A6AD

RGB 147 166 173

HSL 196.15, 0.14%, 0.63%

LAB 66.89, -5.13, -5.86

 

CMYK 0 / 2 / 3 / 36

HEX #A39F9E

RGB 163 159 158

HSL 12, 0.03%, 0.63%

LAB 65.79, 1.26, 1.03

 

CMYK 0 / 15 / 20 / 30

HEX #B2988E

RGB 178 152 142

HSL 16.67, 0.19%, 0.63%

LAB 64.86, 8.02, 8.83

 

CMYK 43 / 0 / 12 / 20

HEX #75CCB3

RGB 117 204 179

HSL 162.76, 0.46%, 0.63%

LAB 76.21, -32.14, 4.28

 

CMYK 43 / 0 / 1 / 20

HEX #75CCCA

RGB 117 204 202

HSL 178.62, 0.46%, 0.63%

LAB 76.82, -26.67, -7.22

 

CMYK 43 / 11 / 0 / 20

HEX #75B6CC

RGB 117 182 204

HSL 195.17, 0.46%, 0.63%

LAB 70.59, -14.99, -17.64

 

CMYK 43 / 22 / 0 / 20

HEX #759FCC

RGB 117 159 204

HSL 211.03, 0.46%, 0.63%

LAB 64.11, -2.49, -27.53

 

CMYK 43 / 33 / 0 / 20

HEX #7588CC

RGB 117 136 204

HSL 226.9, 0.46%, 0.63%

LAB 57.8, 10.75, -37.34

 

CMYK 63 / 16 / 0 / 32

HEX #4092AE

RGB 64 146 174

HSL 195.27, 0.46%, 0.47%

LAB 56.79, -16.17, -22.1

 

CMYK 55 / 14 / 0 / 25

HEX #57A5C0

RGB 87 165 192

HSL 195.43, 0.45%, 0.55%

LAB 63.95, -16.34, -21.21

 

CMYK 43 / 11 / 0 / 20

HEX #75B5CC

RGB 117 181 204

HSL 195.86, 0.46%, 0.63%

LAB 70.31, -14.46, -18.07

 

CMYK 32 / 8 / 0 / 16

HEX #93C5D7

RGB 147 197 215

HSL 195.88, 0.46%, 0.71%

LAB 76.7, -12.02, -14.25

 

CMYK 22 / 6 / 0 / 11

HEX #B1D5E2

RGB 177 213 226

HSL 195.92, 0.46%, 0.79%

LAB 83.14, -9.03, -10.34

 

CMYK 42 / 11 / 0 / 20

HEX #76B6CC

RGB 118 182 204

HSL 195.35, 0.46%, 0.63%

LAB 70.64, -14.73, -17.56

 

CMYK 24 / 43 / 0 / 20

HEX #9C75CC

RGB 156 117 204

HSL 266.9, 0.46%, 0.63%

LAB 56.24, 32.7, -39.56

 

CMYK 0 / 6 / 43 / 20

HEX #CCBF75

RGB 204 191 117

HSL 51.03, 0.46%, 0.63%

LAB 76.91, -5.81, 38.9

 

CMYK 42 / 11 / 0 / 20

HEX #76B6CC

RGB 118 182 204

HSL 195.35, 0.46%, 0.63%

LAB 70.64, -14.73, -17.56

 

CMYK 0 / 43 / 11 / 20

HEX #CC75B6

RGB 204 117 182

HSL 315.17, 0.46%, 0.63%

LAB 60.73, 43.06, -19.66

 

CMYK 11 / 0 / 43 / 20

HEX #B6CC75

RGB 182 204 117

HSL 75.17, 0.46%, 0.63%

LAB 78.7, -21.14, 40.8

 

CMYK 42 / 11 / 0 / 20

HEX #76B6CC

RGB 118 182 204

HSL 195.35, 0.46%, 0.63%

LAB 70.64, -14.73, -17.56

 

CMYK 24 / 43 / 0 / 20

HEX #9C75CC

RGB 156 117 204

HSL 266.9, 0.46%, 0.63%

LAB 56.24, 32.7, -39.56

 

CMYK 0 / 32 / 43 / 20

HEX #CC8A75

RGB 204 138 117

HSL 14.48, 0.46%, 0.63%

LAB 63.59, 22.69, 21.48

 

CMYK 20 / 0 / 43 / 20

HEX #A4CC75

RGB 164 204 117

HSL 87.59, 0.46%, 0.63%

LAB 77.5, -27.96, 39.02

 

CMYK 42 / 11 / 0 / 20

HEX #76B6CC

RGB 118 182 204

HSL 195.35, 0.46%, 0.63%

LAB 70.64, -14.73, -17.56

 

CMYK 11 / 43 / 0 / 20

HEX #B675CC

RGB 182 117 204

HSL 284.83, 0.46%, 0.63%

LAB 59, 40.33, -35.04

 

CMYK 0 / 32 / 43 / 20

HEX #CC8A75

RGB 204 138 117

HSL 14.48, 0.46%, 0.63%

LAB 63.59, 22.69, 21.48

 

CMYK 32 / 0 / 43 / 20

HEX #8ACC75

RGB 138 204 117

HSL 105.52, 0.46%, 0.63%

LAB 75.99, -37.16, 36.8

 

Description

Color code: HEX #76B6CC | qconv.com Color code: HEX #76B6CC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 182 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 182 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 11 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 11% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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