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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #76912A it is the complementary color #896ED5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #76912A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #76912A shade: #7B9125, #8CA338, #9DB54B, #AEC75E and #BFD971

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #76912A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #76912A shade: #76912A, #657F17, #546D04, #435B00 and #324900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #76912A shade: #77922A, #92912A, #92752A, #92592A and #923D2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #76912A shade: #77922A, #5B922A, #3F922A, #2A9231 and #2A924D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #76912A shade matches the following richer shades: #77922A, #7EA11B and #85B00B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #76912A shade: #77922A, #6F8239, #687348, #616458 and #595567

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #76912A shade: #92742A, #92902A, #78922A, #5C922A and #40922A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #76912A shade: #425217, #5D7221, #77922A, #91B233 and #A6C945

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #76912A shade: #76912A, #2A9259 and #822A92

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #76912A shade: #76912A, #2A7892 and #922A78

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #76912A shade: #76912A, #2A9259, #442A92 and #922A63

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #76912A shade: #76912A, #2A9278, #442A92 and #922A44

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 71 / 43

HEX #76912A

RGB 118 145 42

HSL 75.73, 0.55%, 0.37%

LAB 56.36, -24.67, 48.96

 

Complementary color

CMYK 36 / 48 / 0 / 16

HEX #896ED5

RGB 137 110 213

HSL 255.73, 0.55%, 0.63%

LAB 53.25, 33.82, -49.51

 

CMYK 15 / 0 / 74 / 43

HEX #7B9125

RGB 123 145 37

HSL 72.22, 0.59%, 0.36%

LAB 56.68, -22.84, 51.31

 

CMYK 14 / 0 / 66 / 36

HEX #8CA338

RGB 140 163 56

HSL 72.9, 0.49%, 0.43%

LAB 63.39, -23.44, 50.96

 

CMYK 13 / 0 / 59 / 29

HEX #9DB54B

RGB 157 181 75

HSL 73.58, 0.42%, 0.5%

LAB 69.98, -23.87, 50.15

 

CMYK 13 / 0 / 53 / 22

HEX #AEC75E

RGB 174 199 94

HSL 74.29, 0.48%, 0.57%

LAB 76.47, -24.19, 49.13

 

CMYK 12 / 0 / 48 / 15

HEX #BFD971

RGB 191 217 113

HSL 75, 0.58%, 0.65%

LAB 82.86, -24.43, 48.02

 

CMYK 19 / 0 / 71 / 43

HEX #76912A

RGB 118 145 42

HSL 75.73, 0.55%, 0.37%

LAB 56.36, -24.67, 48.96

 

CMYK 20 / 0 / 82 / 50

HEX #657F17

RGB 101 127 23

HSL 75, 0.69%, 0.29%

LAB 49.5, -24, 48.78

 

CMYK 23 / 0 / 96 / 57

HEX #546D04

RGB 84 109 4

HSL 74.29, 0.93%, 0.22%

LAB 42.51, -23.06, 47.16

 

CMYK 26 / 0 / 100 / 64

HEX #435B00

RGB 67 91 0

HSL 75.82, 1%, 0.18%

LAB 35.35, -21.64, 42.19

 

CMYK 32 / 0 / 100 / 71

HEX #324900

RGB 50 73 0

HSL 78.9, 1%, 0.14%

LAB 27.96, -20.07, 35.97

 

CMYK 18 / 0 / 71 / 43

HEX #77922A

RGB 119 146 42

HSL 75.58, 0.55%, 0.37%

LAB 56.73, -24.75, 49.36

 

CMYK 0 / 1 / 71 / 43

HEX #92912A

RGB 146 145 42

HSL 59.42, 0.55%, 0.37%

LAB 58.54, -12.44, 51.85

 

CMYK 0 / 20 / 71 / 43

HEX #92752A

RGB 146 117 42

HSL 43.27, 0.55%, 0.37%

LAB 50.69, 3.01, 43.96

 

CMYK 0 / 39 / 71 / 43

HEX #92592A

RGB 146 89 42

HSL 27.12, 0.55%, 0.37%

LAB 43.39, 19.17, 36.22

 

CMYK 0 / 58 / 71 / 43

HEX #923D2A

RGB 146 61 42

HSL 10.96, 0.55%, 0.37%

LAB 37.14, 34.62, 29.2

 

CMYK 18 / 0 / 71 / 43

HEX #77922A

RGB 119 146 42

HSL 75.58, 0.55%, 0.37%

LAB 56.73, -24.75, 49.36

 

CMYK 38 / 0 / 71 / 43

HEX #5B922A

RGB 91 146 42

HSL 91.73, 0.55%, 0.37%

LAB 55.02, -35.85, 47.07

 

CMYK 57 / 0 / 71 / 43

HEX #3F922A

RGB 63 146 42

HSL 107.88, 0.55%, 0.37%

LAB 53.79, -44.91, 45.42

 

CMYK 71 / 0 / 66 / 43

HEX #2A9231

RGB 42 146 49

HSL 124.04, 0.55%, 0.37%

LAB 53.25, -49.12, 41.67

 

CMYK 71 / 0 / 47 / 43

HEX #2A924D

RGB 42 146 77

HSL 140.19, 0.55%, 0.37%

LAB 53.58, -45.17, 28.19

 

CMYK 18 / 0 / 71 / 43

HEX #77922A

RGB 119 146 42

HSL 75.58, 0.55%, 0.37%

LAB 56.73, -24.75, 49.36

 

CMYK 22 / 0 / 83 / 37

HEX #7EA11B

RGB 126 161 27

HSL 75.67, 0.71%, 0.37%

LAB 61.66, -29.86, 59.11

 

CMYK 24 / 0 / 94 / 31

HEX #85B00B

RGB 133 176 11

HSL 75.64, 0.88%, 0.37%

LAB 66.57, -34.43, 66.48

 

CMYK 18 / 0 / 71 / 43

HEX #77922A

RGB 119 146 42

HSL 75.58, 0.55%, 0.37%

LAB 56.73, -24.75, 49.36

 

CMYK 15 / 0 / 56 / 49

HEX #6F8239

RGB 111 130 57

HSL 75.62, 0.39%, 0.37%

LAB 51.43, -18.78, 36.69

 

CMYK 10 / 0 / 37 / 55

HEX #687348

RGB 104 115 72

HSL 75.35, 0.23%, 0.37%

LAB 46.54, -11.9, 22.45

 

CMYK 3 / 0 / 12 / 61

HEX #616458

RGB 97 100 88

HSL 75, 0.06%, 0.37%

LAB 41.78, -3.58, 6.41

 

CMYK 14 / 17 / 0 / 60

HEX #595567

RGB 89 85 103

HSL 253.33, 0.1%, 0.37%

LAB 37.11, 5.65, -9.77

 

CMYK 0 / 21 / 71 / 43

HEX #92742A

RGB 146 116 42

HSL 42.69, 0.55%, 0.37%

LAB 50.42, 3.58, 43.68

 

CMYK 0 / 1 / 71 / 43

HEX #92902A

RGB 146 144 42

HSL 58.85, 0.55%, 0.37%

LAB 58.25, -11.91, 51.57

 

CMYK 18 / 0 / 71 / 43

HEX #78922A

RGB 120 146 42

HSL 75, 0.55%, 0.37%

LAB 56.8, -24.33, 49.45

 

CMYK 37 / 0 / 71 / 43

HEX #5C922A

RGB 92 146 42

HSL 91.15, 0.55%, 0.37%

LAB 55.07, -35.48, 47.14

 

CMYK 56 / 0 / 71 / 43

HEX #40922A

RGB 64 146 42

HSL 107.31, 0.55%, 0.37%

LAB 53.83, -44.63, 45.47

 

CMYK 20 / 0 / 72 / 68

HEX #425217

RGB 66 82 23

HSL 76.27, 0.56%, 0.21%

LAB 32.38, -16.1, 31.31

 

CMYK 18 / 0 / 71 / 55

HEX #5D7221

RGB 93 114 33

HSL 75.56, 0.55%, 0.29%

LAB 44.9, -20.29, 40.44

 

CMYK 18 / 0 / 71 / 43

HEX #77922A

RGB 119 146 42

HSL 75.58, 0.55%, 0.37%

LAB 56.73, -24.75, 49.36

 

CMYK 19 / 0 / 71 / 30

HEX #91B233

RGB 145 178 51

HSL 75.59, 0.55%, 0.45%

LAB 68.09, -29.01, 57.87

 

CMYK 17 / 0 / 66 / 21

HEX #A6C945

RGB 166 201 69

HSL 75.91, 0.55%, 0.53%

LAB 76.26, -30.34, 59.7

 

CMYK 19 / 0 / 71 / 43

HEX #76912A

RGB 118 145 42

HSL 75.73, 0.55%, 0.37%

LAB 56.36, -24.67, 48.96

 

CMYK 71 / 0 / 39 / 43

HEX #2A9259

RGB 42 146 89

HSL 147.12, 0.55%, 0.37%

LAB 53.78, -42.93, 21.92

 

CMYK 11 / 71 / 0 / 43

HEX #822A92

RGB 130 42 146

HSL 290.77, 0.55%, 0.37%

LAB 34.96, 51.89, -39.37

 

CMYK 19 / 0 / 71 / 43

HEX #76912A

RGB 118 145 42

HSL 75.73, 0.55%, 0.37%

LAB 56.36, -24.67, 48.96

 

CMYK 71 / 18 / 0 / 43

HEX #2A7892

RGB 42 120 146

HSL 195, 0.55%, 0.37%

LAB 46.98, -14.76, -20.99

 

CMYK 0 / 71 / 18 / 43

HEX #922A78

RGB 146 42 120

HSL 315, 0.55%, 0.37%

LAB 36.22, 51.41, -21.1

 

CMYK 19 / 0 / 71 / 43

HEX #76912A

RGB 118 145 42

HSL 75.73, 0.55%, 0.37%

LAB 56.36, -24.67, 48.96

 

CMYK 71 / 0 / 39 / 43

HEX #2A9259

RGB 42 146 89

HSL 147.12, 0.55%, 0.37%

LAB 53.78, -42.93, 21.92

 

CMYK 53 / 71 / 0 / 43

HEX #442A92

RGB 68 42 146

HSL 255, 0.55%, 0.37%

LAB 26.62, 39.01, -53.26

 

CMYK 0 / 71 / 32 / 43

HEX #922A63

RGB 146 42 99

HSL 327.12, 0.55%, 0.37%

LAB 35.34, 48.53, -9.18

 

CMYK 19 / 0 / 71 / 43

HEX #76912A

RGB 118 145 42

HSL 75.73, 0.55%, 0.37%

LAB 56.36, -24.67, 48.96

 

CMYK 71 / 0 / 18 / 43

HEX #2A9278

RGB 42 146 120

HSL 165, 0.55%, 0.37%

LAB 54.46, -35.76, 5.33

 

CMYK 53 / 71 / 0 / 43

HEX #442A92

RGB 68 42 146

HSL 255, 0.55%, 0.37%

LAB 26.62, 39.01, -53.26

 

CMYK 0 / 71 / 53 / 43

HEX #922A44

RGB 146 42 68

HSL 345, 0.55%, 0.37%

LAB 34.36, 45.24, 9.38

 

Description

Color code: HEX #76912A | qconv.com Color code: HEX #76912A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 145 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 145 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 71 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 71% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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