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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #767E88 it is the complementary color #898177. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #767E88. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #767E88 shade: #7B7E83, #8C9096, #9DA2A9, #AEB4BC and #BFC6CF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #767E88. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #767E88 shade: #767E88, #656C75, #545A62, #43484F and #32363C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #767E88 shade: #767E88, #767988, #787688, #7D7688 and #817688

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #767E88 shade: #767E88, #767988 and #767688

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #767E88 shade matches the following richer shades: #767E88, #617C9D, #4D79B1, #3877C6 and #2475DA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #767E88 shade: #767E88, #8B8073, #9F835F, #B4854A and #C98735

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #767E88 shade: #768888, #768388, #767E88, #767988 and #787688

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #767E88 shade: #50555C, #636A72, #767E88, #8C939B and #A2A8AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #767E88 shade: #767E88, #837688 and #858876

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #767E88 shade: #767E88, #88767E and #7E8876

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #767E88 shade: #767E88, #837688, #888076 and #7B8876

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #767E88 shade: #767E88, #887687, #888076 and #768877

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 7 / 0 / 47

HEX #767E88

RGB 118 126 136

HSL 213.33, 0.07%, 0.5%

LAB 52.45, -0.79, -6.43

 

Complementary color

CMYK 0 / 6 / 13 / 46

HEX #898177

RGB 137 129 119

HSL 33.33, 0.07%, 0.5%

LAB 54.4, 1.2, 6.5

 

CMYK 6 / 4 / 0 / 49

HEX #7B7E83

RGB 123 126 131

HSL 217.5, 0.03%, 0.5%

LAB 52.7, -0.08, -3.11

 

CMYK 7 / 4 / 0 / 41

HEX #8C9096

RGB 140 144 150

HSL 216, 0.05%, 0.57%

LAB 59.64, -0.24, -3.69

 

CMYK 7 / 4 / 0 / 34

HEX #9DA2A9

RGB 157 162 169

HSL 215, 0.07%, 0.64%

LAB 66.42, -0.38, -4.25

 

CMYK 7 / 4 / 0 / 26

HEX #AEB4BC

RGB 174 180 188

HSL 214.29, 0.09%, 0.71%

LAB 73.07, -0.52, -4.8

 

CMYK 8 / 4 / 0 / 19

HEX #BFC6CF

RGB 191 198 207

HSL 213.75, 0.14%, 0.78%

LAB 79.6, -0.66, -5.33

 

CMYK 13 / 7 / 0 / 47

HEX #767E88

RGB 118 126 136

HSL 213.33, 0.07%, 0.5%

LAB 52.45, -0.79, -6.43

 

CMYK 14 / 8 / 0 / 54

HEX #656C75

RGB 101 108 117

HSL 213.75, 0.07%, 0.43%

LAB 45.33, -0.65, -5.92

 

CMYK 14 / 8 / 0 / 62

HEX #545A62

RGB 84 90 98

HSL 214.29, 0.08%, 0.36%

LAB 37.98, -0.51, -5.4

 

CMYK 15 / 9 / 0 / 69

HEX #43484F

RGB 67 72 79

HSL 215, 0.08%, 0.29%

LAB 30.38, -0.36, -4.87

 

CMYK 17 / 10 / 0 / 76

HEX #32363C

RGB 50 54 60

HSL 216, 0.09%, 0.22%

LAB 22.45, -0.19, -4.33

 

CMYK 13 / 7 / 0 / 47

HEX #767E88

RGB 118 126 136

HSL 213.33, 0.07%, 0.5%

LAB 52.45, -0.79, -6.43

 

CMYK 13 / 11 / 0 / 47

HEX #767988

RGB 118 121 136

HSL 230, 0.07%, 0.5%

LAB 51.04, 2.11, -8.54

 

CMYK 12 / 13 / 0 / 47

HEX #787688

RGB 120 118 136

HSL 246.67, 0.07%, 0.5%

LAB 50.37, 4.58, -9.53

 

CMYK 8 / 13 / 0 / 47

HEX #7D7688

RGB 125 118 136

HSL 263.33, 0.07%, 0.5%

LAB 50.8, 6.37, -8.84

 

CMYK 5 / 13 / 0 / 47

HEX #817688

RGB 129 118 136

HSL 276.67, 0.07%, 0.5%

LAB 51.15, 7.82, -8.27

 

CMYK 13 / 7 / 0 / 47

HEX #767E88

RGB 118 126 136

HSL 213.33, 0.07%, 0.5%

LAB 52.45, -0.79, -6.43

 

CMYK 13 / 11 / 0 / 47

HEX #767988

RGB 118 121 136

HSL 230, 0.07%, 0.5%

LAB 51.04, 2.11, -8.54

 

CMYK 13 / 13 / 0 / 47

HEX #767688

RGB 118 118 136

HSL 240, 0.07%, 0.5%

LAB 50.2, 3.87, -9.8

 

CMYK 13 / 7 / 0 / 47

HEX #767E88

RGB 118 126 136

HSL 213.33, 0.07%, 0.5%

LAB 52.45, -0.79, -6.43

 

CMYK 38 / 21 / 0 / 38

HEX #617C9D

RGB 97 124 157

HSL 213, 0.24%, 0.5%

LAB 51.14, -1.09, -20.82

 

CMYK 56 / 32 / 0 / 31

HEX #4D79B1

RGB 77 121 177

HSL 213.6, 0.39%, 0.5%

LAB 50.01, 1.72, -34.29

 

CMYK 72 / 40 / 0 / 22

HEX #3877C6

RGB 56 119 198

HSL 213.38, 0.56%, 0.5%

LAB 49.63, 6.46, -47.04

 

CMYK 83 / 46 / 0 / 15

HEX #2475DA

RGB 36 117 218

HSL 213.3, 0.72%, 0.5%

LAB 49.69, 12.98, -58.36

 

CMYK 13 / 7 / 0 / 47

HEX #767E88

RGB 118 126 136

HSL 213.33, 0.07%, 0.5%

LAB 52.45, -0.79, -6.43

 

CMYK 0 / 8 / 17 / 45

HEX #8B8073

RGB 139 128 115

HSL 32.5, 0.09%, 0.5%

LAB 54.2, 1.87, 8.56

 

CMYK 0 / 18 / 40 / 38

HEX #9F835F

RGB 159 131 95

HSL 33.75, 0.25%, 0.5%

LAB 56.52, 5.56, 23.48

 

CMYK 0 / 26 / 59 / 29

HEX #B4854A

RGB 180 133 74

HSL 33.4, 0.42%, 0.5%

LAB 58.95, 11.39, 38.43

 

CMYK 0 / 33 / 74 / 21

HEX #C98735

RGB 201 135 53

HSL 33.24, 0.58%, 0.5%

LAB 61.66, 18.09, 52.28

 

CMYK 13 / 0 / 0 / 47

HEX #768888

RGB 118 136 136

HSL 180, 0.07%, 0.5%

LAB 55.32, -6.48, -2.2

 

CMYK 13 / 4 / 0 / 47

HEX #768388

RGB 118 131 136

HSL 196.67, 0.07%, 0.5%

LAB 53.88, -3.66, -4.32

 

CMYK 13 / 7 / 0 / 47

HEX #767E88

RGB 118 126 136

HSL 213.33, 0.07%, 0.5%

LAB 52.45, -0.79, -6.43

 

CMYK 13 / 11 / 0 / 47

HEX #767988

RGB 118 121 136

HSL 230, 0.07%, 0.5%

LAB 51.04, 2.11, -8.54

 

CMYK 12 / 13 / 0 / 47

HEX #787688

RGB 120 118 136

HSL 246.67, 0.07%, 0.5%

LAB 50.37, 4.58, -9.53

 

CMYK 13 / 8 / 0 / 64

HEX #50555C

RGB 80 85 92

HSL 215, 0.07%, 0.34%

LAB 35.94, -0.37, -4.75

 

CMYK 13 / 7 / 0 / 55

HEX #636A72

RGB 99 106 114

HSL 212, 0.07%, 0.42%

LAB 44.48, -0.88, -5.39

 

CMYK 13 / 7 / 0 / 47

HEX #767E88

RGB 118 126 136

HSL 213.33, 0.07%, 0.5%

LAB 52.45, -0.79, -6.43

 

CMYK 10 / 5 / 0 / 39

HEX #8C939B

RGB 140 147 155

HSL 212, 0.07%, 0.58%

LAB 60.61, -0.88, -5.09

 

CMYK 7 / 3 / 0 / 32

HEX #A2A8AE

RGB 162 168 174

HSL 210, 0.07%, 0.66%

LAB 68.56, -0.93, -3.83

 

CMYK 13 / 7 / 0 / 47

HEX #767E88

RGB 118 126 136

HSL 213.33, 0.07%, 0.5%

LAB 52.45, -0.79, -6.43

 

CMYK 4 / 13 / 0 / 47

HEX #837688

RGB 131 118 136

HSL 283.33, 0.07%, 0.5%

LAB 51.34, 8.55, -7.98

 

CMYK 2 / 0 / 13 / 47

HEX #858876

RGB 133 136 118

HSL 70, 0.07%, 0.5%

LAB 55.99, -4.49, 9.29

 

CMYK 13 / 7 / 0 / 47

HEX #767E88

RGB 118 126 136

HSL 213.33, 0.07%, 0.5%

LAB 52.45, -0.79, -6.43

 

CMYK 0 / 13 / 7 / 47

HEX #88767E

RGB 136 118 126

HSL 333.33, 0.07%, 0.5%

LAB 51.49, 8.43, -1.81

 

CMYK 7 / 0 / 13 / 47

HEX #7E8876

RGB 126 136 118

HSL 93.33, 0.07%, 0.5%

LAB 55.43, -7.18, 8.43

 

CMYK 13 / 7 / 0 / 47

HEX #767E88

RGB 118 126 136

HSL 213.33, 0.07%, 0.5%

LAB 52.45, -0.79, -6.43

 

CMYK 4 / 13 / 0 / 47

HEX #837688

RGB 131 118 136

HSL 283.33, 0.07%, 0.5%

LAB 51.34, 8.55, -7.98

 

CMYK 0 / 6 / 13 / 47

HEX #888076

RGB 136 128 118

HSL 33.33, 0.07%, 0.5%

LAB 54.01, 1.2, 6.51

 

CMYK 10 / 0 / 13 / 47

HEX #7B8876

RGB 123 136 118

HSL 103.33, 0.07%, 0.5%

LAB 55.2, -8.32, 8.07

 

CMYK 13 / 7 / 0 / 47

HEX #767E88

RGB 118 126 136

HSL 213.33, 0.07%, 0.5%

LAB 52.45, -0.79, -6.43

 

CMYK 0 / 13 / 1 / 47

HEX #887687

RGB 136 118 135

HSL 303.33, 0.07%, 0.5%

LAB 51.77, 10.18, -6.7

 

CMYK 0 / 6 / 13 / 47

HEX #888076

RGB 136 128 118

HSL 33.33, 0.07%, 0.5%

LAB 54.01, 1.2, 6.51

 

CMYK 13 / 0 / 13 / 47

HEX #768877

RGB 118 136 119

HSL 123.33, 0.07%, 0.5%

LAB 54.86, -9.99, 6.95

 

Description

Color code: HEX #767E88 | qconv.com Color code: HEX #767E88 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 126 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 126 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 7 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 7% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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