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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7672A4 it is the complementary color #898D5B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7672A4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7672A4 shade: #7B729F, #8C84B2, #9D96C5, #AEA8D8 and #BFBAEB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7672A4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7672A4 shade: #7672A4, #656091, #544E7E, #433C6B and #322A58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7672A4 shade: #7773A5, #8473A5, #9273A5, #9F73A5 and #A5739D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7672A4 shade: #7773A5 and #7373A5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7672A4 shade matches the following richer shades: #7773A5, #6760B8, #574DCA, #483BDD and #3828EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7672A4 shade: #7773A5, #868592, #969880, #A5AA6D and #B5BD5B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7672A4 shade: #738AA5, #737DA5, #7673A5, #8373A5 and #9173A5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7672A4 shade: #504D78, #615D91, #7773A5, #8F8CB5 and #A7A5C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7672A4 shade: #7672A4, #A57398 and #83A573

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7672A4 shade: #7672A4, #A57673 and #73A576

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7672A4 shade: #7672A4, #A57398, #A2A573 and #73A580

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7672A4 shade: #7672A4, #A57388, #A2A573 and #73A58F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 30 / 0 / 36

HEX #7672A4

RGB 118 114 164

HSL 244.8, 0.22%, 0.55%

LAB 50.18, 13.09, -26.27

 

Complementary color

CMYK 3 / 0 / 35 / 45

HEX #898D5B

RGB 137 141 91

HSL 64.8, 0.22%, 0.45%

LAB 57.2, -9.77, 26.22

 

CMYK 23 / 28 / 0 / 38

HEX #7B729F

RGB 123 114 159

HSL 252, 0.19%, 0.54%

LAB 50.39, 13.41, -22.98

 

CMYK 21 / 26 / 0 / 30

HEX #8C84B2

RGB 140 132 178

HSL 250.43, 0.23%, 0.61%

LAB 57.36, 12.9, -23.12

 

CMYK 20 / 24 / 0 / 23

HEX #9D96C5

RGB 157 150 197

HSL 248.94, 0.29%, 0.68%

LAB 64.17, 12.44, -23.3

 

CMYK 19 / 22 / 0 / 15

HEX #AEA8D8

RGB 174 168 216

HSL 247.5, 0.38%, 0.75%

LAB 70.84, 12.03, -23.5

 

CMYK 19 / 21 / 0 / 8

HEX #BFBAEB

RGB 191 186 235

HSL 246.12, 0.55%, 0.83%

LAB 77.4, 11.65, -23.72

 

CMYK 28 / 30 / 0 / 36

HEX #7672A4

RGB 118 114 164

HSL 244.8, 0.22%, 0.55%

LAB 50.18, 13.09, -26.27

 

CMYK 30 / 34 / 0 / 43

HEX #656091

RGB 101 96 145

HSL 246.12, 0.2%, 0.47%

LAB 43.03, 13.71, -26.25

 

CMYK 33 / 38 / 0 / 51

HEX #544E7E

RGB 84 78 126

HSL 247.5, 0.24%, 0.4%

LAB 35.67, 14.46, -26.29

 

CMYK 37 / 44 / 0 / 58

HEX #433C6B

RGB 67 60 107

HSL 248.94, 0.28%, 0.33%

LAB 28.08, 15.36, -26.42

 

CMYK 43 / 52 / 0 / 65

HEX #322A58

RGB 50 42 88

HSL 250.43, 0.35%, 0.25%

LAB 20.2, 16.5, -26.65

 

CMYK 28 / 30 / 0 / 35

HEX #7773A5

RGB 119 115 165

HSL 244.8, 0.22%, 0.55%

LAB 50.57, 13.06, -26.24

 

CMYK 20 / 30 / 0 / 35

HEX #8473A5

RGB 132 115 165

HSL 260.4, 0.22%, 0.55%

LAB 51.71, 17.19, -24.39

 

CMYK 12 / 30 / 0 / 35

HEX #9273A5

RGB 146 115 165

HSL 277.2, 0.22%, 0.55%

LAB 53.05, 21.79, -22.21

 

CMYK 4 / 30 / 0 / 35

HEX #9F73A5

RGB 159 115 165

HSL 292.8, 0.22%, 0.55%

LAB 54.4, 26.15, -20.03

 

CMYK 0 / 30 / 5 / 35

HEX #A5739D

RGB 165 115 157

HSL 309.6, 0.22%, 0.55%

LAB 54.76, 26.65, -14.77

 

CMYK 28 / 30 / 0 / 35

HEX #7773A5

RGB 119 115 165

HSL 244.8, 0.22%, 0.55%

LAB 50.57, 13.06, -26.24

 

CMYK 30 / 30 / 0 / 35

HEX #7373A5

RGB 115 115 165

HSL 240, 0.22%, 0.55%

LAB 50.24, 11.83, -26.77

 

CMYK 28 / 30 / 0 / 35

HEX #7773A5

RGB 119 115 165

HSL 244.8, 0.22%, 0.55%

LAB 50.57, 13.06, -26.24

 

CMYK 44 / 48 / 0 / 28

HEX #6760B8

RGB 103 96 184

HSL 244.77, 0.38%, 0.55%

LAB 45.23, 25.45, -45.8

 

CMYK 57 / 62 / 0 / 21

HEX #574DCA

RGB 87 77 202

HSL 244.8, 0.54%, 0.55%

LAB 40.57, 39.22, -63.85

 

CMYK 67 / 73 / 0 / 13

HEX #483BDD

RGB 72 59 221

HSL 244.81, 0.7%, 0.55%

LAB 37.35, 53.35, -80.12

 

CMYK 77 / 83 / 0 / 6

HEX #3828EF

RGB 56 40 239

HSL 244.82, 0.86%, 0.55%

LAB 35.18, 66.35, -93.99

 

CMYK 28 / 30 / 0 / 35

HEX #7773A5

RGB 119 115 165

HSL 244.8, 0.22%, 0.55%

LAB 50.57, 13.06, -26.24

 

CMYK 8 / 9 / 0 / 43

HEX #868592

RGB 134 133 146

HSL 244.62, 0.06%, 0.55%

LAB 56.01, 3.03, -6.82

 

CMYK 1 / 0 / 16 / 40

HEX #969880

RGB 150 152 128

HSL 65, 0.1%, 0.55%

LAB 62.08, -5.05, 12.4

 

CMYK 3 / 0 / 36 / 33

HEX #A5AA6D

RGB 165 170 109

HSL 64.92, 0.26%, 0.55%

LAB 67.91, -11.51, 30.89

 

CMYK 4 / 0 / 52 / 26

HEX #B5BD5B

RGB 181 189 91

HSL 64.9, 0.43%, 0.55%

LAB 74.17, -16.68, 47.99

 

CMYK 30 / 16 / 0 / 35

HEX #738AA5

RGB 115 138 165

HSL 212.4, 0.22%, 0.55%

LAB 56.62, -1.68, -16.97

 

CMYK 30 / 24 / 0 / 35

HEX #737DA5

RGB 115 125 165

HSL 228, 0.22%, 0.55%

LAB 52.98, 5.87, -22.54

 

CMYK 28 / 30 / 0 / 35

HEX #7673A5

RGB 118 115 165

HSL 243.6, 0.22%, 0.55%

LAB 50.49, 12.75, -26.37

 

CMYK 21 / 30 / 0 / 35

HEX #8373A5

RGB 131 115 165

HSL 259.2, 0.22%, 0.55%

LAB 51.61, 16.86, -24.54

 

CMYK 12 / 30 / 0 / 35

HEX #9173A5

RGB 145 115 165

HSL 276, 0.22%, 0.55%

LAB 52.95, 21.45, -22.37

 

CMYK 33 / 36 / 0 / 53

HEX #504D78

RGB 80 77 120

HSL 244.19, 0.22%, 0.39%

LAB 34.74, 12.12, -24.07

 

CMYK 33 / 36 / 0 / 43

HEX #615D91

RGB 97 93 145

HSL 244.62, 0.22%, 0.47%

LAB 41.87, 14.35, -28.09

 

CMYK 28 / 30 / 0 / 35

HEX #7773A5

RGB 119 115 165

HSL 244.8, 0.22%, 0.55%

LAB 50.57, 13.06, -26.24

 

CMYK 21 / 23 / 0 / 29

HEX #8F8CB5

RGB 143 140 181

HSL 244.39, 0.22%, 0.63%

LAB 59.83, 9.94, -21.03

 

CMYK 15 / 16 / 0 / 23

HEX #A7A5C5

RGB 167 165 197

HSL 243.75, 0.22%, 0.71%

LAB 68.86, 7.23, -16.09

 

CMYK 28 / 30 / 0 / 36

HEX #7672A4

RGB 118 114 164

HSL 244.8, 0.22%, 0.55%

LAB 50.18, 13.09, -26.27

 

CMYK 0 / 30 / 8 / 35

HEX #A57398

RGB 165 115 152

HSL 315.6, 0.22%, 0.55%

LAB 54.58, 25.72, -12.12

 

CMYK 21 / 0 / 30 / 35

HEX #83A573

RGB 131 165 115

HSL 100.8, 0.22%, 0.55%

LAB 64.14, -21.23, 22.22

HEX #83A573

CMYK 28 / 30 / 0 / 36

HEX #7672A4

RGB 118 114 164

HSL 244.8, 0.22%, 0.55%

LAB 50.18, 13.09, -26.27

 

CMYK 0 / 28 / 30 / 35

HEX #A57673

RGB 165 118 115

HSL 3.6, 0.22%, 0.55%

LAB 54.23, 18.02, 8.97

 

CMYK 30 / 0 / 28 / 35

HEX #73A576

RGB 115 165 118

HSL 123.6, 0.22%, 0.55%

LAB 63.23, -26.38, 19.18

 

CMYK 28 / 30 / 0 / 36

HEX #7672A4

RGB 118 114 164

HSL 244.8, 0.22%, 0.55%

LAB 50.18, 13.09, -26.27

 

CMYK 0 / 30 / 8 / 35

HEX #A57398

RGB 165 115 152

HSL 315.6, 0.22%, 0.55%

LAB 54.58, 25.72, -12.12

 

CMYK 2 / 0 / 30 / 35

HEX #A2A573

RGB 162 165 115

HSL 63.6, 0.22%, 0.55%

LAB 66.39, -9.3, 25.63

 

CMYK 30 / 0 / 22 / 35

HEX #73A580

RGB 115 165 128

HSL 135.6, 0.22%, 0.55%

LAB 63.44, -24.53, 13.95

 

CMYK 28 / 30 / 0 / 36

HEX #7672A4

RGB 118 114 164

HSL 244.8, 0.22%, 0.55%

LAB 50.18, 13.09, -26.27

 

CMYK 0 / 30 / 18 / 35

HEX #A57388

RGB 165 115 136

HSL 334.8, 0.22%, 0.55%

LAB 54.07, 22.94, -3.55

 

CMYK 2 / 0 / 30 / 35

HEX #A2A573

RGB 162 165 115

HSL 63.6, 0.22%, 0.55%

LAB 66.39, -9.3, 25.63

 

CMYK 30 / 0 / 13 / 35

HEX #73A58F

RGB 115 165 143

HSL 153.6, 0.22%, 0.55%

LAB 63.79, -21.49, 6.1

 

Description

Color code: HEX #7672A4 | qconv.com Color code: HEX #7672A4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 114 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 114 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 30 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 30% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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