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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #76741D it is the complementary color #898BE2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #76741D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #76741D shade: #7B7418, #8C862B, #9D983E, #AEAA51 and #BFBC64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #76741D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #76741D shade: #76741D, #65620A, #545000, #433E00 and #322C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #76741D shade: #77751C, #775C1C, #77441C, #772C1C and #771C1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #76741D shade: #77751C, #60771C, #48771C, #30771C and #1C7721

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #76741D shade matches the following richer shades: #77751C, #838010 and #8E8B04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #76741D shade: #77751C, #6B6928, #5F5E34, #535240 and #47474C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #76741D shade: #77431C, #775B1C, #77741C, #62771C and #49771C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #76741D shade: #34330C, #555414, #77751C, #989524 and #B9B62C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #76741D shade: #76741D, #1C772B and #4F1C77

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #76741D shade: #76741D, #1C7774 and #741C77

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #76741D shade: #76741D, #1C772B, #1C1F77 and #771C68

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #76741D shade: #76741D, #1C7746, #1C1F77 and #771C4C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 75 / 54

HEX #76741D

RGB 118 116 29

HSL 58.65, 0.61%, 0.29%

LAB 47.53, -10.19, 45.36

 

Complementary color

CMYK 39 / 38 / 0 / 11

HEX #898BE2

RGB 137 139 226

HSL 238.65, 0.61%, 0.71%

LAB 61.02, 20.4, -44.49

 

CMYK 0 / 6 / 80 / 52

HEX #7B7418

RGB 123 116 24

HSL 55.76, 0.67%, 0.29%

LAB 47.97, -8.07, 47.73

 

CMYK 0 / 4 / 69 / 45

HEX #8C862B

RGB 140 134 43

HSL 56.29, 0.53%, 0.36%

LAB 54.87, -9.17, 47.61

 

CMYK 0 / 3 / 61 / 38

HEX #9D983E

RGB 157 152 62

HSL 56.84, 0.43%, 0.43%

LAB 61.63, -10.03, 46.81

 

CMYK 0 / 2 / 53 / 32

HEX #AEAA51

RGB 174 170 81

HSL 57.42, 0.36%, 0.5%

LAB 68.27, -10.7, 45.74

 

CMYK 0 / 2 / 48 / 25

HEX #BFBC64

RGB 191 188 100

HSL 58.02, 0.42%, 0.57%

LAB 74.8, -11.25, 44.57

 

CMYK 0 / 2 / 75 / 54

HEX #76741D

RGB 118 116 29

HSL 58.65, 0.61%, 0.29%

LAB 47.53, -10.19, 45.36

 

CMYK 0 / 3 / 90 / 60

HEX #65620A

RGB 101 98 10

HSL 58.02, 0.82%, 0.22%

LAB 40.45, -8.94, 44.6

 

CMYK 0 / 5 / 100 / 67

HEX #545000

RGB 84 80 0

HSL 57.14, 1%, 0.16%

LAB 33.18, -7.27, 41.21

 

CMYK 0 / 7 / 100 / 74

HEX #433E00

RGB 67 62 0

HSL 55.52, 1%, 0.13%

LAB 25.68, -5.19, 34.51

 

CMYK 0 / 12 / 100 / 80

HEX #322C00

RGB 50 44 0

HSL 52.8, 1%, 0.1%

LAB 17.83, -2.96, 25.56

 

CMYK 0 / 2 / 76 / 53

HEX #77751C

RGB 119 117 28

HSL 58.68, 0.62%, 0.29%

LAB 47.92, -10.32, 46.13

 

CMYK 0 / 23 / 76 / 53

HEX #775C1C

RGB 119 92 28

HSL 42.2, 0.62%, 0.29%

LAB 40.67, 4.06, 39.13

 

CMYK 0 / 43 / 76 / 53

HEX #77441C

RGB 119 68 28

HSL 26.37, 0.62%, 0.29%

LAB 34.27, 18.44, 32.63

 

CMYK 0 / 63 / 76 / 53

HEX #772C1C

RGB 119 44 28

HSL 10.55, 0.62%, 0.29%

LAB 28.92, 31.87, 26.88

 

CMYK 0 / 76 / 76 / 53

HEX #771C1C

RGB 119 28 28

HSL 0, 0.62%, 0.29%

LAB 26.26, 39.06, 23.9

 

CMYK 0 / 2 / 76 / 53

HEX #77751C

RGB 119 117 28

HSL 58.68, 0.62%, 0.29%

LAB 47.92, -10.32, 46.13

 

CMYK 19 / 0 / 76 / 53

HEX #60771C

RGB 96 119 28

HSL 75.16, 0.62%, 0.29%

LAB 46.66, -21.87, 44.28

 

CMYK 39 / 0 / 76 / 53

HEX #48771C

RGB 72 119 28

HSL 90.99, 0.62%, 0.29%

LAB 45.16, -31.74, 42.29

 

CMYK 60 / 0 / 76 / 53

HEX #30771C

RGB 48 119 28

HSL 106.81, 0.62%, 0.29%

LAB 44.1, -39.69, 40.89

 

CMYK 76 / 0 / 72 / 53

HEX #1C7721

RGB 28 119 33

HSL 123.3, 0.62%, 0.29%

LAB 43.58, -43.79, 38.14

 

CMYK 0 / 2 / 76 / 53

HEX #77751C

RGB 119 117 28

HSL 58.68, 0.62%, 0.29%

LAB 47.92, -10.32, 46.13

 

CMYK 0 / 2 / 88 / 49

HEX #838010

RGB 131 128 16

HSL 58.43, 0.78%, 0.29%

LAB 52.18, -11.2, 53.93

 

CMYK 0 / 2 / 97 / 44

HEX #8E8B04

RGB 142 139 4

HSL 58.7, 0.95%, 0.29%

LAB 56.31, -12.28, 59.81

 

CMYK 0 / 2 / 76 / 53

HEX #77751C

RGB 119 117 28

HSL 58.68, 0.62%, 0.29%

LAB 47.92, -10.32, 46.13

 

CMYK 0 / 2 / 63 / 58

HEX #6B6928

RGB 107 105 40

HSL 58.21, 0.46%, 0.29%

LAB 43.33, -8.46, 35.9

 

CMYK 0 / 1 / 45 / 63

HEX #5F5E34

RGB 95 94 52

HSL 58.6, 0.29%, 0.29%

LAB 39.05, -6.52, 24.16

 

CMYK 0 / 1 / 23 / 67

HEX #535240

RGB 83 82 64

HSL 56.84, 0.13%, 0.29%

LAB 34.49, -3.06, 10.74

 

CMYK 7 / 7 / 0 / 70

HEX #47474C

RGB 71 71 76

HSL 240, 0.03%, 0.29%

LAB 30.32, 1.14, -2.99

 

CMYK 0 / 44 / 76 / 53

HEX #77431C

RGB 119 67 28

HSL 25.71, 0.62%, 0.29%

LAB 34.02, 19.03, 32.37

 

CMYK 0 / 24 / 76 / 53

HEX #775B1C

RGB 119 91 28

HSL 41.54, 0.62%, 0.29%

LAB 40.39, 4.66, 38.85

 

CMYK 0 / 3 / 76 / 53

HEX #77741C

RGB 119 116 28

HSL 58.02, 0.62%, 0.29%

LAB 47.62, -9.77, 45.85

 

CMYK 18 / 0 / 76 / 53

HEX #62771C

RGB 98 119 28

HSL 73.85, 0.62%, 0.29%

LAB 46.81, -20.99, 44.47

 

CMYK 39 / 0 / 76 / 53

HEX #49771C

RGB 73 119 28

HSL 90.33, 0.62%, 0.29%

LAB 45.21, -31.36, 42.37

 

CMYK 0 / 2 / 77 / 80

HEX #34330C

RGB 52 51 12

HSL 58.5, 0.63%, 0.13%

LAB 20.53, -5.55, 23.81

 

CMYK 0 / 1 / 76 / 67

HEX #555414

RGB 85 84 20

HSL 59.08, 0.62%, 0.21%

LAB 34.65, -8.29, 35.47

 

CMYK 0 / 2 / 76 / 53

HEX #77751C

RGB 119 117 28

HSL 58.68, 0.62%, 0.29%

LAB 47.92, -10.32, 46.13

 

CMYK 0 / 2 / 76 / 40

HEX #989524

RGB 152 149 36

HSL 58.45, 0.62%, 0.37%

LAB 60.16, -12.17, 55.77

 

CMYK 0 / 2 / 76 / 27

HEX #B9B62C

RGB 185 182 44

HSL 58.72, 0.62%, 0.45%

LAB 72.2, -14.45, 65.24

 

CMYK 0 / 2 / 75 / 54

HEX #76741D

RGB 118 116 29

HSL 58.65, 0.61%, 0.29%

LAB 47.53, -10.19, 45.36

 

CMYK 76 / 0 / 64 / 53

HEX #1C772B

RGB 28 119 43

HSL 129.89, 0.62%, 0.29%

LAB 43.68, -42.65, 33.65

 

CMYK 34 / 76 / 0 / 53

HEX #4F1C77

RGB 79 28 119

HSL 273.63, 0.62%, 0.29%

LAB 23.08, 40.82, -42.02

 

CMYK 0 / 2 / 75 / 54

HEX #76741D

RGB 118 116 29

HSL 58.65, 0.61%, 0.29%

LAB 47.53, -10.19, 45.36

 

CMYK 76 / 0 / 3 / 53

HEX #1C7774

RGB 28 119 116

HSL 178.02, 0.62%, 0.29%

LAB 45.22, -26.07, -5.85

 

CMYK 3 / 76 / 0 / 53

HEX #741C77

RGB 116 28 119

HSL 298.02, 0.62%, 0.29%

LAB 29.1, 48.89, -32.03

 

CMYK 0 / 2 / 75 / 54

HEX #76741D

RGB 118 116 29

HSL 58.65, 0.61%, 0.29%

LAB 47.53, -10.19, 45.36

 

CMYK 76 / 0 / 64 / 53

HEX #1C772B

RGB 28 119 43

HSL 129.89, 0.62%, 0.29%

LAB 43.68, -42.65, 33.65

 

CMYK 76 / 74 / 0 / 53

HEX #1C1F77

RGB 28 31 119

HSL 238.02, 0.62%, 0.29%

LAB 18.18, 30.81, -50.26

 

CMYK 0 / 76 / 13 / 53

HEX #771C68

RGB 119 28 104

HSL 309.89, 0.62%, 0.29%

LAB 28.78, 47.07, -22.9

 

CMYK 0 / 2 / 75 / 54

HEX #76741D

RGB 118 116 29

HSL 58.65, 0.61%, 0.29%

LAB 47.53, -10.19, 45.36

 

CMYK 76 / 0 / 41 / 53

HEX #1C7746

RGB 28 119 70

HSL 147.69, 0.62%, 0.29%

LAB 44.06, -38.13, 19.64

 

CMYK 76 / 74 / 0 / 53

HEX #1C1F77

RGB 28 31 119

HSL 238.02, 0.62%, 0.29%

LAB 18.18, 30.81, -50.26

 

CMYK 0 / 76 / 36 / 53

HEX #771C4C

RGB 119 28 76

HSL 328.35, 0.62%, 0.29%

LAB 27.5, 43.12, -6.48

 

Description

Color code: HEX #76741D | qconv.com Color code: HEX #76741D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 116 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 116 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 75 yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 75% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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