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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #766D96 it is the complementary color #899269. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #766D96. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #766D96 shade: #7B6D91, #8C7FA4, #9D91B7, #AEA3CA and #BFB5DD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #766D96. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #766D96 shade: #766D96, #655B83, #544970, #43375D and #32254A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #766D96 shade: #766E96, #816E96, #8C6E96, #966E94 and #966E8A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #766D96 shade: #766E96 and #6E6E96

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #766D96 shade matches the following richer shades: #766E96, #6B59AA, #6045BE, #5431D2 and #491DE6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #766D96 shade: #766E96, #828281, #8D966D, #98AA59 and #A4BE45

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #766D96 shade: #6E7A96, #6E7096, #766E96, #816E96 and #8C6E96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #766D96 shade: #504A66, #635B7E, #766E96, #8D85A7 and #A39DB8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #766D96 shade: #766D96, #966E85 and #75966E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #766D96 shade: #766D96, #96766E and #6E9676

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #766D96 shade: #766D96, #966E85, #8D966E and #6E967E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #766D96 shade: #766D96, #966E79, #8D966E and #6E968A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 27 / 0 / 41

HEX #766D96

RGB 118 109 150

HSL 253.17, 0.16%, 0.51%

LAB 48.25, 12.54, -21.03

 

Complementary color

CMYK 6 / 0 / 28 / 43

HEX #899269

RGB 137 146 105

HSL 73.17, 0.16%, 0.49%

LAB 58.88, -10.52, 20.7

 

CMYK 15 / 25 / 0 / 43

HEX #7B6D91

RGB 123 109 145

HSL 263.33, 0.14%, 0.5%

LAB 48.5, 13.03, -17.64

 

CMYK 15 / 23 / 0 / 36

HEX #8C7FA4

RGB 140 127 164

HSL 261.08, 0.17%, 0.57%

LAB 55.52, 12.55, -17.9

 

CMYK 14 / 21 / 0 / 28

HEX #9D91B7

RGB 157 145 183

HSL 258.95, 0.21%, 0.64%

LAB 62.37, 12.11, -18.18

 

CMYK 14 / 19 / 0 / 21

HEX #AEA3CA

RGB 174 163 202

HSL 256.92, 0.27%, 0.72%

LAB 69.08, 11.72, -18.47

 

CMYK 14 / 18 / 0 / 13

HEX #BFB5DD

RGB 191 181 221

HSL 255, 0.37%, 0.79%

LAB 75.67, 11.35, -18.77

 

CMYK 21 / 27 / 0 / 41

HEX #766D96

RGB 118 109 150

HSL 253.17, 0.16%, 0.51%

LAB 48.25, 12.54, -21.03

 

CMYK 23 / 31 / 0 / 49

HEX #655B83

RGB 101 91 131

HSL 255, 0.18%, 0.44%

LAB 41.04, 13.11, -20.89

 

CMYK 25 / 35 / 0 / 56

HEX #544970

RGB 84 73 112

HSL 256.92, 0.21%, 0.36%

LAB 33.6, 13.77, -20.81

 

CMYK 28 / 41 / 0 / 64

HEX #43375D

RGB 67 55 93

HSL 258.95, 0.26%, 0.29%

LAB 25.91, 14.57, -20.8

 

CMYK 32 / 50 / 0 / 71

HEX #32254A

RGB 50 37 74

HSL 261.08, 0.33%, 0.22%

LAB 17.9, 15.55, -20.87

 

CMYK 21 / 27 / 0 / 41

HEX #766E96

RGB 118 110 150

HSL 252, 0.16%, 0.51%

LAB 48.52, 11.94, -20.61

 

CMYK 14 / 27 / 0 / 41

HEX #816E96

RGB 129 110 150

HSL 268.5, 0.16%, 0.51%

LAB 49.52, 15.64, -18.99

 

CMYK 7 / 27 / 0 / 41

HEX #8C6E96

RGB 140 110 150

HSL 285, 0.16%, 0.51%

LAB 50.6, 19.42, -17.24

 

CMYK 0 / 27 / 1 / 41

HEX #966E94

RGB 150 110 148

HSL 303, 0.16%, 0.51%

LAB 51.58, 22.52, -14.48

 

CMYK 0 / 27 / 8 / 41

HEX #966E8A

RGB 150 110 138

HSL 318, 0.16%, 0.51%

LAB 51.23, 20.6, -9.11

 

CMYK 21 / 27 / 0 / 41

HEX #766E96

RGB 118 110 150

HSL 252, 0.16%, 0.51%

LAB 48.52, 11.94, -20.61

 

CMYK 27 / 27 / 0 / 41

HEX #6E6E96

RGB 110 110 150

HSL 240, 0.16%, 0.51%

LAB 47.84, 9.34, -21.71

 

CMYK 21 / 27 / 0 / 41

HEX #766E96

RGB 118 110 150

HSL 252, 0.16%, 0.51%

LAB 48.52, 11.94, -20.61

 

CMYK 37 / 48 / 0 / 33

HEX #6B59AA

RGB 107 89 170

HSL 253.33, 0.32%, 0.51%

LAB 43.02, 26.7, -41.1

 

CMYK 49 / 64 / 0 / 25

HEX #6045BE

RGB 96 69 190

HSL 253.39, 0.48%, 0.51%

LAB 38.66, 41.9, -59.94

 

CMYK 60 / 77 / 0 / 18

HEX #5431D2

RGB 84 49 210

HSL 253.04, 0.64%, 0.51%

LAB 35.47, 56.44, -76.85

 

CMYK 68 / 87 / 0 / 10

HEX #491DE6

RGB 73 29 230

HSL 253.13, 0.8%, 0.51%

LAB 34, 68.77, -90.8

 

CMYK 21 / 27 / 0 / 41

HEX #766E96

RGB 118 110 150

HSL 252, 0.16%, 0.51%

LAB 48.52, 11.94, -20.61

 

CMYK 0 / 0 / 1 / 49

HEX #828281

RGB 130 130 129

HSL 60, 0%, 0.51%

LAB 54.34, -0.19, 0.53

 

CMYK 6 / 0 / 27 / 41

HEX #8D966D

RGB 141 150 109

HSL 73.17, 0.16%, 0.51%

LAB 60.41, -10.49, 20.6

 

CMYK 11 / 0 / 48 / 33

HEX #98AA59

RGB 152 170 89

HSL 73.33, 0.32%, 0.51%

LAB 66.63, -19.07, 39.42

 

CMYK 14 / 0 / 64 / 25

HEX #A4BE45

RGB 164 190 69

HSL 72.89, 0.48%, 0.51%

LAB 72.99, -25.89, 56.2

 

CMYK 27 / 19 / 0 / 41

HEX #6E7A96

RGB 110 122 150

HSL 222, 0.16%, 0.51%

LAB 51.19, 2.19, -16.58

 

CMYK 27 / 25 / 0 / 41

HEX #6E7096

RGB 110 112 150

HSL 237, 0.16%, 0.51%

LAB 48.39, 8.13, -20.86

 

CMYK 21 / 27 / 0 / 41

HEX #766E96

RGB 118 110 150

HSL 252, 0.16%, 0.51%

LAB 48.52, 11.94, -20.61

 

CMYK 14 / 27 / 0 / 41

HEX #816E96

RGB 129 110 150

HSL 268.5, 0.16%, 0.51%

LAB 49.52, 15.64, -18.99

 

CMYK 7 / 27 / 0 / 41

HEX #8C6E96

RGB 140 110 150

HSL 285, 0.16%, 0.51%

LAB 50.6, 19.42, -17.24

 

CMYK 22 / 27 / 0 / 60

HEX #504A66

RGB 80 74 102

HSL 252.86, 0.16%, 0.35%

LAB 33.05, 9.09, -15.4

 

CMYK 21 / 28 / 0 / 51

HEX #635B7E

RGB 99 91 126

HSL 253.71, 0.16%, 0.43%

LAB 40.64, 11.16, -18.48

 

CMYK 21 / 27 / 0 / 41

HEX #766E96

RGB 118 110 150

HSL 252, 0.16%, 0.51%

LAB 48.52, 11.94, -20.61

 

CMYK 16 / 20 / 0 / 35

HEX #8D85A7

RGB 141 133 167

HSL 254.12, 0.16%, 0.59%

LAB 57.3, 10.08, -16.91

 

CMYK 11 / 15 / 0 / 28

HEX #A39DB8

RGB 163 157 184

HSL 253.33, 0.16%, 0.67%

LAB 66.03, 7.56, -13.16

 

CMYK 21 / 27 / 0 / 41

HEX #766D96

RGB 118 109 150

HSL 253.17, 0.16%, 0.51%

LAB 48.25, 12.54, -21.03

 

CMYK 0 / 27 / 11 / 41

HEX #966E85

RGB 150 110 133

HSL 325.5, 0.16%, 0.51%

LAB 51.07, 19.69, -6.41

 

CMYK 22 / 0 / 27 / 41

HEX #75966E

RGB 117 150 110

HSL 109.5, 0.16%, 0.51%

LAB 58.71, -19.5, 17.45

 

CMYK 21 / 27 / 0 / 41

HEX #766D96

RGB 118 109 150

HSL 253.17, 0.16%, 0.51%

LAB 48.25, 12.54, -21.03

 

CMYK 0 / 21 / 27 / 41

HEX #96766E

RGB 150 118 110

HSL 12, 0.16%, 0.51%

LAB 52.47, 11.25, 9.17

 

CMYK 27 / 0 / 21 / 41

HEX #6E9676

RGB 110 150 118

HSL 132, 0.16%, 0.51%

LAB 58.45, -20.53, 12.52

 

CMYK 21 / 27 / 0 / 41

HEX #766D96

RGB 118 109 150

HSL 253.17, 0.16%, 0.51%

LAB 48.25, 12.54, -21.03

 

CMYK 0 / 27 / 11 / 41

HEX #966E85

RGB 150 110 133

HSL 325.5, 0.16%, 0.51%

LAB 51.07, 19.69, -6.41

 

CMYK 6 / 0 / 27 / 41

HEX #8D966E

RGB 141 150 110

HSL 73.5, 0.16%, 0.51%

LAB 60.43, -10.34, 20.07

 

CMYK 27 / 0 / 16 / 41

HEX #6E967E

RGB 110 150 126

HSL 144, 0.16%, 0.51%

LAB 58.63, -18.94, 8.26

 

CMYK 21 / 27 / 0 / 41

HEX #766D96

RGB 118 109 150

HSL 253.17, 0.16%, 0.51%

LAB 48.25, 12.54, -21.03

 

CMYK 0 / 27 / 19 / 41

HEX #966E79

RGB 150 110 121

HSL 343.5, 0.16%, 0.51%

LAB 50.71, 17.62, 0.16

 

CMYK 6 / 0 / 27 / 41

HEX #8D966E

RGB 141 150 110

HSL 73.5, 0.16%, 0.51%

LAB 60.43, -10.34, 20.07

 

CMYK 27 / 0 / 8 / 41

HEX #6E968A

RGB 110 150 138

HSL 162, 0.16%, 0.51%

LAB 58.94, -16.37, 1.88

 

Description

Color code: HEX #766D96 | qconv.com Color code: HEX #766D96 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 109 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 109 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 27 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 27% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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